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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
ARMONÍA
Not classified
5,996
Piano & keyboards
Piano solo
3,383
Piano, Voice
982
Easy Piano
952
Organ
392
Piano, Vocal and Guitar
205
C Instruments
203
Piano Accompaniment
152
1 Piano, 4 hands
88
Piano Trio: piano, violin, cello
74
Piano Quartet: piano, violin, viola, cello
48
2 Pianos, 4 hands
26
Piano (band part)
24
Harpsichord
23
Organ, Trumpet (duet)
18
Accordion
15
Organ, Piano (duet)
10
Piano Quartet: piano, 2 violins, cello
8
Piano Quintet: piano, 2 violins, viola, cello
8
2 Accordions
6
1 Piano, 6 hands
2
Accordion, String(s)
1
2 Organs (duet)
1
2 Pianos, 8 hands
1
+ 18 instrumentations
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Retract
Guitars
Guitar notes and tablatures
695
Guitar
360
Guitar (band part)
45
Melody line, (Lyrics) and Chords
35
2 Guitars (duet)
32
Bass guitar
30
Piano, Guitar (duet)
25
Ukulele
20
Mandolin
16
4 Guitars (Quartet)
11
Lyrics and Chords
10
Dulcimer
9
Banjo
4
3 Guitars (trio)
2
2 Ukuleles
2
Lap Steel Guitar
1
Guitar, Orchestra
1
Guitar Ensemble
1
2 Dulcimers (duet)
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
3,451
Choral 3-part
1,192
Choral 2-part
913
Choral TTBB
884
Choral SSAA
678
Choral Unison
247
Vocal duet, Piano
139
Soprano voice, Piano
85
Vocal duet
80
Alto voice, Piano
62
Tenor voice, Piano
58
Baritone voice, Piano
32
Voice solo
22
Choral SSAATTBB
16
High voice
15
Low voice, Piano
11
Choral
10
Choral SSATB
9
Choral Instrumental Pak
9
Medium voice, Piano
9
Choral, Orchestra
7
Mezzo-Soprano voice, Piano
3
Tenor voice
3
Soprano voice
3
Choral SSATTB
2
Choral SATBB
2
Choral SSAATB
1
Soli, Mixted choir and accompaniment
1
Choral SSAB a cappella
1
Voice, Guitar
1
Choral SSAB, Piano
1
Choral SAATB A Cappella
1
+ 27 instrumentations
-
Retract
Woodwind
Flute and Piano
507
Clarinet and Piano
458
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
397
Saxophone Quartet: 4 saxophones
387
Flute, Oboe, Clarinet, Bassoon
359
Harmonica
341
Oboe, Piano (duet)
303
Alto Saxophone and Piano
227
Saxophone Quintet: 5 Saxophones
220
2 Saxophones (duet)
214
2 Flutes (duet)
207
Clarinet Quartet: 4 clarinets
176
Saxophone (band part)
168
Tenor Saxophone and Piano
166
Flute Quartet: 4 flutes
165
Flute
149
Clarinet
147
2 Clarinets (duet)
136
Soprano Saxophone and Piano
121
Clarinet, Harp (duet)
96
Alto Saxophone
90
3 Saxophones (trio)
84
3 Clarinets (trio)
79
Flute Trio: 3 flutes
76
Clarinet Ensemble
75
2 Recorders (duet)
72
Baritone Saxophone, Piano
71
2 Oboes (duet)
69
Clarinet Quintet: 5 clarinets
64
Tenor Saxophone
63
Flute, Clarinet (duet)
60
Oboe
56
Oboe, Bassoon (duet)
55
Oboe (band part)
52
Oboe, Clarinet (duet)
49
Flute Quintet : 5 flutes
48
Flute, Violoncello
44
Clarinet, Bassoon (duet)
39
Flute, Clarinet and Bassoon.
