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Still The One - Bass
Orchestra
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CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.92 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Be Still My Soul
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.751087 By Katie Gustafson. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.751087 By Katie Gustafson. By Chris Eaton, John Hartley, and Katie Gustafson. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #6736981. Published by BJE Music (A0.751087). The Finlandia hymn (Finnish: Finlandia-hymni) refers to a serene hymn-like section of the patriotic symphonic poem Finlandia, written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece. With words written in 1940 by Veikko Antero Koskenniemi, it is one of the most important national songs of Finland. Although not the official national anthem of Finland, it has been continuously proposed as such. Other major uses of the tune include several Christian hymns and other national songs including Be Still My Soul. This is an arrangement for both Orchestra and/or the Concert Band – It would work for either ensemble or combinations of both… There are parts for Horns in F and Eb. There is an optional Piano part. There is a descant for Piccolo, Flute, Clarinet, and Trumpet in the last verse and an optional Amen at the end of the arrangement… Grade = 3 Duration = 3:25 mins. (3 verses) The MP3 was recorded with NotePerformer 3.
$49.99
45.74 €
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Orchestra
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Katie Gustafson
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Be Still My Soul
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BJE Music
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SheetMusicPlus
with their absences we mourn
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Groc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening section’s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.
$5.00
4.57 €
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Orchestra
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Nathan Grocholski
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with their absences we mourn
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Nathan Grocholski
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SheetMusicPlus
The Parting Glass
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
27.45 €
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Orchestra
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Scottish Traditional
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
11.85 €
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Orchestra
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.85 €
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Orchestra
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
146.39 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
78.67 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
CH141ORC - Chansonnette 141 - The ballad of the king's cook
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Pevenage #4325959. Published by Carl Van Pevenage (A0.921201). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 141 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.This song is variation on the old song Pastime with good company (almost identical but not minor), known also as The ballad of the king as it was written King Henry V. So this is about pastime with a good cake in the kitchen.
$19.95
18.25 €
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Orchestra
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Carl Van Pevenage
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CH141ORC - Chansonnette 141 - The ballad of the king's cook
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Carl Van Pevenage
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SheetMusicPlus
CH151ORC - Dance of the flutes - Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921178 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921178 Composed by Carl Van Pevenage. Classical,Musical/Show,Romantic Period,World. Score and parts. 69 pages. Carl Van Pevenage #3098981. Published by Carl Van Pevenage (A0.921178). The dance of the flutes. It's all about happiness.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 151 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
9.1 €
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Orchestra
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Carl Van Pevenage
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CH151ORC - Dance of the flutes - Orchestra
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Carl Van Pevenage
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SheetMusicPlus
CH068ORC - Chansonnette 068 - The victory of the happy witch
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921212 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921212 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 51 pages. Carl Van Pevenage #4326033. Published by Carl Van Pevenage (A0.921212). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 068 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
9.1 €
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Orchestra
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Carl Van Pevenage
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CH068ORC - Chansonnette 068 - The victory of the happy witch
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Carl Van Pevenage
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SheetMusicPlus
CH146ORC - Chansonnette 146 - (Romantic song) Turn your face to the sun
Orchestra
Full Orchestra - Digital Download SKU: A0.921206 Composed by Carl Van Pevenage. Cla…
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Full Orchestra - Digital Download SKU: A0.921206 Composed by Carl Van Pevenage. Classical,Romantic Period,World. Score and parts. 68 pages. Carl Van Pevenage #4325971. Published by Carl Van Pevenage (A0.921206). Turn your face to the sun and all shadows are behind you.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 146 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
$19.95
18.25 €
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Orchestra
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Carl Van Pevenage
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CH146ORC - Chansonnette 146 -
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Carl Van Pevenage
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SheetMusicPlus
CH075ORC - Dance in the wildflower fields - Folk
Orchestra
Full Orchestra - Digital Download SKU: A0.921177 Composed by Carl Van Pevenage. Bar…
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Full Orchestra - Digital Download SKU: A0.921177 Composed by Carl Van Pevenage. Baroque,Folk,World. Score and parts. 17 pages. Carl Van Pevenage #3011961. Published by Carl Van Pevenage (A0.921177). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 075 for a small orchestra and guitar The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
9.1 €
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Orchestra
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Carl Van Pevenage
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CH075ORC - Dance in the wildflower fields - Folk
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Carl Van Pevenage
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SheetMusicPlus
CH065ORC - Chansonnette 65 - Dance of the good feelings
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921211 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921211 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 34 pages. Carl Van Pevenage #4326037. Published by Carl Van Pevenage (A0.921211). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 065 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
9.1 €
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Orchestra
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Carl Van Pevenage
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CH065ORC - Chansonnette 65 - Dance of the good feelings
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Carl Van Pevenage
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SheetMusicPlus
The Rite of Spring: Scene 2 'The Agurs of Spring'
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.994961 Composed by Igor Stravin…
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Full Orchestra - Level 4 - Digital Download SKU: A0.994961 Composed by Igor Stravinsky. Arranged by Chris Knapp. 20th Century,Classical. Score and parts. 50 pages. Chris Knapp #600452. Published by Chris Knapp (A0.994961). This arrangement of the Agurs of Spring from Stravinsky's 'Rite of Spring', stays faithful to the original, with some tweaks to allow it to be more accessible for amateur players but still retaining the essence and fun of the piece. This is a great one to challenge your amateur orchestra and a brilliant concert item that it something a little different.
