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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ling Ling Lin
Not classified
6,866
Piano & keyboards
Piano solo
6,961
Piano, Voice
3,020
Piano, Vocal and Guitar
2,401
Easy Piano
1,887
C Instruments
575
Organ
376
1 Piano, 4 hands
183
Big Note Piano
129
Piano Trio: piano, violin, cello
104
Accordion
99
Piano Accompaniment
98
Piano (band part)
57
2 Pianos, 4 hands
50
Piano Quartet: piano, violin, viola, cello
23
Piano Quartet: piano, 2 violins, cello
23
Piano Quintet: piano, 2 violins, viola, cello
14
Melody line, Piano
9
1 Piano, 6 hands
7
Keyboard
6
Organ, Piano (duet)
6
Organ, Trumpet (duet)
6
Accordion, Voice
3
Solo instrument and Organ
3
Harpsichord
2
Accordion ensemble
2
All Instruments
1
Organ, Voice
1
2 Organs (duet)
1
2 Pianos, 8 hands
1
Accordion, String(s)
1
+ 25 instrumentations
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Retract
Guitars
Guitar notes and tablatures
1,389
Melody line, (Lyrics) and Chords
1,173
Guitar
676
Lyrics and Chords
396
Ukulele
368
Bass guitar
297
Guitar (band part)
80
Banjo
44
2 Guitars (duet)
41
Guitar Ensemble
26
Mandolin
25
4 Guitars (Quartet)
23
Dulcimer
22
Piano, Guitar (duet)
18
3 Guitars (trio)
9
Electric Bass (band part)
7
Dobro
5
Band Scores
4
Baritone Ukulele
4
Lap Steel Guitar
3
Ukulele Ensemble
2
Mandolin, Piano (duet)
2
2 Ukuleles
1
Guitar, Orchestra
1
Plectrum Orchestra
1
Mandolin, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
2 Mandolins (duet)
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
2,760
Choral 3-part
878
Choral TTBB
497
Choral 2-part
496
Choral Instrumental Pak
354
Choral SSAA
280
Choral Unison
238
Voice solo
171
Choral
90
Soprano voice, Piano
84
Vocal duet, Piano
78
High voice
54
Alto voice, Piano
54
Baritone voice, Piano
50
Tenor voice, Piano
44
Vocal duet
32
Low voice, Piano
18
Choral SSAATTBB
13
Choral SSAB a cappella
12
Medium voice, Piano
10
Mezzo-Soprano voice, Piano
6
Choral SSATTB
5
Tenor voice
5
Choral SSATB
4
High voice, Piano
4
Low voice
4
Choral SSAB, Piano
4
Choral SSATBB
3
Soli, Mixted choir and accompaniment
3
Voice, Guitar
2
Soprano voice
1
Medium Voice
1
Choral SSAATB
1
Choral, Organ
1
+ 29 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
847
Saxophone (band part)
744
Flute
649
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
608
Flute, Oboe, Clarinet, Bassoon
607
Clarinet Quartet: 4 clarinets
584
Clarinet
573
Flute and Piano
503
Alto Saxophone
464
Saxophone Quintet: 5 Saxophones
440
Saxophone
376
Clarinet and Piano
375
2 Saxophones (duet)
351
Alto Saxophone and Piano
331
Tenor Saxophone
320
Oboe, Piano (duet)
306
Tenor Saxophone and Piano
277
2 Flutes (duet)
277
Clarinet (band part)
206
Oboe (band part)
197
Flute Quartet: 4 flutes
164
2 Clarinets (duet)
148
Soprano Saxophone and Piano
131
Flute (band part)
103
Clarinet Ensemble
84
3 Saxophones (trio)
84
Flute ensemble
78
Baritone Saxophone, Piano
74
Oboe
70
2 Oboes (duet)
67
Saxophone ensemble
65
Flute, Clarinet (duet)
61
Eb Instruments
57
Soprano Saxophone
55
Clarinet Quintet: 5 clarinets
53
English horn, Piano
47
Flute Trio: 3 flutes
44
2 Saxophones, Piano
44
Flute, Harp and Cello
42
Flute and Guitar
42
2 Recorders (duet)
41
3 Clarinets (trio)
38
Bass Clarinet, Piano
34
Flute, Violin, Piano
34
Descant (Soprano) Recorder
34
Recorder
28
Oboe, Bassoon (duet)
27
Flute, Violin
26
Treble (Alto) Recorder
26
Clarinet, Violin (duet)
25
Recorder Quartet
25
Oboe, Clarinet (duet)
25
Harmonica
23
Flute, Clarinet and Bassoon.
