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--INSTRUMENTS--
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Song for a Friend
Not classified
708
Piano & keyboards
Piano solo
450
Easy Piano
358
Piano, Voice
170
Piano, Vocal and Guitar
157
C Instruments
45
Big Note Piano
25
1 Piano, 4 hands
23
Organ
16
Piano Trio: piano, violin, cello
11
Piano Accompaniment
9
2 Pianos, 4 hands
2
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, violin, viola, cello
1
Accordion
1
+ 9 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
27
Guitar
24
Ukulele
22
Melody line, (Lyrics) and Chords
9
2 Guitars (duet)
8
Bass guitar
5
Mandolin
4
4 Guitars (Quartet)
4
Lyrics and Chords
4
Piano, Guitar (duet)
3
Guitar, Violin, Cello (trio)
1
Dulcimer
1
Guitar Ensemble
1
Baritone Ukulele
1
Banjo
1
+ 10 instrumentations
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Retract
Voice
Choral 2-part
174
Choral SATB
163
Choral 3-part
101
Choral Unison
37
Choral TTBB
31
Choral SSAA
20
Vocal duet, Piano
13
Soprano voice, Piano
8
Vocal duet
6
Alto voice, Piano
4
Baritone voice, Piano
3
Tenor voice, Piano
3
Voice solo
3
Choral
2
High voice
2
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Soprano voice
1
Voice, Guitar
1
+ 14 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
68
Flute and Piano
64
Clarinet and Piano
58
Flute
49
Saxophone Quintet: 5 Saxophones
49
Oboe, Piano (duet)
48
Alto Saxophone and Piano
40
Clarinet
39
Alto Saxophone
39
2 Saxophones (duet)
37
Tenor Saxophone
27
Oboe
25
2 Flutes (duet)
23
Oboe (band part)
22
Soprano Saxophone and Piano
21
Flute, Clarinet (duet)
18
Tenor Saxophone and Piano
18
Flute, Oboe, Clarinet, Bassoon
16
2 Clarinets (duet)
15
Saxophone Quartet: 4 saxophones
14
Baritone Saxophone, Piano
14
Saxophone (band part)
14
2 Oboes (duet)
12
Soprano Saxophone
12
Flute, Trombone (duet)
11
Oboe, Clarinet (duet)
10
Oboe, Bassoon (duet)
10
English horn, Piano
8
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8
Clarinet Quartet: 4 clarinets
8
Flute, Violin
8
Clarinet, Violin (duet)
7
Baritone Saxophone
7
Clarinet, Bassoon (duet)
7
Clarinet Quintet: 5 clarinets
7
Flute Quintet : 5 flutes
7
3 Clarinets (trio)
7
Bass Clarinet, Piano
7
Flute, Oboe (duet)
6
Clarinet, Cello (duet)
6
3 Saxophones (trio)
6
Saxophone, Clarinet (duet)
6
Clarinet and Viola
6
Flute and Guitar
6
Saxophone ensemble
6
Flute, Violoncello
5
Oboe, Violin (duet)
4
Clarinet, Guitar (duet)
4
Flute Trio: 3 flutes
4
Flute Quartet: 4 flutes
4
English Horn
4
2 Recorders (duet)
4
Oboe, Flute
4
Flute, Trumpet (duet)
3
Oboe and viola (duet)
3
Oboe, Cello
3
Flute, Viola (duet)
3
Clarinet, Double bass (duet)
2
Descent (Soprano) Recorder, Piano
2
Flute, Violin, Piano
2
Treble (Alto) Recorder
2
Descant (Soprano) Recorder
2
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2
English Horn, Guitar (duet)
2
Clarinet, Trombone (duet)
2
Clarinet, Harp (duet)
2
Clarinet, Tuba
2
2 Clarinets, Piano
2
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2
Recorder, Piano
2
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1
Clarinet, Trumpet (duet)
1
Bass Clarinet
1
2 Saxophones, Piano
1
Recorder
1
Flute, Bassoon, and Piano
1
Flute ensemble
1
Oboe, Clarinet, Bassoon (trio)
1
3 Recorders (trio)
1
