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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Lay Down
Not classified
25,272
Piano & keyboards
Piano solo
37,105
Easy Piano
8,718
Piano, Voice
4,028
Big Note Piano
3,530
Organ
2,858
Piano, Vocal and Guitar
2,722
Accordion
2,365
C Instruments
1,357
1 Piano, 4 hands
787
Piano Accompaniment
378
Piano Trio: piano, violin, cello
284
Piano (band part)
142
2 Pianos, 4 hands
139
Piano Quartet: piano, violin, viola, cello
111
Keyboard
101
Piano Quintet: piano, 2 violins, viola, cello
44
Piano Quartet: piano, 2 violins, cello
42
Organ, Piano (duet)
33
1 Piano, 6 hands
32
Harpsichord
30
Organ, Trumpet (duet)
28
2 Pianos, 8 hands
7
Accordion, Voice
2
2 Accordions
2
Melody line, Piano
1
Accordion and Orchestra
1
Fake Book
1
Accordion ensemble
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
6,021
Guitar notes and tablatures
4,845
Bass guitar
4,239
Ukulele
1,076
Melody line, (Lyrics) and Chords
475
2 Guitars (duet)
297
Guitar (band part)
296
Dulcimer
230
Piano, Guitar (duet)
229
Lyrics and Chords
102
Baritone Ukulele
82
Mandolin
80
4 Guitars (Quartet)
72
Banjo
68
Guitar Ensemble
39
Mandolin, Piano (duet)
35
3 Guitars (trio)
34
2 Dulcimers (duet)
21
Mandolin, Guitar (duet)
12
2 Ukuleles
12
Guitar, Violin, Cello (trio)
6
Dobro
3
Lap Steel Guitar
3
Electric Bass (band part)
2
Zither
1
Guitar, String Quartet
1
2 Mandolins (duet)
1
Lute
1
+ 23 instrumentations
-
Retract
Voice
Voice solo
5,761
Choral SATB
2,214
Choral 3-part
807
Choral 2-part
563
Choral Unison
328
Choral TTBB
289
Choral SSAA
178
Vocal duet, Piano
118
Vocal duet
77
Alto voice, Piano
69
Baritone voice, Piano
63
Soprano voice, Piano
62
Tenor voice, Piano
49
Tenor voice
34
High voice
31
Choral Instrumental Pak
29
Soprano voice
27
Medium voice, Piano
15
Choral SSAATTBB
9
Low voice, Piano
9
Choral
5
Choral SSAB a cappella
5
Choral SSATB
4
Mezzo-Soprano voice, Piano
3
Voix Masculines
3
Voice, Guitar
3
Choral SSATTB
2
Choral SSAB, Piano
2
Soli, Mixted choir and accompaniment
2
Low voice
1
Choral SSAATB
1
+ 26 instrumentations
-
Retract
Woodwind
Saxophone
16,662
Flute
9,084
Clarinet
8,349
Alto Saxophone
2,651
Tenor Saxophone
2,397
Flute and Piano
2,374
Clarinet and Piano
1,944
Saxophone Quartet: 4 saxophones
1,788
2 Saxophones (duet)
1,701
Oboe, Piano (duet)
1,636
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,504
Saxophone (band part)
1,476
Alto Saxophone and Piano
1,450
Flute, Oboe, Clarinet, Bassoon
1,447
Recorder
1,303
2 Flutes (duet)
1,275
2 Clarinets (duet)
1,193
Clarinet Quartet: 4 clarinets
1,112
Tenor Saxophone and Piano
1,029
Oboe
853
Saxophone Quintet: 5 Saxophones
779
Soprano Saxophone
657
Oboe (band part)
643
Soprano Saxophone and Piano
639
Flute, Clarinet (duet)
534
Flute Quartet: 4 flutes
514
3 Clarinets (trio)
487
Clarinet, Violin (duet)
466
Descant (Soprano) Recorder
463
Saxophone, Clarinet (duet)
420
3 Saxophones (trio)
400
Baritone Saxophone, Piano
372
Flute, Violin
357
2 Oboes (duet)
351
Flute Trio: 3 flutes
332
Clarinet Ensemble
316
Oboe, Bassoon (duet)
306
Ocarina
294
2 Recorders (duet)
287
Treble (Alto) Recorder
286
Oboe, Clarinet (duet)
265
Clarinet, Trumpet (duet)
264
Clarinet Quintet: 5 clarinets
248
Saxophone ensemble
224
Flute ensemble
208
Clarinet and Viola
196
Flute, Oboe, Clarinet (trio)
193
Clarinet (band part)
188
Flute, Viola (duet)
188
Flute (band part)
175
Flute, Saxophone (duet)
159
English horn, Piano
157
Flute, Oboe (duet)
154
Flute and Guitar
150
Oboe, Flute
149
Flute, Violoncello
142
Clarinet, Bassoon (duet)
142
Flute Quintet : 5 flutes
140
Flute, Violin, Piano
127
Flute, Trumpet (duet)
121
Flute, Clarinet and Bassoon.