21
Clarinet, Bassoon (duet)
20
Saxophone, Clarinet (duet)
20
Baritone Saxophone
19
Flute, Violoncello
18
Clarinet, Trumpet (duet)
18
Flute Quintet : 5 flutes
17
Flute, Oboe, Bassoon
17
Clarinet, Guitar (duet)
16
Clarinet, Cello (duet)
16
English Horn
14
Ocarina
14
Flute, Oboe (duet)
14
Flute, Oboe, Clarinet (trio)
14
Oboe, Flute
14
Tenor Recorder
13
Descent (Soprano) Recorder, Piano
13
Oboe, Clarinet, Bassoon (trio)
13
Flute, Trombone (duet)
12
Flute, Saxophone (duet)
12
Flute, Oboe, Piano (trio)
12
Clarinet, Harp (duet)
12
Flute, Viola (duet)
12
Bass Clarinet
11
2 Clarinets, Piano
11
Flute, Clarinet, Piano (trio)
11
Oboe, Cello
9
Oboe, Guitar (duet)
9
Flute, Trumpet (duet)
9
Flute, Violin and Violoncello
8
Piccolo
8
Clarinet and Viola
7
Recorder, Piano
7
2 Flutes, Piano
7
Recorder Ensemble
7
Clarinet, Cello, Piano (trio)
6
Treble (Alto) Recorder, Piano
6
Flute, Bassoon, and Piano
5
Piccolo, Piano
5
Saxophone and Guitar
5
3 Recorders (trio)
5
Flute, Viola and Piano
4
Clarinet, trumpet and piano
4
Saxophone and Organ
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Oboe, Violin (duet)
4
2 Recorders, Piano
3
Pennywhistle
3
English Horn, Guitar (duet)
3
Flute, trombone and piano
3
Flute, Clarinet, Violin (trio)
3
Oboe, Harp
3
Clarinet, Trombone (duet)
3
Flute, Oboe, Violin
3
Oboe and viola (duet)
3
Flute, Violin, Violoncello and Piano
3
3 Oboes
2
Harmonica, Piano
2
2 Clarinets, Bassoon
2
Flute, Cello, Piano (trio)
2
Flute, harp and violin
2
Saxophone and Harp
2
Oboe, Trumpet (duet)
2
Clarinet, Tuba
1
Flute, Viola and Cello
1
5 Recorders
1
Oboe, Trombone (duet)
1
Flute and Strings Trio
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Cello, Guitar
1
Clarinet, Double bass (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Oboe, Bassoon and Piano
1
Flute, Basso continuo
1
Clarinette, Viola and Piano (trio)
1
Flute, Tuba (duet)
1
+ 124 instrumentations
-
Retract
Woodbrass
Trumpet
613
Brass Quintet: 2 trumpets, horn, trombone, tuba
547
Trombone (band part)
497
Trumpet (band part)
493
Trombone
444
Trumpet, Piano
328
French horn
300
Brass quartet : 2 trumpets, trombone, tuba
283
Trombone and Piano
268
French Horn and Piano
231
Tuba
151
2 Trumpets (duet)
147
Trumpet, Trombone (duet)
141
Tuba and Piano
120
French horn (band part)
95
Brass Quartet: 2 trumpets, horn, trombone
95
2 Trombones (duet)
86
2 French horns (duet)
74
Bass Clef Instruments
69
Tuba (band part)
68
Brass Quartet
60
Euphonium, Piano (duet)
57
Bb Instruments
56
Brass Quartet: 4 trombones
48
Brass Trio
47
English horn, Piano
47
Brass Quartet: 4 horns
32
Trombone ensemble
25
Euphonium
24
Trumpet, Saxophone (duet)
22
2 Euphoniums and 2 Tubas
21
2 Tubas (duet)
17
Trumpet ensemble
15
English Horn
14
3 Trombones (trio)
13
Brass Quartet: 4 trumpets
13
Trumpet, Horn (duert)
12
Bass Trombone
10
4 Tubas
8
Tuba or Euphonium or Saxhorn
8
Trumpet, Bassoon (duet)
7
Bass Trombone and Piano
7
Trombone, Horn (duet)
6
Trumpet, Harp
6
Trumpet, Tuba (duet)
6
2 Trumpets, Keyboard (piano or organ)
5
French Horn and Harp
5
3 Tubas (trio)
4
Horn, Tuba (duet)
4
Horn, Cello (duet)
4
Trombone, Tuba (duet)
4
Horn Ensemble
3
English Horn, Guitar (duet)
3
3 Trumpets (trio)
3
Cornet
3
Trumpet, Cello (duet)
3
F Instruments
3
Tuba and Organ
3
Trumpet, Trombone, Piano
3
2 Euphoniums (duet)
2
French horn and Basson (duet)
2
Euphonium, Tuba (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
Trombone and Orchestra
2
Tuba ensemble
2
Trombone, cello (duet)
2
3 French horns (trio)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
2 Trombones, Piano
1
Trumpet, Euphonium (duet)
1
Trumpet, Orchestra
1
Clarinet, Horn (duet)
1
4 Euphoniums
1
Trombone, Violin (duet)
1
2 French horns, Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Trumpet, violin (duet)
1
Horn and Organ
1
Trombone, Organ
1
