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Sole, Sole, Sole
Not classified
478
Piano & keyboards
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336
Piano, Voice
270
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125
Organ
91
Easy Piano
82
2 Pianos, 4 hands
23
C Instruments
20
Accordion
12
Piano Accompaniment
9
Piano Trio: piano, violin, cello
7
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4
1 Piano, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
1
2 Accordions
1
Big Note Piano
1
Harpsichord
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
38
Guitar
30
Melody line, (Lyrics) and Chords
13
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7
Ukulele
4
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3
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3
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2
3 Guitars (trio)
1
Bass guitar
1
+ 5 instrumentations
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Retract
Voice
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235
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64
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42
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26
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26
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22
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21
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17
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11
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6
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5
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High voice
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Mezzo-Soprano voice, Piano
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Voice, Basso continuo
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Choral Instrumental Pak
1
+ 15 instrumentations
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Retract
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59
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50
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28
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27
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25
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25
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24
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23
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22
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21
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19
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17
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15
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14
Oboe
14
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2
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2
Saxophone and Harp
2
Flute, Clarinet and Bassoon.
2
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1
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1
5 Recorders
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Oboe, Harp
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1
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1
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1
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1
Clarinet, Orchestra
1
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1
2 Clarinets, Piano
1
Flute, Viola and Piano
1
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1
Flute, Clarinet, Piano (trio)
1
Flute, Oboe, Piano (trio)
1
Flute, Organ (duet)
1
+ 80 instrumentations
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Retract
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Brass quartet : 2 trumpets, trombone, tuba
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
39
Trumpet
27
Trombone and Piano
21
Trumpet, Piano
21
French horn
17
Trombone
17
Trombone (band part)
17
French Horn and Piano
12
Trombone ensemble
11
Tuba
9
Trumpet (band part)
8
French horn (band part)
8
Euphonium
7
Tuba and Piano
6
Brass Quartet: 4 trombones
6
Brass Quartet: 4 horns
6
Tuba (band part)
5
Brass Quartet
5
2 Trumpets (duet)
4
Trumpet, Horn (duert)
4
Brass Quartet: 2 trumpets, horn, trombone
3
Euphonium, Piano (duet)
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4 Tubas
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2
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2 Tubas (duet)
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1
2 French horns, Piano
1
2 French horns (duet)
1
Trombone, Horn (duet)
1
+ 39 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
66
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51
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35
Violin
29
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26
Cello
18
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15
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15
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14
Viola
14
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11
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8
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7
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6
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5
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5
String Trio: violin, viola, cello
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4
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Harp, Trombone (duet)
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3
String Quartet : 4 violas
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Viola, Cello (duet)
2
4 Cellos
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Viola, Guitar (duet)
2
String quartet: 4 violins
2
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2
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2
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1
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1
String trio
1
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1
Harp, Violin (duet)
1
String Trio: 3 violas
1
Harp, Cello (duet)
1
Violin, Clarinet, Piano (trio)
1
+ 41 instrumentations
-
Retract
Orchestra & Percussion
Concert band
124
Handbells
116
String Orchestra
103
Orchestra
64
Chamber Orchestra
32
Brass ensemble
19
Percussion (band part)
6
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5
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4
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3
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3
Jazz combo
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2
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1
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1
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1
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1
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Sole, Sole, Sole
Orchestra
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64 sheet music found
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1
26
51
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
O Sole Mio
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Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
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Carolyn C
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Matt Amy
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O Sole Mio
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Matt Amy Music
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1415452 Composed by Carolyn C. Setliff, Eduardo Di Capua, and Giovanni Capurro. Arranged by Matt Amy....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1415452 Composed by Carolyn C. Setliff, Eduardo Di Capua, and Giovanni Capurro. Arranged by Matt Amy. Classical,Contemporary,Opera. 86 pages. Matt Amy Music #997187. Published by Matt Amy Music (A0.1415452). Key: G majorBPM: 72Style: AriaDuration: 3:29â?? Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): O Sole Mio (MIDI)Instrumentation- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt hereÂ
$50.00
Hymne au soleil - Orchestra and Choir
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Orchestra
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INTERMEDIATE
#
Contemporary
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Juliette Marie Olga
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Andrew Middleton
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Hymne au soleil - Orchestra an
#
Andrew Middleton
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.736125 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Andrew Middleton. 20th Century. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.736125 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Andrew Middleton. 20th Century. Score and parts. 74 pages. Andrew Middleton #6347429. Published by Andrew Middleton (A0.736125). Originally composed for choir and piano in 1912 by Lili Boulanger, Hymne au Soleil, is an exciting piece and ideal of any intermediate orchestra and choir. Cues are included so it can be performed without choir if needed. This download includes a complete score and parts, including clarinet parts in both A and B flat and Trumpet parts in C and B flat.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$29.99
Marche Solennelle Athalia
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Orchestra
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EASY
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F
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Ester Alessandrini
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Marche Solennelle Athalia
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ester
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1460994 Composed by F.B.Mendelsshon. Arranged by Ester Alessandrini. 19th Century,Classical,Instructi...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1460994 Composed by F.B.Mendelsshon. Arranged by Ester Alessandrini. 19th Century,Classical,Instructional,Romantic Period,Wedding. 63 pages. Ester #1039903. Published by ester (A0.1460994). Easy arrangement for school orchestra.
