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26
Elegy Sentimentale for Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
26.87 €
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Orchestra
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
Calgary Little Suite (For Orchestra)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim #892756. Published by Han-Ki Kim (A0.1303163). Living in Calgary from summer to fall of 2023, I thought I should compose a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me.In particular, the year 2023, when this music was composed, is even more meaningful as it marks the 60th anniversary of diplomatic relations between Korea and Canada.  The contents of each movement are as follows.   * Calgary Little Suite* For Orchestra  Op.317A       1st movement: Cheerful City Calgary.       2nd movement: Bow River.       3rd movement: Light Rail Train.       4th movement: Birch forest of Wentworth.       5th movement: Stampede Festival     Playing time is approximately 7 minutes and 40 seconds.
$39.90
35.74 €
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Orchestra
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
#
SheetMusicPlus
Bourree from the Dance Suite for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.809811 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809811 Composed by Robert E. Proctor. Baroque,Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417137. Published by R. E. Proctor (A0.809811). Bourree - Technically a 17th century dance with French origins. Assume that there was overlap from the 1500's to the 1600's as this dance type was mention at least as early as 1615. A quick, duple meter conducted in two. However, in this case, it's notated in four. (Ex. Bach Bourree in E minor for the lute suite in E minor.) Very short. Approximately 1 minute and 37 seconds. This is the 3rd movement in the Dance Suite and is in E minor.
$6.95
6.23 €
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Orchestra
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Robert E
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Bourree from the Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
Suite Gothique: Chorale & Toccata (Score Only)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellmann. Arranged by Brendan Moir. Concert,Contemporary,Romantic Period,Sacred,World. Score and parts. 18 pages. Bemuse #6252901. Published by Bemuse (A0.961186). FOR REDUCED PRICES (and to better support the composer), visithttps://bemuse.bandcamp.com/merch/suite-gothique-chorale-toccata-for-symphonic-orchestra-score-only-...For more music by Brendan Moir, visit http://www.bemusearts.comA classical guitar piece inspired by the winds of Spain. This time for two guitars!
$10.00
8.96 €
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Orchestra
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Leon Boellmann
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Suite Gothique: Chorale & Toccata
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Bemuse
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SheetMusicPlus
Suite for Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1359440 Composed by John Michae…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1359440 Composed by John Michael Pekowski. 21st Century,Classical,Contemporary,Thriller. 85 pages. John Michael Pekowski #943905. Published by John Michael Pekowski (A0.1359440). First movement only. Currently composing movement two.
$49.00
43.9 €
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Orchestra
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John Michael Pekowski
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Suite for Orchestra
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John Michael Pekowski
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.4 €
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Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.4 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.4 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
1979年《å°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚組曲》管弦樂 1979：Legend of Taiwan-Orchestral Suite
Orchestra
Full Orchestra - Digital Download SKU: A0.961993 Composed by Ma Shui Long 馬æ…
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Full Orchestra - Digital Download SKU: A0.961993 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Published by SpringAutumnmusic (A0.961993). 1979年《å°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚組曲》，管弦樂 　　本曲改編自「舞劇廖添ä¸ã€ï¼Œç‚º1979年雲門舞集委託之作å“。除åºæ›²ä¹‹å¤–ï¼Œåˆ†ç‚ºäº”å€‹æ¨‚ç« ï¼Œæ¯å€‹æ¨‚ç« æ¨‚æ›²çš„å½¢å¼èˆ‡çµæ§‹ï¼Œå‡èˆ‡åŠ‡æƒ…發展有關，其主è¦äººç‰©èˆ‡æ¨‚曲主題動機如下： 　　(一)å»–æ·»ä¸: 作曲者以兩個ä¸åŒçš„ä¸»é¡Œå‹•æ©Ÿä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ¦‚æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œè—‰è‘—有關廖添ä¸çš„å„種傳說åŠåŠ‡æƒ…的發展，決定以兩個ä¸åŒçš„ä¸»é¡Œä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ…¨æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©æ™‚è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œå¦‚a與b。 　　(二)一ä½è¢«æ—¥è¦ä¾®è¾±çš„少女： 雖然ä¸æ˜¯ä¸»è§’，但也是很é‡è¦çš„角色，她象徵著日據時代å°ç£åŒèƒžçš„命é‹èˆ‡éé‡ï¼Œå¦‚c。 　　全曲先由åºæ›²æ ¹æ“ša與c之主題動機發展，以暗示劇ä¸ä¸»äººç¿-å»–æ·»ä¸çš„命é‹èˆ‡éé‡ï¼Œè€Œå¾Œå†ä¾åºç™¼å±•æ•´æ›²ã€‚ ã€€ã€€ç¬¬ä¸€æ¨‚ç« ï¼šå¤§ç¨»åŸ•å¤œå··/ç¬¬äºŒæ¨‚ç« ï¼šæ—¥äººå®…ç¬¬/ç¬¬ä¸‰æ¨‚ç« ï¼šéœžæµ·åŸŽéšå»Ÿæœƒ/ç¬¬å››æ¨‚ç« ï¼šæ·¡æ°´æ²³ç•”/ç¬¬äº”æ¨‚ç« ï¼šé‡é›£ã€‚ ※本曲1979å¹´5月由舞蹈家林懷民編舞ã€é¦¬æ°´é¾æŒ‡æ®åœ‹ç«‹è—專管弦樂團ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於å°åŒ—國父紀念館舉行世界首演。 　　 