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22
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4 Tubas
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STRINGS
String Quartet: 2 violins, viola, cello
174
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2 Violas (duet)
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18
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17
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14
Viola
13
2 Harps (duet)
7
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Viola (band part)
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6
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5
Cello, Guitar (duet)
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Double Bass
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Viola, Cello (duet)
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4 Cellos
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Harp, Voice
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2 Violas, Piano
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PERCUSSION & ORCHESTRA
Concert band
423
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2 Marimbas
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Snare drums
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Woodwind Quintet
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Piano and Orchestra
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Big band
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Brass Quintet: other combinaisons
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Bodhran
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Orchestra
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Up Where We Belong
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1387338 By BeBe and CeCe Winans…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1387338 By BeBe and CeCe Winans. By Buffy Sainte-Marie, Jack Nitzche, and Will Jennings. Arranged by Mike Campbell. Pop,R and B. 66 pages. CapeMusic #971189. Published by CapeMusic (A0.1387338). Duet for male and female vocal, with full orchestra and rhythm section; could also be performed as a solo vocal feature. The form and feel is based on the Bebe and Cece Winans version, but the vocal part is written as per the original Joe Cocker/Jennifer Warnes recording: it can be performed as such or more freely in an RandB style with improvisation etc., or somewhere in between perhaps? The orchestral arrangement will work in any event.
$79.99
71.93 €
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Orchestra
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BeBe and CeCe Winans
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Up Where We Belong
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CapeMusic
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SheetMusicPlus
Grown-up Christmas List - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.836878 By Amy Grant. By David B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.836878 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Shereen Cheong. Broadway,Christmas,Contemporary,Film/TV,Holiday,Musical/Show. Score and parts. 25 pages. Shereen Cheong Music #443597. Published by Shereen Cheong Music (A0.836878). An original orchestral arrangement by Shereen Cheong.
$20.00
17.98 €
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Orchestra
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Amy Grant
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Grown-up Christmas List - Score Only
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Shereen Cheong Music
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SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
71.94 €
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Orchestra
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B
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Never Gonna Give You Up
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1412921 By Rick Astley. By Matt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1412921 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Matt Amy. Contemporary,Pop. 86 pages. Matt Amy Music #994924. Published by Matt Amy Music (A0.1412921). Key: Bb minorBPM: 128Style: Dance PopDuration: 3:25“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Never Gonna Give You Up (MIDI)*Note - This arrangement has a click track and programmed elements that can accompany the orchestra for live performance, please get in contact with Matt to purchaseInstrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2, 3- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
67.44 €
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Orchestra
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Rick Astley
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Never Gonna Give You Up
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Matt Amy Music
#
SheetMusicPlus
You Raise Me Up
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1413785 By Josh Groban. By Bren…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1413785 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Paul Lorenz. Broadway,Celtic,Christian,Irish,Musical/Show,Pop,Praise & Worship. 35 pages. Paul Lorenz #995571. Published by Paul Lorenz (A0.1413785). Elevate Your Performance with Josh Groban You Raise Me Up Sheet Music Discover the Ultimate Musical Experience At Paul Lorenz Music, we understand the power of a single piece to transform your musical journey. That's why we are thrilled to present the Josh Groban You Raise Me Up Sheet Music, a testament to our commitment to quality, innovation, and connection. This piece, a beacon of inspiration and emotion, is designed to meet the diverse needs of musicians, ensembles, orchestras, choirs, and creatives seeking to elevate their performances and resonate with audiences worldwide. Masterful Arrangements for Every Performer Our Josh Groban You Raise Me Up Sheet Music collection spans various arrangements, ensuring that every musician finds their perfect match. Whether you're searching for the piano sheet You Raise Me Up, longing for the stirring You Raise Me Up music score, or in need of the You Raise Me Up sheet music PDF, we've meticulously crafted each piece to cater to your artistic demands.For soloists and educators, the You Raise Me Up lead sheet PDF and You Raise Me Up easy piano sheet music provide accessible yet rich renditions. Meanwhile, ensembles and larger groups will find the You Raise Me Up choir sheet music arrangement, You Raise Me Up orchestra sheet music, and You Raise Me Up SATB to offer a comprehensive and immersive musical experience. Immerse Yourself in the Music Each note of the Josh Groban You Raise Me Up Sheet Music invites you into a world where melodies soar and emotions run deep. From the PDF You Raise Me Up to the finely detailed You Raise Me Up notes, every element of our sheet music is produced with the highest quality, echoing our collaboration with renowned musicians and world-class studios like Abbey Road in London. Transform Your Musical Expression Paul Lorenz Music stands at the intersection of tradition and innovation, bringing together top-trained talent and strong industry connections to offer the best quality worldwide. Our Josh Groban You Raise Me Up Sheet Music is not just notes on a page; it's an opportunity to connect with your audience on a profound level, appealing to both classical aficionados and the modern listener.Elevate your performance with Paul Lorenz Music. Experience the unparalleled beauty of Josh Groban You Raise Me Up Sheet Music and let it lift you and your audience to new heights of musical expression.
