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Orchestra
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301
Uefa Champions League Team
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Chr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Christopher Britten. Arranged by Kevin Riley. 21st Century,Film/TV. 60 pages. Kevin Riley #966278. Published by Kevin Riley (A0.1381585). The UEFA Champions League Anthem, officially titled simply Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem. The complete anthem is about three minutes long, and has two short verses and the chorus. The lyrics are in UEFA's three official languages: English, French, and German. The chorus is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.This arrangement does not require a choir. Those parts are taken by the brass section.
$80.00
71.94 €
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Orchestra
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Anthony Christopher Britten
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Uefa Champions League Team
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Kevin Riley
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SheetMusicPlus
Der Tanz Der Vampire - Finale Zweiter Akt - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1372212 By Musical (original Ca…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1372212 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 521 pages. Julius Marx #956472. Published by Julius Marx (A0.1372212). The full orchestra score of the musical Tanz der Vampire.
$149.99
134.87 €
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Orchestra
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Musical
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Der Tanz Der Vampire - Finale Zweiter Akt - Score Only
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Julius Marx
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SheetMusicPlus
Der Tanz Der Vampire - Finale Zweiter Akt
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372209 By Musical (original Ca…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1372209 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 96 pages. Julius Marx #956470. Published by Julius Marx (A0.1372209). A medley with the music of the musical Tanz der Vampire. Arrangement by Julius Marx.With all orchestra parts.
$99.99
89.91 €
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Orchestra
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Musical
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Der Tanz Der Vampire - Finale Zweiter Akt
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Julius Marx
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.48 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.48 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.48 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
La Pampa y la Puna - Para voz y orquesta
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1447383 Composed by Carlos Vald…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447383 Composed by Carlos Valderrama. Arranged by Patricio Cueto. 20th Century,Classical,Latin,Romantic Period. 31 pages. Patricio Cueto #1027163. Published by Patricio Cueto (A0.1447383). La pampa y la puna, canción peruana de Carlos Valderrama para voz y orquesta en la tonalidad original para voz aguda (Soprano o. Tenor) 2.2.2.2. 2.2.1.0. Tim. Cuerdas.La pampa y la puna, Peruvian song by Carlos Valderrama for voice and orchestra in the original key for high voice (Soprano or Tenor) 2.2.2.2. 2.2.1.0. Tim. Strings.
$35.00
31.47 €
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Orchestra
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Carlos Valderrama
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La Pampa y la Puna - Para voz y orquesta
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Patricio Cueto
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SheetMusicPlus
Giampaolo Testoni: PRELUDIO E SCENA LIRICA “LE DUE ELEONORA” (ES 1021) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1166690 Composed by Giampaolo T…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1166690 Composed by Giampaolo Testoni. Classical,Contemporary. Score and parts. 69 pages. Sconfinarte #767071. Published by Sconfinarte (A0.1166690). PRELUDIO E SCENA LIRICA “LE DUE ELEONORA†(ES 1021) per voci e orchestraOrganico: Soprano, Mezzosoprano, Orchestra.
$20.00
17.98 €
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Orchestra
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Giampaolo Testoni
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Giampaolo Testoni: PRELUDIO E SCENA LIRICA “LE DUE ELEONORA”
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Sconfinarte
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SheetMusicPlus
Giampaolo Testoni: DANZE POPOLARI IMMAGINARIE (ES 978) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1166686 Composed by Giampaolo T…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1166686 Composed by Giampaolo Testoni. Classical,Contemporary. Score and parts. 148 pages. Sconfinarte #767067. Published by Sconfinarte (A0.1166686). DANZE POPOLARI IMMAGINARIE (ES 978) per orchestraOrganico: Orchestra.
$20.00
17.98 €
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Orchestra
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Giampaolo Testoni
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Giampaolo Testoni: DANZE POPOLARI IMMAGINARIE
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Sconfinarte
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SheetMusicPlus
We Are The Champions - Queen for Orchestra
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javie…
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Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"We Are the Champions" is a song by the British rock band Queen, first released on their 1977 album News of the World. Written by lead singer Freddie Mercury, it is considered one of rock's most recognisable anthems. The song was a worldwide success, reaching number two in the UK Singles Chart, number four on the Billboard Hot 100 in the United States, number three in Canada and the top ten in many other countries. In 2009, "We Are the Champions" was inducted into the Grammy Hall of Fame and was voted the world's favourite song in a 2005 Sony Ericsson world music poll. In 2011, a team of scientific researchers concluded that the song was the catchiest in the history of popular music.<br> <br> "We Are the Champions" has become an anthem for victories at sporting events, including as an official theme song for the 1994 FIFA World Cup, and has been often used or referenced in popular culture. The song has also been covered by many artists.<br> <br> On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It was made from previously unheard vocal and instrumental takes from the original multi-track tapes. It also presents for the first time the original recorded length of the track, which is two choruses more than the 1977 edited single.
