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Duet in Three Parts
Not classified
741
Piano & keyboards
Piano Trio: piano, violin, cello
26
1 Piano, 4 hands
23
Organ, Trumpet (duet)
21
Piano solo
10
Organ, Piano (duet)
10
Piano Accompaniment
6
2 Pianos, 4 hands
4
Piano Quartet: piano, 2 violins, cello
4
Easy Piano
4
Organ
3
Piano, Voice
2
1 Piano, 6 hands
2
Harpsichord
1
+ 8 instrumentations
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Retract
Guitars
2 Guitars (duet)
18
2 Dulcimers (duet)
6
Guitar
2
Mandolin, Guitar (duet)
2
Ukulele
1
Guitar notes and tablatures
1
Mandolin
1
3 Guitars (trio)
1
+ 3 instrumentations
-
Retract
Voice
Vocal duet
6
Choral SATB
2
Vocal duet, Piano
2
Choral
1
Choral TTBB
1
Woodwind
Saxophone, Clarinet (duet)
223
2 Saxophones (duet)
205
Clarinet, Violin (duet)
146
2 Clarinets (duet)
129
Clarinet, Trumpet (duet)
124
2 Flutes (duet)
109
Flute, Clarinet (duet)
101
Oboe, Bassoon (duet)
86
Oboe, Clarinet (duet)
77
Clarinet and Viola
75
Flute, Violin
74
Flute, Saxophone (duet)
72
Oboe, Flute
71
Flute, Viola (duet)
61
Flute, Trumpet (duet)
53
Oboe, Piano (duet)
51
Flute and Guitar
31
Clarinet, Bassoon (duet)
18
Alto Saxophone and Piano
17
Clarinet, Guitar (duet)
12
Flute, Violin, Piano
12
Clarinet and Piano
11
2 Oboes (duet)
9
Clarinet, Cello (duet)
9
Recorder Ensemble
8
Flute and Piano
8
Flute, Violoncello
8
Flute Trio: 3 flutes
8
English Horn, Guitar (duet)
7
Flute, Oboe (duet)
6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5
Tenor Saxophone and Piano
5
Oboe, Harp
5
Clarinet, Harp (duet)
5
Saxophone and Harp
5
Soprano Saxophone and Piano
5
2 English horns and Pianoforte
4
Clarinet Quartet: 4 clarinets
4
2 Recorders (duet)
4
Saxophone and Guitar
4
3 Saxophones (trio)
3
2 Clarinets, Piano
3
Flute, Cello, Piano (trio)
3
Flute, Viola and Piano
3
2 Saxophones, Piano
2
Flute, Bassoon, and Piano
2
Clarinet, Trombone (duet)
2
2 Flutes, Piano
2
Flute, Clarinet, Piano (trio)
2
3 Clarinets (trio)
2
Flute, Oboe, Clarinet, Bassoon
2
3 Recorders (trio)
2
Flute, French horn (duet)
1
Oboe, Guitar (duet)
1
Oboe and viola (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Saxophone and Organ
1
English horn, Harp (duet)
1
Bass Clarinet, Piano
1
Descent (Soprano) Recorder, Piano
1
Saxophone Quartet: 4 saxophones
1
Flute, Violin and Violoncello
1
Flute Quartet: 4 flutes
1
+ 58 instrumentations
-
Retract
Woodbrass
Trumpet, Saxophone (duet)
156
Trumpet, Trombone (duet)
83
2 Trumpets (duet)
19
2 French horns (duet)
14
Trumpet, Piano
13
Trombone and Piano
10
2 Trombones (duet)
9
Euphonium, Piano (duet)
9
Tuba and Piano
7
English Horn, Guitar (duet)
7
Euphonium, Tuba (duet)
7
French Horn and Piano
6
2 Tubas (duet)
5
2 English horns and Pianoforte
4
Trumpet, Horn (duert)
4
French Horn and Harp
4
Trumpet, Harp
4
Brass Quintet: 2 trumpets, horn, trombone, tuba
3
2 Euphoniums (duet)
3
Trombone, cello (duet)
2
Horn, Tuba (duet)
2
Trumpet, Cello (duet)
1
Trombone, Horn (duet)
1
Trumpet, Euphonium (duet)
1
English horn, Harp (duet)
1
Trumpet, Trombone, Piano
1
Brass Quartet: 2 trumpets, horn, trombone
1
2 Trumpets, Keyboard (piano or organ)
1
2 French horns, Piano
1
Horn, Cello (duet)
1
Brass Trio
1
Clarinet, Horn (duet)
1
Brass quartet : 2 trumpets, trombone, tuba
1
2 Trombones, Piano
1
Brass Quartet: 4 trumpets
1
Trombone ensemble
1
+ 31 instrumentations
-
Retract
Strings
Violin, Cello (duet)
364
Violin, Viola (duet)
136
Violin and Piano
52
Viola, Cello (duet)
43
2 Violins (duet)
42
2 Harps (duet)
36
Viola, Piano
18
2 Cellos (duet)
18
Cello, Piano
15
String Quartet: 2 violins, viola, cello
14
2 Violas (duet)
14
Harp, Flute (duet)
11
Harp
11
Violin, Guitar (duet)
11
Cello, String Bass (duet)
10
Cello, Guitar (duet)
7
String Trio: violin, viola, cello
6
2 Double basses (duet)
5
Double bass, Piano (duet)
5
Harp, Violin (duet)
5
Flute, Doublebass (duet)
4
Harp, Trombone (duet)
4
Viola and Harp
4
Viola, Guitar (duet)
3
Harp, Cello (duet)
3
2 Violins, Piano
3
Harp, Voice
3
Viola and Bassoon
1
Cello
1
String quartet: 4 violins
1
String Trio: 2 violins, viola
1
Viola
1
+ 27 instrumentations
-
Retract
Orchestra & Percussion
Concert band
36
Brass ensemble
10
String Orchestra
4
Orchestra
2
Handbells
1
Jazz Ensemble
1
Chamber Orchestra
1
Vibraphone and Marimba
1
Flexible Instrumentation
1
+ 4 instrumentations
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You've selected:
Duet in Three Parts
2 Pianos, 4 hands
Sheetmusic to print
4 sheet music found
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1
Jingle Bells for Duet or Two Pianos
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2 Pianos, 4 hands
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BEGINNER
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Christmas
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John Pierpont
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Deborah Sutin Fitts
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Jingle Bells for Duet or Two P
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Deborah Sutin Fitts
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SheetMusicPlus
Composed by John Pierpont. Arranged by Deborah Sutin Fitts. Children, Christmas, Holiday, Instructional, Standards. Score and parts. 7 pages. Deborah ...
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Composed by John Pierpont. Arranged by Deborah Sutin Fitts. Children, Christmas, Holiday, Instructional, Standards. Score and parts. 7 pages. Deborah Sutin Fitts #4980321. Published by Deborah Sutin Fitts
This duet arrangement is for two pianos but can be played on one instrument shifting part one up and octave and part two down one octave. It is in G Major and uses simple I IV V7 pattern chords throughout. This is recommended as a holiday sight reading piece for year two or three of piano study.
Everybody needs a little Jingle Bells!
$1.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
One Handed Trio #4
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2 Pianos, 4 hands
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INTERMEDIATE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacM...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
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