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PIANO & KEYBOARDS

Piano solo 31 Piano Trio: piano, violin, cello 2 Piano, Voice 2 2 Pianos, 4 hands 2 1 Piano, 4 hands 1

Organ 1

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GUITARS

Guitar 3 Mandolin 1

VOICE

Choral SATB 5 Choral 3-part 1 Choral SSAA 1

WOODWIND

2 Saxophones (duet) 70 2 Clarinets (duet) 42 Saxophone, Clarinet (duet) 39 Clarinet, Violin (duet) 27 2 Flutes (duet) 27

Clarinet, Trumpet (duet) 24 2 Oboes (duet) 17 Flute, Clarinet (duet) 15 Oboe, Bassoon (duet) 15 Clarinet and Viola 14 Oboe, Clarinet (duet) 14 Flute, Saxophone (duet) 14 Flute, Violin 13 Clarinet 13 Flute, Oboe, Clarinet, Bassoon 12 Saxophone Quartet: 4 saxophones 12 Oboe, Flute 12 Flute, Trumpet (duet) 12 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 11 Flute, Viola (duet) 11 3 Saxophones (trio) 8 Clarinet and Piano 8 Soprano Saxophone and Piano 7 Flute and Piano 7 Flute 6 Treble (Alto) Recorder 5 Clarinet, Bassoon (duet) 5 Descant (Soprano) Recorder 4 Piccolo 4 Tenor Saxophone and Piano 4 Recorder 4 Oboe, Piano (duet) 4 Baritone Saxophone, Piano 4 English horn, Piano 4 Flute, Oboe (duet) 3 Clarinet Quartet: 4 clarinets 3 2 Recorders (duet) 3 3 Clarinets (trio) 3 Alto Saxophone and Piano 3 Baritone Saxophone 2 Soprano Saxophone 2 Tenor Saxophone 2 Oboe 2 Alto Saxophone 2 Flute Quartet: 4 flutes 2 Flute, Oboe, Clarinet (trio) 2 Flute Trio: 3 flutes 2 Flute, Oboe, Piano (trio) 2 English Horn 2 Clarinet Ensemble 1 Bass Clarinet, Piano 1 Oboe (band part) 1

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WOODBRASS

Trumpet ensemble 33 Brass Quintet: 2 trumpets, horn, trombone, tuba 33 Trumpet, Saxophone (duet) 28 2 Trombones (duet) 18 Trumpet, Trombone (duet) 15

2 Trumpets (duet) 13 Trumpet 9 Trumpet, Piano 8 Trombone and Piano 5 Trombone 5 Tuba and Piano 4 English horn, Piano 4 Brass Quartet: 4 trumpets 4 French Horn and Piano 4 Tuba 3 French horn 3 2 French horns (duet) 2 Brass Quartet: 4 trombones 2 Brass Quartet: 4 horns 2 Bass Trombone and Piano 2 Trumpet, Horn (duert) 2 3 Trumpets (trio) 2 Bass Trombone 2 Brass quartet : 2 trumpets, trombone, tuba 2 3 Trombones (trio) 2 Euphonium, Piano (duet) 2 English Horn 2 Brass Quartet: 2 trumpets, 2 trombones 1

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STRINGS

2 Violins (duet) 18 2 Cellos (duet) 17 Violin, Cello (duet) 17 Violin, Viola (duet) 16 2 Violas (duet) 15

Viola, Piano 8 Violin and Piano 6 Violin 4 String Quartet: 2 violins, viola, cello 4 Cello, Piano 4 String Trio: violin, viola, cello 3 Cello 3 String Trio: 3 violas 2 String Trio: 3 cellos 2 Viola 2 String Trio: 3 violins 2 Viola, Cello (duet) 2 Harp 2 Double Bass 1

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PERCUSSION & ORCHESTRA

Concert band 18 String Orchestra 7 Orchestra 6 Chamber Orchestra 2 Brass ensemble 2

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Suite for a Short Time

Orchestra

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6 sheet music found

Olga-Polka, Op. 196 (arr. for string orchestra): Full Score Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: â€¢ Approximate length: 3:30 minutes â€¢ 1st Violins: In m. 1, trill a half step from a Dâ™ to a Dâ™® â€¢ 2nd Violins: â€ƒ- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â€ƒ- At m. 72-75, emphasize the Eâ™ in the div. â€¢ Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â†“) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese premiÃ¨re, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, nÃ©e Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: â€¢ Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. â€¢ Find a full midi recording of this arrangement on YouTub.