Treble (Alto) Recorder, Piano
1
Recorder Quartet
1
2 English horns and Pianoforte
1
Oboe, Trumpet (duet)
1
5 Recorders
1
2 Flutes, Piano
1
Pennywhistle
1
Flute, Oboe, Violin
1
2 Oboes, Piano
1
2 Flutes and Harp
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Guitar (duet)
1
Flute, Tuba (duet)
1
+ 87 instrumentations
-
Retract
Woodbrass
Trombone and Piano
57
Trumpet
51
Trumpet, Piano
39
Trombone
36
French Horn and Piano
35
Brass quartet : 2 trumpets, trombone, tuba
32
Brass Quintet: 2 trumpets, horn, trombone, tuba
31
French horn
28
Tuba and Piano
26
Tuba
23
2 Trombones (duet)
20
2 Trumpets (duet)
17
2 French horns (duet)
12
Trumpet, Trombone (duet)
11
Brass Quartet: 2 trumpets, horn, trombone
10
Trumpet, Horn (duert)
9
English horn, Piano
8
Euphonium, Piano (duet)
7
Brass Quartet
7
Trumpet, Saxophone (duet)
4
Trumpet, Tuba (duet)
4
Trombone ensemble
4
English Horn
4
2 Tubas (duet)
4
Trumpet (band part)
3
Trombone, Tuba (duet)
2
Trombone, Horn (duet)
2
Euphonium
2
English Horn, Guitar (duet)
2
Horn, Tuba (duet)
2
Trumpet ensemble
2
3 Trombones (trio)
2
Brass Quartet: 4 horns
2
Trumpet, violin (duet)
1
Trumpet, Trombone, Piano
1
Trombone (band part)
1
Trumpet, Cello (duet)
1
2 English horns and Pianoforte
1
Horn, Cello (duet)
1
2 French horns, Piano
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
156
Violin and Piano
103
Violin
91
Cello, Piano
61
Viola
57
Cello
57
Viola, Piano
56
String Trio: violin, viola, cello
33
2 Violins (duet)
31
Violin, Cello (duet)
30
Double bass, Piano (duet)
27
String Quintet: 2 violins, viola, cello, bass
25
Violin, Viola (duet)
25
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23
2 Violas (duet)
18
2 Cellos (duet)
17
Harp
15
Viola (band part)
13
String Trio: 2 violins, cello
12
Viola, Cello (duet)
9
Viola ensemble
4
Harp, Flute (duet)
4
Violin ensemble
4
2 Harps (duet)
3
String Trio: 3 violins
3
2 Violas, Piano
2
Cello, Guitar (duet)
2
Violin (band part)
2
String Trio: 3 violas
2
String Quintet: 2 violins, 2 violas, cello
2
2 Violins, Piano
2
Harp, Voice
2
Violin, Bassoon (duet)
2
Piano Trio: Violin, Viola, Piano
2
Viola, Guitar (duet)
2
Doublebass (band part)
2
2 Double basses (duet)
2
Flute, Doublebass (duet)
2
Cello, String Bass (duet)
2
Violin, Clarinet, Piano (trio)
1
String Trio: 3 cellos
1
String Trio: 2 violins, viola
1
String Quartet : 4 violas
1
Viola and Bassoon
1
4 Cellos
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
68
Orchestra
22
Jazz Ensemble
21
Jazz combo
19
String Orchestra
15
Brass ensemble
14
Chamber Orchestra
14
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5
Xylophone
4
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4
Handbells
4
Percussion Ensemble
2
Percussion (band part)
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Drums
1
+ 10 instrumentations
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1
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
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Orchestra
#
INTERMEDIATE
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Broadway
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace wi
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James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and par...
