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67
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French horn (band part)
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2 Tubas (duet)
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English Horn
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7
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String Quartet: 2 violins, viola, cello
290
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61
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Viola
58
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52
Cello
47
Viola, Piano
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2 Cellos (duet)
44
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43
String Quintet: 2 violins, viola, cello, bass
43
Harp
38
String Trio: 2 violins, cello
33
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33
Double Bass
32
2 Violas (duet)
26
Double bass, Piano (duet)
23
Viola (band part)
21
Doublebass (band part)
10
4 Cellos
9
2 Double basses (duet)
7
Violin, Guitar (duet)
6
Piano Trio: Violin, Viola, Piano
5
String Trio: 3 cellos
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String quartet: 4 violins
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String Quartet : 4 violas
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String Trio: 3 violins
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String Trio: 3 violas
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Harp and mandolin
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4 Double Basses
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String Trio: 2 violins, viola
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Jazz Ensemble
56
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Marching band
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Chamber Orchestra
26
Handbells
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Jazz combo
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Marimba
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Xylophone
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OTHERS
You've selected:
T-Man Music
Orchestra
Sheetmusic to print
88 sheet music found
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76
Dreams Don't End (Orchestra)
Orchestra
Full Orchestra - Digital Download SKU: A0.835181 Composed by Cody Weinmann- CJW Mus…
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Full Orchestra - Digital Download SKU: A0.835181 Composed by Cody Weinmann- CJW Music. 20th Century,Contemporary. Score and parts. 7 pages. Cody Weinmann #6363277. Published by Cody Weinmann (A0.835181). This is my piece Dreams Don't End that was originallycomposed for piano, orchestrated for symphony orchestra.This is printable on 11 x 17 and 12x 16 paper, or you coulduse your devices to view and play the score. It is in C Major.Enjoy! What do you think?Need me to score something for you, email codybusiness78@gmail.com Youtube: Channel Links: Cody Weinmann, Composer: https://www.youtube.com/channel/UCXq0u6NR-2FKeowdNzcJbng? CJW Music Tutorials: https://www.youtube.com/channel/UCeQjG3LlwSFprkTFvoJNqNA? Sheet Music is available at the links below: http://www.codyweinmann.musicneo.com. https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308
$20.00
18.45 €
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Orchestra
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Cody Weinmann- CJW Music
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Dreams Don't End
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Cody Weinmann
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SheetMusicPlus
Manger Songs - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2619L Arranged by Lloyd Larson. Conductor's…
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Orchestra - Digital Download SKU: LX.30-2619L Arranged by Lloyd Larson. Conductor's score. Sacred Anthem, Christmas. Orchestral Score and Parts. 63 pages. Lorenz Publishing - Digital Sheet Music #e30/2619L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2619L). UPC: 000308126273.Lloyd Larson deftly weaves four manger songs together in this arrangement of traditional carols. Lush choral textures are exploited to help convey the majesty of Christ's birth. This ideal selection for Christmas Eve services is made even more versatile by the availability of an optional orchestral arrangement by Michael Lawrence. (From the cantata Rise Up! A New Light A-Comin' SATB -- 65/2009L; SAB -- 65/2010L) Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub T Sax/Bar TC), Tb, 2 Perc, Hp, Pno, Vln 1 & 2, Vla, Vc, Db (String Reduction included).
$39.95
36.85 €
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Orchestra
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Manger Songs - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
(you Make Me Feel Like) A Natural Woman
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1270386 By Aretha Franklin. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1270386 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Shoup. Hip-Hop,Pop,R & B,Rock,Soul. Score and Parts. 93 pages. Sam Shoup #862778. Published by Sam Shoup (A0.1270386). The soulful ballad sung by Aretha Franklin and others, arranged for full orchestra with rhythm section, solo vocal, two background vocals, and optional sax section. Instrumentation is 2-2-2-2, 2 alto saxes (opt.), 2 tenor saxes (opt.), bari sax (opt.), 4-3-3-1, T, electric guitar (solo), electric bass, piano, drumset, harp, and strings. there is a guitar solo also. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
83.03 €
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Orchestra
#
Aretha Franklin
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(you Make Me Feel Like) A Natural Woman
#
Sam Shoup
#
SheetMusicPlus
You Can't Stop The Beat
Orchestra
Full Orchestra - Level 5 - Digital Download By Cast of Hairspray. By Marc Shaiman and…
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Full Orchestra - Level 5 - Digital Download By Cast of Hairspray. By Marc Shaiman and Scott Wittman. Arranged by Kevin Riley. Broadway, Film/TV, Musical/Show. Score and parts. 76 pages. Kevin Riley #681169. Published by Kevin Riley
$60.00
55.35 €
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Orchestra
#
Cast of Hairspray
#
You Can't Stop The Beat
#
Kevin Riley
#
SheetMusicPlus
You Can't Stop The Beat
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1145012 By Cast of Hairspray. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1145012 By Cast of Hairspray. By Marc Shaiman and Scott Wittman. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show,Pop,Rock. Score and parts. 284 pages. Daryl McKenzie #745329. Published by Daryl McKenzie (A0.1145012). Arranged in the style of the cast recording of Hairspray for Vocals with Pops Orchestra - Voices 1 & 2, Picc, 2Fl, 2Ob, 2Cl,2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, 3 Perc, Pno, Keyboard, 2 Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Starts in the Key of Ab More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
92.24 €
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Orchestra
#
Cast of Hairspray
#
You Can't Stop The Beat
#
Daryl McKenzie
#
SheetMusicPlus
Synth Concerto #2, 1st Mov't - Andante con moto
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1011590 Composed by Joe Wiedema…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1011590 Composed by Joe Wiedemann. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 148 pages. Joe Wiedemann #3420651. Published by Joe Wiedemann (A0.1011590). A concerto for a neglected audience of young people, to showcase the keyboard talents and sound-designing imagination of those in an Electronic Music university program. First premiered by CalPoly Pomona's MIDI Ensemble, a full orchestra can welcome new soloists and undiscovered artists. Second and third movements are available from the composer at orchestronics.com.
