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FLUTE
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LAP STEEL GUIT…
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Not classified
3,370
Piano & keyboards
Piano solo
4,941
Piano, Voice
309
Organ
145
Piano, Vocal and Guitar
116
C Instruments
92
1 Piano, 4 hands
83
Piano Trio: piano, violin, cello
33
2 Pianos, 4 hands
32
Easy Piano
29
Piano Quartet: piano, violin, viola, cello
12
Accordion
10
Piano Accompaniment
10
Organ, Piano (duet)
9
Piano Quintet: piano, 2 violins, viola, cello
7
Harpsichord
6
2 Pianos, 8 hands
3
1 Piano, 6 hands
1
Organ, Trumpet (duet)
1
Keyboard
1
+ 14 instrumentations
-
Retract
Guitars
Guitar
550
Guitar notes and tablatures
450
Bass guitar
311
2 Guitars (duet)
46
Piano, Guitar (duet)
40
Dulcimer
40
Ukulele
34
Melody line, (Lyrics) and Chords
17
Banjo
11
4 Guitars (Quartet)
10
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5
Mandolin
4
2 Ukuleles
4
Baritone Ukulele
4
3 Guitars (trio)
3
2 Dulcimers (duet)
3
Lyrics and Chords
2
Mandolin, Guitar (duet)
2
Guitar (band part)
1
+ 14 instrumentations
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Voice
Voice solo
2,369
Choral SATB
212
Choral TTBB
32
Choral 3-part
29
Choral Unison
19
Choral SSAA
18
Tenor voice, Piano
12
Soprano voice, Piano
7
Tenor voice
5
Vocal duet
5
Choral 2-part
5
Vocal duet, Piano
4
High voice
4
Baritone voice, Piano
4
Soprano voice
2
Choral SSAATTBB
1
Choral SSAB, Piano
1
Low voice, Piano
1
Alto voice, Piano
1
Voix Masculines
1
Low voice
1
Medium voice, Piano
1
Choral SSAB a cappella
1
+ 18 instrumentations
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Retract
Woodwind
Flute
700
Clarinet
587
Saxophone
558
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
345
Saxophone Quartet: 4 saxophones
336
Alto Saxophone
308
Tenor Saxophone
305
Clarinet Quartet: 4 clarinets
230
Flute, Oboe, Clarinet, Bassoon
221
Flute and Piano
217
Clarinet and Piano
198
2 Saxophones (duet)
189
Saxophone Quintet: 5 Saxophones
178
Oboe, Piano (duet)
158
Alto Saxophone and Piano
152
Tenor Saxophone and Piano
115
2 Flutes (duet)
112
Clarinet Ensemble
95
2 Clarinets (duet)
91
Saxophone ensemble
90
Oboe
84
Flute Quartet: 4 flutes
79
Soprano Saxophone
60
Flute ensemble
58
Clarinet Quintet: 5 clarinets
56
Saxophone, Clarinet (duet)
56
Soprano Saxophone and Piano
49
Recorder
49
Flute, Clarinet (duet)
49
3 Clarinets (trio)
39
Clarinet, Violin (duet)
39
3 Saxophones (trio)
38
Flute Trio: 3 flutes
35
Oboe (band part)
33
Clarinet, Trumpet (duet)
30
Baritone Saxophone, Piano
27
Flute, Violin
27
2 Oboes (duet)
27
Oboe, Bassoon (duet)
26
2 Flutes, Piano
25
Saxophone (band part)
22
Flute Quintet : 5 flutes
22
Oboe, Clarinet (duet)
21
Flute, Viola (duet)
20
Clarinet and Viola
20
Flute, Saxophone (duet)
19
Oboe, Flute
19
Flute and Guitar
18
Flute, Clarinet and Bassoon.