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
Hello Friend - Orchestra Concert Score - Score Only
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Orchestra
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INTERMEDIATE
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Zane Kuchera
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Zane Kuchera
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performance by Zane Kuchera
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Hello Friend - Orchestra Conce
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Zane Kuchera Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuchera. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 9 pages. Zane Kuchera Music #1039364. Published by Zane Kuchera Music (A0.1460432). 6/12/24 Zane Kuchera Music released “Hello Friend” (Pop/Jazz) performed by the BBC Symphony Orchestra, a professional library. Lyrics inspired 50 years ago during the viewing of a PBS series about Chopin and George Sands. This song is one friend speaking directly to the other about life, love, illusion, entrapment, reinvention and aspiration. Words by Paul Norman Tapp, music & performance by Zane Kuchera.Reviews:“Remarkable... the angles of Miles Davis, the flow and soar of Gershwin. No wonder the lyric waited 50 years for music. Crazy good dynamics. Wonderful.” - P.N.T.“It sounds like something off of Harry Potter. It's very beautiful.” - A.I.M.“So beautiful Zane. The sweeping ocean and dance timed perfectly to the sweeping tide and movements of life. Thank you!” - B.M.“Beautiful imagery, majestic music, breathtakingly brilliant masterpiece.” - E.M.J.
$4.95
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
You've Got A Friend In Me
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Orchestra
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INTERMEDIATE/ADVANCED
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Randy Newman And Lyle Lovett
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John Langley (Studio Orchestra
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You've Got A Friend In Me
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1494236 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by John Langley (Studio Orchestrat...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1494236 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Wedding. 60 pages. Www.studio-orchestrations.com #1070827. Published by www.studio-orchestrations.com (A0.1494236). This arrangement is for Trombone Solo and Orchestra.Randy Newman's timeless, evergreen and sweet classic ballad comes from the original Disney Toy Story and in its 3 sequels that came after it. The unlikely and - in the early days - strained relationship between Woody and Buzz Lightyear (You ARE A CHILDS PLAYTHING...) comes to its famously happy conclusion at the end of the first movie with a blossoming friendship that we the audience know will endure through eternity, and this song caps that beautifully as only the genius of Randy newman knows how.This score is arranged for Trombone solo and orchestra and would be a perfect addition for a concert of film music or kids music event.Instrumentation :FluteOboeClarinetBassoon2 Horns2 TrumpetsTrombone (Solo)Tuba (Optional ... but certainly preferable!!)1 Percussion (Vibes)DrumsStringsCheckout www.studio-orchestrations.com for other similar arrangements and orchestrations by John Langley and Paul Campbell for sale and hire.
$60.00
Thank You For Being A Friend
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Orchestra
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INTERMEDIATE/ADVANCED
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Andrew Gold
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Noah Green
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Thank You For Being A Friend
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Noah Green
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1307542 By Andrew Gold. By Andrew Gold. Arranged by Noah Green. Film/TV,Pop,Singer/Songwriter. Score ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1307542 By Andrew Gold. By Andrew Gold. Arranged by Noah Green. Film/TV,Pop,Singer/Songwriter. Score and Parts. 100 pages. Noah Green #896808. Published by Noah Green (A0.1307542). This orchestration of the theme song from the classic T.V. hit The Golden Girls is sure to have audiences on their feet. Optional chorus part.
$49.99
Home on the Range - for symphony orchestra (optional sing-along)
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Orchestra
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INTERMEDIATE
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Lyrics by Brewster M
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Evan Halloin
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Home on the Range - for sympho
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Evan Halloin
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk,Patriotic,Traditional. Score and parts. 118 pages. Evan Halloin #679638. Published by Evan Halloin (A0.1075450). Home on the Range is arranged here for full symphony orchestra, with and option to perform it as an audience sing-along. There is a short intro, 4 verses and choruses, and a short coda. Each verse and chorus is slightly different, like a series of variations.This arrangement was originally created for the Kansas City Symphony's Symphony in the Flint Hills event in 2022, an annual outdoor concert which traditionally ends with a crowd singing along to this, the state song of Kansas. The key is a friendly E flat, and the text is provided on the second page of the score. There are parts for:the sing-along vocal part 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons optional piccolo, English horn, bass clarinet, contrabassoon 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba Timpani, 2 percussionists (glockenspiel, triangle, suspended cymbal), harp violin I, violin II, viola, cello, double bassI mean, it's a good tune! Score is 11 x 17 and parts are 9 x 12 size. Adobe Acrobat will easily shrink to fit letter size paper.