$24.99
23.05 €
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Orchestra
#
Joe Wiedemann
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Synth Concerto #2, 1st Mov't - Andante con moto
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Joe Wiedemann
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SheetMusicPlus
"A Lucky Star" A 1920s Musical, Full Orchestral Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s. Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice. Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.
$32.50
29.98 €
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Orchestra
#
James Nathaniel Holland
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"A Lucky Star" A 1920s Musical, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
You Don't Bring Me Flowers
Orchestra
Full Orchestra - Level 4 - Digital Download By Neil Diamond & Barbra Streisand. B…
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Full Orchestra - Level 4 - Digital Download By Neil Diamond & Barbra Streisand. By Neil Diamond, Alan Bergman, and Marilyn Bergman. Arranged by Kevin Riley. 20th Century, Film/TV, Pop. Score and parts. 29 pages. Kevin Riley #390350. Published by Kevin Riley
$65.00
59.96 €
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Orchestra
#
Neil Diamond & Barbra Streisand
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Barbra Streisand
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You Don't Bring Me Flowers
#
Kevin Riley
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SheetMusicPlus
I Won't Send Roses
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1394874 Composed by Jerry Herma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1394874 Composed by Jerry Herman. Arranged by Paul Langford. Broadway,Jazz,Musical/Show. 25 pages. Paul Langford #978358. Published by Paul Langford (A0.1394874). Vocal feature with piano/bass/drums (opt. guitar) and strings.
$49.99
46.12 €
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Orchestra
#
Jerry Herman
#
I Won't Send Roses
#
Paul Langford
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SheetMusicPlus
We Don't Talk About Bruno
Orchestra
By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). A…
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By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Vinny Conrod. Broadway, Children, Film/TV, Latin, Musical/Show, Pop. Score and parts. 13 pages. Vinny Conrod #455963. Published by Vinny Conrod
$50.00
46.13 €
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Orchestra
#
Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
#
Vinny Conrod
#
SheetMusicPlus
We Don't Talk About Bruno
Orchestra
String Orchestra - Level 3 - Digital Download By Carolina Gaitan, Mauro Castillo, Ada…
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String Orchestra - Level 3 - Digital Download By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Thomas Baugh. Broadway, Film/TV, Musical/Show. Score and parts. 23 pages. Thomas Baugh #344808. Published by Thomas Baugh
$55.00
50.74 €
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Orchestra
#
Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
#
Thomas Baugh
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SheetMusicPlus
You Can't Stop The Beat
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.750468 By Cast of Hairspray. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.750468 By Cast of Hairspray. By Marc Shaiman. Arranged by Matt Amy. Contemporary. Score and parts. 146 pages. Matt Amy Music #4781863. Published by Matt Amy Music (A0.750468). Key: Ab/G/A major
$75.00
69.19 €
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Orchestra
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Cast of Hairspray
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You Can't Stop The Beat
#
Matt Amy Music
#
SheetMusicPlus
BALCANOMANIA full orchestral score and parts
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.992972 Composed by Michael Beie…
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Full Orchestra - Level 3 - Digital Download SKU: A0.992972 Composed by Michael Beier. Contemporary,Multicultural,Standards,World. Score and parts. 47 pages. Michael Beier #3863281. Published by Michael Beier (A0.992972). Some would call it a Hippie Song - you get a great piece of wild music in Balcan Style: 4/4 and 3/4 beat go just fine together. Xylophone, Piano and Accordeon add a special sound, if you wish there might be room for more percussion. Players can stand up to perform even more lively :)We put BALCANOMANIA on the stage with students of a music school, and it was a hit instantly. Nothing for beginners, though. Now we decided to no longer keep the music in the shelf :) Enjoy it. You not just buy the music but also the right to perform it as often as you wish (but please don't copy for other orchestras...) We'd love to get a feedback. Thank you for purchasing BALCANOMANIA.