38
Oboe, Cello
38
English horn, Piano
38
Saxophone ensemble
37
Clarinet, Violin (duet)
35
Flute ensemble
34
Clarinet, Cello (duet)
34
Flute, Oboe, Clarinet (trio)
30
Recorder
28
Flute, Violin
28
Flute and Guitar
28
Flute, Violin, Piano
22
Flute, Viola (duet)
22
Flute, Oboe, Bassoon
21
Recorder Quartet
20
Flute, Trombone (duet)
20
Soprano Saxophone
20
Flute, Oboe (duet)
20
Clarinet and Viola
20
Flute (band part)
18
Saxophone, Clarinet (duet)
17
Baritone Saxophone
17
Descant (Soprano) Recorder
17
Bass Clarinet, Piano
16
Clarinet (band part)
16
Oboe and viola (duet)
16
Oboe, Violin (duet)
15
Clarinet, Trumpet (duet)
13
Clarinet, Guitar (duet)
13
Flute, Clarinet, Piano (trio)
12
English Horn
12
Saxophone
11
Treble (Alto) Recorder
11
Flute, Trumpet (duet)
10
Oboe, Clarinet, Bassoon (trio)
10
Flute, Oboe, Piano (trio)
10
Oboe, Flute
9
5 Recorders
9
Recorder Ensemble
8
Flute, Cello, Piano (trio)
7
2 Flutes, Piano
7
Flute, Bassoon, and Piano
7
Clarinet, Trombone (duet)
7
Flute, Saxophone (duet)
6
Tenor Recorder
6
Clarinet, Bassoon, Piano (trio)
5
2 Saxophones, Piano
5
Treble (Alto) Recorder, Piano
5
Flute, Viola and Piano
5
Flute, harp and violin
5
2 Clarinets, Piano
5
Piccolo, Piano
4
Bass Clarinet
4
Clarinet, Cello, Piano (trio)
4
Oboe, Violin, Piano
4
Oboe, Trombone (duet)
4
Ocarina
4
Oboe, Clarinet and Piano (Trio)
4
Clarinet, Double bass (duet)
3
English Horn, Guitar (duet)
3
Flute, Tuba (duet)
3
Flute and Strings Trio
3
Oboe, Cello and Piano
3
Clarinet, Tuba
3
3 Recorders (trio)
3
Oboe, Bassoon and Piano
3
4 Oboes
2
Clarinette, Viola and Piano (trio)
2
Harmonica, Piano
2
Wind ensemble
2
2 Flutes, 2 Clarinets (Quartet)
2
Flute, Violin and Violoncello
2
Flute, Harp and Cello
2
Saxophone and Guitar
2
2 Oboes, Piano
2
2 Clarinets, Bassoon
2
Flute, French horn (duet)
2
Flute, Organ (duet)
1
Saxophone, Tuba (duet)
1
Oboe, Guitar (duet)
1
Eb Instruments
1
Clarinet, Saxophone, Piano
1
English horn, Harp (duet)
1
Flute, trombone and piano
1
2 English horns and Pianoforte
1
Piccolo
1
Pennywhistle
1
Clarinet Quintet: Clarinet, String Quartet
1
Recorder, Guitar (duet)
1
Flute, Clarinet, Violin (trio)
1
Recorder, Piano
1
Saxophone and Organ
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, Organ
1
Saxophone and Piano
1
Oboe, Trumpet (duet)
1
Descent (Soprano) Recorder, Piano
1
3 Oboes
1
Flute, Violin, Violoncello and Piano
1
+ 132 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
382
Trombone and Piano
246
Trumpet, Piano
243
Brass quartet : 2 trumpets, trombone, tuba
234
French Horn and Piano
179
Trumpet
172
Trombone (band part)
138
Trombone
117
Tuba and Piano
117
Trumpet (band part)
104
French horn
91
2 Trombones (duet)
85
2 Trumpets (duet)
84
Tuba
80
Brass Quartet: 2 trumpets, horn, trombone
78
Brass Quartet
77
2 French horns (duet)
67
Trumpet, Trombone (duet)
61
Euphonium, Piano (duet)
56
Brass Quartet: 4 trombones
44
2 Tubas (duet)
38
English horn, Piano
38
Trumpet, Horn (duert)
24
Brass Quartet: 4 horns
24
French horn (band part)
22
Tuba (band part)
21
Trombone ensemble
16
3 Trombones (trio)
14
Brass Quartet: 4 trumpets
14
Trumpet ensemble
14
3 Trumpets (trio)
13
Brass Trio
12
English Horn
12
Trumpet, Saxophone (duet)
12
Horn, Cello (duet)
11
Euphonium
11
Trumpet, Cello (duet)
11
Trumpet, Bassoon (duet)
9
Horn Ensemble
8
2 Euphoniums and 2 Tubas
8
Trumpet, Tuba (duet)
7
Tuba and Organ
7
Bass Trombone
7
Trombone, Horn (duet)
6
2 Trumpets, Keyboard (piano or organ)
6
2 Euphoniums (duet)
6
Horn, Tuba (duet)
5
French horn and Basson (duet)
5
4 Tubas
4
Trombone, Violin (duet)
4
Trumpet, Trombone, Piano
4
Bass Trombone and Piano
3
English Horn, Guitar (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Bb Instruments
3
Trombone, Tuba (duet)