$149.99
134.87 €
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Orchestra
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Josh Groban
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You Raise Me Up
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Paul Lorenz
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SheetMusicPlus
Running Up That Hill
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1375898 By Kate Bush. By Kate B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1375898 By Kate Bush. By Kate Bush. Arranged by Daryl McKenzie. Film/TV,Pop,Rock. 102 pages. Daryl McKenzie #960448. Published by Daryl McKenzie (A0.1375898). Arranged in the style of Kate Bush for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl/Picc, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of AbNote: Playable without Saxes. Full audio demo (Sibelius Sounds): click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
89.91 €
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Orchestra
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Kate Bush
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Running Up That Hill
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Daryl McKenzie
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SheetMusicPlus
Grown-up Christmas List
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1285538 By Amy Grant. By David …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1285538 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday,Pop. 68 pages. Daryl McKenzie #876643. Published by Daryl McKenzie (A0.1285538). Arranged in the style of David Foster and Natalie Cole for Vocal with Pops Orchestra Voice, 2Fl, 2Ob, Cl, BCl, 2Bsn, 4Hn, 3Trpt, 3Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Eb (starting key).Similar charts for Big band (Male & Female Keys) plus this same arrangement a tone lower: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
89.91 €
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Orchestra
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Amy Grant
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Grown-up Christmas List
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Daryl McKenzie
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SheetMusicPlus
Came Here For Love
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.796218 Composed by Bruce Fielde…
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Full Orchestra - Level 4 - Digital Download SKU: A0.796218 Composed by Bruce Fielder, Cedric Marc Nils Steinmyller, Ella Mary Mcmahon, Louie Christopher, and Scott Wild. Arranged by Daryl McKenzie. Pop. Score and parts. 93 pages. Daryl McKenzie #403400. Published by Daryl McKenzie (A0.796218). Arranged in the style of Ella Eyre and Sigala for Vocal with Pops Orchestra- Voice, 2Fl, 2 Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of G Full audio mock-up: https://bit.ly/3LKTLLO Big Band, Concert Band, Small band arrangements also available: https://bit.ly/3v5mBQn More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH.
$89.99
80.92 €
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Orchestra
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Bruce Fielder, Cedric Marc Nils Steinmyller, Ella Mary Mcmahon, Louie Christopher, and Scott Wild
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Came Here For Love
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Daryl McKenzie
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.48 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Thérèse Brenet: De Rerum Natura ou Le Chant des étoiles for narrator and orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533846 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533846 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 33 pages. Musik Fabrik Music Publishing #3053317. Published by Musik Fabrik Music Publishing (A0.533846). Thérèse Brenet's work for narrator and orchestra is inspried by a passage from De Rerum Natura by Lucretius, which deals with Man's reaction to observing the cosmos. The work is scored for large orchestra (2(pic)222/3330/Timp/2perc/hp/pn/strings). There is no precise interaction between the narrator and the music, except that each segment corresponds to a specific movement. It is up to the conductor and the narrator to define how they wish the text to interact with the music. This is the score only. The orchestral parts are on rental from the publisher.