113
Oboe, Cello
103
Clarinet, Cello (duet)
101
Bass Clarinet, Piano
98
Flute, Clarinet, Violin (trio)
93
Flute, Oboe, Violin
93
Recorder Quartet
93
English Horn
93
Pennywhistle
91
Flute, Oboe, Bassoon
90
Harmonica
83
Flute, Violin and Violoncello
81
Baritone Saxophone
76
Flute, Clarinet, Piano (trio)
72
Oboe, Clarinet, Bassoon (trio)
69
Oboe, Violin (duet)
58
Recorder Ensemble
57
Tenor Recorder
50
Oboe and viola (duet)
49
Flute, harp and violin
48
Treble (Alto) Recorder, Piano
48
Flute, Harp and Cello
45
3 Recorders (trio)
42
Flute, Cello, Piano (trio)
42
5 Recorders
41
Flute, Trombone (duet)
40
Flute, Bassoon, and Piano
36
2 Flutes, Piano
36
Clarinet, Harp (duet)
32
2 Clarinets, Bassoon
32
Clarinet, Cello, Piano (trio)
31
Clarinet, Guitar (duet)
29
2 Clarinets, Piano
26
Clarinet, Trombone (duet)
25
Flute, Viola and Piano
25
Descent (Soprano) Recorder, Piano
25
Recorder, Piano
25
2 Saxophones, Piano
20
Flute, Oboe, Piano (trio)
20
Flute, Clarinet, Horn and Bassoon (Quartet)
19
Piccolo, Piano
18
Saxophone and Guitar
16
Bass Clarinet
15
Clarinet, Bassoon, Piano (trio)
14
3 Oboes
13
4 Oboes
13
Oboe, Trombone (duet)
12
Flute and Strings Trio
12
Flute, Violin, Violoncello and Piano
12
Clarinette, Viola and Piano (trio)
11
Piccolo
11
Oboe, Guitar (duet)
11
Clarinet, Tuba
10
Clarinet, Double bass (duet)
10
Flute, Tuba (duet)
9
Flute, Organ (duet)
9
Eb Instruments
8
Oboe ensemble
7
Oboe, Violin, Piano
7
Oboe, Bassoon and Piano
7
Flute, trombone and piano
7
Oboe, Clarinet and Piano (Trio)
7
Saxophone and Harp
6
Oboe, Cello and Piano
6
Clarinet Quintet: Clarinet, String Quartet
6
Oboe, Harp
6
English Horn, Guitar (duet)
6
2 English horns and Pianoforte
5
Clarinet, Organ
5
Saxophone and Organ
5
Recorder, Guitar (duet)
5
Bagpipe
4
Clarinet, trumpet and piano
4
Flute, Cello, Guitar
4
Clarinet, Orchestra
3
Oboe, Violin, Viola and Violoncello (Quartet)
3
2 Oboes and Basson
3
Wind ensemble
3
Oboe, Trumpet (duet)
3
Saxophone, Violin (duet)
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
2 Recorders, Piano
2
Saxophone, Bassoon (duet)
2
Pan Flute
2
Harmonica, Piano
2
Melodica
1
Descant (Soprano) Recorder, Basso continuo
1
2 Oboes, Piano
1
Flute, viola, cello and guitar
1
Saxophone and cello
1
Recorder, Harp
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Orchestra
1
Flute, Basso continuo
1
Saxophone, Tuba (duet)
1
+ 150 instrumentations
-
Retract
Woodbrass
Trumpet
7,507
Trombone
6,760
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,378
Trumpet, Piano
1,344
Trombone and Piano
1,289
French horn
1,103
Brass quartet : 2 trumpets, trombone, tuba
914
French Horn and Piano
861
Trombone (band part)
770
Tuba
696
Trumpet (band part)
680
2 Trombones (duet)
496
Euphonium
495
Tuba and Piano
468
2 Trumpets (duet)
465
Trumpet, Trombone (duet)
335
Trumpet, Saxophone (duet)
308
Brass Quartet
302
Brass Quartet: 2 trumpets, horn, trombone
295
Brass Quartet: 4 trombones
224
2 French horns (duet)
223
French horn (band part)
204
Tuba (band part)
176
English horn, Piano
157
Euphonium, Piano (duet)
154
Trombone ensemble
138
Trumpet ensemble
130
Trumpet, Horn (duert)
129
3 Trombones (trio)
121
Brass Quartet: 4 horns
105
English Horn
93
2 Tubas (duet)
86
Brass Quartet: 4 trumpets
60
2 Euphoniums and 2 Tubas
54
Brass Trio
52
Tuba and Organ
39
Trumpet, Tuba (duet)
37
Euphonium, Tuba (duet)
34
Horn Ensemble
33
3 Trumpets (trio)
32
4 Tubas
29
Horn, Cello (duet)
29
2 Euphoniums (duet)
28
Trumpet, Bassoon (duet)
21
Trombone, Tuba (duet)
20
Trumpet, Cello (duet)
19
Trombone, Horn (duet)
18
3 French horns (trio)
17
Bass Trombone and Piano
17
Bass Trombone
17
Horn, Tuba (duet)
16
Trombone, Violin (duet)
15
Brass Quartet: 2 trumpets, 2 trombones
14
French Horn and Harp
12
Trombone, Organ
11
Trumpet, Harp
11
French horn and Basson (duet)
10
