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Musical course - Solfege
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1
Toccata
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1217090 Composed by Hector Berl…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1217090 Composed by Hector Berlioz. Arranged by Derrick Thom. Lewis. Instructional,Romantic Period. Score and Parts. 22 pages. Derrick Thom. Lewis #813626. Published by Derrick Thom. Lewis (A0.1217090). This is a “toccata†for whom? Answer: the celli, basses, bassoons and tuba, for this is a workout for those often under-challenged members. In addition, this a gem of a piece as regards its wonderfully concise construction and simple, satisfying form. It is historically ironic, given Berlioz' wild public image and antipathy to musical authority, that he could produce such a work as this so effortlessly, a product a pure intellect without seeming passion. This could serve as an effective curtain-raiser or a daily exercise in general rehearsal. As many characteristics of the composer as I could manage are to be found in this arrangement, viz. Tbn. on melody, High viola the same, W/w tremolos, Fl./vl. Unison melody, --thereby (hopefully) evoking the Corsair Overture, Harold in Italy, Sym.Fantastique, Nuits d'Éte.
$72.00
65.03 €
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Orchestra
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Hector Berlioz
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Toccata
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Derrick Thom. Lewis
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.02 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Diehnelt: Striadica - A Symphonic Passage - SCORE
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
8.12 €
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Orchestra
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Kim Diehnelt
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Diehnelt: Striadica - A Symphonic Passage - SCORE
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Kim Diehnelt
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SheetMusicPlus
Like a River Glorious
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. …
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Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
40.65 €
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Orchestra
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WYE VALLEY
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Like a River Glorious
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WheatMyer Music
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SheetMusicPlus
EP!C!!!
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.13 €
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Orchestra
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
God of Beauty, Truth, and Goodness - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2882L Composed by Sandra T. Ford. Arranged …
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Orchestra - Digital Download SKU: LX.30-2882L Composed by Sandra T. Ford. Arranged by Mary McDonald. Sacred Anthem, Christ the King, General, Lent. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet Music #e30/2882L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2882L). Mary McDonald's arrangement is a song of prayer asking God to strengthen His people so that they may stand for justice, help the helpless, and live by faith. It ends in a joyful alleluia and a reminder that as we sing, God is singing over us too. Orchestration by Douglas Smith for 2 Fl, Ob, 2 Cl, Hn, 3 Tpt, 2 Tbn, Tuba, Pno, Perc, Timp, 2 Vln, Vla, Cello Bass.
$69.95
63.18 €
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Orchestra
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Sandra T
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God of Beauty, Truth, and Goodness - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
108.39 €
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Orchestra
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
108.39 €
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Orchestra
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.02 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
What Child We Sing?
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
67.74 €
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Orchestra
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Robert Myers
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What Child We Sing?
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WheatMyer Music
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SheetMusicPlus
Melodic Echoing
Orchestra
Full Orchestra - Digital Download SKU: A0.1202802 Composed by Amphibia Cultural Leg…
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Full Orchestra - Digital Download SKU: A0.1202802 Composed by Amphibia Cultural Legacy. Broadway,Classical,Film/TV,Musical/Show,New Age,Spiritual. Score and parts. 7 pages. Amphibia Cultural Legacy #801566. Published by Amphibia Cultural Legacy (A0.1202802). Melodic Echoing is a mesmerizing orchestral cover by Amphibia Cultural Legacy based on the original music from The Four Seasons 2009 New Lynn School concert. This beautiful piece of music takes you on an enchanting journey through the four seasons, as each season has its unique melody and rhythm. The music is so captivating that it will transport you to a world of magic and wonder.Amphibia Cultural Legacy has done an incredible job of reimagining this classic piece of music with its unique style and flair. Their use of different instruments creates a rich tapestry of sound that is both soothing and uplifting at the same time. The orchestra's ability to blend seamlessly makes for an incredibly cohesive performance showcasing their musical talents and abilities.
$50.00
45.16 €
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Orchestra
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Amphibia Cultural Legacy
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Melodic Echoing
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Amphibia Cultural Legacy
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SheetMusicPlus
Tribute
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1431279 Composed by Yanni. Arra…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1431279 Composed by Yanni. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contemporary,Jazz,Opera. 89 pages. Charles Effiong Otok (C violin). #1011738. Published by Charles Effiong Otok (C violin). (A0.1431279). A Carefully Mastered Sheet Music Score for Orchestral Performance and Personal practice pleasure, with all vocal and instrument parts here-in separately embeded. Born from the necessity for a Standard Orchestral Score so as to play this lovely piece by Yanni. Hence the Sleepless nights for months to get this done and finally mastered for the enjoyment and pleasure of Professional/ Beginner Musicians who wish to have in their hands a Standard Sheet Music Score to the various instrument parts of Yanni's Tribute. This is also a great Opportunity for Music Students also to share in the pleasure of finally being able to learn to play the lines and phrases to this piece from a printable Sheet Music Score. See YouTube video above to preview content.
$49.99
45.15 €
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Orchestra
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Yanni
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Tribute
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Charles Effiong Otok
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
61.42 €
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Orchestra
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Clair de Lune "Moonlight" (from "Suite Bergamasque")
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1251990 Composed by Claude Debu…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1251990 Composed by Claude Debussy. Arranged by Arianna Cunningham. Classical,Romantic Period. 51 pages. Arianna Cunningham #846171. Published by Arianna Cunningham (A0.1251990). Recently, my piano teacher recommended me to learn Clair de Lune sometime, after she demonstrated it to me during one of my lessons. I couldn't get this beautiful romantic-like piece out of my head, so I've decided to make an orchestra arrangement.Not only I'm sharing this arrangement vfor you all, but I'm also gathering a few of my friends to make a more live version, hence most of them are multi-instrumentalists and can cover most of the parts available.
$30.00
27.1 €
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Orchestra
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Claude Debussy
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Clair de Lune "Moonlight"
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Arianna Cunningham
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SheetMusicPlus
Chinatown - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Golds…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
4.51 €
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Orchestra
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Jerry Goldsmith
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Moon River
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1219766 By Henry Mancini. By He…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1219766 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Laurent Lemmens. Film/TV. Score and Parts. 32 pages. Laurent Lemmens #814129. Published by Laurent Lemmens (A0.1219766). Are you searching for a symphonic work for your next concert? What better way to captivate your audience than with a beautiful rendition of a beloved film classic? This symphonic arrangement of the timeless Moon River from the blockbuster 'Breakfast At Tiffany's', composed by Henry Mancini and Johnny Mercer, is the perfect addition to your orchestra's repertoire. It embodies the tranquil character of the song through intimate woodwind solos, and the feelings of longing and nostalgia culminate in intense tutti passages. Its calmer sections with harp and soft melodic percussion resemble a music box-like atmosphere, taking the listener on a gentle journey along the moonlit river.The instrumentation for this piece is as follows: 1 Piccolo, 2 Flutes, 2 Oboes, 1 Cor Anglais, 2 Clarinets in Bb, 1 Bass Clarinet in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, 1 Bass Trombone, 1 Tuba, 1 Timpani, 1 Cymbals, 1 Vibraphone, 1 Celesta, 1 Harp, 8 Violin I, 8 Violin II, 6 Violas, 6 Celli, 4 Double Basses.If you'd like to contact the arranger, you can do so via laurent.lemmens@plagal.eu.
$49.99
45.15 €
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Orchestra
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Henry Mancini
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Moon River
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Laurent Lemmens
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SheetMusicPlus
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