$32.00
Fratello sole, sorella luna
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Orchestra
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EASY
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Riz Ortolani
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Marco Beretta
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Fratello sole, sorella luna
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Warp
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1493694 Composed by Riz Ortolani. Arranged by Marco Beretta. Christmas,Classical,Film/TV,Sacred,Spiri...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1493694 Composed by Riz Ortolani. Arranged by Marco Beretta. Christmas,Classical,Film/TV,Sacred,Spiritual. 44 pages. Warp #1070357. Published by Warp (A0.1493694).
$65.57
O Sole Mio
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Orchestra
#
BEGINNER
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Edwardo Di Capua
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O Sole Mio
#
SheetmusicLAB
#
SheetMusicPlus
Orchestra (Fl, Ob, Cl, Bn, SD, BD, Pf, Vn, Vn, Va, Vc) - Primer Level - Digital Download SKU: P5.ET-WOR-3659 Composed by Edwardo Di Capua. World. Score a...
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Orchestra (Fl, Ob, Cl, Bn, SD, BD, Pf, Vn, Vn, Va, Vc) - Primer Level - Digital Download SKU: P5.ET-WOR-3659 Composed by Edwardo Di Capua. World. Score and Parts. 18 pages. SheetmusicLAB #ET-WOR-3659. Published by SheetmusicLAB (P5.ET-WOR-3659). 8.3 x 11.7 inches.
$75.00
O Sole Mio
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Orchestra
#
BEGINNER
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Edwardo Di Capua
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O Sole Mio
#
SheetmusicLAB
#
SheetMusicPlus
Orchestra (Flute, Clarinet, Violin, Violin, Viola, Cello, Piano) - Primer Level - Digital Download SKU: P5.ET-WOR-3785 Composed by Edwardo Di Capua. Worl...
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Orchestra (Flute, Clarinet, Violin, Violin, Viola, Cello, Piano) - Primer Level - Digital Download SKU: P5.ET-WOR-3785 Composed by Edwardo Di Capua. World. Score and Parts. 20 pages. SheetmusicLAB #ET-WOR-3785. Published by SheetmusicLAB (P5.ET-WOR-3785). 8.3 x 11.7 inches.
$66.67
O Sole Mio Easy Version
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Orchestra
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BEGINNER
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Edwardo Di Capua
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O Sole Mio Easy Version
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SheetmusicLAB
#
SheetMusicPlus
Orchestra (Flute, Clarinet, Alto Saxophone, Violin, Cello, Piano) - Beginning - Digital Download SKU: P5.ET-WOR-22224 Easy version. Composed by Ed...
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Orchestra (Flute, Clarinet, Alto Saxophone, Violin, Cello, Piano) - Beginning - Digital Download SKU: P5.ET-WOR-22224 Easy version. Composed by Edwardo Di Capua. World. Score and Parts. 14 pages. SheetmusicLAB #ET-WOR-22224. Published by SheetmusicLAB (P5.ET-WOR-22224). 8.3 x 11.7 inches.