Bb Instruments
10
Trumpet, Trombone, Piano
9
Bass Clef Instruments
8
3 Tubas (trio)
8
Trumpet and Guitar
8
Trumpet, violin (duet)
8
English Horn, Guitar (duet)
6
Trumpet, Cello, Piano
5
2 English horns and Pianoforte
5
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, Euphonium (duet)
2
Clarinet, Horn (duet)
2
Horn and Organ
2
Trombone and Orchestra
2
2 French horns, Piano
1
3 Euphoniums
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
Trombone, Viola (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
+ 72 instrumentations
-
Retract
Strings
Violin
6,634
String Quartet: 2 violins, viola, cello
4,611
Cello
4,281
Viola
3,062
Violin and Piano
2,991
Harp
2,711
Cello, Piano
1,933
Viola, Piano
1,870
Violin, Cello (duet)
1,161
2 Violins (duet)
1,112
String Trio: violin, viola, cello
864
Violin, Viola (duet)
668
2 Cellos (duet)
635
Double Bass
590
2 Violas (duet)
524
Double bass, Piano (duet)
500
String Quintet: 2 violins, viola, cello, bass
388
String Trio: 2 violins, cello
351
Violin (band part)
338
Viola (band part)
329
2 Harps (duet)
301
Doublebass (band part)
259
String Trio: 3 violins
229
Viola, Cello (duet)
229
Harp, Violin (duet)
187
Harp, Flute (duet)
177
4 Cellos
140
Violin, Guitar (duet)
103
String quartet: 4 violins
102
Violin, Bassoon (duet)
92
Piano Trio: Violin, Viola, Piano
89
String Trio: 3 cellos
77
Cello, String Bass (duet)
72
String Trio: 3 violas
64
Cello (band part)
64
2 Double basses (duet)
61
String Trio: 2 violins, viola
59
Harp and Piano
44
Cello, Guitar (duet)
40
String Quartet : 4 violas
39
Viola and Bassoon
34
Violin ensemble
31
Viola ensemble
27
Violin, Clarinet, Piano (trio)
26
Harp, Voice
25
String Quintet: 2 violins, 2 violas, cello
23
2 Violins, Piano
22
Flute, Doublebass (duet)
21
4 Double Basses
18
Violin, Tuba (duet)
17
Harp, Cello (duet)
15
Viola and Harp
13
Harp, Violin, Violoncello
13
Viola, Guitar (duet)
12
Cello, Organ
12
String Quintet: 2 violins, viola, 2 cellos
9
Violin, Cello, Clarinet
7
3 double basses
5
Cello Ensemble
5
Violoncello, Basso continuo
4
Autoharp
4
2 Cellos, Piano
4
Cello, Orchestra
4
Harp and Organ
3
3 Harps
3
Violin, Organ
3
2 Violas, Piano
2
5 Harps
2
Harp, Trombone (duet)
2
Violin, Basso continuo
2
Viola and orchestra
1
Harp and mandolin
1
4 Harps
1
String trio
1
Viola, Organ
1
+ 70 instrumentations
-
Retract
Orchestra & Percussion
Drums
6,187
Concert band
5,523
Orchestra
2,587
String Orchestra
2,366
Jazz Ensemble
1,824
Brass ensemble
1,244
Handbells
893
Marching band
574
Chamber Orchestra
520
Percussion Ensemble
349
Jazz combo
330
Drum (band part)
157
Percussion
144
Marimba
114
Percussion (band part)
110
Xylophone
71
Xylophone, Piano
57
Vibraphone
52
2 Xylophones
49
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
Brass Quintet: other combinaisons
6
Xylophone or Marimba or Vibraphone
4
2 Marimbas
4
Snare drums
4
Flexible Instrumentation
3
Vibraphone and Marimba
3
Orchestra, Violin
2
Cajon
2
Bongos
2
Piano and Orchestra
2
Bodhran
2
Timpani (band part)
1
Marimba, Saxophone (duet)
1
School Ensemble
1
2 Snare Drums (duet)
1
+ 30 instrumentations
-
Retract
Others
Musical course - Solfege
40
Music Theory
1
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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
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HARPSICHORD
LAP STEEL GUIT…
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MANDOLIN
MARCHING BAND
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
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POP ROCK - CLASSIC R…
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Lay Down
2 Pianos, 4 hands
Sheetmusic to print
139 sheet music found
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1
26
51
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126
C it, Play it!
