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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The One - Kodaline
Not classified
40,290
Piano & keyboards
Piano solo
12,764
Piano, Voice
5,886
Piano, Vocal and Guitar
4,265
Easy Piano
4,098
Piano Accompaniment
1,749
C Instruments
1,371
Organ
999
1 Piano, 4 hands
571
Big Note Piano
280
Piano (band part)
219
Piano Trio: piano, violin, cello
204
Accordion
160
2 Pianos, 4 hands
136
Piano Quartet: piano, 2 violins, cello
66
Piano Quartet: piano, violin, viola, cello
55
Organ, Trumpet (duet)
47
Organ, Piano (duet)
33
Piano Quintet: piano, 2 violins, viola, cello
29
1 Piano, 6 hands
23
Harpsichord
15
2 Pianos, 8 hands
14
Melody line, Piano
9
Keyboard
8
2 Accordions
3
Accordion, Voice
3
Concertina
2
3 Pianos
2
Accordion ensemble
2
Accordion and Orchestra
2
Solo instrument and Organ
1
Organ and Orchestra
1
Accordion, Piano
1
+ 27 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
2,879
Melody line, (Lyrics) and Chords
1,920
Guitar
1,264
Bass guitar
928
Lyrics and Chords
813
Ukulele
549
Guitar (band part)
420
Baritone Ukulele
181
2 Guitars (duet)
133
Dulcimer
70
4 Guitars (Quartet)
63
Mandolin
61
Piano, Guitar (duet)
55
Banjo
50
3 Guitars (trio)
29
Guitar Ensemble
23
2 Dulcimers (duet)
13
Mandolin, Piano (duet)
11
Mandolin, Guitar (duet)
8
Guitar, Violin, Cello (trio)
7
Electric Bass (band part)
6
2 Ukuleles
6
2 Mandolins (duet)
3
Lap Steel Guitar
3
Ukulele Ensemble
3
Dobro
2
Band Scores
2
Plectrum Orchestra
1
Guitar Tab, Voice, Bass, Drum
1
+ 24 instrumentations
-
Retract
Voice
Choral SATB
6,895
Choral 3-part
2,231
Choral TTBB
1,635
Choral 2-part
1,615
Choral Instrumental Pak
1,486
Choral SSAA
825
Choral Unison
774
Vocal duet, Piano
482
Baritone voice, Piano
376
Vocal duet
288
Voice solo
236
Soprano voice, Piano
204
Tenor voice, Piano
126
Alto voice, Piano
123
High voice
110
Choral
98
Medium voice, Piano
61
Low voice, Piano
54
Choral SSAATTBB
24
Tenor voice
19
Baritone voice
18
Low voice
15
Choral SSATB
11
Mezzo-Soprano voice, Piano
11
Choral SSATTB
10
Soprano voice
10
Soli, Mixted choir and accompaniment
10
Voice, Guitar
7
Choral SSAB, Piano
6
Choral SSAB a cappella
5
Voix Masculines
2
Choral SATBB
2
Choral SSATBB
2
Soprano voice, Orchestra
1
Choral SAATB A Cappella
1
Choral SSAATB A Cappella
1
+ 31 instrumentations
-
Retract
Woodwind
Saxophone (band part)
10,698
Saxophone Quartet: 4 saxophones
7,302
Alto Saxophone
6,681
Saxophone
5,929
Tenor Saxophone
5,839
Alto Saxophone and Piano
4,646
2 Saxophones (duet)
4,459
Tenor Saxophone and Piano
3,445
Soprano Saxophone and Piano
2,184
Saxophone Quintet: 5 Saxophones
2,130
Flute and Piano
1,863
Flute, Oboe, Clarinet, Bassoon
1,786
3 Saxophones (trio)
1,645
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,202
Clarinet and Piano
1,189
Flute
1,078
Baritone Saxophone, Piano
1,023
Oboe, Piano (duet)
1,018
Clarinet
947
Clarinet Quartet: 4 clarinets
919
Saxophone ensemble
853
2 Flutes (duet)
841
2 Clarinets (duet)
733
Soprano Saxophone
681
Saxophone, Clarinet (duet)
550
Oboe (band part)
398
Flute, Clarinet (duet)
385
Flute Quartet: 4 flutes
369
Clarinet, Violin (duet)
344
Clarinet Ensemble
314
Clarinet (band part)
308
Descant (Soprano) Recorder