$14.00
12.92 €
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Orchestra
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Michael Beier
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BALCANOMANIA full orchestral score and parts
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Michael Beier
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SheetMusicPlus
Away in a Manger (Mueller) - Full Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download Composed by James R. Murray, John T. McFa…
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Full Orchestra - Level 3 - Digital Download Composed by James R. Murray, John T. McFarland, and Mueller. Arranged by Fritz Stanley. Christian, Christmas, Praise & Worship. Score and parts. 23 pages. MicStanley #3629243. Published by MicStanley
$25.00
23.06 €
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Orchestra
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James R
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Worship
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Away in a Manger
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MicStanley
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SheetMusicPlus
Don't Give Up On Me - Composed & Arranged by Ken Hartfield - For Pop Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.977473 Composed by Ken Hartfiel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.977473 Composed by Ken Hartfield. Rock. Score and parts. 55 pages. Ken Hartfield - Freeze Tracks Music #6853859. Published by Ken Hartfield - Freeze Tracks Music (A0.977473). Our beautiful planet earth has been provided for us to protect and keep thriving. It is up to us to keep it sustainable, not only for ourselves but for future generations, because life is precious and unpredictable. This lush and complex composition and arrangement results in a song that can resonate with so many people. It can inspire, uplift, and sweep you away with its harmonies and lyrics that so many will relate to, and includes an incredible guitar solo intertwined with intriguing rhythm guitar and percussion. The production is suited for Pop Orchestra with Vocals and has a background video for live performances. Backing tracks are available as well, which will provide you and your Pop Orchestra/Vocal group with a full sounding production regardless of the size of your instrumental backup. Individual backing tracks include a click track plus a variety of individual MP3 tracks. We have included the following in this publication: Full score and parts, 2 Flute 1 &2, 1 oboe 1&2, 2 clarinet 1&2, 2 Trumpet 1 & 2, 2 French Horn 1 & 2, 2 Trombone. 1 Drum set, 1 Crash Cymbal, 2 Congas, 1 Timpani, 2 Electric Guitar, 1 Electric Bass, 1 Piano, 4 Soprano 1&2 , 4 Alto 1&2, 4 Tenor1&2, 8 Violins 1&2, 8 Violas 1&2, 2 Cello and 1 Double Bass,
$49.95
46.08 €
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Orchestra
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Ken Hartfield
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2, 2 French Horn 1 &
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Don't Give Up On Me - Composed & Arranged by Ken Hartfield - For Pop Orchestra
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
It Isn't Easy (But It's Worth It)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1283905 Composed by Matthew A.C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1283905 Composed by Matthew A.C. Cohen. Film/TV,Jazz,Romantic Period. Score and Parts. 10 pages. Minnow Johnson Music #875089. Published by Minnow Johnson Music (A0.1283905). A beautiful orchestral piece with jazz elements written for the Marshall University Symphony Orchestra.
$20.00
18.45 €
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Orchestra
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Matthew A
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It Isn't Easy
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Minnow Johnson Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.06 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Concerto for Orchestra
Orchestra
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
33.2 €
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Orchestra
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Marc Shaiman & Scott Wittman: You Can't Stop The Beat (from Hairspray) (arr. Ed Lojeski) (complete set of parts) - orchestra/band
Orchestra
Instantly printable sheet music by Ed Lojeski for orchestra/band of MEDIUM skill level. / …
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Instantly printable sheet music by Ed Lojeski for orchestra/band of MEDIUM skill level. / musical/show,broadway
$32.99
30.43 €
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Orchestra
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Marc Shaiman & Scott Wittman
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Virtualsheetmusic
3 Pieces for Orchestra
Orchestra
Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amade…
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Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q54206. Published by Schott Music - Digital (S9.Q54206). These are free arrangements of three movements from Hartmann’s Piano Sonata ‘27. April 1945.’ Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau concentration camp. The music contains quotes from Jewish folk tunes and from revolutionary songs of the International Worker’s Movement. It is a declaration of pity and outrage and of solidarity with the victims of Nazi Fascism. (from: Hans Werner Henze, Ein Werkverzeichnis 1946-96 [ED 8579])3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 2 · Engl. Hr. · 2 · Bassklar. · Heckelphon · Altsax. (auch Tenorsax.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (hg. Beck. · 3 Tamt. [h./m./t.] · Tomt. · kl. Tr. [mit Schnarrs.] · gr. Tr. · gr. Tr. [mit Beck.] · Fingerzimb. · Röhrengl. · Glsp. · Vibr. · Marimba) (2 Spieler) - Hfe. · Cel. · Klav. - Str.
$30.99
28.59 €
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Orchestra
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Hans Werner Henze and Karl Amadeus Hartmann
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3 Pieces for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
46.13 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
A Touch of Jazz: 1st & 3rd F Horns
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_H13. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_H13). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.77 €
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Orchestra
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A Touch of Jazz: 1st & 3rd F Horns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_M1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.77 €
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Orchestra
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A Touch of Jazz: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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