$37.99
34.76 €
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Orchestra
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Igor Stravinsky
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The Rite of Spring: Scene 2 'The Agurs of Spring'
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Chris Knapp
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SheetMusicPlus
Silent Night / Stille Nacht (Full Orchestra+Solo Vocal) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1178350 Composed by Franz Xaver…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1178350 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 10 pages. Elbsound.studio #744902. Published by Elbsound.studio (A0.1178350). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments.Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQykCan be played both by professional orchestras and school orchestras. Also available for chamber orchestra separately.Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (10 pages) The parts are also available separately.
$16.99
15.54 €
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Orchestra
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Franz Xaver Gruber
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
Silent Night / Stille Nacht (Full Orchestra+Solo Vocal)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1178351 Composed by Franz Xaver…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1178351 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 71 pages. Elbsound.studio #744905. Published by Elbsound.studio (A0.1178351). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments. Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQyk Can be played both by professional orchestras and school orchestras. Also available for chamber orchestra Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (68 pages and three preview pages) The score is also available separately.
$79.99
73.18 €
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Orchestra
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Franz Xaver Gruber
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
The Beatles Suite: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_VC1 Cello. By The Be…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015971_VC1 Cello. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_VC1). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestra
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The Beatles
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The Beatles Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Beatles Suite: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_TMP Timpani. By The …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015971_TMP Timpani. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_TMP). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestra
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The Beatles
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The Beatles Suite: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Beatles Suite: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_F1 Flute. By The Bea…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015971_F1 Flute. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_F1). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.74 €
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Orchestra
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The Beatles
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The Beatles Suite: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Beatles Suite: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0004281 Score. By The Beatle…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004281 Score. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0004281. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004281). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$11.00
10.06 €
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Orchestra
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The Beatles
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The Beatles Suite: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Autumn tableau
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.63 €
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Orchestra
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
41.17 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 -
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Grahame Gordon Innes
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SheetMusicPlus
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
41.17 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement
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Grahame Gordon Innes
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SheetMusicPlus
Rhapsody in Blue
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1359676 Composed by George Gers…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,Standards. 206 pages. Arianna Cunningham #944147. Published by Arianna Cunningham (A0.1359676). As many of you know, Rhapsody in Blue is one of George Gershwin's most famous and iconic pieces of music history, if not, of all time! But in case you guys don't know, there are actually 3 different versions of the same piece Gershwin wrote.These 3 versions include: The original Jazz Band 1924 version, 1927 version, and the most iconic well-known full symphony orchestra 1942 version that everyone plays nowadays. Not only that, but in the 1942 version, the extended part of the Shuffle Theme, as well as the extended Piano Cadenzas have been cut for duration time.So, in honor of Gershwin's Legacy, I've put together a special arrangement written for a full orchestra, and it even includes tons of heavy influences taken mostly from the 1924 version, even taking influences from different live performances that are inspired.These changes include the following:Adding back in the extended shuffle theme and Piano CadenzasAdded a Harp Part to make the arrangement a little Phil Spitalny Hour Of Charm-esque flavor to it.Brought back in the Bari Sax and Orchestral Piano parts, even though they sort of look different from the original score.Swapped a few solo/soli sections here and there while still keeping some of the 1924/42 elements (for instance the 2 Violin Soli, or Low Instruments Soli) in tact.You obviously get the idea.A huge thanks to one of my newest and closest friends who also have arranging experiences Darren Rodney for helping me put this incredible arrangement together!
$35.00
32.02 €
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Orchestra
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George Gershwin
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Rhapsody in Blue
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Arianna Cunningham
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