Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
3
Digital
Sheet Music
23
Sheet Music
Books
11
Music
Equipment
2,507
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
3890
PIANO & KEYBOARDS
Piano solo
2250
Piano, Voice
1069
Easy Piano
728
C Instruments
341
Piano, Vocal and Guitar
291
Piano Accompaniment
155
Organ
123
Piano Trio: piano, violin, cello
51
1 Piano, 4 hands
45
Accordion
31
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
15
Piano Quartet: piano, 2 violins, cello
10
Piano (band part)
7
Piano Quintet: piano, 2 violins, viola, cello
5
Organ, Piano (duet)
3
Big Note Piano
2
Harpsichord
2
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
177
Guitar notes and tablatures
161
Bass guitar
40
2 Guitars (duet)
31
Ukulele
31
Melody line, (Lyrics) and Chords
19
4 Guitars (Quartet)
17
Guitar (band part)
16
Mandolin
16
Dulcimer
13
Piano, Guitar (duet)
10
Banjo
9
Lyrics and Chords
8
3 Guitars (trio)
4
Guitar Ensemble
3
Guitar, Violin, Cello (trio)
2
Mandolin, Guitar (duet)
2
Mandolin, Piano (duet)
2
2 Mandolins (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1036
Choral 2-part
716
Choral 3-part
373
Vocal duet, Piano
359
Choral Unison
244
Choral TTBB
109
Vocal duet
92
Choral SSAA
76
Tenor voice, Piano
56
Voice solo
52
Soprano voice, Piano
50
Alto voice, Piano
37
Baritone voice, Piano
35
High voice
12
Tenor voice
7
Medium voice, Piano
5
Choral
3
Choral SSAATTBB
2
Low voice, Piano
2
Soprano voice
2
Soli, Mixted choir and accompaniment
1
Choral SATTBB A Cappella
1
Choral SATBB
1
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
326
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
322
Flute, Oboe, Clarinet, Bassoon
275
2 Saxophones (duet)
273
Flute and Piano
261
Saxophone Quintet: 5 Saxophones
247
Clarinet and Piano
219
Oboe, Piano (duet)
200
Clarinet
195
Alto Saxophone and Piano
166
Flute
165
2 Flutes (duet)
160
Saxophone
151
Tenor Saxophone and Piano
139
Soprano Saxophone and Piano
118
2 Clarinets (duet)
117
Alto Saxophone
111
Clarinet Quartet: 4 clarinets
104
Saxophone (band part)
96
Flute, Clarinet (duet)
80
Oboe (band part)
79
3 Saxophones (trio)
74
Tenor Saxophone
74
Baritone Saxophone, Piano
72
2 Oboes (duet)
64
Clarinet, Violin (duet)
54
Flute Quartet: 4 flutes
54
Oboe
51
Saxophone, Clarinet (duet)
51
Clarinet Ensemble
50
Oboe, Bassoon (duet)
50
Oboe, Clarinet (duet)
47
3 Clarinets (trio)
46
2 Recorders (duet)
44
Clarinet Quintet: 5 clarinets
39
English horn, Piano
39
Oboe, Cello
36
Flute, Clarinet and Bassoon.
36
Saxophone ensemble
34
Clarinet, Bassoon (duet)
33
Flute ensemble
33
Clarinet, Trumpet (duet)
32
Bass Clarinet, Piano
31
Flute Trio: 3 flutes
30
Flute, Violin
29
Descant (Soprano) Recorder
29
Flute, Viola (duet)
26
Clarinet, Cello (duet)
25
Flute Quintet : 5 flutes
25
Oboe, Flute
24
Clarinet and Viola
24
Flute, Violoncello
24
Flute and Guitar
20
Treble (Alto) Recorder
20
Flute, Oboe (duet)
20
Flute, Oboe, Bassoon
19
Flute, Saxophone (duet)
19
Flute, Oboe, Piano (trio)
16
Soprano Saxophone
15
Recorder
15
Flute, Cello, Piano (trio)
15
Flute, Oboe, Clarinet (trio)
15
English Horn
14
Flute, Trumpet (duet)
14
Flute, Violin, Piano
14
Baritone Saxophone
13
Flute, Clarinet, Horn and Bassoon (Quartet)
13
Recorder Quartet
13
Oboe, Clarinet, Bassoon (trio)
13
2 Flutes, Piano
13
Clarinet, Cello, Piano (trio)
12
Flute, Clarinet, Piano (trio)
12
Clarinet, Guitar (duet)
11
Flute (band part)
11
Clarinet (band part)
11
Harmonica
10
2 Clarinets, Piano
10
Flute, Viola and Piano
8
3 Recorders (trio)
8
Oboe, Violin (duet)
8
Ocarina
8
Oboe and viola (duet)
7
Flute, Bassoon, and Piano
7
Treble (Alto) Recorder, Piano
7
5 Recorders
7
Tenor Recorder
6
Clarinet, Bassoon, Piano (trio)
5
Oboe, Clarinet and Piano (Trio)
5
Flute, Violin and Violoncello
5
Bass Clarinet
5
Flute, trombone and piano
5
Oboe, Cello and Piano
4
Clarinet, Trombone (duet)