3
Euphonium, Tuba (duet)
3
Trombone and Orchestra
2
2 Trombones, Piano
2
Trumpet and Guitar
2
2 French horns, Piano
2
Clarinet, Horn (duet)
2
3 French horns (trio)
2
Trumpet, violin (duet)
2
3 Euphoniums
1
4 Euphoniums
1
English horn, Harp (duet)
1
2 English horns and Pianoforte
1
Trombone, Organ
1
Trombone, Viola (duet)
1
Horn, Cello and Piano
1
Trumpet, Cello, Piano
1
3 Tubas (trio)
1
+ 68 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,209
Violin and Piano
578
Cello, Piano
355
Viola, Piano
323
Harp
276
Violin, Cello (duet)
246
Violin
224
String Trio: violin, viola, cello
217
2 Violins (duet)
208
Harp, Flute (duet)
197
Cello
190
String Trio: 2 violins, cello
121
Viola
118
2 Cellos (duet)
118
String Quintet: 2 violins, viola, cello, bass
113
Double bass, Piano (duet)
106
Violin, Viola (duet)
100
2 Violas (duet)
92
Double Bass
81
Harp, Violin (duet)
81
Violin (band part)
67
Viola (band part)
58
2 Harps (duet)
53
Viola, Cello (duet)
52
Doublebass (band part)
48
Violin, Bassoon (duet)
47
2 Double basses (duet)
31
4 Cellos
26
Violin, Guitar (duet)
22
Piano Trio: Violin, Viola, Piano
22
String Trio: 3 violins
20
String Quintet: 2 violins, viola, 2 cellos
20
String Trio: 3 cellos
19
Viola and Bassoon
15
String quartet: 4 violins
13
String Trio: 3 violas
12
Cello, String Bass (duet)
11
String Trio: 2 violins, viola
10
Violin ensemble
10
Cello (band part)
10
String Quartet : 4 violas
9
Viola ensemble
9
Cello, Guitar (duet)
8
Viola, Guitar (duet)
5
Violin, Clarinet, Piano (trio)
5
4 Double Basses
4
Flute, Doublebass (duet)
4
Cello, Organ
4
String Quintet: 2 violins, 2 violas, cello
4
Harp, Violin, Violoncello
3
2 Cellos, Piano
3
Violin, Tuba (duet)
3
2 Violas, Piano
3
Harp, Cello (duet)
3
Harp, Voice
2
4 Harps
2
2 Violins, Piano
2
3 Harps
2
Violin, Organ
2
3 double basses
1
Violin, Cello, Clarinet
1
Autoharp
1
+ 57 instrumentations
-
Retract
Orchestra & Percussion
Concert band
24,610
String Orchestra
632
Jazz Ensemble
270
Handbells
233
Orchestra
232
Brass ensemble
221
Chamber Orchestra
103
Jazz combo
77
Marching band
75
Percussion Ensemble
42
Drum (band part)
26
Marimba
23
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
17
Vibraphone
16
Xylophone, Piano
14
Percussion (band part)
12
Xylophone
11
Drums
9
2 Xylophones
2
Flexible Instrumentation
2
Piano and Orchestra
2
2 Marimbas
1
Vibraphone and Marimba
1
Orchestra, Violin
1
Percussion
1
Woodwind Quintet
1
+ 21 instrumentations
-
Retract
Others
Music Theory
4
Musical course - Solfege
1
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ARMONÍA
2 Pianos, 4 hands
Sheetmusic to print
26 sheet music found
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1
26
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Quintet in A minor
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2 Pianos, 4 hands
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ADVANCED
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
A Good Night
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2 Pianos, 4 hands
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EASY
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Michael Drake
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Michael Drake
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A Good Night
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Michael Gene Drake
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedd...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedding. Score. 27 pages. Michael Gene Drake #932736. Published by Michael Gene Drake (A0.1347922). A Good Night a 5 piece composition for rhythm or multiple pianos. Melody, Harmony, Piano, Motive and Bass. www.drakemusic.com michaeldrakemusic@outlook.com.