$60.00
53.95 €
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Orchestra
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Queen
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We Are The Champions - Queen for Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
[Melby] Concerto No. 3 for Violin and Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.952799 Composed by John Melby. Contempora…
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Full Orchestra - Digital Download SKU: A0.952799 Composed by John Melby. Contemporary. Score and parts. 62 pages. American Composers Alliance Inc. #4623779. Published by American Composers Alliance Inc. (A0.952799). Instrumentation: 3(3=picc)3(3=EH)3(3=bcl)2 - 433(3=btbn)1 - timp, amp. cel., 3 perc., 2 hp - amplified vln solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$29.95
26.93 €
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Orchestra
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John Melby
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[Melby] Concerto No. 3 for Violin and Orchestra
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American Composers Alliance Inc.
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SheetMusicPlus
Lord's Greatest Knowledge Destiny - Amphibia Cultural Legacy
Orchestra
Composed by Britney Taylor. Broadway, Classical, Disco, Film/TV, Multicultural, Musi…
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Composed by Britney Taylor. Broadway, Classical, Disco, Film/TV, Multicultural, Musical/Show, World. Score and parts. 8 pages. Adriana Pendleton #732967. Published by Adriana Pendleton
$50.00
44.96 €
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Orchestra
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Britney Taylor
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Lord's Greatest Knowledge Destiny - Amphibia Cultural Legacy
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SheetMusicPlus
AVANT LA CRÉATION DU MONDE - 1st Mouvement - THE SYMPHONY OF BURNING LAMPS
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.970857 Composed by François …
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Full Orchestra - Level 4 - Digital Download SKU: A0.970857 Composed by François Couture. 20th Century,Contemporary. Score and parts. 73 pages. Francois Couture #4983443. Published by Francois Couture (A0.970857).
$36.00
32.37 €
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Orchestra
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François Couture
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AVANT LA CRÉATION DU MONDE - 1st Mouvement - THE SYMPHONY OF BURNING LAMPS
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Francois Couture
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SheetMusicPlus
LES OMBRES DE LA DISSEMBLANCE - 4th Mouvement - THE SYMPHONY OF BURNING LAMPS
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.970858 Composed by Francois Cou…
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Full Orchestra - Level 4 - Digital Download SKU: A0.970858 Composed by Francois Couture. 20th Century,Contemporary. Score and parts. 40 pages. Francois Couture #4984689. Published by Francois Couture (A0.970858).
$36.00
32.37 €
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Orchestra
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Francois Couture
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LES OMBRES DE LA DISSEMBLANCE - 4th Mouvement - THE SYMPHONY OF BURNING LAMPS
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Francois Couture
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SheetMusicPlus
IAN BUTTERWORTH Camptown Races for orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.963762 Composed by Ian Butterwo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.963762 Composed by Ian Butterworth. Contemporary. Score and Parts. 52 pages. Ian Butterworth #6201359. Published by Ian Butterworth (A0.963762). This version of Stephen Foster's tune gives all sections of the orchestra a chance to shine: orchestration 2.2.2.2:2.2.2.1+T+perc. (tuba part is optional). Duration 3 mins approx. Copying of individual string parts for sole use by the puchaser is permitted.
$9.99
8.98 €
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Orchestra
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Ian Butterworth
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IAN BUTTERWORTH Camptown Races for orchestra
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Ian Butterworth
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SheetMusicPlus
We Are The Champions - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1455717 By Queen. By Freddie Me…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1455717 By Queen. By Freddie Mercury. Arranged by Steve Hackman. 20th Century,Classical,Pop. 14 pages. Steve Hackman Productions #1034815. Published by Steve Hackman Productions (A0.1455717).
$49.99
44.95 €
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Orchestra
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Queen
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We Are The Champions - Score Only
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Steve Hackman Productions
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SheetMusicPlus
We Are The Champions
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1296469 By Queen. By Freddie Me…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1296469 By Queen. By Freddie Mercury. Arranged by Junmo Bahk. 20th Century,Rock. Score and Parts. 41 pages. Junmo Bahk #886642. Published by Junmo Bahk (A0.1296469). 2 fl, 1 ob, 2 cla, 2bsn 2hrn,2 Tpt, 2 Tbntimp.drumbass drumsustain cymbalwind chimesglocken spielpfvn. 1,2va.vc.cb.
$70.00
62.94 €
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Orchestra
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Queen
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We Are The Champions
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Junmo Bahk
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SheetMusicPlus
Light And Tuneful (Wimbledon Opening Theme)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansf…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00
44.96 €
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Orchestra
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Keith Mansfield
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Light And Tuneful
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Kevin Riley
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SheetMusicPlus
Symphonic Sketch No. 3 (Champion)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.864022 Composed by Jordan Grigg…
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Full Orchestra - Level 4 - Digital Download SKU: A0.864022 Composed by Jordan Grigg. Concert,Contemporary,Graduation,Holiday,Standards. Score and parts. 28 pages. Jordan Grigg #3554433. Published by Jordan Grigg (A0.864022).
