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The Rights Of Man
Orchestra
Sheetmusic to print
17 sheet music found
<
1
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.89 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.97 €
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Orchestra
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.03 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
92.03 €
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Orchestra
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
The Ocean Deep, Orchestral Version
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99
8.27 €
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Orchestra
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Leif Jack
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The Ocean Deep, Orchestral Version
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Leif Thomas Marken Jack
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SheetMusicPlus
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
9.19 €
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Orchestra
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Thomas Oboe Lee
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Mass for the Holy Year 2000, pt. 1
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Thomas Oboe Lee
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SheetMusicPlus
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
9.19 €
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Orchestra
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Thomas Oboe Lee
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Mass for the Holy Year 2000, pt. 2
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Thomas Oboe Lee
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SheetMusicPlus
Journey to the Stars Movement 1: Into Orbit
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.947910 Composed by Doniell C Cu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.947910 Composed by Doniell C Cushman. Contemporary. Score and parts. 19 pages. Doniell C Cushman #3365353. Published by Doniell C Cushman (A0.947910). Journey to the Stars is a Symphony with movements that reflect different aspects of the journey from launching pad, to planets, in the life of an astronaut or space craft. Into OrbitThis movement is supposed to simulate the journey from launching pad, into space, in the life of a spacecraft, or astronaut.The spoken words at the end indicate point of launch all the way into the orbit of our planet or, perhaps, moon. Instead of a countdown there is a countup that is verbalized by members of the orchestra in the final moments of the piece.Please contact composer to purchase performance and/or recording rights.
$59.99
55.21 €
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Orchestra
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Doniell C Cushman
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Journey to the Stars Movement 1: Into Orbit
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Doniell C Cushman
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SheetMusicPlus
Angel of Mons (Full score & complete set of parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1198860 Composed by James Berse…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1198860 Composed by James Bersey. Historic,March,Multicultural,Patriotic,Spiritual,World. Score and parts. 147 pages. James Bersey #797947. Published by James Bersey (A0.1198860). ANGEL OF MONS - score & partscomposed byJAMES BERSEYThis work was composed in 2014 to mark the centanary of the Battle of Mons 1914.It will work well in any commemorative/memorial concert associated with war.INSTRUMENTATIONsop.choir,1 (picc) 2.2.3 (3rd+bass),24.3 (3rd=bugel).3.2timp.perc(3)stringsThe Angels of Mons is a story of the reputed appearance of a supernatural entity which protected the British Army from defeat by the invading forces of the German Empire at the beginning of World War I during the Battle of Mons in Belgium on 23 August 1914.PRINTING INSTRUCTIONSFor best results, print onto A3 paper & bind.Alternatively read direct from digital device.© Copyright protected - All rights reserved.
$20.00
18.41 €
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Orchestra
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James Bersey
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Angel of Mons
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James Bersey
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.58 €
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Orchestra
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1388556 Composed by Stanley M H…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50
71.32 €
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Orchestra
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
So This Is Love
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
46.01 €
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Orchestra
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James Ingram
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So This Is Love
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Artist of Note, Inc.
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SheetMusicPlus
Hunter - Terminator 6 (for Orchestra)
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Mart&iac…
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 51 pages. Published by Arte Nova Music Lab
The Terminator is a 1984 science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day save mankind from extinction by a hostile artificial intelligence in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier sent back in time to protect Sarah. The screenplay is credited to Cameron and producer Gale Anne Hurd, while co-writer William Wisher Jr. received a credit for additional dialogue.<br> <br> Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumni Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winstonand Gene Warren Jr.<br> <br> Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron's film career and solidifying Schwarzenegger's status as a leading man. The film's success led to a franchiseconsisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".
$60.00
55.22 €
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Orchestra
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Hunter - Terminator 6
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Arte Nova Music Lab
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SheetMusicPlus
Testament Cues - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horne…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
32.21 €
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Orchestra
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James Horner
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Dunes
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1299325 Composed by Claudio Ros…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1299325 Composed by Claudio Rosati. 20th Century,Classical,Film/TV,Romantic Period. Score and Parts. 58 pages. Claudio Rosati #889187. Published by Claudio Rosati (A0.1299325). Dunes – A Merchant’s Journey HomeThe music tells the story of a merchant and his caravan crossing the desert for his journey home.For strings orchestra plus flute and oboe.The PDF is optimized for double-page printing.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com.
$19.99
18.4 €
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Orchestra
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Claudio Rosati
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Dunes
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Claudio Rosati
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SheetMusicPlus
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