$10.99 10.13 € #Orchestra #Johann Strauss Jr #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Gigue from the Dance Suite for Orchestra Orchestra

Full Orchestra - Digital Download SKU: A0.809813 Composed by Robert E. Proctor. Con…(+)

Full Orchestra - Digital Download SKU: A0.809813 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 38 pages. R. E. Proctor #3417149. Published by R. E. Proctor (A0.809813). The 7th movement of the Dance Suite for Orchestra, the Gigue is a very short, lively piece in 6/8 time. Approximately 1 minute and 10 seconds in length. The key is Eb Major and the tempo is dotted 1/4 note at 108 MM.

$6.95 6.41 € #Orchestra #Robert E #Gigue from the Dance Suite for Orchestra #R. E. Proctor #SheetMusicPlus

General's Suite Macarthur Patton - Score Only Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K G…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K Goldsmith. Arranged by Chris Siddall. Film/TV. 39 pages. Chris Siddall Music Publishing #1030115. Published by Chris Siddall Music Publishing (A0.1450384). When composer Jerry Goldsmith was asked to write the score for MacArthur, people were surprised that he accepted the project because they wondered what he would have left to say, musically, after Patton. Jerry‘s feeling was that MacArthur was a totally different person, and it would be a real challenge to write about another military figure but do it in a different manner. He said “it‘s much more flamboyant in a different sort of way, and it was an interesting task“. Patton enjoyed resounding critical praise and has since been elevated to the designation of a classic. The film won Academy Awards for nearly all of its major players, with composer Jerry Goldsmith being an unfortunate exception. Goldsmith had already written many scores for World War II topics in his short mainstream career, but none would prove as memorable in any part as the march from Patton, a concert hall staple for the composer throughout his career. Despite the dominance of this theme and the fact that only roughly thirty minutes of music was employed in such a long picture, the effect of his score on the film is far more complicated than many people may realize. While the famous march, with all its bravado from brass, flutes, and snare, easily represents the identity of the character and war, Goldsmith’s work for the film actually spends more time dwelling on the deeper meanings of life that the general himself explored.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

$19.99 18.43 € #Orchestra #Jerrald K Goldsmith #General's Suite Macarthur Patton - Score Only #Chris Siddall Music Publishing #SheetMusicPlus

E. Satie – Heures Séculaires et Instantanées, 1914 Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By E…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie â€“ Heures SÃ©culaires et InstantanÃ©es, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures SÃ©culaires et InstantanÃ©es (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. â€œThere are as many words as there are notes!â€ says the French composer-critic Guy SacrÃ©. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. â€œ... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...

$40.00 36.88 € #Orchestra #Arkady Leytush #E. Satie – Heures Séculaires et Instantanées, 1914 #Arkady Leytush #SheetMusicPlus

Out Of This World Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1259382 Composed by Harold Arle…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1259382 Composed by Harold Arlen and Johnny Mercer. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter,Standards. Score and Parts. 129 pages. Richard DeRosa #852657. Published by Richard DeRosa (A0.1259382). This dynamic arrangement is set in a driving Latin style (quasi-Samba with an Afro-Cuban feel during the bridge). It features a jazz soprano vocalist (range C4-F5) which can also be performed an 8ve lower to accommodate a tenor voice. Piano, electric guitar, electric bass, and drumset are the driving force for the orchestra.The demo recording features a short improvisation section with a piano solo but this expanded arrangement for full orchestra is designed to feature an electric guitarist. The solo section can linger until orchestral backgrounds are cued. With the extended improvisation, the performance time is approximately 5:00. Suited for intermediate to advanced performers.

$100.00 92.19 € #Orchestra #Harold Arlen and Johnny Mercer #Out Of This World #Richard DeRosa #SheetMusicPlus