$18.95
17.04 €
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Orchestra
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Jordan Grigg
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Symphonic Sketch No. 3
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Jordan Grigg
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SheetMusicPlus
C. Guastavino - PAMPAMAPA, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1440136 Composed by Carlos Guas…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1440136 Composed by Carlos Guastavino. Arranged by Arkady Leytush. 20th Century. 11 pages. Arkady Leytush #1020085. Published by Arkady Leytush (A0.1440136). Orchestra: Flute, Oboe, English horn, 2 Clarinets in B flat, 2 Bassoons, 2 Horns in F, 2 Trumpets in B, 2 Trombones, Bass Trombone, Timpani, Piano, Accordion Solo, Strings
$30.00
26.98 €
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Orchestra
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Carlos Guastavino
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C. Guastavino - PAMPAMAPA, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Krampus
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.703280 Composed by Eric Bingham…
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Full Orchestra - Level 4 - Digital Download SKU: A0.703280 Composed by Eric Bingham-Kumpf. Christmas,Contemporary. Score and parts. 43 pages. Eric Bingham-Kumpf #3218805. Published by Eric Bingham-Kumpf (A0.703280).
$40.00
35.97 €
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Orchestra
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Eric Bingham-Kumpf
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Krampus
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Eric Bingham-Kumpf
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SheetMusicPlus
IAN BUTTERWORTH Welcome A' Ye Tramps (Scottish folk tune) for orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.963659 Composed by Ian Butterwo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.963659 Composed by Ian Butterworth. 20th Century,Concert. Score and parts. 56 pages. Ian Butterworth #5743225. Published by Ian Butterworth (A0.963659). This lively piece is the final movement of the Suite: Lion of the North for medium size orchestra (Str+2.2.2.2:2.2.2.0+Timp 4 perc). There is interesting writing for all the instruments. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements has proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$9.99
8.98 €
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Orchestra
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Ian Butterworth
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IAN BUTTERWORTH Welcome A' Ye Tramps
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Ian Butterworth
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SheetMusicPlus
What a Friend We Have In Jesus - instrumental for orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.742702 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742702 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 82 pages. AnderKamp Music #3639401. Published by AnderKamp Music (A0.742702). This is a wide, sweeping and pastoral arrangement of this timeless hymn arranged in a John Barry (Dances With Wolves, Out of Africa) sort of style. Highly praised and incredibly gifted arranger and orchestrator Jim Gray asked Jeff Anderson to create an arrangement for The Nashville Praise Symphony. The Nashville Praise Symphony (NPS) is an auditioned orchestral group under the direction of Camp Kirkland. After NPS performed this arrangement for a season, Jeff is excited to now make this arrangement available for purchase. Designed for full orchestra, this beautiful, peaceful arrangement would serve perfectly as an offertory or set-up for a message/sermon. Instrumentation is: Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Bass Clarinet Trumpet 1-3 Horn 1 & 2 Trombone 1-3 Tuba Harp Percussion 1 & 2 Timpani Violin 1 & 2 Viola Cello Double Bass Written Out Piano Substitution parts: Alto Sax 1 & 2 (Horn 1 & 2) Tenor Sax 1 & 2 (Trombone 1 & 2) Bari Sax (Tuba) String Synth 1 (Violins-Viola) String Synth 2 (Viola-Cello) String Synth 3 (Cello-Double Bass) String Synth 4 (String Reduction)
$69.95
62.9 €
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Orchestra
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Public Domain
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What a Friend We Have In Jesus - instrumental for orchestra
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AnderKamp Music
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SheetMusicPlus
"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1014395 Composed by Julien Boul…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages. Julien Boulier #4603309. Published by Julien Boulier (A0.1014395). Extracted parts piano 1 & piano 2 / Cello 1,2,3,4 (3 cellos divisi and 1 solo cello advanced or 1 cello advanced amplified) / Contrabass 1,2,3String Orchestra, Chamber Orchestra, 2 pianos advanced level for duo (rythm 3 for 4 between 3 quarters piano 1 right hand and 4 quavers 2 hands piano 2) / 6 violas / 3 Contrebass / 3 cellos divisi or 1 cello expert / / 6 altos / - Digital DownloadComposed by Julien Boulier. Arranged by Julien Boulier. Contemporary Classical, Impressionistic, Neo-Classical. 35 pages. Published by Julien Boulier (S0.568883).Item Number: S0.568883Vimeo pro video The Public Studio : https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$5.00
4.5 €
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Orchestra
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Julien Boulier
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"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
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Julien Boulier
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SheetMusicPlus
Alice In Wonderland
Orchestra
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia…
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Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
62.94 €
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Orchestra
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Jud Conlon Chorus
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
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