298
Ocarina
291
Clarinet, Trumpet (duet)
276
Baritone Saxophone
252
2 Oboes (duet)
251
Flute (band part)
248
Oboe, Bassoon (duet)
245
Flute, Saxophone (duet)
228
Flute ensemble
220
Treble (Alto) Recorder
218
Oboe, Clarinet (duet)
212
3 Clarinets (trio)
210
Clarinet Quintet: 5 clarinets
202
2 Recorders (duet)
183
Flute, Violin
178
Clarinet and Viola
178
Flute and Guitar
170
Oboe
164
Oboe, Flute
157
Flute, Viola (duet)
145
English horn, Piano
144
Flute Trio: 3 flutes
136
Flute, Trumpet (duet)
128
Eb Instruments
125
2 Saxophones, Piano
115
Flute, Trombone (duet)
114
Flute, Violin, Piano
108
Bass Clarinet, Piano
102
Saxophone and Guitar
97
Recorder
87
Saxophone and Piano
86
Recorder Quartet
81
Clarinet, Guitar (duet)
75
Flute Quintet : 5 flutes
74
Clarinet, Trombone (duet)
63
Clarinet, Bassoon (duet)
58
Flute, Oboe, Clarinet (trio)
57
Saxophone and Organ
51
Flute, Oboe (duet)
51
Oboe, Cello
49
Clarinet, Cello (duet)
48
Oboe, Clarinet, Bassoon (trio)
48
Flute, Clarinet and Bassoon.
47
Flute, Violoncello
47
English Horn
43
Treble (Alto) Recorder, Piano
41
Saxophone, Violin (duet)
41
2 Flutes, Piano
39
Harmonica
38
Saxophone and Harp
36
Recorder Ensemble
33
3 Recorders (trio)
32
Oboe, Trombone (duet)
30
5 Recorders
25
Oboe, Guitar (duet)
25
Flute, Oboe, Bassoon
23
English Horn, Guitar (duet)
21
Oboe, Violin (duet)
21
Flute, Cello, Piano (trio)
21
Piccolo, Piano
19
Descent (Soprano) Recorder, Piano
19
Flute, Clarinet, Horn and Bassoon (Quartet)
18
Saxophone, Bassoon (duet)
18
Tenor Recorder
17
Flute, Oboe, Piano (trio)
16
Piccolo
16
Flute, Clarinet, Piano (trio)
15
3 Oboes
14
4 Oboes
14
Flute, Violin and Violoncello
13
Clarinet, Cello, Piano (trio)
13
2 Clarinets, Piano
12
Saxophone and cello
11
Flute, Bassoon, and Piano
11
Wind ensemble
9
Flute, harp and violin
9
Clarinet, Harp (duet)
9
Bass Clarinet
8
Flute, Viola and Piano
8
Oboe and viola (duet)
8
Recorder, Piano
7
2 Clarinets, Bassoon
7
Clarinet, Bassoon, Piano (trio)
6
Clarinet, Organ
6
Flute and Strings Trio
6
Clarinet Quartet: Clarinet, Violin, Viola, Cello
5
Pennywhistle
5
Oboe, Harp
5
Flute, Violin, Violoncello and Piano
4
2 English horns and Pianoforte
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Organ (duet)
4
Flute, trombone and piano
3
Clarinet, Tuba
3
Recorder, Guitar (duet)
3
Clarinet, Saxophone, Piano
3
Flute, Clarinet, Violin (trio)
3
Flute, Basso continuo
3
Flute, Harp and Cello
3
Oboe, Violin, Piano
2
Pan Flute
2
Clarinet, trumpet and piano
2
Flute, Viola and harp
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Saxophone, Tuba (duet)
2
Flute, Oboe, Violin
2
Flute, Tuba (duet)
1
2 Oboes and English horn
1
Oboe, Bassoon and Piano
1
Clarinet, Orchestra
1
2 Recorders, Guitar
1
Flute, French horn (duet)
1
Bagpipe
1
Treble (Alto) Recorder, Basso continuo
1
2 Flutes, Basso continuo
1
Melodica
1
Oboe ensemble
1
Oboe, Cello and Piano
1
Clarinet, Double bass (duet)
1
Clarinette, Viola and Piano (trio)
1
Flute, Cello, Guitar
1
+ 147 instrumentations
-
Retract
Woodbrass
Trombone
7,106
Brass Quintet: 2 trumpets, horn, trombone, tuba
6,823
Trombone (band part)
6,727
Trombone and Piano
4,191
Brass quartet : 2 trumpets, trombone, tuba
3,497
2 Trombones (duet)