1979：Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding 　　This work was originally composed for a dance drama named Liao, Tand-Ding, and later on, recomposed as an orchestra work, and it was commissioned by the Cloud Gate Dance Foundation. Excepting the Overture, the work is divided into five movements. The form and structure of each movement all relate to the story basis. The roles and music themes are as follows: First: Liao Tain-Ding: The composer created two themes a and b, to express both Liao Tain-Ding’s heroically tragic character and also his humorous character. Please see below: Second: A young lady humiliated by the Japanese Police: Although the young lady is not played as a heroine, she is significant here. She symbolizes the experiences and fates of Taiwanese citizens during the colonial period. For example c: 　 The work begins with an Overture by developing subjects a and c, to imply the fate of hero Liao Tain-Ding and what he has gone through. 　　 　　1st Movement: Night Lane in Ta Tao Cheng / 2nd Movement: The Japanese Mansion / 3rd Movement: Festival at the Hsia Hai Cheng Huang Temple / 4th Movement: Tamshui Riverside / 5th Movement: Martyrdom ※In May 1979, The dance of Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding arranged by Huai-ming Lin, was premiered by the National Taiwan Junior College of Art Orchestra, conducted by the composer Shui-long Ma, recorded by the Yun-de Company, and was premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall.
$44.99
40.3 €
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Orchestra
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Ma Shui Long 馬水é¾
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1979年《å°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚組曲》管弦樂 1979：Legend of Taiwan-Orchestral Suite
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SpringAutumnmusic
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SheetMusicPlus
The Holberg Suite: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_B1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.69 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_F1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.69 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_VC1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.69 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_TMP). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.69 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by E…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0005616. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005616). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$10.00
8.96 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016472_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016472_TMP Timpani. Composed by Howard Shore. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016472_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016472_TMP). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$3.00
2.69 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016472_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016472_B1 Bassoon. Composed by Howard Shore. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016472_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016472_B1). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$3.00
2.69 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016472_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016472_VC1 Cello. Composed by Howard Shore. Arranged by Victor López. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016472_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016472_VC1). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$3.00
2.69 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016472_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016472_M1 Mallets. Composed by Howard Shore. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016472_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016472_M1). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$3.00
2.69 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016472_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016472_F1 Flute. Composed by Howard Shore. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016472_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016472_F1). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$3.00
2.69 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from The Hobbit: The Desolation of Smaug: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0004710 Score. Composed by H…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004710 Score. Composed by Howard Shore. Arranged by Victor López. Instructional. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0004710. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004710). UPC: 038081486765.This two-movement suite, including Thrice Welcome and In the Shadow of the Mountain, brings out the chilling, beautiful, and terrifying excitement of the original soundtrack without compromising the integrity of Howard Shore's score. Perfect for an educational setting. (5:25) This title is available in SmartMusic.
