Download Digital Sheet Music of Tonic for Orchestra

Tonic
Orchestra

Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Am…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 59 pages. Ondine Press #828698. Published by Ondine Press (A0.1233066). Instrumentation: 2. 2. 2. 2 â€“ 2. 2. 0. 0 â€“ tp â€“ strThis is a set of parts to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The full score is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$60.00 55.48 € #Orchestra #Wolfgang Amadeus Mozart #Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts #Ondine Press #SheetMusicPlus

Fantasia Concertante for Cello and Orchestra Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.886725 Composed by Panagiotis T…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.886725 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 102 pages. Panagiotis Theodossiou #4822057. Published by Panagiotis Theodossiou (A0.886725). Fantasia Concertante, for cello and large orchestra op.27 (2004). The almost traditionally tonic idiom of the work is a turning point for the composerâ€™s thinking to more simple forms and easy to comprehend musical language. The tempos (Maestoso con moto â€“ Poco meno mosso â€“ Lâ€™ istesso tempo ma espressivo e tranquillo â€“ Lento â€“ Tempo primo) and the overall character is one of a romantic concerto. It is dedicated to Manos Hatzidakis and composer believes that it has something from him and his music.
$40.00 36.99 € #Orchestra #Panagiotis Theodossiou #Fantasia Concertante for Cello and Orchestra #Panagiotis Theodossiou #SheetMusicPlus

Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Am…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 18 pages. Ondine Press #828697. Published by Ondine Press (A0.1233065). Instrumentation: 2. 2. 2. 2 â€“ 2. 2. 0. 0 â€“ tp â€“ strThis is a full score to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The set of parts is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$25.00 23.12 € #Orchestra #Wolfgang Amadeus Mozart #Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only #Ondine Press #SheetMusicPlus

Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, è´ºæ–°å¹´, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99 4.61 € #Orchestra #Jeremy Goh, Daniel Cheng #Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts #Jeremy Goh #SheetMusicPlus

THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00 9.25 € #Orchestra #Alan Edgar #THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra #Alan Edgar Ted Moon #SheetMusicPlus

Be Thou My Vision - Conductor's score & complete set of orchestral parts Orchestra

Full Orchestra - Digital Download SKU: A0.932522 Composed by Slane (trad.Irish). Ar…(+)

Full Orchestra - Digital Download SKU: A0.932522 Composed by Slane (trad.Irish). Arranged by James Bersey. Celtic,Easter,Holiday,Irish,Praise & Worship. Score and parts. 94 pages. James Bersey #6253321. Published by James Bersey (A0.932522). BE THOU MY VISIONComplete orchestral arrangement byJAMES BERSEYIncludes:Full orchestral score & the following orchestral parts:voice, 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 horns in F, 3 trumpets in Bb, 2 trombones, bass trombone, tuba, drum set, electric bass, orchestral piano, violin I, violin II, viola, cello, double bassPRINTING INSTRUCTIONSTo print off each part as a A4 booklet - no staples or biding required.Select part, set paper to A3 and select printer to A4 booklet orPrint onto A4 paper back-to-back and bind each part separately if required.The score can be read from a device or printed off onto A4 and bound, or set your printer tofit to and print onto A3 and bind.Â© Copyright protected - All rights reservedEnquiries: supertonicpublishing@gmail.com
$15.00 13.87 € #Orchestra #Slane #Be Thou My Vision - Conductor's score & complete set of orchestral parts #James Bersey #SheetMusicPlus

G - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Digital Download SKU: A0.944932 Composed by Timothy Bandy. Contemp…(+)

Full Orchestra - Digital Download SKU: A0.944932 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209975. Published by Timothy Bandy (A0.944932). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductorâ€™s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #G - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

B - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.944924 Composed by Timothy Band…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5209327. Published by Timothy Bandy (A0.944924). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductorâ€™s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #B - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

A - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.944922 Composed by Timothy Band…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.944922 Composed by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209317. Published by Timothy Bandy (A0.944922). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductorâ€™s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #A - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

PIED PIPER of HAMELIN Orchestra version. Der Rattenfänger von Hameln (in English) Orchestra

Full Orchestra - Digital Download SKU: A0.903781 Composed by Alan Edgar (music), An…(+)

Full Orchestra - Digital Download SKU: A0.903781 Composed by Alan Edgar (music), Ann Liles (Lyricist, and from traditional story). 20th Century,Children. Score and parts. 151 pages. Alan Edgar Ted Moon #6563893. Published by Alan Edgar Ted Moon (A0.903781). A story for children of all ages. In 2001 flute magazine Pan had an appeal from Richard Stagg for more octotonic music, and at the same time I felt there was a dearth of good story-telling music for children. Pied Piper of Hamelin was composed for Hessle Sinfonia, who performed it twice with their principal flute, Michael Taylor as soloist and the lyricist Ann Liles narrating, under my baton. Richard Sleight was soloist in the Isle of Axholme Symphony Orchestra's later performance. Show off the versatility and beauty of the flute and entrance the audience (!).There are characteristic themes for the children, the river, the mountain, the pied piper and the rats, variously combined.
$10.00 9.25 € #Orchestra #Alan Edgar #PIED PIPER of HAMELIN Orchestra version. Der Rattenfänger von Hameln #Alan Edgar Ted Moon #SheetMusicPlus