4
Flute, Violin, Violoncello and Piano
3
Flute, Trombone (duet)
3
Clarinet, Harp (duet)
3
Pennywhistle
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Tuba
3
Clarinette, Viola and Piano (trio)
3
Oboe, Violin, Piano
3
Oboe, Trombone (duet)
2
Flute, Tuba (duet)
2
4 Oboes
2
Wind ensemble
2
Oboe, Guitar (duet)
2
2 English horns and Pianoforte
2
Oboe ensemble
2
3 Oboes
2
Oboe, Bassoon and Piano
2
Piccolo, Piano
2
Flute, Cello, Guitar
1
Flute and Strings Trio
1
Oboe, Harp
1
Recorder, Piano
1
Clarinet, trumpet and piano
1
Saxophone and Organ
1
Clarinet, Double bass (duet)
1
English Horn, Guitar (duet)
1
Flute, Oboe, Violin
1
Flute, Violin, Guitar
1
Flute, harp and violin
1
2 Oboes, Piano
1
Flute, Clarinet, Violin (trio)
1
Clarinet Quintet: Clarinet, String Quartet
1
Piccolo
1
Bagpipe
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
394
Trumpet
213
Trombone and Piano
202
Trumpet, Piano
170
Brass quartet : 2 trumpets, trombone, tuba
154
Trombone
151
French Horn and Piano
136
Brass Quartet
96
French horn
94
Tuba and Piano
81
Brass Quartet: 2 trumpets, horn, trombone
81
2 Trumpets (duet)
76
Tuba
75
2 Trombones (duet)
70
Trumpet, Trombone (duet)
54
Trumpet ensemble
51
Euphonium, Piano (duet)
49
Trombone (band part)
47
2 French horns (duet)
43
Trumpet, Saxophone (duet)
41
English horn, Piano
39
Trumpet (band part)
36
2 Tubas (duet)
24
Trumpet, Horn (duert)
24
Trombone ensemble
22
Brass Quartet: 4 trombones
19
Brass Quartet: 4 trumpets
18
Brass Quartet: 4 horns
17
Brass Trio
16
English Horn
14
Horn, Cello (duet)
13
3 Trumpets (trio)
12
French horn (band part)
11
Tuba (band part)
11
Trumpet, Cello (duet)
10
3 Trombones (trio)
10
Horn Ensemble
9
Euphonium
8
4 Tubas
7
Trumpet, Cello, Piano
6
Trombone, Horn (duet)
6
Bass Trombone and Piano
5
Trumpet, Bassoon (duet)
5
Trumpet, Tuba (duet)
5
Brass Quartet: 2 trumpets, 2 trombones
5
French horn and Basson (duet)
5
2 Euphoniums and 2 Tubas
4
Tuba and Organ
4
Trumpet, Trombone, Piano
4
Trombone, Tuba (duet)
3
3 French horns (trio)
3
Horn, Tuba (duet)
2
Bass Trombone
2
2 English horns and Pianoforte
2
3 Tubas (trio)
2
2 Trumpets, Keyboard (piano or organ)
1
2 French horns, Piano
1
2 Euphoniums (duet)
1
English Horn, Guitar (duet)
1
Trumpet, violin (duet)
1
Trombone, Violin (duet)
1
French Horn and Harp
1
Trumpet, Harp
1
Tuba ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
659
Violin and Piano
317
Viola, Piano
217
Cello, Piano
207
Violin
191
Violin, Cello (duet)
173
Cello
172
String Quintet: 2 violins, viola, cello, bass
164
Viola
117
String Trio: violin, viola, cello
114
2 Violins (duet)
114
2 Cellos (duet)
97
Violin, Viola (duet)
83
Harp
79
String Trio: 2 violins, cello
72
2 Violas (duet)
71
Double bass, Piano (duet)
66
Double Bass
64
Viola, Cello (duet)
36
Violin (band part)
30
Viola (band part)
28
4 Cellos
23
Piano Trio: Violin, Viola, Piano
22
String Trio: 3 violins
21
Doublebass (band part)
19
String Trio: 3 cellos
19
Violin, Bassoon (duet)
19
String Quartet : 4 violas
17
2 Double basses (duet)
16
String quartet: 4 violins
13
String Trio: 3 violas
11
Viola and Bassoon
11
String Quintet: 2 violins, viola, 2 cellos
11
String Trio: 2 violins, viola
10
Violin ensemble
9
Viola ensemble
9
Violin, Clarinet, Piano (trio)
9
Violin, Guitar (duet)
8
2 Harps (duet)
6
Cello (band part)
6
Cello, String Bass (duet)
5
Harp, Flute (duet)
4
Viola, Guitar (duet)
3
Harp, Voice
3
2 Violas, Piano
2
4 Harps
2
Harp, Trombone (duet)
2
Flute, Doublebass (duet)
2
Harp, Violin (duet)
2
Violin, Tuba (duet)
2
Viola and Harp
2
Harp and mandolin
1
Violin, Cello, Clarinet
1
3 Harps
1
Harp, Cello (duet)
1
2 Violins, Piano
1
Cello, Orchestra
1
2 Cellos, Piano
1
Cello Ensemble
1
4 Double Basses
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
615
String Orchestra
242
Orchestra
219
Jazz Ensemble
147
Brass ensemble
140
Marching band
81
Handbells