$29.17
O Sole Mio, For Low Male Voice, Full Orchestra
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Orchestra
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EASY
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Contemporary
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Eduardo Di Capua, Giovanni Cap
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Miguel Barrera
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O Sole Mio, For Low Male Voice
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Alfil
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.811492 Composed by Eduardo Di Capua, Giovanni Capurro. Arranged by Miguel Barrera. Contemporary. Scor...
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Full Orchestra - Level 2 - Digital Download SKU: A0.811492 Composed by Eduardo Di Capua, Giovanni Capurro. Arranged by Miguel Barrera. Contemporary. Score and parts. 61 pages. Alfil #3530183. Published by Alfil (A0.811492).
$38.90
O Sole Mio, For High voice, Full Orchestra
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Orchestra
#
Contemporary
#
Eduardo Di Capua, Giovanni Cap
#
Miguel Barrera
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O Sole Mio, For High voice, Fu
#
Alfil
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.811494 Composed by Eduardo Di Capua, Giovanni Capurro. Arranged by Miguel Barrera. Contemporary. Score and part...
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Full Orchestra - Digital Download SKU: A0.811494 Composed by Eduardo Di Capua, Giovanni Capurro. Arranged by Miguel Barrera. Contemporary. Score and parts. 61 pages. Alfil #3530625. Published by Alfil (A0.811494).
$38.90
TE DEUM - Score Only
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Orchestra
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Sacred music
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #71...
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Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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Orchestra
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Sacred music
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para piano
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OE OFICINA
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #71...
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Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
Suspensión de Soledad en 3 Tiempos
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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William Ortiz
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Suspensión de Soledad en 3 Ti
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ort...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Published by William Ortiz (A0.1008988). A work for Symphony Orchestra which consists of three movements: ArmonÃa Bilingüe, Marcha and Beat Box. This is a work were rhythm takes over to articulate a contemporary and empirical sound world. It is born of my admiration of popular culture and presents no pretensions. The title signifies a suspension, an absence or a liberation from the prejudice of dogmatic elitist musical thinking and styles that have stigmatized symphonic music. The first movement generates the source material of which the whole work is based. Rhythm , the principal element of the piece, is used as a continuo, serving to connect all three movements. It is especially highlighted in the second movement which is a kind of instrumental rap. The final movement Beat Box alludes to the large portable radios, aka ghetto blasters, popular at one time in urban neighborhoods. Thus I conceive the orchestra here as a large radio were music changes from one station to another transmitting and transforming wireless sound vibrations into different moods and grooves.
$45.00
Fandango
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Orchestra
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Hans Werner Henze
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II: Tamb
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Fandango
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q3133 On a ground bass by Padre Soler. Composed by Hans Werner Henze. This edition: study score. Music Of Our...
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Orchestra - Digital Download SKU: S9.Q3133 On a ground bass by Padre Soler. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q3133. Published by Schott Music - Digital (S9.Q3133). 3 (2. auch Picc., 3. auch Altfl.) * 2 * Engl. Hr. * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 * 1 * Basspos. * 1 - P. S. (I: 3 hg. Beck. * Beckenpaar * 3 Tamt. * Sistra * Vibr.; II: Tamb. * Mil. Tr. * Trinidad Steel Drum * Mar. * Marimba; III: 3 Tamt. * 3 Tomt. * gr. Tr. * Guiro * Glsp.) (3 Spieler) - 2 Hfn. * Klav. (auch Cel.) - Str.3 (2. auch Picc., 3. auch Altfl.) · 2 · Engl. Hr. · 3 (3. auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 3 · 1 · Basspos. · 1 - P. S. (I: 3 hg. Beck. · Beckenpaar · 3 Tamt. · Sistra · Vibr.; II: Tamb. · Mil. Tr. · Trinidad Steel Drum · Mar. · Marimba; III: 3 Tamt. · 3 Tomt. · gr. Tr. · Guiro · Glsp.) (3 Spieler) - 2 Hfn. · Klav. (auch Cel.) - Str.
$47.99
Ikons
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Orchestra
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Publish...