$60.00
Friendly People (Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Andrew Will
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Friendly People
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Willscore Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1002937 Composed by Andrew Will. Contemporary,Patriotic,Standards. Score and parts. 35 pages. Willsco...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1002937 Composed by Andrew Will. Contemporary,Patriotic,Standards. Score and parts. 35 pages. Willscore Publishing #6690555. Published by Willscore Publishing (A0.1002937). Listed pricing includes Score and all Parts. Friendly People was written in 2004 to promote Australia to the rest of the world. Written for a competition to write a song for Australia by the Australian Tourism Commission. Enjoy!
$65.00
Nocturne for Orchestra
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Orchestra
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INTERMEDIATE
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Contemporary
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Madelyn Byrne
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Nocturne for Orchestra
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Madelyn Byrne
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Pu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00
Feed The Birds (Tuppence A Bag)
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Orchestra
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INTERMEDIATE/ADVANCED
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Richard M
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John Langley (Studio Orchestra
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Feed The Birds
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orches...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Standards. 88 pages. Www.studio-orchestrations.com #1084580. Published by www.studio-orchestrations.com (A0.1509331). For vocal soloist, (Optional SATB chorus) and Orchestra in G MajorBrothers Richard Sherman and Robert Sherman were two of the finest song writers of all time, creating iconic family friendly songs and scores for many Disney films including Mary Poppins (1964), Chitty Chitty Bang Bang (1968), and Bedknobs and Broomsticks (1971) and the animated films The Sword in the Stone (1963), The Jungle Book (1967), Charlotte's Web (1973), The Aristocats (1970), and of course the theme park songs There's A Great Big Beautiful Tomorrow and It's A Small World (After All). The score for Mary Poppins is especially perfect with so many immortal songs like Chim chimeney, Spoonful of sugar, Fly a kite, Supercali ........ and of course the simple but beautiful Feed the birds. It has such finely balanced musicality as a song and tugs the heart strings with its gentle lilting narrative of the unassuming bird lady on the steps of St. Paul's Cathedral.This arrangement tries to capture the magic of the original song, using some occasional harmonic ideas from the stage musical version as well. Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 Horns2 PercussionHarpKeyboard Strings Optional SATB chorusCheck out other arrangements and orchestrations by John Langley and Paul Campbell at https://www.studio-orchestrations.com/buy-hire-music
$120.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
The Parting Glass
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Orchestra
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INTERMEDIATE
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Scottish Traditional
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Josiah V
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
Little Girl - Orchestral Version
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Orchestra
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INTERMEDIATE/ADVANCED
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Salima
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Aere Greenway
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Used by permission.
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Little Girl - Orchestral Versi
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.935326 Composed by Salima. Arranged by Aere Greenway. Concert,Contemporary,New Age,Pop. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.935326 Composed by Salima. Arranged by Aere Greenway. Concert,Contemporary,New Age,Pop. Score and parts. 30 pages. Aere R Greenway #6287663. Published by Aere R Greenway (A0.935326). My goal was to take a simple song, and arrange it for symphony orchestra. Many thanks to my friend Salima, for encouraging me to do my best with her amazing song, Little Girl. Its 3-against-2 polyrhythms made for a wildly exciting orchestral work! Used by permission. .
