Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
18
Sheet Music
Books
22
Music
Equipment
504
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
2281
PIANO & KEYBOARDS
Piano, Voice
2454
Piano solo
1184
Piano, Vocal and Guitar
282
Easy Piano
237
C Instruments
91
Organ
72
Piano Trio: piano, violin, cello
51
Piano Accompaniment
36
Accordion
31
1 Piano, 4 hands
27
2 Pianos, 4 hands
18
Big Note Piano
12
Piano Quartet: piano, violin, viola, cello
10
Piano Quartet: piano, 2 violins, cello
5
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Trumpet (duet)
4
Piano (band part)
1
2 Pianos, 8 hands
1
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
130
Guitar notes and tablatures
116
Melody line, (Lyrics) and Chords
60
Ukulele
26
2 Guitars (duet)
20
Lyrics and Chords
14
4 Guitars (Quartet)
13
Bass guitar
11
Mandolin
8
Piano, Guitar (duet)
7
Banjo
5
3 Guitars (trio)
5
Guitar (band part)
4
Mandolin, Guitar (duet)
4
Guitar Ensemble
3
Dulcimer
2
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1181
Choral 3-part
136
Choral 2-part
88
Choral Unison
48
Choral SSAA
44
Choral TTBB
44
Voice solo
20
Soprano voice, Piano
18
Choral Instrumental Pak
12
Vocal duet, Piano
11
Vocal duet
10
Medium voice, Piano
8
High voice
6
Baritone voice, Piano
6
Tenor voice, Piano
5
Alto voice, Piano
3
Choral
3
Tenor voice
2
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
Soprano voice, Orchestra
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
242
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
210
Flute and Piano
179
Saxophone Quintet: 5 Saxophones
126
Clarinet and Piano
124
Saxophone Quartet: 4 saxophones
119
Saxophone, Clarinet (duet)
118
2 Clarinets (duet)
117
Oboe, Piano (duet)
114
2 Flutes (duet)
111
Alto Saxophone and Piano
98
Clarinet
95
Flute, Oboe, Clarinet, Bassoon
91
Clarinet Quartet: 4 clarinets
81
Clarinet, Violin (duet)
80
Saxophone ensemble
80
Clarinet, Trumpet (duet)
68
Alto Saxophone
65
Flute
65
Soprano Saxophone and Piano
65
Tenor Saxophone and Piano
62
Flute, Clarinet (duet)
58
Clarinet Ensemble
51
2 Oboes (duet)
49
Flute, Violin
44
Clarinet and Viola
43
Oboe, Bassoon (duet)
41
Baritone Saxophone, Piano
41
Oboe, Clarinet (duet)
41
Flute, Saxophone (duet)
40
Flute ensemble
39
Flute Quartet: 4 flutes
39
Oboe (band part)
39
Tenor Saxophone
38
Oboe, Flute
35
English horn, Piano
34
Flute, Trumpet (duet)
32
Saxophone (band part)
29
Bass Clarinet, Piano
28
Flute, Viola (duet)
28
3 Saxophones (trio)
23
Clarinet Quintet: 5 clarinets
20
Flute Quintet : 5 flutes
19
Flute Trio: 3 flutes
15
2 Recorders (duet)
14
Descant (Soprano) Recorder
14
Flute, Violin, Piano
13
3 Clarinets (trio)
11
Flute and Guitar
10
Clarinet, Bassoon (duet)
9
Recorder Quartet
7
Flute, Clarinet and Bassoon.
6
Oboe, Clarinet, Bassoon (trio)
6
Piccolo, Piano
6
Flute (band part)
6
Clarinet, Cello (duet)
5
Flute, Oboe, Clarinet (trio)
5
Recorder
5
3 Recorders (trio)
4
Flute, Violin and Violoncello
4
English Horn
4
Ocarina
4
Oboe, Cello
3
Treble (Alto) Recorder
3
Flute, Violoncello
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Guitar (duet)
3
Treble (Alto) Recorder, Basso continuo
3
Recorder, Piano
3
Flute, Oboe, Bassoon
3
Tenor Recorder
3
Flute, Bassoon, and Piano
2
2 Flutes, Piano
2
Oboe and viola (duet)
2
2 Clarinets, Piano
2
Saxophone and Organ
2
Oboe, Violin (duet)
2
Flute, Organ (duet)
2
Flute, Basso continuo
2
Oboe, Guitar (duet)
2
Recorder Ensemble
2
Wind ensemble
2
Clarinet (band part)
2
Flute, Oboe (duet)
2
Pennywhistle
2
Flute, Oboe, Piano (trio)
1
Saxophone and Guitar
1
Eb Instruments
1
Clarinette, Viola and Piano (trio)
1
5 Recorders
1
Clarinet, Double bass (duet)
1
Treble (Alto) Recorder, Piano
1
Clarinet, Cello, Piano (trio)
1
Clarinet, Harp (duet)
1
Saxophone and Piano
1
2 Saxophones, Piano
1
Oboe ensemble
1
Clarinet Quintet: Clarinet, String Quartet
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
288
Brass quartet : 2 trumpets, trombone, tuba
158
Trumpet ensemble
92
Trombone and Piano
89
Trumpet, Saxophone (duet)
82
Trumpet, Piano
71
Trumpet
70
French Horn and Piano
66
2 Trombones (duet)
58
2 Trumpets (duet)
57
Euphonium, Piano (duet)
53
Trumpet, Trombone (duet)
46
English horn, Piano
34
Trombone
32
Trombone ensemble
31
Brass Quartet: 2 trumpets, horn, trombone
31
Brass Quartet
27
French horn
27
Trumpet (band part)
21
Brass Quartet: 4 trombones
16
Tuba and Piano
15
Brass Quartet: 4 horns
14
Tuba
12
Trombone (band part)
11
2 French horns (duet)
8
Brass Quartet: 4 trumpets
7
Horn Ensemble
7
3 Trombones (trio)
6
English Horn
4
2 Tubas (duet)
4
French horn (band part)
3
Trumpet, Horn (duert)
3
2 Euphoniums and 2 Tubas
3
3 Trumpets (trio)
3
Tuba and Organ
3
Tuba (band part)
3
4 Tubas
2
2 Trumpets, Keyboard (piano or organ)
2
2 Trombones, Piano