$9.00
8.06 €
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Orchestra
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Howard Shore
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Suite from The Hobbit: The Desolation of Smaug: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Dark Knight, Concert Suite from: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015743_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015743_F1 Flute. Composed by Hans Zimmer and James Newton Howard. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015743_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015743_F1). UPC: 038081342856.Live the drama of the new blockbuster Batman thriller with this medley featuring Harvey Two-Face, Introduce a Little Anarchy, and Like a Dog Chasing Cars. Perfectly arranged for the advanced orchestra or the community orchestra!
$3.00
2.69 €
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Orchestra
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Hans Zimmer and James Newton Howard
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The Dark Knight, Concert Suite from: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Waltz of the Distorted Mirror, from the Snow Queen Ballet for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730419 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730419 Composed by James Nathaniel Holland. Broadway,Children,Contemporary,Halloween,Holiday,Musical/Show. 46 pages. James Nathaniel Holland #3378797. Published by James Nathaniel Holland (A0.730419). The slow, hauntingly beautiful and melancholy waltz of the evil distorted mirror from the ballet, The Snow Queen by American composer James Nathaniel Holland. Full score in concert pitch and parts included. Combine with Dance of the Snow Sprites (Movement 1) and The Snow Queen Cometh (Movement 2) to make a complete orchestral suite. ALL SOLD SEPARATELYOrchestration: picc,fl12,ob12,eh,cl in A 12, bcl, bsn12, hrn1234, tpt123, trmb12, btrm, tba, timp, glock (or celeste), harp (or piano), stringsCombine with the other two waltzes from this ballet, Waltz of the Roses (Think of my Love as a Rose) http://www.sheetmusicplus.com/title/20660062 and Waltz of the Summer Palace http://www.sheetmusicplus.com/title/20435134.  Simple and perfect for any concert.YouTube video presentation:  https://youtu.be/Mfpwccvnh9EDuration: 6:11 minutes.
$12.95
11.6 €
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Orchestra
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James Nathaniel Holland
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Waltz of the Distorted Mirror, from the Snow Queen Ballet for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
The Dark Knight, Concert Suite from: Score
Orchestra
Full Orchestra - Digital Download Score. Composed by James Newton Howard and Hans Zim…
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Full Orchestra - Digital Download Score. Composed by James Newton Howard and Hans Zimmer (1957-). Arranged by Victor López. Instructional. Score. 36 pages. Alfred Music - Digital Sheet Music #00-PR- 0004056. Published by Alfred Music - Digital Sheet Music
Live the drama of the new blockbuster Batman thriller with this medley featuring Harvey Two-Face, Introduce a Little Anarchy, and Like a Dog Chasing Cars. Perfectly arranged for the advanced orchestra or the community orchestra!
$9.00
8.06 €
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Orchestra
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James Newton Howard and Hans Zimmer (1957-)
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The Dark Knight, Concert Suite from: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
44.79 €
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Orchestra
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Adrian Gagiu
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"Te Deum", op. 5 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Sagittarius A*
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.942811 Composed by A. Scriabin.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.942811 Composed by A. Scriabin. Arranged by ForteTwo. 20th Century. Score and parts. 382 pages. ForteTwo Music #6355275. Published by ForteTwo Music (A0.942811). This is an orchestrated suite of Scriabin's Ninth Black Mass, Sixth, and Seventh White Mass Piano Sonatas. This work represents both my appreciation of Scriabin's music and my love of astronomy, and is dedicated to the efforts to image the supermassive black hole at the center of our galaxy. For full orchestra and 2 SSA choruses. See preview for instrumentation.
$42.42
38 €
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Orchestra
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A
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Sagittarius A*
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ForteTwo Music
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SheetMusicPlus
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