15
Flute, Trumpet (duet)
15
Bass Clarinet, Piano
10
Flute, Oboe, Clarinet (trio)
10
Clarinet, Bassoon (duet)
9
English horn, Piano
9
Flute, Oboe, Bassoon
8
Recorder Quartet
7
Oboe, Clarinet, Bassoon (trio)
7
Flute, Violin, Piano
6
2 Recorders (duet)
5
4 Oboes
5
Descant (Soprano) Recorder
5
Clarinet, Guitar (duet)
5
Treble (Alto) Recorder
4
Flute, Organ (duet)
4
Flute, Violoncello
4
Clarinet, Cello (duet)
3
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Flute, Oboe (duet)
3
Flute, Cello, Piano (trio)
3
Flute, Violin and Violoncello
3
Treble (Alto) Recorder, Piano
2
Tenor Recorder
2
Flute (band part)
2
3 Oboes
2
Clarinet Quintet: Clarinet, String Quartet
2
Baritone Saxophone
2
Pennywhistle
2
3 Recorders (trio)
2
Flute, Harp and Cello
2
5 Recorders
2
Flute, Clarinet, Piano (trio)
2
Flute, Oboe, Piano (trio)
1
Oboe, Violin, Piano
1
Oboe, Violin (duet)
1
Bass Clarinet
1
English Horn
1
Piccolo
1
Flute and String Quartet
1
Saxophone and Guitar
1
Clarinet, Organ
1
Oboe, Cello and Piano
1
Clarinet, Harp (duet)
1
Piccolo, Piano
1
Flute, Clarinet, Violin (trio)
1
Flute, Bassoon, and Piano
1
2 Clarinets, Piano
1
Saxophone and Harp
1
Saxophone, Tuba (duet)
1
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Trumpet
507
Trombone
419
Brass Quintet: 2 trumpets, horn, trombone, tuba
318
Brass quartet : 2 trumpets, trombone, tuba
218
Trombone and Piano
141
Trumpet, Piano
117
French horn
86
Brass Quartet: 2 trumpets, horn, trombone
64
Brass Quartet: 4 trombones
64
French Horn and Piano
56
Trombone ensemble
46
2 Trombones (duet)
45
Tuba and Piano
43
2 Trumpets (duet)
40
Trumpet, Saxophone (duet)
37
Trumpet ensemble
36
Euphonium
34
Brass Quartet: 4 horns
31
Trumpet (band part)
30
Brass Quartet
27
Tuba
26
Trumpet, Trombone (duet)
26
2 Euphoniums and 2 Tubas
25
Euphonium, Piano (duet)
24
Trumpet, Horn (duert)
20
2 French horns (duet)
18
Horn Ensemble
12
3 Trombones (trio)
12
Euphonium, Tuba (duet)
9
English horn, Piano
9
3 French horns (trio)
6
4 Tubas
5
2 Tubas (duet)
5
Brass Quartet: 4 trumpets
4
Trombone, Tuba (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
3 Trumpets (trio)
3
Trumpet, Tuba (duet)
2
Brass Trio
2
Bass Trombone
2
Bass Clef Instruments
1
Trombone and Orchestra
1
3 Tubas (trio)
1
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1
Tuba ensemble
1
English Horn
1
Tuba and Organ
1
Horn, Tuba (duet)
1
Horn and Organ
1
French Horn and Harp
1
Trombone, Organ
1
Trombone (band part)
1
Bass Trombone and Piano
1
2 Euphoniums (duet)
1
+ 49 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
978
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526
Cello
441
Violin and Piano
269
Violin, Cello (duet)
254
Harp
218
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192
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165
Viola
164
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152
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110
2 Cellos (duet)
101
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73
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68
2 Violas (duet)
44
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41
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31
4 Cellos
27
String Quintet: 2 violins, viola, cello, bass
24
Viola (band part)
24
2 Harps (duet)
23
Violin, Guitar (duet)
20
Viola, Cello (duet)
18
String Trio: 3 violins
17
Violin ensemble
14
String quartet: 4 violins
14
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13
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13
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11
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11
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8
String Trio: 3 violas
7
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6
String Quartet : 4 violas
6
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5
String Quintet: 2 violins, 2 violas, cello
5
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5
4 Double Basses
5
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4
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4
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3
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3
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3
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2
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1
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1
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1
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1
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1
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1
String Quintet: 2 violins, viola, 2 cellos
1
Violin, Tuba (duet)
1
Violin, Clarinet, Piano (trio)
1
String trio
1
+ 51 instrumentations
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Retract
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546
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422
Drums
382
String Orchestra
317
Brass ensemble
297
Concert band
293
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148
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77
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54
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53
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44
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25
Vibraphone
18
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8
2 Xylophones
4
2 Marimbas
2
Xylophone, Piano
1
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1
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1
Vibraphone and Marimba
1
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Musical course - Solfege
8
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1
26
Sonata Hymnica No. 6
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sir Duke
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Avenger Theme
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Haim Saban, Jeremy Adam Sweet,
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Kris McNaney
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Avenger Theme
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Kris McNaney
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Lev...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy. Arranged by Kris McNaney. Contemporary. Score. 19 pages. Kris McNaney #5373247. Published by Kris McNaney (A0.928325). 4-part piano piece written for Primo I, Secondo I, Primo II, and Secondo II. This was arranged for piano extravaganzas with multiple pianos being played at the same time. A minimum of two pianos is required to play this piece with two players at each piano. The skill level required for this is Advanced Intermediate.