$15.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Epilogue
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2 Pianos, 4 hands
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ADVANCED
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
Swanee
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2 Pianos, 4 hands
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ADVANCED
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
The campanella for two pianos
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2 Pianos, 4 hands
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ADVANCED
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Franz Liszt
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Roy R
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The campanella for two pianos
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R.Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Hi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicultural,Romantic Period,World. Score. 18 pages. R.Music #984709. Published by R.Music (A0.1401526). The score of La Campanella for two pianos is a gem of the piano repertoire that captures the magic and virtuosity of Franz Liszt's musical genius. has been adapted for two pianos, offering performers a unique experience of musical collaboration.The score presents exciting technical challenges for both pianists, from dizzying arpeggios to dazzling melodic passages. Liszt's ability to create an enchanting atmosphere is reflected in every note, transporting the listener to a world of beauty and passion.This edition for two pianos allows you to explore the harmonic richness and structural complexity of the piece in a new and exciting way. The two pianists immerse themselves in a fluid musical dialogue, creating a unique and captivating performance that will delight both performers and audiences.Get this musical masterpiece today and let yourself be carried away by the magic of Franz Liszt's La Campanella in the privacy of two pianos!
$9.99
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Fantasy for Two Pianos
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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John Galt Carey
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Fantasy for Two Pianos
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John Carey Compositions
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1135248 Composed by John Galt Carey. Classical,Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1135248 Composed by John Galt Carey. Classical,Contemporary. Score and parts. 39 pages. John Carey Compositions #735290. Published by John Carey Compositions (A0.1135248). A virtuosic showcase for two pianists. Combining a variety of stylistic influences (characterized primarily by distinctly jazz-tinged harmonies, encompassed within a late-romantic/impressionistic framework), this two-movement work features a wide range of opportunities for performers to demonstrate both their technical proficiency as well as expressive capabilities. Noteworthy for it's distinctly memorable opening theme, rhapsodic Reverie movement, and explosive Toccata (containing driving rhythms, complex meter changes, and Palm-glissandi), it can easily be programmed in a variety of contexts, particularly when a contemporary work is desired that is accessible to general audiences without being anachronistic or excessively derivative.
$14.99
Sonata for 2 pianos
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2 Pianos, 4 hands
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Contemporary
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Liudmila Knyazeva & Daria Yaki
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Sonata for 2 pianos
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Liudmila Knyaz
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Scor...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Published by Liudmila Knyaz (A0.495151). Lyudmila Knyazeva's spectacular concert composition for a piano duet can decorate the program of even the most demanding performers. This composition is often performed in live concerts and always evokes a standing ovation from the audience. The composition begins with a slow intro. Then comes the Sonata Allegro - fast and bravura music. Composition requires skill and professionalism of the performer. It is also important to be able to work with modern music, to know and understand its language, dynamics, complex harmonies. Lyudmila Knyazeva is a living composer of the 21st century.
