Download Digital Sheet Music of Con-Tse-To for 2 Pianos, 4 hands

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PIANO & KEYBOARDS

Piano solo 143 Easy Piano 27 Organ 13 Piano, Voice 11 Piano, Vocal and Guitar 11 C Instruments 6 2 Pianos, 4 hands 4

Piano Trio: piano, violin, cello 3 1 Piano, 4 hands 3 Accordion 1 Piano Quintet: piano, 2 violins, viola, cello 1 Organ, Piano (duet) 1 Organ, Trumpet (duet) 1 Piano Accompaniment 1

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GUITARS

Guitar 15 Guitar notes and tablatures 9 Bass guitar 4 Ukulele 2 3 Guitars (trio) 1

Guitar Ensemble 1 2 Dulcimers (duet) 1

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VOICE

Choral SATB 81 Choral 3-part 14 Choral TTBB 10 Choral Unison 7 Choral SSAA 5

Choral 2-part 5 Soprano voice, Piano 3 Alto voice, Piano 1 Vocal duet 1 Choral 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 81 Saxophone Quintet: 5 Saxophones 72 Saxophone Quartet: 4 saxophones 66 Flute, Oboe, Clarinet, Bassoon 63 2 Saxophones (duet) 17

Clarinet and Piano 14 Flute and Piano 14 2 Flutes (duet) 9 Flute 9 Oboe, Piano (duet) 8 Flute, Clarinet, Horn and Bassoon (Quartet) 8 Alto Saxophone 7 Clarinet 7 Clarinet Quartet: 4 clarinets 7 Alto Saxophone and Piano 7 2 Clarinets (duet) 7 Flute, Clarinet (duet) 7 Flute Quartet: 4 flutes 6 Tenor Saxophone 6 Flute ensemble 5 Clarinet Ensemble 5 2 Oboes (duet) 4 Flute and Guitar 4 Saxophone (band part) 4 Oboe (band part) 3 Clarinet, Guitar (duet) 3 Baritone Saxophone, Piano 3 Soprano Saxophone and Piano 2 Flute (band part) 2 Oboe 2 Tenor Saxophone and Piano 2 Clarinet, Cello, Piano (trio) 2 Flute, Viola and Piano 2 Soprano Saxophone 2 Baritone Saxophone 2 Flute, Cello, Piano (trio) 1 Flute Quintet : 5 flutes 1 Oboe, Bassoon (duet) 1 Saxophone 1 Flute Trio: 3 flutes 1 Harmonica 1 Descant (Soprano) Recorder 1 Clarinet Quintet: 5 clarinets 1 Flute, Organ (duet) 1 English Horn, Guitar (duet) 1 Clarinet, Bassoon (duet) 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 99 Brass Quartet 61 Trumpet, Piano 14 Trumpet 11 Brass Quartet: 2 trumpets, horn, trombone 8

French horn 8 French Horn and Piano 6 2 French horns (duet) 5 Trombone and Piano 5 2 Trumpets (duet) 4 Tuba and Piano 4 Brass quartet : 2 trumpets, trombone, tuba 4 Trombone 4 2 Trombones (duet) 4 Trumpet, Trombone (duet) 3 Tuba 3 Euphonium, Piano (duet) 3 Brass Quartet: 4 trombones 3 2 Tubas (duet) 2 Brass Quartet: 4 horns 2 Trombone ensemble 2 Horn Ensemble 2 3 Euphoniums 1 Trombone, Organ 1 Horn and Organ 1 English Horn, Guitar (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 100 String Quintet: 2 violins, viola, cello, bass 63 Violin and Piano 15 Cello, Piano 11 Violin 11

2 Violins (duet) 10 Cello 9 Double Bass 7 Harp 7 Viola, Piano 5 2 Cellos (duet) 5 Viola 4 2 Violas (duet) 4 Violin, Cello (duet) 4 String Trio: violin, viola, cello 3 Cello, Guitar (duet) 3 Violin, Viola (duet) 3 Double bass, Piano (duet) 2 Violin, Guitar (duet) 2 2 Double basses (duet) 2 Viola (band part) 2 Cello, Organ 2 Doublebass (band part) 1 String Quintet: 2 violins, 2 violas, cello 1 Cello, Orchestra 1 String quartet: 4 violins 1 Violin, Organ 1 Viola, Organ 1 Harp, Flute (duet) 1 Violin (band part) 1 Cello (band part) 1 Piano Trio: Violin, Viola, Piano 1 String Trio: 2 violins, cello 1 Viola, Guitar (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 227 Orchestra 44 String Orchestra 29 Chamber Orchestra 15 Handbells 11

Brass ensemble 9 Jazz Ensemble 8 Jazz combo 4 Marching band 3 Percussion Ensemble 2 Percussion (band part) 1 Piano and Orchestra 1 Orchestra, Violin 1 Xylophone, Piano 1

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Con-Tse-To

2 Pianos, 4 hands

Sheetmusic to print

4 sheet music found

Brandenburg Concerto No. 3, Third Movement, for 2 pianos 2 Pianos, 4 hands

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by…(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.

$8.95 8.25 € #2 Pianos, 4 hands #Johann Sebastian Bach #Brandenburg Concerto No. 3, Third Movement, for 2 pianos #Richard Simm #SheetMusicPlus

Sonata Hymnica No. 6 2 Pianos, 4 hands

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 9.22 € #2 Pianos, 4 hands #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7) 2 Pianos, 4 hands

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…(+)

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.

$20.00 18.44 € #2 Pianos, 4 hands #dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians #Jenni Roditi #CURVE, Between the Octaves - A Piano Duo Suite #Jenni Roditi #SheetMusicPlus

Gathering Starflowers: A Music Drama for 2 Pianos 2 Pianos, 4 hands

2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gor…(+)

2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich. Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos. Please note: this volume contains only the music for 2 pianos for Gathering Starflowers. Baffled by music bindings? Read this: https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html

$15.00 13.83 € #2 Pianos, 4 hands #Chris Gordon #Gathering Starflowers: A Music Drama for 2 Pianos # Cool Wind Music Digital #SheetMusicPlus