1,608
Brass Quartet: 2 trumpets, horn, trombone
1,461
Brass Quartet
1,224
Trumpet
1,180
Trumpet (band part)
1,001
Trumpet, Trombone (duet)
904
Trumpet, Piano
888
Brass Quartet: 4 trombones
808
French Horn and Piano
706
French horn
455
Trumpet, Saxophone (duet)
451
Trombone ensemble
369
2 Trumpets (duet)
355
Tuba and Piano
346
Tuba
301
3 Trombones (trio)
295
French horn (band part)
254
Brass Trio
247
Euphonium, Piano (duet)
247
Tuba (band part)
210
Bass Clef Instruments
180
2 French horns (duet)
164
Bb Instruments
149
Trumpet ensemble
148
English horn, Piano
144
Trumpet, Horn (duert)
127
Tuba or Euphonium or Saxhorn
126
Euphonium
104
Brass Quartet: 4 horns
104
Trombone, Tuba (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
92
2 Euphoniums and 2 Tubas
84
Bass Trombone and Piano
75
2 Tubas (duet)
72
Trombone, Horn (duet)
65
Bass Trombone
62
Trombone, Violin (duet)
51
4 Tubas
44
English Horn
43
Trombone, Organ
43
Horn Ensemble
43
Trombone, cello (duet)
40
Brass Quartet: 4 trumpets
38
Trumpet, Trombone, Piano
33
Trumpet, Bassoon (duet)
33
2 Euphoniums (duet)
29
3 Trumpets (trio)
28
Euphonium, Tuba (duet)
26
Horn, Cello (duet)
23
English Horn, Guitar (duet)
21
2 Trombones, Piano
19
Tuba and Organ
18
Trumpet, Cello (duet)
15
Horn, Trumpet, Trombone (trio)
13
3 Tubas (trio)
12
French horn and Basson (duet)
12
3 French horns (trio)
11
2 Trumpets, Keyboard (piano or organ)
10
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
10
Trumpet, Tuba (duet)
9
Trombone, Viola (duet)
9
Trombone and Orchestra
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Horn and Organ
6
Horn, Tuba (duet)
6
Trumpet and Guitar
5
Trumpet, Cello, Piano
5
2 English horns and Pianoforte
4
3 Euphoniums
3
Trumpet, Harp
3
Clarinet, Horn (duet)
3
French Horn and Harp
3
Trumpet, violin (duet)
2
Trumpet, Euphonium (duet)
2
Cornet and Orchestra
1
Trumpet, Orchestra
1
2 French horns, Piano
1
F Instruments
1
Euphonium (band part)
1
Tuba ensemble
1
+ 80 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,890
Violin and Piano
1,800
Violin
1,567
Cello, Piano
1,248
Cello
1,053
Viola, Piano
1,042
Violin, Cello (duet)
953
Harp
903
String Trio: violin, viola, cello
686
Viola
565
2 Violins (duet)
541
2 Cellos (duet)
430
Violin, Viola (duet)
429
Doublebass (band part)
374
String Quintet: 2 violins, viola, cello, bass
370
Violin (band part)
327
2 Violas (duet)
311
Double Bass
260
Double bass, Piano (duet)
256
String Trio: 2 violins, cello
217
Viola (band part)
207
Viola, Cello (duet)
125
Piano Trio: Violin, Viola, Piano
125
4 Cellos
115
Violin, Guitar (duet)
92
String Trio: 3 violins
78
Cello (band part)
70
2 Harps (duet)
67
2 Double basses (duet)
63
Harp, Flute (duet)
55
String Trio: 3 cellos
51
Cello, Guitar (duet)
48
String Trio: 3 violas
41
Cello, String Bass (duet)
38
String quartet: 4 violins
37
Viola, Guitar (duet)
34
Violin, Bassoon (duet)
34
String Quartet : 4 violas
33
Harp, Violin (duet)
30
Harp, Voice
27
Violin ensemble
24
String Trio: 2 violins, viola
22
Viola ensemble
20
String Quintet: 2 violins, 2 violas, cello
20
Viola and Harp
18
Viola and Bassoon
18
Harp, Cello (duet)
17
String trio
15
Harp, Trombone (duet)
14
String Quintet: 2 violins, viola, 2 cellos