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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
Halloween Theme
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Orchestra
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INTERMEDIATE
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Halloween
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
When A Child Is Born
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Orchestra
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INTERMEDIATE
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Andrea Bocelli
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Kevin Riley
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When A Child Is Born
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1112761 By Andrea Bocelli. By Alberto Salerno, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1112761 By Andrea Bocelli. By Alberto Salerno, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jay (trans.), and Maurizio Seymandi. Arranged by Kevin Riley. 20th Century,Christmas. Score and parts. 30 pages. Kevin Riley #714753. Published by Kevin Riley (A0.1112761). When A Child Is Born is a popular Christmas song. The original melody was Soleado, a tune from 1974 by Ciro Dammicco (alias Zacar), composer for Italy's Daniel Sentacruz Ensemble, and Dario Baldan Bembo. The tune was based on Damicco's earlier tune Le rose blu published in 1972. The English language lyrics were written a few years later by Fred Jay (Friedrich Alex Jacobson IPI number 00015195204, who wrote many hits for Boney M such as Rasputin and Ma Baker). They do not make specific mention of Christmas. Fred Jay's lyrics have been sung by many artists, first version by Michael Holm in 1974 but most successfully by Johnny Mathis in 1976, whose version was the Christmas number one of that year in the UK.
$60.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Messa in Do minore "De Resurrectione Domini" - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Uberto Pieroni
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Uberto Pieroni
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Messa in Do minore "De Resurre
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Editori vari
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.745309 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Classical,Multi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.745309 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Classical,Multicultural,Praise & Worship,Sacred,World. Score and parts. 93 pages. Editori vari #353321. Published by Editori vari (A0.745309). Composizione sacra per Coro misto e Orchestra Sinfonica per la solennità Pasquale.
$30.00
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 2...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
IAN BUTTERWORTH Jingle Bells for full orchestra
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Orchestra
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INTERMEDIATE
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Christmas
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Ian Butterworth
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IAN BUTTERWORTH Jingle Bells f
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Ian Butterworth
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.963761 Composed by Ian Butterworth. Christmas,Contemporary. Score and Parts. 56 pages. Ian Butterwort...
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Full Orchestra - Level 3 - Digital Download SKU: A0.963761 Composed by Ian Butterworth. Christmas,Contemporary. Score and Parts. 56 pages. Ian Butterworth #6189889. Published by Ian Butterworth (A0.963761). This arrangement of the well known Christmas tune by John Lord Pierpont is designed to be performed either with or without voices. Orchestration: 1+1.2.2.2:4.2.2.0+T+perc. Copying of individual string parts for sole use by the puchaser is permitted.
$15.99
Down From His Glory--Parts.pdf
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Orchestra
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INTERMEDIATE/ADVANCED
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E
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Marilyn Thompsona
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Down From His Glory--Parts.pdf
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Marilyn Thompson
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Sco...
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Full Orchestra - Level 4 - Digital Download SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Score and parts. 32 pages. Marilyn Thompson #6293831. Published by Marilyn Thompson (A0.809593). The tune was adapted from that of the Italian song, O Sole Mio, recorded in 1916 by famous by opera star Enrico Caruso. William Emmanuel Booth-Clibborn, the grandson of William Booth, the founder of the Salvation Army, is the lyricist. Down from His Glory is likely more of a solo (and in this case a moving choral selection than a congregational hymn), but it speaks effectively of the Saviour’s willing condescension. The Orchestral Score and SATB/Piano are available on separate posts. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
$12.99
IAN BUTTERWORTH Camptown Races for orchestra
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Orchestra
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INTERMEDIATE
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Contemporary
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Ian Butterworth
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IAN BUTTERWORTH Camptown Races
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Ian Butterworth
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.963762 Composed by Ian Butterworth. Contemporary. Score and Parts. 52 pages. Ian Butterworth #6201359...
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Full Orchestra - Level 3 - Digital Download SKU: A0.963762 Composed by Ian Butterworth. Contemporary. Score and Parts. 52 pages. Ian Butterworth #6201359. Published by Ian Butterworth (A0.963762). This version of Stephen Foster's tune gives all sections of the orchestra a chance to shine: orchestration 2.2.2.2:2.2.2.1+T+perc. (tuba part is optional). Duration 3 mins approx. Copying of individual string parts for sole use by the puchaser is permitted.
$9.99
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