Gb - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Digital Download SKU: A0.944931 Composed by Timothy Bandy. Contemp…(+)

Full Orchestra - Digital Download SKU: A0.944931 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209973. Published by Timothy Bandy (A0.944931). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductorâ€™s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #Gb - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

Ab - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.944920 Composed by Timothy Band…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.944920 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5207865. Published by Timothy Bandy (A0.944920). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression1/2 Step Long tones: Descending, Ascending5 Note Major/Minor Scales: Descending, AscendingWhole tone scales: Ascending, DescendingBlues Scale5 Chromatic Scale Exercises2 Diminished Scale Exercises3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/MinorHarmonic ProgressionParts included in Conductorâ€™s ScoreFlute, Oboe, Bb ClarinetTrumpet, F Horn, Trombone, TubaViolin, Viola, Cello (Bassoon), Dbl Bass (Rhythm)Piano, Mallet PercussionAlso Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #Ab - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

Bb - Every Day Warm-Ups for Full Orchestra Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.944923 Composed by Timothy Band…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.944923 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209325. Published by Timothy Bandy (A0.944923). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductorâ€™s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts forâ€¦ Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 9.25 € #Orchestra #Timothy Bandy #Bb - Every Day Warm-Ups for Full Orchestra #Timothy Bandy #SheetMusicPlus

Symphony No.1 complete set of orchestral parts Orchestra

Full Orchestra - Digital Download SKU: A0.932531 Composed by James Bersey. Classica…(+)

Full Orchestra - Digital Download SKU: A0.932531 Composed by James Bersey. Classical,Contemporary. Score and parts. 301 pages. James Bersey #6610269. Published by James Bersey (A0.932531). INSTRUMENTATION1 (picc) 2.2.3 (3rd+bass).2 (2= contra) 4.3.3.1 timp.perc (4) strings. Conductor's score is available at Sheetmusic Plus:Item Number: S0.1138049 PRINTING INSTRUCTIONSSelect each part, set paper to A3 and select printer to A4 booklet - fold into place, no staples or biding required. Or print onto A4 paper back-back and bind each part separately with plastic comb binding. Or read from device.This purchase allows enough parts (including string parts) for one orchestra only Copyright protected rights reserved Enquiries: supertonicpublishing@gmail.com Â
$5.00 4.62 € #Orchestra #James Bersey #Symphony No.1 complete set of orchestral parts #James Bersey #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.

Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energeticÂ second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.

Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 pages. Published by Carlssons Kluster
A large orchestral piece, inspired by the classic film music of science fiction cinema, perfect for cross-over, pops programs. A symphonic love letter to science fiction!<br> <br> Anyone familiar with the 1980s sci-fi cinema boosted by the success of Steven Spielberg should note the obvious reference in the title of this piece. The 1987 sci-fi adventure, directed by Joe Dante and produced by Spielberg, was one of my favourite movies as a teenager.<br> <br> When the enthusiastic Gothia Concentus commissioned me to write Innerspace, the task was to write a stand-alone concert work that would serve as companion piece to an impressive set list of well-known genre works primarily from the world of film, but also video games. Since all of the other pieces were written for sci-fi adventures taking place in outer space, I wanted to go in the other direction - inwards.<br> <br> My piece and its storyline is inspired by that of Joe Dante’s movie, and of course, even more so by the ingenious 1960s sci-fi gem Fantastic Voyage. I would not say, though, that the music itself is particularly inspired by the scores written for these films (by Jerry Goldsmith and Leonard Rosenman) - it’s more of a love letter to all of the great sci-fi music written in the past century.<br> <br> Innerspace is in large doses based on an octatonic scale which I developed based on a chord progression that has been in my head since I was a teenager, just waiting for the righ opportunity to “come out”. The piece makes a condensed journey from the stark and alarming opening, through atmospheric passages which are almost bitonal in character, via stirring action and heroic scherzo motifs to a triumphant finale.<br> <br> It is my intention that this piece should be entertaining, fun and exciting for the post-modern symphony audience, as well as a lot of fun for the players and conductor who share my love for the great sci-fi movies!<br> <br> Duration: ca 7:30<br> <br> Instrumentation: 3(1.2.pic)3(1.2.eh)3(1.2.bcl)3(1.2.cbn) - 6652(1opt) - timp.3perc - hp.pno - str.<br> <br> Mikael Carlsson<br> January 2019