$25.95
23.33 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: De Rerum Natura ou Le Chant des étoiles for narrator and orchestra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
8.98 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
No Time To Die
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1425127 By Billie Eilish. By Bi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1425127 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Thriller. 113 pages. Www.studio-orchestrations.com #1005945. Published by www.studio-orchestrations.com (A0.1425127). This arrangement is a literal transcription of the original soundtrack in its original key for singer and concert orchestra (instrumentation listed below) and would be a fabulous torch song to program in your film/musical concert event for either an intermediate or semi to professional orchestra.No Time to Die is most definitely one of the best Bond songs of the modern era, right up there with Skyfall and Goldeneye. The film's ambiguous ending aside Billie Eilish's song has struck a chord with most Bond fans as a modern classic.INSTRUMENTATION:2 Flutes (2nd Flute Dbl. Piccolo)OboeCor Anglais2 ClarinetsBass Clarinet[Alternative 2nd Clarinet/Bass Clarinet part included]2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani3 Percussion [Susp.Cyms. / Bass DrumTam-tam / Egg Shaker / Vibraphone /Glockenspiel]HarpPiano (Soloistic)Electrric Guitar5 String Bass GuitarDrum KitStrings.
$140.00
125.89 €
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Orchestra
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Billie Eilish
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No Time To Die
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www.studio-orchestrations.com
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.32 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
17.98 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Rosary Sonatas: The Resurrection
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it. --Mark 16:1-11 (RSV-CE).
$39.99
35.96 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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for it was very large
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Rosary Sonatas: The Resurrection
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JMJ Arrangements
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SheetMusicPlus
Sea Pictures, Op. 37 Score and Parts (Letter Size) (Original higher keys for soprano)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.978455 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978455 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone Music #6716911. Published by Sandstone Music (A0.978455). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$99.99
89.91 €
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Orchestra
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Edward Elgar
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Sea Pictures, Op. 37 Score and Parts
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Score and Parts (A4 Size) (Original higher keys for soprano)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.978456 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978456 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 253 pages. Sandstone Music #6716913. Published by Sandstone Music (A0.978456). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$99.99
89.91 €
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Orchestra
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Edward Elgar
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Sea Pictures, Op. 37 Score and Parts
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Conductor Score (Letter Size) (Original higher keys for soprano)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.978452 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978452 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716131. Published by Sandstone Music (A0.978452). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$31.99
28.77 €
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Orchestra
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Edward Elgar
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Sea Pictures, Op. 37 Conductor Score
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Conductor Score (A4 Size) (Original higher keys for soprano)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.978454 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978454 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716133. Published by Sandstone Music (A0.978454). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$31.99
28.77 €
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Orchestra
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Edward Elgar
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Sea Pictures, Op. 37 Conductor Score
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Sandstone Music
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
17.94 €
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Orchestra
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
8.98 €
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Orchestra
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
44.95 €
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Orchestra
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Violin Concerto No. 2 "Paganini's Revenge" Full Score and Individual Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730522 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730522 Composed by James Nathaniel Holland. Contemporary. Score and parts. 210 pages. James Nathaniel Holland #6203577. Published by James Nathaniel Holland (A0.730522). Full Score (Concert Pitch) and Individual Parts, including solo violin part. The second of American composer James Nathaniel Holland's original music violin concertos in two movements. Also known as Paganini's Revenge Here offered in reduced orchestral form for piano and individual violin and piano parts. Measure numbers line up with full orchestral score. This accessible 21st century musical piece contains two movements. The first is in a broody, virtuoso Paganini style with a contrasting second, joyous Baroque styled one where the violin flutters with trill above the orchestra. Great summer music piece or recital. Duration: 25 minutes. Orchestral instrumentation: Picc, Fl 12, Ob, EH, Cl 12, Bsn 12, Hrn 12, Tpt 12, Trmb12, B.Trmb or Tba., Timp., Perc, (Bass Drum, Cymbal with mallet, Crash Cym.) Glk, Hrp, Violin Soloist, Strings YouTube Video demo presentation: https://youtu.be/LGOmb48IyIw.
$25.95
23.33 €
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Orchestra
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James Nathaniel Holland
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Violin Concerto No. 2 "Paganini's Revenge" Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.47 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
63.17 €
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Orchestra
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
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