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What I Know Now
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18 sheet music found
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1
The Girl I Mean To Be
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden En…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
55.31 €
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Orchestra
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The Secret Garden Ensemble
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
What The Lord Has Done For Me (Anthem) - Orchestration
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99
46.09 €
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Orchestra
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
I Want To Know What Love Is
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1493824 By Foreigner. By Mick J…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1493824 By Foreigner. By Mick Jones. Arranged by Sam Shoup. Pop,Rock. 67 pages. Sam Shoup #1070481. Published by Sam Shoup (A0.1493824). The rock/pop hit by Foreigner, arranged for full orchestra, rhythm section, solo vocalist and Choir (SATB). Instrumentation is 2-2-2-2, 4-3-3-1, Alto Sax (opt.), Tenor Sax (opt.) T+1, glockenspiel, synth, electric guitar, electric bass, drumset and strings. Advanced Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
82.97 €
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Orchestra
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Foreigner
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I Want To Know What Love Is
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Sam Shoup
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SheetMusicPlus
The Trumpeter - Solo Trumpet and Orchestra Score and Parts PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750972 Composed by music by J. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.750972 Composed by music by J. Airlie Dix (d.1911) and lyrics by J. Francis Barron (1870-1940). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 49 pages. BJE Music #5785183. Published by BJE Music (A0.750972). The Trumpeter is a 1904 song with music by J. Airlie Dix (d.1911) and lyrics by J. Francis Barron (1870-1940) which became a widely popular before, during and after World War I. Also known by the song's opening line and refrain Trumpeter, what are you sounding now? [Wikipedia] This arrangement is for Solo Bb Trumpet and Orchestra in the lower key of F. (Original keys of A and G). There is also an optional Piano part included (not on the score) and an optional part for Euphonium BC/TC.There is also a version with Concert Band and a version for Solo Trumpet and Piano.The MP3 was recorded with NotePerformer 3.Grade = 3 (Solo Trumpet) Duration = 3:10 mins
$25.00
23.05 €
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Orchestra
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music by J
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The Trumpeter - Solo Trumpet and Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
184.38 €
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Orchestra
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
The Ocean Deep, Orchestral Version
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99
8.29 €
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Orchestra
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Leif Jack
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The Ocean Deep, Orchestral Version
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Leif Thomas Marken Jack
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.21 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
The Twelfth Of Never
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.850629 By Donny Osmond. By Jerr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.850629 By Donny Osmond. By Jerry Livingston and Paul Francis Webster. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 86 pages. Kevin Riley #457301. Published by Kevin Riley (A0.850629). The Twelfth of Never is a popular song written in 1956 and first recorded by Johnny Mathis the following year. The title is a popular expression, which is used as the date of a future occurrence that will never come to pass. In the case of the song, the 12th of Never is given as the date on which the singer will stop loving his beloved, thus indicating that he will always love her. Mathis initially disliked the song, which was released as the flip side to his number 1 hit single Chances Are. It was written by Jerry Livingston and Paul Francis Webster, the tune (except for the bridge) being adapted from The Riddle Song (also known as I Gave My Love a Cherry), an old English folk song. Mathis's original version reached number 9 on what is now called the Billboard Hot 100 in the USA in 1957. A version by Cliff Richard was released in 1964 and reached number 8 in the UK. Donny Osmond's version, produced by Mike Curb and Don Costa, was his second number 1 single in the UK, spending a single week at the top of the UK Singles Chart in March 1973. In the U.S. it peaked at number 8.
$60.00
55.31 €
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Orchestra
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Donny Osmond
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The Twelfth Of Never
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Kevin Riley
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SheetMusicPlus
Family Fugue
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
73.74 €
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Orchestra
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Scenes from 'The Crucible' for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements. The opening movement is intended to be the Prelude to the opera. The 2nd movement the Prelude to the tense 3rd Act. The 3rd movement takes place at the climactic moment of Act 3, when John Proctor's valiant and desperate attempt to expose Abigail Williams' for what she is backfires, leading to his arrest. The 4th movement opens with the Hymn/Psalm associated with the people of Salem and continues with the reconciliation in prison between John Proctor and his wife Elizabeth.The 5th and final movement accompanies John Proctor's march to execution having nobly torn up his confession of witchcraft. The Hymn/Psalm returns before reminiscences of the opening Prelude return ending the work in a sense of uneasy peace. Parts can be made available upon request.
$20.99
19.35 €
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Orchestra
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Malcolm D Robertson
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Scenes from 'The Crucible' for Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.04 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.44 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.58 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.44 €
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Orchestra
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
46.1 €
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Orchestra
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Rosary Sonatas: The Nativity
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ig…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
32.26 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
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