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Sheetmusic to print
9 sheet music found
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1
Finale To Symphony No. 3
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1339603 Composed by Gustav Mahl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1339603 Composed by Gustav Mahler. Arranged by Frank Lestina. 20th Century,Classical,Romantic Period. 53 pages. Frank Lestina #925305. Published by Frank Lestina (A0.1339603). This Full Orchestra arrangement is approximately 9 minutes long. By removing some of the most challenging secstions, I was able to keep most of this arrangement true to the original Mahler score. Some minor changes were made for it to be accessible to most youth orchestras and many high school orchestras. Please feel free to contact me if you have any questions or would like to see a perusal score.Frank.Lestina@gmail.com.
$70.00
62.94 €
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Orchestra
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removing some of the most challenging secstions, I was able to keep most of this arrangement true to the original Mahler score
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Gustav Mahler
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Finale To Symphony No. 3
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Frank Lestina
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.48 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.48 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.48 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Dance of the Sugar Plum Fairy - Orchestral Version (Full Score and Parts)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1179925 Composed by Peter Ilyic…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1179925 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 33 pages. Sheet Music To Play Editions #779872. Published by Sheet Music To Play Editions (A0.1179925). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. The Orchestral Version. With Full Score and Individual Parts. Enjoy it!Pyotr Ilyich Tchaikovsky (1840 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$19.99
17.98 €
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Orchestra
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Peter Ilyich Tchaikovsky
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Dance of the Sugar Plum Fairy - Orchestral Version
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Sheet Music To Play Editions
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SheetMusicPlus
Golliwog's Cake Walk for Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.841055 Composed by Claude Debus…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages. David E. Watson #3483401. Published by David E. Watson (A0.841055). Golliwog's Cake Walk from the 6 movement ``Children's Corner´´ arranged for Orchestra. Parts for Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon, Contrabassoon, Horn in F (4), Trumpet in C (2), Xylophone, Percussion, and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
35.97 €
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Orchestra
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Claude Debussy
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Golliwog's Cake Walk for Orchestra
#
David E. Watson
#
SheetMusicPlus
Prelude Nr. 8 for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages. David E. Watson #3483419. Published by David E. Watson (A0.841057). Prelude Nr. 8, ``The Girl with the Flaxen Hair´´ is the 8th piece in Debussy's 1st Book of Preludes.It is known for it's musical simplicity, and although it is one of the most recorded of Debussy's works it remains popular with Audiences. Parts include - Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
35.97 €
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Orchestra
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Claude Debussy
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Prelude Nr. 8 for Orchestra
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David E. Watson
#
SheetMusicPlus
Arabesque 1 (Orchestra)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.867865 Composed by Claude Debus…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.867865 Composed by Claude Debussy. Arranged by Ric Flauding. 20th Century. Score and parts. 64 pages. Denise Lea Flauding #2890627. Published by Denise Lea Flauding (A0.867865). Debussy's Arabesque 1 orchestrated by Ric Flauding. One of Ric's most popular best sellers! REVIEW: Beautiful job! Your orchestration sounds like Debussy would have written it himself. - Owen Griffin: Music Director / Metro Instrumental.flaudingmusic.com
$35.00
31.47 €
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Orchestra
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Claude Debussy
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Arabesque 1
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Denise Lea Flauding
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SheetMusicPlus
Clair de Lune for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 47 pages. David E. Watson #3483413. Published by David E. Watson (A0.841056). Clair de Lune (moonlight), the 3rd and most famous of the 4 movements of the Suite Bergamasque by Claude Debussy. Arranged here for Orchestra. Parts included are- Strings, Flute (2), Oboe (2), A Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$30.00
26.98 €
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Orchestra
#
Claude Debussy
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Clair de Lune for Orchestra
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David E. Watson
#
SheetMusicPlus
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