12
Flute, Doublebass (duet)
10
Harp and mandolin
9
Cello, Organ
9
Cello Ensemble
7
Violin, Clarinet, Piano (trio)
6
Violin, Organ
6
Harp, Violin, Violoncello
6
2 Violins, Piano
5
Cello, Orchestra
5
4 Double Basses
4
3 Harps
4
Autoharp
4
Violin, Basso continuo
2
2 Cellos, Piano
2
5 Harps
2
Harp and Piano
2
Viola and orchestra
2
Violin, Trumpet and Piano
2
Harp (band part)
2
Violoncello, Basso continuo
1
Harp, Orchestra
1
4 Harps
1
Harp, String quartet
1
Violin, Tuba (duet)
1
3 double basses
1
+ 70 instrumentations
-
Retract
Orchestra & Percussion
Concert band
15,459
Jazz Ensemble
3,474
Orchestra
2,275
Marching band
2,124
Brass ensemble
1,933
String Orchestra
1,687
Handbells
749
Jazz combo
614
Chamber Orchestra
605
Drums
457
Xylophone
275
Percussion Ensemble
268
Drum (band part)
262
Percussion (band part)
197
Xylophone, Piano
112
Marimba
66
2 Xylophones
52
Percussion
42
Vibraphone
34
Brass Quintet: other combinaisons
19
Timpani (band part)
12
Big band
11
Xylophone (band part)
10
Woodwind Quintet
8
School Ensemble
8
Piano and Orchestra
7
Xylophone or Marimba or Vibraphone
7
Orchestra, Violin
5
Flexible Instrumentation
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Snare drums
4
Timpani
3
3 Marimbas
3
2 Marimbas
2
Vibraphone and Marimba
2
Marimba or Xylophone and Piano
2
Cajon
1
Marimba, Piano (duet)
1
3 Percussions
1
Marimba, Saxophone (duet)
1
Bodhran
1
Marimba and Organ
1
Bongos
1
+ 38 instrumentations
-
Retract
Others
Musical course - Solfege
11
Music Theory
2
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▽ INSTRUMENTS
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The One - Kodaline
2 Pianos, 4 hands
Sheetmusic to print
136 sheet music found
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126
Power in the Blood (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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Sacred music
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Lewis E
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Sharon Wilson
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Power in the Blood
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Sharon Wilson
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SheetMusicPlus
Composed by Lewis E. Jones. Arranged by Sharon Wilson. Christian, Sacred, General Worship. Score, Set of Parts. 13 pages. Published by Sharon Wilson (S0.144791)...
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Composed by Lewis E. Jones. Arranged by Sharon Wilson. Christian, Sacred, General Worship. Score, Set of Parts. 13 pages. Published by Sharon Wilson (S0.144791). - Score,Set of Parts - Christian,Sacred,General Worship - Sharon Wilson
$5.99
The Church's One Foundation
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Sacred music
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Wesley
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Sandra Zylstra
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The Church's One Foundation
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Sandra Zylstra
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SheetMusicPlus
By Wesley. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra ...