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2 Pianos, 4 hands
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BEGINNER
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Alison Mathews
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C it, Play it!
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Alison Mathews
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages....
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
"Happy Little Playmates" for two pianos four hands
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2 Pianos, 4 hands
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Weily Luc
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"Happy Little Playmates" for t
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Weily Luc
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979250 Composed by Weily Luc. Concert,Contemporary. Score and parts. 16 pages. Weily...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979250 Composed by Weily Luc. Concert,Contemporary. Score and parts. 16 pages. Weily Luc #3479759. Published by Weily Luc (A0.979250). A fun piece for two intermediate level piano players to play' together.
$6.99
Dance of The Little Swan (for 3 young piano players)
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2 Pianos, 4 hands
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BEGINNER
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Classical
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Peter Ilyich Tchaikovsky
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Cinorita
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Dance of The Little Swan
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Cinorita
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Stand...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Standards. Score. 5 pages. Cinorita #3114435. Published by Cinorita (A0.887203). This arrangement of Dance of The little Swan from Swan Lake is for 3 young piano players to play with one piano.Including a score and separate part sheets.
$4.99
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 hands
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ADVANCED
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
Studies No. 6 & 7
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2 Pianos, 4 hands
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ADVANCED
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Studies
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Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Adè.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Monologe
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2 Pianos, 4 hands
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Contemporary
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Bernd Alois Zimmermann
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Monologe
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30...
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2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his
opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this
is a piece for two pianists. real monologues of these pianists who, though
simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Chop Suey!
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2 Pianos, 4 hands
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Metal/Hard Rock
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Rock
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System of a Down
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Many Hands Play Piano
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Chop Suey!
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Many Hands Play Piano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.877158 By System of a Down. By Daron Malakian, John Dolmayan, Serj Tankian, and Shavo Odadjian. Ar...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.877158 By System of a Down. By Daron Malakian, John Dolmayan, Serj Tankian, and Shavo Odadjian. Arranged by Many Hands Play Piano. Metal,Rock. Score. 26 pages. Many Hands Play Piano #5001737. Published by Many Hands Play Piano (A0.877158). Arranged for two players (four hands) on two pianos.Watch a performance of the arrangement at https://www.youtube.com/watch?v=v__G65P1m4MNote: Video shows one piano only. Actual performance requires two pianos.
$10.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
Poor Wayfaring Stranger - Piano Duet - 2 pianos, 4 hands
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2 Pianos, 4 hands
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BEGINNER
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Traditional
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Ene Nixon
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Poor Wayfaring Stranger - Pian
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Ene Nixon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,Worl...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 pages. Ene Nixon #6324193. Published by Ene Nixon (A0.896678). Poor Wayfaring Stranger is a well-known American folk and gospel song. This is a piano duet arrangement for 2 pianos and 4 hands. Perfect as a teacher-student duet!Primo part is for a beginner (left hand plays simple chords, right hand plays a single melodic line). Secondo part uses some arpeggiated chords and bigger jumps between octaves - suitable for an early intermediate player.
$3.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 2nd Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.501267). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). The Oboe and Violin Solos (right hands) are played 1 octave higher (as indicated in the clefs). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 hands
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EASY
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Blue Christmas
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2 Pianos, 4 hands
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INTERMEDIATE
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Rock
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Elvis Presley
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Fishel Pustilnik
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Blue Christmas
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. R...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Sir Duke
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
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