+ 75 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,660
Violin
965
Violin and Piano
743
Cello
537
Cello, Piano
461
Violin, Cello (duet)
416
Viola, Piano
348
Harp
334
Viola
325
String Trio: violin, viola, cello
303
2 Violins (duet)
277
2 Cellos (duet)
228
Violin (band part)
212
Doublebass (band part)
160
Double Bass
130
String Quintet: 2 violins, viola, cello, bass
130
Double bass, Piano (duet)
99
2 Violas (duet)
96
Violin, Viola (duet)
93
Viola (band part)
91
String Trio: 2 violins, cello
73
Cello (band part)
55
Viola, Cello (duet)
53
Harp, Flute (duet)
50
2 Harps (duet)
40
4 Cellos
37
String Trio: 3 violins
36
String Trio: 3 cellos
26
String trio
25
Cello, Guitar (duet)
25
Violin, Guitar (duet)
18
2 Double basses (duet)
17
Piano Trio: Violin, Viola, Piano
15
String quartet: 4 violins
14
String Trio: 3 violas
14
Harp, Violin (duet)
11
String Quartet : 4 violas
11
2 Cellos, Piano
10
String Trio: 2 violins, viola
10
2 Violins, Piano
9
Harp, Voice
9
Cello, String Bass (duet)
8
2 Violas, Piano
7
Viola, Guitar (duet)
6
Harp, Cello (duet)
6
String Quintet: 2 violins, viola, 2 cellos
5
Viola and Harp
5
Violin, Bassoon (duet)
4
Violin ensemble
4
Harp and Piano
4
Viola and Bassoon
3
Harp and mandolin
3
Harp and Organ
2
Flute, Doublebass (duet)
2
Viola ensemble
2
4 Double Basses
2
String Quintet: 2 violins, 2 violas, cello
2
Violin, Tuba (duet)
1
Cello Ensemble
1
Harp, Violin, Violoncello
1
Violoncello, Basso continuo
1
+ 56 instrumentations
-
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Orchestra & Percussion
Concert band
2,801
Jazz Ensemble
824
String Orchestra
740
Orchestra
649
Handbells
262
Brass ensemble
258
Marching band
239
Drums
238
Percussion (band part)
147
Chamber Orchestra
116
Drum (band part)
109
Jazz combo
99
Percussion Ensemble
58
Percussion
50
2 Xylophones
41
Vibraphone
28
Xylophone
23
Timpani (band part)
20
Marimba
16
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
11
Timpani
9
Flexible Instrumentation
8
Xylophone, Piano
8
Woodwind Quartet: any 4 woodwinds
4
Snare drums
3
Vibraphone (band part)
3
Piano and Orchestra
2
Bongos
2
2 Marimbas
1
Marimba, Piano (duet)
1
Vibraphone and Marimba
1
Conga
1
Woodwind Quintet
1
Bodhran
1
Voice and Orchestra
1
Xylophone (band part)
1
Big band
1
+ 32 instrumentations
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Retract
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You've selected:
Ling Ling Lin
2 Pianos, 4 hands
Sheetmusic to print
50 sheet music found
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1
26
Fumbling Along (Intermediate/Advanced Piano Duo)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Kate Emht
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Fumbling Along
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Katherine Madonna McDowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.919970 Composed by Kate Emht. Concert,Film/TV,Jazz,Standards. Score. 6 pages. Katherine ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.919970 Composed by Kate Emht. Concert,Film/TV,Jazz,Standards. Score. 6 pages. Katherine Madonna McDowell #6046657. Published by Katherine Madonna McDowell (A0.919970). Fumbling Along is a whimsical jazzy piano duo with a simple secondo and more complex primo part. This catchy, quirky tune is the composer's personal theme. .
$5.99
Løvfald ("Falling Leaves")
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Veste...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
Zelda Medley by Lindsey Stirling - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Lindsey Stirling
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Zelda Medley
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Musicnotes
Performed by: Lindsey Stirling: Zelda Medley - Overworld - Hyrule Field - Lost Woods (Saria's Song) - Gerudo Valley Digital Sheetmusic plus an interactive,...