$14.97
The Most Wonderful Time Of The Year
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Eddie Pola and George Wyle
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Bryan Kidd
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The Most Wonderful Time Of The
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. BryanKiddMusic.com #888023. Published by BryanKiddMusic.com (A0.1298071). A dazzling and most wonderful Holiday Season opener for full orchestra in Viennese-styled three-quarter time.The Most Wonderful Time of the Year was first introduced in 1963 by singer Andy Williams as the opening song for his second Christmas TV special. It was composed by the shows vocal director, George Wyle, along with Edward Pola. Apropos to Williams show, the song describes joyous family and friends seasonal activities that include scary ghost stories (a Victorian Christmas tradition think 'Dickens'). Â Among the artists who have covered the song are Pentatonix, Johnny Mathis, Garth Brooks, Amy Grant, Pattie LaBelle, and Harry Connick, Jr. A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
We Give You This Place
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Orchestra
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INTERMEDIATE/ADVANCED
#
Sacred music
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Doug Eltzroth
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Greg Rice
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We Give You This Place
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Evensong Productions
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1220533 Composed by Doug Eltzroth. Arranged by Greg Rice. Christian,Praise & Worship,Religious. Score...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1220533 Composed by Doug Eltzroth. Arranged by Greg Rice. Christian,Praise & Worship,Religious. Score and Parts. 44 pages. Evensong Productions #806074. Published by Evensong Productions (A0.1220533). Orchestration - Digital DownloadComposed by Doug Eltzroth. Arranged by Greg Rice. General Worship, Sacred. Orchestratral Accompaniment. 46 pages. Published by Evensong Productions.Praise song was written by Doug Eltzroth and recorded by Bill & Gloria Gaither and Friends on the 1989 recording, A Praise Gathering. This arrangement is for Alto and Tenor Solo and Duet, piano, and SATB choir. The prayerful message reminds us to praise God with open hearts as we look to the future. As we prepare for tomorrow, remember that even in our darkest hour, His light will guide us through our darkest times. Let us be thankful for all He has provided and be mindful of His grace and mercy throughout our lives.SATB/Piano is available separately. The accompaniment track is available from Evensong Productions.
$60.00
Here Comes The Sun
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Orchestra
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ADVANCED
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Rock
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The Beatles
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Brian Strohmetz
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Here Comes The Sun
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Brian Strohmetz
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1020747 By The Beatles. By George Harrison. Arranged by Brian Strohmetz. Rock. Score and parts. 56 pa...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1020747 By The Beatles. By George Harrison. Arranged by Brian Strohmetz. Rock. Score and parts. 56 pages. Brian Strohmetz #6736305. Published by Brian Strohmetz (A0.1020747). This arrangement features a String Quartet with the Full Orchestra. A great way to show off a guest quartet or your strongest students!Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation. The lyrics reflect his relief at the arrival of spring and the temporary respite he was experiencing from the band's business affairs.
$74.99
Thunderstruck
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Orchestra
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ADVANCED
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AC/DC
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Joe Deninzon
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Thunderstruck
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Fiddlefunk Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.784490 By AC/DC. By Angus Mckinnon Young, Angus Young, Malcolm Mitchell Young, and Malcolm Young. Arr...
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Full Orchestra - Level 5 - Digital Download SKU: A0.784490 By AC/DC. By Angus Mckinnon Young, Angus Young, Malcolm Mitchell Young, and Malcolm Young. Arranged by Joe Deninzon. Contemporary,Rock. Score and parts. 79 pages. Fiddlefunk Music #5726533. Published by Fiddlefunk Music (A0.784490). Includes score, Violin I, Violin II, Easy Violin , Viola, Advanced Viola, Cello, Advanced Cello in alto and bass clef, bass, guitar, drums, and keyboard parts. Guitar, bass, and keyboard parts include chord changes. Great for high school string orchestras and covers a wide range of levels so both advanced and intermediate students can perform together. This arrangement is in the more string-friendly key of A. Original song key is B. Ensemble can also be joined by vocalist.
$49.99
The Hobbit: An Unexpected Journey, Suite from: Timpani
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Orchestra
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Instructional
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Howard Shore
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Douglas E
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The Hobbit: An Unexpected Jour
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015983_TMP Timpani. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part....
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Full Orchestra - Digital Download SKU: AX.00-PC-0015983_TMP Timpani. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_TMP). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).
$3.00
The Hobbit: An Unexpected Journey, Suite from: Cello
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Orchestra
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Instructional
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Howard Shore
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Douglas E
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The Hobbit: An Unexpected Jour
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015983_VC1 Cello. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 3...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015983_VC1 Cello. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_VC1). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).
$3.00
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