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By Wesley. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra
$4.75
In The Blood Of The Lamb
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2 Pianos, 4 hands
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Sacred music
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Hoffman, Lowry, Jones
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Sandra Zylstra
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In The Blood Of The Lamb
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Sandra Zylstra
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SheetMusicPlus
Composed by Hoffman, Lowry, Jones. Arranged by Sandra Zylstra. Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 6 pages. Published by S...
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Composed by Hoffman, Lowry, Jones. Arranged by Sandra Zylstra. Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 6 pages. Published by Sandra Zylstra (S0.350113). - Sheet Music Single - Christian,Sacred,Praise & Worship,General Worship - Sandra Zylstra
$4.75
Someone In The Crowd
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2 Pianos, 4 hands
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Film/TV
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Broadway
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Emma Stone, Callie Hernandez,
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Someone In The Crowd
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Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
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SheetMusicPlus
From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This...
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From the movie 'La La Land'. By Emma Stone, Callie Hernandez, Sonoya Mizuno & Jessica Rothe, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This edition: Interactive Download. Film/TV, Musical/Show. PNODT. 7 pages. Published by Hal Leonard - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
The Bollin' Stones (for two pianos)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Kolp, Pierre
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The Bollin' Stones
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Black Jackets Editions
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SheetMusicPlus
By Kolp, Pierre. For Piano Duet. 21st Century. Advanced. Score. Published by Black Jackets Editions ...
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By Kolp, Pierre. For Piano Duet. 21st Century. Advanced. Score. Published by Black Jackets Editions
$7.99
"Ding Dong Glory Christmas Rag", carol variations for 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 hands
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Christmas
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Simon Peberdy
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"Ding Dong Glory Christmas Rag
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Simon Peberdy
#
SheetMusicPlus
Piano Duet, 2 pianos, 4 hands - Digital Download Composed by Simon Peberdy (based on traditional Christmas Carols). 21st Century, Christmas, Recital. 9 pages. P...
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Piano Duet, 2 pianos, 4 hands - Digital Download Composed by Simon Peberdy (based on traditional Christmas Carols). 21st Century, Christmas, Recital. 9 pages. Published by Simon Peberdy
Ding Dong Merrily on High, Angels from the Realms of Glory, Let all Mortal Flesh Keep Silence, Good King Wenceslas, and Personent Hodie all come through the masher in this fun Christmas Carol rag.One of a series of carol variations for 2 pianos, 4 hands. More available, and duet versions too, at www.simonpeberdymusic.com Video of a performance of this in America: https://www.youtube.com/watch?v=Duusqfvx-HY and another at https://youtu.be/rVoVh8kF8lY?t=142
$3.99
A Lovely Night
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2 Pianos, 4 hands
#
Film/TV
#
Broadway
#
Ryan Gosling & Emma Stone
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A Lovely Night
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
From the movie 'La La Land'. By Ryan Gosling & Emma Stone. Film/TV, Musical/Show. PNODT. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.3762...
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From the movie 'La La Land'. By Ryan Gosling & Emma Stone. Film/TV, Musical/Show. PNODT. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.376272). - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
Audition (The Fools Who Dream)
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2 Pianos, 4 hands
#
Film/TV
#
Broadway
#
Emma Stone, Justin Hurwitz, Ju
#
Audition
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
From the movie 'La La Land'. By Emma Stone, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This edition: Interactive Download. Film/TV, Musical/...
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From the movie 'La La Land'. By Emma Stone, Justin Hurwitz, Justin Paul, Benj Pasek, Brent Edstrom. This edition: Interactive Download. Film/TV, Musical/Show. PNODT. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.376274). - PNODT - Film/TV,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
#
Gospel/Spiritual
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Sacred music
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
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Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
One Handed Trio #4
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2 Pianos, 4 hands
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INTERMEDIATE
#
Tom Rule
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One Handed Trio #4
#
MaconMacMusicGuy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacM...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bell
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Alone
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
Tango for the Road - for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 hands
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EASY
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instruction...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
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