1
Bb Instruments
1
Trombone, Horn (duet)
1
Bass Clef Instruments
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 French horns (trio)
1
Bass Trombone and Piano
1
3 Tubas (trio)
1
Bass Trombone
1
Brass Trio
1
Tuba ensemble
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
510
Violin and Piano
205
Violin
132
Viola, Piano
130
Cello, Piano
128
Violin, Cello (duet)
104
2 Violins (duet)
81
String Trio: violin, viola, cello
76
Cello
74
2 Cellos (duet)
60
Harp
60
Violin, Viola (duet)
59
2 Violas (duet)
50
String Trio: 2 violins, cello
36
Viola
31
String Quintet: 2 violins, viola, cello, bass
26
Violin (band part)
19
Viola (band part)
16
Violin ensemble
16
Viola ensemble
14
4 Cellos
12
String Trio: 3 violins
10
2 Harps (duet)
10
Double Bass
10
String Quintet: 2 violins, 2 violas, cello
10
String Trio: 3 cellos
8
Doublebass (band part)
8
Violin, Guitar (duet)
6
Double bass, Piano (duet)
6
String quartet: 4 violins
5
Cello (band part)
4
Viola, Cello (duet)
4
Piano Trio: Violin, Viola, Piano
3
String Trio: 3 violas
3
String Quartet : 4 violas
3
Violin, Bassoon (duet)
2
Harp, Flute (duet)
2
Harp, Voice
2
Cello, String Bass (duet)
2
String Trio: 2 violins, viola
2
Cello, Orchestra
2
Viola, Guitar (duet)
2
Harp, Trombone (duet)
2
String trio
1
Viola and Bassoon
1
3 Harps
1
Violin, Cello, Clarinet
1
Flute, Doublebass (duet)
1
String Quintet: 2 violins, viola, 2 cellos
1
2 Violins, Piano
1
Harp, Violin (duet)
1
4 Double Basses
1
Cello Ensemble
1
Violin, Clarinet, Piano (trio)
1
4 Harps
1
Autoharp
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
681
String Orchestra
268
Orchestra
262
Brass ensemble
118
Jazz Ensemble
65
Chamber Orchestra
56
Handbells
44
Jazz combo
29
Percussion Ensemble
12
Drums
9
Marching band
8
Marimba
4
Drum (band part)
4
Percussion (band part)
3
Percussion
2
2 Xylophones
2
Orchestra, Violin
1
Xylophone
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
2 Marimbas
1
Vibraphone
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
First Time
2 Pianos, 4 hands
Sheetmusic to print
18 sheet music found
<
1
For The First Time In Forever (reprise - Broadway Version)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
6.41 €
#
2 Pianos, 4 hands
#
Kristen Anderson-Lopez and Robert Lopez
#
For The First Time In Forever
#
Halle Kaye
#
SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.12 €
#
2 Pianos, 4 hands
#
James Nathaniel Holland
#
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
#
James Nathaniel Holland
#
SheetMusicPlus
Sonata for Two Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
22.9 €
#
2 Pianos, 4 hands
#
Gary R
#
Sonata for Two Pianos
#
Gary Smoke
#
SheetMusicPlus
Concerto for piano and orchestra No. 2
2 Pianos, 4 hands
2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Compos…
(+)
2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
23.81 €
#
2 Pianos, 4 hands
#
Erik Chisholm
#
Concerto for piano and orchestra No. 2
#
Schott Music - Digital
#
SheetMusicPlus
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
24.69 €
#
2 Pianos, 4 hands
#
Johann Simon Mayr
#
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.19 €
#
2 Pianos, 4 hands
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bunte Blätter
2 Pianos, 4 hands
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joer…
(+)
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
29.31 €
#
2 Pianos, 4 hands
#
Joerg Widmann
#
Bunte Blätter
#
Schott Music - Digital
#
SheetMusicPlus
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
7.56 €
#
2 Pianos, 4 hands
#
James Nathaniel Holland
#
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
#
James Nathaniel Holland
#
SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.16 €
#
2 Pianos, 4 hands
#
Paul SanGregory
#
Harmonic Spaces
#
Distant Engraver Music
#
SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.16 €
#
2 Pianos, 4 hands
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Sharon Wilson
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Sharon Wilson
#
I Shall Not Be Moved
#
Sharon Wilson
#
SheetMusicPlus
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
5.49 €
#
2 Pianos, 4 hands
#
Philip P
#
It Is Well with My Soul
#
Sharon Wilson
#
SheetMusicPlus
For The First Time In Forever
2 Pianos, 4 hands
By Kristen Anderson-Lopez. By Robert Lopez and Kristen Bell, Idina Menzel. Children; Disne…
(+)
By Kristen Anderson-Lopez. By Robert Lopez and Kristen Bell, Idina Menzel. Children; Disney; Pop. 7 pages. Published by Hal Leonard - Digital Sheet Music (HX.293835). - - Children; Disney; Pop - Hal Leonard - Digital Sheet Music
$4.99
4.57 €
#
2 Pianos, 4 hands
#
Kristen Anderson-Lopez
#
Disney
#
For The First Time In Forever
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version