$5.00
My Savior First of All
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2 Pianos, 4 hands
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INTERMEDIATE
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John R
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Makayla Stevenson
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My Savior First of All
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Makayla Stevenson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1077480 Composed by John R. Sweney. Arranged by Makayla Stevenson. Sacred,Spiritual,Trad...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1077480 Composed by John R. Sweney. Arranged by Makayla Stevenson. Sacred,Spiritual,Traditional. Score. 6 pages. Makayla Stevenson #681672. Published by Makayla Stevenson (A0.1077480). This arrangement features a straightforward setting of the hymn My Savior First of All, by beloved lyricist Fanny Crosby. Composed for the intermediate level, this two-piano duo allows both pianists opportunities to carry the melody and provide the beautiful harmonic structure. Perfect for church, recitals, special events, or personal enjoyment.
$6.99
The Carousel Waltz
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2 Pianos, 4 hands
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ADVANCED
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Broadway
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Richard Rodgers
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Richard Simm
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
Bat Country
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2 Pianos, 4 hands
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INTERMEDIATE
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Avenged Sevenfold
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Willem Mante
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Bat Country
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Willem Mante
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. Arranged by Willem Mante. Contest,Festival,Rock,Video Game. Score. 38 pages. Willem Mante #688089. Published by Willem Mante (A0.1083887). This is a piano duet arrangement of Bat Country by Avenged Sevenfold which includes the score and both parts. Performers will be challenged to maintain energy and tempo throughout the piece while difficult rhythmic passages and harmonies command communication between each pianist. A large range on the piano is utilized so as to create a full-bodied sound and opportunity for performers to showcase their range of abilities. If you choose to purchase this arrangement, thank you!
$4.99
Fugue No. 2 for Two Pianos
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2 Pianos, 4 hands
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ADVANCED
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Steve Johnson
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Fugue No. 2 for Two Pianos
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Stephen C. Johnson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.941225 Composed by Steve Johnson. Baroque,Contemporary. Score and parts. 1...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.941225 Composed by Steve Johnson. Baroque,Contemporary. Score and parts. 14 pages. Stephen C. Johnson #3541073. Published by Stephen C. Johnson (A0.941225). Steve Johnson's Fugue No. 2 for Two Pianos, written in 2017, is a short, virtuoso crowd-pleaser, ideal for ending a set, recital or as an encore. The work is composed as a compact, classical 4-part fugue reminiscent of the Bach period, but with harmonies more akin to Béla Bartók, and exciting, complex rhythms.
$9.99
Moscow Nights
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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Moscow Nights
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,World. Score. 5 pages. Richard Simm #998394. Published by Richard Simm (A0.1416730). This lovely song has become a folk tune in its own lifetime. Â Composed in 1955 during the Soviet Russian Era, it achieved supreme worldwide popularity during the early 1960s, although the film for which it was originally composed has been forgotten. Â Exotic, atmospheric harmonies, along with a truly memorable melodic line, transcend national boundaries and attest to the genuine musical gifts of composer Vasily Solovyev-Sedoi. Here it is in Richard Simm's arrangement for 2 pianos.
$5.95
Fantasy for Spring
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2 Pianos, 4 hands
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ADVANCED
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Scott Ooley
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Fantasy for Spring
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Scott Ooley
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.991409 Composed by Scott Ooley. 20th Century,Concert,Contemporary,Easter,Standards. Scor...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.991409 Composed by Scott Ooley. 20th Century,Concert,Contemporary,Easter,Standards. Score. 20 pages. Scott Ooley #3042395. Published by Scott Ooley (A0.991409). This wonderful two piano duet, Fantasy for Spring, is a tribute to the renewal of nature that occurs each Spring. It features several melodic sequences that feature both pianists, as well as memorable sections that drive the piece throughout the entire work. This duet is reminiscent of Gershwin's style due to its refreshing harmonies, spirited melodic passages, and continuous enhancement of the original motif. In a concert or recital situation, this piece will work perfectly for an accomplished piano duo. Highly recommended!
$8.00
Cumbia Op.22
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2 Pianos, 4 hands
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Alexander Klein
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Cumbia Op.22
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Alexander Klein
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klei...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
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