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You've selected:
Summer Is Nigh
Orchestra
Sheetmusic to print
23 sheet music found
<
1
Starry Night - score and parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.872607 Composed by Philip Orem.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.872607 Composed by Philip Orem. Christmas,Contemporary. Score and parts. 68 pages. Philip Orem #3515783. Published by Philip Orem (A0.872607). An orchestration of my organ piece, Starry Night is perfect for Christmas concerts or for clear nights in summer! Colorful, tuneful and with lots of rhythmic interest audiences will love this descriptive piece.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$80.00
73.75 €
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Orchestra
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Philip Orem
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Starry Night - score and parts
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Philip Orem
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SheetMusicPlus
A Finnish Summer Night Finlandia
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.977880 By Miriam Stockley. By J…
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Full Orchestra - Level 5 - Digital Download SKU: A0.977880 By Miriam Stockley. By Jean Sibelius, Miriam Arlene Stockley, and Miriam Stockley. Arranged by NMK Music. Contemporary. Score and parts. 53 pages. NMK Music #6102019. Published by NMK Music (A0.977880). Music is composed by Jean Sibelius with a score reduction and analysis by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates:https://www.facebook.com/NMK-Music-36
$50.00
46.1 €
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Orchestra
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Miriam Stockley
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A Finnish Summer Night Finlandia
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NMK Music
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SheetMusicPlus
Mendelssohn-Hochszeitmarsch,from A Midsummer Nights Dream,Op.61 No.9
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.675032 Composed by Felix Bartho…
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Full Orchestra - Level 3 - Digital Download SKU: A0.675032 Composed by Felix Bartholdy Mendelssohn. Arranged by Open Cloud. Classical,Romantic Period. Score and Parts. 84 pages. Open Cloud #6608165. Published by Open Cloud (A0.675032). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Mendelssohn (Jakob Ludwig Felix Mendelssohn Bartholdy), 1809-1847,for Orchestra, published by More Sheet Music Press.
$39.99
36.87 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Mendelssohn-Hochszeitmarsch,from A Midsummer Nights Dream,Op.61 No.9
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Open Cloud
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SheetMusicPlus
The Stars At Night (orchestra)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.855197 Composed by Joseph Pugh.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.855197 Composed by Joseph Pugh. 20th Century,Contemporary,New Age,Pop. Score and parts. 30 pages. Joseph Pugh #6436907. Published by Joseph Pugh (A0.855197). This orchestration arrangement is from Joseph's solo piano cd project entitled ,Piano and Candlelight This is one of the tunes from that cd. Download it for your ensemble today at a reduced price and get ready for your Summer Concert Series!!!
$35.00
32.27 €
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Orchestra
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Joseph Pugh
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The Stars At Night
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Joseph Pugh
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_M1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): 3rd F Horn
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H3 3rd F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H3 3rd F Horn. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_H3). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_B1 Bassoon. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_B1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_TMP Timpani. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_TMP). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_F1 Flute. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_F1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
#
Felix Bartholdy Mendelssohn
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Festival.
#
A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_VC1 Cello. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_VC1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): 4th F Horn
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H4 4th F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H4 4th F Horn. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_H4). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.77 €
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Orchestra
#
Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0004595 Score. Composed by F…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004595 Score. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0004595. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004595). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$8.00
7.38 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Midsummer Night's Dream
Orchestra
Orchestra - Digital Download SKU: S9.Q21379 Overture. Composed by Felix Bart…
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Orchestra - Digital Download SKU: S9.Q21379 Overture. Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 21. Duration 12 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21379. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21379). German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.05 €
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Orchestra
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Felix Bartholdy Mendelssohn
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A Midsummer Night's Dream
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
A Midsummer Night's Dream
Orchestra
Orchestra - Digital Download SKU: S9.Q12515 5 Orchestral Pieces. Composed by…
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Orchestra - Digital Download SKU: S9.Q12515 5 Orchestral Pieces. Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 61. Ernst Eulenburg & Co. GmbH - Digital #Q12515. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12515). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$15.99
14.74 €
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Orchestra
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Felix Bartholdy Mendelssohn
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A Midsummer Night's Dream
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Sinfonia N. 8
Orchestra
Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. Thi…
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Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q3053. Published by Schott Music - Digital (S9.Q3053). ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 2 · 1 · Basspos. · 1 - P. S. (3 hg. Beck. · 3 Tamt. · Schellentr. · 3 Tomt. · Mil. Tr. · gr. Tr. [mit u. ohne Beck.] · Tempelbl. · Peitsche · Marimba · Vibr. · Glsp · chin. Gong · Fingerzimb.) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$47.99
44.24 €
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Orchestra
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Hans Werner Henze
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Sinfonia N. 8
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Schott Music - Digital
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.04 €
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Orchestra
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.44 €
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Orchestra
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
110.63 €
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Orchestra
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
110.63 €
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Orchestra
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
27.66 €
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Orchestra
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doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra
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Various
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Gordon Cherry
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SheetMusicPlus
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