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Where It's At
1 Piano, 4 hands
Sheetmusic to print
4 sheet music found
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1
Delius: La Calinda (Dance from The Opera Koanga) for Piano Duet (4 hands)
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.945799
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.945799 Composed by Frederick Delius. Arranged by Giulio Castronovo. 20th Century. Score and parts. 11 pages. Giulio Castronovo #6104141. Published by Giulio Castronovo (A0.945799). Delius first wrote this dance for his symphonic suite Florida (1888) and he subsequently incorporated it into the second act of his opera Koanga (1896-1897), where it is used as a Creole wedding dance with soli and chorus. The instrumental version would later become famous as a stand-alone piece for the concert hall and it is, in fact, the only part of the opera which entered the repertoire.This is the first arrangement ever for piano duet of Delius's beloved orchestral work. Perfect for enjoying it at home, for study/analysis purposes, for conducting classes.
$4.99
4.56 €
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1 Piano, 4 hands
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Frederick Delius
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Delius: La Calinda
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Giulio Castronovo
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SheetMusicPlus
Blues en mi [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550 Composed by Juan MarÃa Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mà [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede. The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan MarÃa Solare) organised by the Professors Silvia Dabul and Manuel Massone. The title is a pan in Spanish: Blues in E minor / Blues in me. At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mÃ. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mÃ. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before). Juan MarÃa Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)
$4.00
3.66 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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any case not later
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Blues en mi [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Sonate Jason, qui emporte la Toison d'or
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
48.45 €
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1 Piano, 4 hands
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Carl Ditters von Dittersdorf
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Sonate Jason, qui emporte la Toison d'or
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Artaria Editions
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SheetMusicPlus
Changes for twenty nifty fingers
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.890702 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.890702 Composed by John Pitts. 20th Century. Score and parts. 13 pages. Intensely Pleasant Music #3424643. Published by Intensely Pleasant Music (A0.890702). Changes for twenty nifty fingers (1995) duet 3 minutes This is the ‘simplest’ piece of the collection, and the oldest. I wrote it during my undergraduate years at Bristol University in response to a task set by my then composition tutor Wyndham Thomas. The given title Changes refers to the inspiration of the peeling of church bells – ringing the changes - where there is a simple ostinato pattern that undergoes a gradual metamorphosis. This piece starts with the skeleton of this short repeated phrase (in 14/8) which gradually fills out, and then moves through two enormously tricky sections of phasing - in which the two pianists have overlapping bars of different lengths (14 and 15 quavers). The duet finally builds to a dramatic climax in the third minute. So, this is a short minimalist piece, ultimately with its technical roots in American minimalism, although the material was more immediately inspired by the piano style of my older brothers, in particular my eldest brother Antony’s piano solo piece Dance of the Redeemed Creation - the style of which can be traced in many of my piano compositions. Changes has been widely performed by the Kiev Piano Duo (Dmytro Tavanets and Oleksandra Zaytseva), and a recording (performed by Steven Kings and John Pitts) is available on CD 7 Airs & Fantasias and other piano music from www.johnpitts.co.uk - or as a download from Hyperion/1equalmusic: www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08
$3.99
3.65 €
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1 Piano, 4 hands
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John Pitts
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Changes for twenty nifty fingers
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Intensely Pleasant Music
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SheetMusicPlus
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