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Performed by: Lindsey Stirling: Zelda Medley - Overworld - Hyrule Field - Lost Woods (Saria's Song) - Gerudo Valley Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 13 pages -- Soundtrack~~Video Game Music~~Instrumental Pop
$8.99
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
#
Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation - Pastoral
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Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sailing at Sunset - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Instructional
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Will Baily
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Sailing at Sunset - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000812 Composed by Will Baily. Instructional. 6 pages. Alfred Music - Digital Sheet Music #00-...
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000812 Composed by Will Baily. Instructional. 6 pages. Alfred Music - Digital Sheet Music #00-PB-0000812. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000812). UPC: 038081150062.
$4.95
Satin Doll by Duke Ellington - Instrumental Parts
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2 Pianos, 4 hands
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Duke Ellington
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Satin Doll
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Musicnotes
Performed by: Duke Ellington: Satin Doll - from Sophisticated Ladies Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable d...
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Performed by: Duke Ellington: Satin Doll - from Sophisticated Ladies Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Duet;Instrumental Parts, instruments: Piano 1;Piano 2; 8 pages -- Jazz~~Big Band~~Jazz Standards~~Swing~~Show/Broadway
$5.79
That Certain Feeling by George Gershwin - 2 Piano 4-Hands
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2 Pianos, 4 hands
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George Gershwin
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That Certain Feeling
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Musicnotes
Performed by: George Gershwin: That Certain Feeling Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: George Gershwin: That Certain Feeling Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: 2 Piano 4-Hands, instruments: Piano 2;Piano 1; 12 pages -- Jazz~~Movie/TV~~Show/Broadway~~Standards
$6.25
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Alla Turca Jazz
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Fazil Say
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Selin Şekeranber an
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30
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Selin Şekeranber ...
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Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Selin Şekeranber and Yudum Çetiner. Eingangsmelodie - Handy- Klingelton - Mozart - Türkischer Marsch. Downloadable, Separate edition. Op. 5b. Duration 1\' 30. Schott Music - Digital #Q555589. Published by Schott Music - Digital
$7.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Bunte Blätter
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2 Pianos, 4 hands
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Contemporary
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music...
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
Gwyn, Lord of Cinder
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2 Pianos, 4 hands
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INTERMEDIATE
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Yuka Kitamura
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Jefferson Sequeira
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Gwyn, Lord of Cinder
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Jeff Sequeira
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,Medieval,Video Game. Score. 9 pages. Jeff Sequeira #1040353. Published by Jeff Sequeira (A0.1461609). Immerse yourself in the majesty and intensity of this iconic musical piece from the original Dark Souls game. This two-piano arrangement captures all the grandeur and drama of battling the Lords of Cinder, transporting you directly to the dark and immersive landscapes of Lordran.Meticulously designed for pianists and game enthusiasts alike, this arrangement showcases both the technical skill and emotional depth required to master its performance. From its powerful opening chords to its evocative and moving melodies, each note is carefully chosen to capture the essence of combat against formidable foes.Perfect for live performances, studio recordings, or simply enjoying at home, this two-piano arrangement of Lord of Cinder is a musical masterpiece that transcends the boundaries of classical interpretation and the gaming universe. Prepare to explore and rediscover the emotional intensity and narrative of Dark Souls through this exceptionally powerful and moving interpretation.Discover why Lord of Cinder from the original Dark Souls remains a benchmark in video game music and delve into this unique musical experience that blends the best of classical artistry with gaming culture.
$10.00
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
If You Will Only Let God Guide You--Duo Piano.pdf
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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George Neumark
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Marilyn Thompsona
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If You Will Only Let God Guide
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacre...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809603 Composed by George Neumark. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score. 7 pages. Marilyn Thompson #6369959. Published by Marilyn Thompson (A0.809603). An animated and exciting rendition for Duo Piano (Keyboard) of this German hymn extolling trust in God in the midst of trials. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
The Rakes of Mallow
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,T...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
I Know Where I'm Going
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2 Pianos, 4 hands
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INTERMEDIATE
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Richard Simm
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Richard Simm
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I Know Where I'm Going
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,T...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 2 pages. Richard Simm #787548. Published by Richard Simm (A0.1187941). This suite is based upon Richard Simm's Five Irish Melodies, which were originally composed for beginner students to play as piano duets with their teachers or with advanced students. In their new guise for two pianos, they are technically more challenging, but they have the advantage of allowing each performer total control over the subtle pedalling which is sometimes needed here. The lyrics tell of a girl who knows which man she loves, but heaven only knows which one she'll marry...
$6.95
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