80
Chamber Orchestra
78
Jazz combo
47
Drums
37
Percussion Ensemble
28
Marimba
22
Xylophone
18
Percussion (band part)
13
Xylophone, Piano
11
Drum (band part)
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Vibraphone
4
School Ensemble
2
2 Xylophones
2
Brass Quintet: other combinaisons
2
Percussion
1
Piano and Orchestra
1
Orchestra, Violin
1
2 Marimbas
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
End Of Time
2 Pianos, 4 hands
Sheetmusic to print
23 sheet music found
<
1
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.12 €
#
2 Pianos, 4 hands
#
James Nathaniel Holland
#
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
#
James Nathaniel Holland
#
SheetMusicPlus
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
1.83 €
#
2 Pianos, 4 hands
#
Ludwig van Beethoven
#
Beethoven - Moonlight Sonata Duet Arrangement -
#
Music Innovators Workshop
#
SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 hands
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
(+)
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.86 €
#
2 Pianos, 4 hands
#
Tito Abeleda
#
Passionate Piano Moments: Emotional Piano Music
#
Visionary Quest Records
#
SheetMusicPlus
Løvfald ("Falling Leaves")
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
3.66 €
#
2 Pianos, 4 hands
#
Christian Vestergaard
#
Løvfald
#
Christian Vestergaard
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.19 €
#
2 Pianos, 4 hands
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Canon in F - 2 Pianos, 4 Hands
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Wa…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
6.4 €
#
2 Pianos, 4 hands
#
Bill Walker
#
Canon in F - 2 Pianos, 4 Hands
#
Bill Walker Music Publishing
#
SheetMusicPlus
C it, Play it!
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
4.57 €
#
2 Pianos, 4 hands
#
Alison Mathews
#
C it, Play it!
#
Alison Mathews
#
SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.16 €
#
2 Pianos, 4 hands
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Sharon Wilson
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
Sucker
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Br…
(+)
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Jonas Brothers
#
Sucker
#
Prudon String Ensembles
#
SheetMusicPlus
Moscow Nights
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,World. Score. 5 pages. Richard Simm #998394. Published by Richard Simm (A0.1416730). This lovely song has become a folk tune in its own lifetime. Â Composed in 1955 during the Soviet Russian Era, it achieved supreme worldwide popularity during the early 1960s, although the film for which it was originally composed has been forgotten. Â Exotic, atmospheric harmonies, along with a truly memorable melodic line, transcend national boundaries and attest to the genuine musical gifts of composer Vasily Solovyev-Sedoi. Here it is in Richard Simm's arrangement for 2 pianos.
$5.95
5.45 €
#
2 Pianos, 4 hands
#
Richard Simm
#
Moscow Nights
#
Richard Simm
#
SheetMusicPlus
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.37 €
#
2 Pianos, 4 hands
#
TK Tim Murray
#
tkmurraycomp@aol
#
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
#
TK
#
SheetMusicPlus
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Sharon Wilson
#
Take My Life and Let It Be
#
Sharon Wilson
#
SheetMusicPlus
Monologe
2 Pianos, 4 hands
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970).…
(+)
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his<br> opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this<br> is a piece for two pianists. real monologues of these pianists who, though<br> simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
32.97 €
#
2 Pianos, 4 hands
#
Bernd Alois Zimmermann
#
Monologe
#
Schott Music - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