$4.99
Into My Mind
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
JS Bach, "Little" Fugue in G Minor for Two Pianos, Four Hands (advanced version)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Jennifer Shell
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JS Bach, "Little" Fugue in G M
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Jennifer Shell
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.922650 Composed by Johann Sebastian Bach. Arranged by Jennifer Shell. Baro...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.922650 Composed by Johann Sebastian Bach. Arranged by Jennifer Shell. Baroque. Score and parts. 16 pages. Jennifer Shell #5793255. Published by Jennifer Shell (A0.922650). Bach wrote this piece for organ. Although it has been arranged for a single piano player, it is exceptionally difficult to play on one keyboard because of the multiple overlapping parts. In order for less advanced pianists to still enjoy the piece, I arranged it for two pianos, four hands.
$6.79
Even The Nights Are Better
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Air Supply
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Unknown
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Even The Nights Are Better
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Clem & Jun Bascar
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 4 pages. Clem & Jun Bascar #1053561. Published by Clem & Jun Bascar (A0.1475995). A wonderful piece to play and explore. Playing with four hands, this music is very suitable specially during night time. Play and enjoy.
$4.99
Once In Royal David's City variations for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporar...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
Tango for the Road - for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
French Ballet Class
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
Children on the Beach (for 2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
Canon in F - 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
Viva La Vida
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Rock
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Coldplay
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Luca Aletta
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Viva La Vida
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Luca Aletta
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.816980 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arra...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.816980 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Luca Aletta. Rock. Score. 3 pages. Luca Aletta #4786157. Published by Luca Aletta (A0.816980). Jazz arrangement.
$4.99
Solveig's Lullaby from "Peer Gynt", for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Richard Simm
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Solveig's Lullaby from "Peer G
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800640 Composed by Edvard Grieg. Arranged by Richard Simm. Romantic Period. Score. 3 pag...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800640 Composed by Edvard Grieg. Arranged by Richard Simm. Romantic Period. Score. 3 pages. Richard Simm #6744729. Published by Richard Simm (A0.800640). This beautiful, sad lullaby, which Solveig sings at the end of Ibsen's play, is every bit as touching as Solveig's more famous 'Song'. Grieg's original orchestral accompaniment uses only muted strings and harp, but the result is full of powerful emotion, inspiring this effective, warm-textured performing version for two pianos by Richard Simm.
$6.99
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Ki...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Do You Hear What I Hear
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Country
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Carrie Underwood
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Lynn Hutchinson
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Do You Hear What I Hear
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Lynn Hutchinson Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinso...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gospel,Rock. Score. 19 pages. Lynn Hutchinson Music #4896239. Published by Lynn Hutchinson Music (A0.914814). Doubled piano and horn instrumentation makes this setting both visually and sonically captivating. And really fun to play (thus says the pianist!). Upbeat and modern yet suitable for conservative audiences, this arrangement is ideal for both concert stage and church setting. Price includes score and parts.
$15.99
Between the Lakes - Piano duo (2 pianos, 4 hands)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebe...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
Interstellar
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Alex Gibson, Hans Florian Zimm
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Donna Mitchell
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Interstellar
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Donna Mitchell Studio
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1294764 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1294764 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Donna Mitchell. Film/TV,New Age. Score. 20 pages. Donna Mitchell Studio #885122. Published by Donna Mitchell Studio (A0.1294764). Themes from the film, Interstellar arranged for piano and synth pad or strings setting on keyboard. 20 pages with color cover. Separate parts are included for distribution to players, plus score for ease in practicing. Synth part is easy while the piano part would be considered early advanced.
$7.00
North vs. South Pole
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Holden R
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North vs. South Pole
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Holden Magee
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. Published by Holden Magee (A0.708618). A polyphonic challenge for experienced piano players. Perfect for recitals, studios, and auditions.
$4.99
Concertino in C
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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J
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Tabitha Kierszka
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Concertino in C
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Tabitha Kierszka
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.901018 Composed by J.B. Vanhal. Arranged by Tabitha Kierszka. Classical. Score. 33 pages...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.901018 Composed by J.B. Vanhal. Arranged by Tabitha Kierszka. Classical. Score. 33 pages. Tabitha Kierszka #6570171. Published by Tabitha Kierszka (A0.901018). A classical style Concertino in C, for piano, with accompaniment of a second piano. This original concerto is a wonderful easy concerto for intermediate piano students. The solo part is comparable in difficulty to the Mozart sonata KV545. The original viola and cello parts have been arranged to be played on a second piano. Student concerto. Both the score with both parts on top of each other (17 pages) as separate parts (8 pages each) have been provided.
$5.00
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