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6,108
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716
Piano solo
519
Piano, Voice
444
Piano, Vocal and Guitar
163
Easy Piano
157
Piano Accompaniment
97
Organ
58
1 Piano, 4 hands
47
Piano Trio: piano, violin, cello
42
Organ, Piano (duet)
15
Piano Quartet: piano, 2 violins, cello
13
2 Pianos, 4 hands
13
Piano Quartet: piano, violin, viola, cello
8
Organ, Trumpet (duet)
4
Accordion
4
Harpsichord
2
Fake Book
1
Keyboard
1
+ 13 instrumentations
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Guitar
82
2 Guitars (duet)
71
Guitar notes and tablatures
51
Bass guitar
30
Melody line, (Lyrics) and Chords
29
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26
Mandolin
22
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14
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7
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6
Banjo
6
Baritone Ukulele
5
3 Guitars (trio)
4
Mandolin, Guitar (duet)
3
Guitar Ensemble
2
2 Ukuleles
2
2 Mandolins (duet)
1
Lyrics and Chords
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Plectrum Orchestra
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319
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106
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93
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68
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54
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36
Alto voice, Piano
33
Baritone voice, Piano
25
Choral TTBB
18
Soprano voice, Piano
17
Tenor voice, Piano
15
Low voice, Piano
12
Voice solo
12
Choral SSAA
10
Vocal duet
9
Medium voice, Piano
4
High voice
4
Soli, Mixted choir and accompaniment
3
Soprano voice
1
Tenor voice
1
Voice, Guitar
1
Choral SSAB, Piano
1
+ 17 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
257
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
245
Saxophone Quintet: 5 Saxophones
232
Alto Saxophone and Piano
205
Flute and Piano
185
Flute, Oboe, Clarinet, Bassoon
182
Saxophone Quartet: 4 saxophones
141
Clarinet and Piano
140
2 Flutes (duet)
127
Oboe, Piano (duet)
125
2 Clarinets (duet)
117
Saxophone ensemble
116
Tenor Saxophone and Piano
111
Saxophone, Clarinet (duet)
107
Flute, Clarinet (duet)
104
Clarinet Quartet: 4 clarinets
74
Clarinet, Violin (duet)
73
Clarinet Ensemble
69
Clarinet, Trumpet (duet)
66
3 Saxophones (trio)
66
Clarinet
63
Clarinet Quintet: 5 clarinets
58
2 Flutes, Piano
53
Soprano Saxophone and Piano
51
Flute
51
Oboe, Bassoon (duet)
51
Flute, Violin
49
Flute and Guitar
47
Oboe, Clarinet (duet)
46
Flute, Violin, Piano
46
Oboe, Flute
45
3 Clarinets (trio)
45
Saxophone (band part)
43
Clarinet and Viola
42
Tenor Saxophone
41
Alto Saxophone
39
Baritone Saxophone, Piano
37
Oboe (band part)
36
Flute ensemble
35
2 Oboes (duet)
34
2 Clarinets, Piano
33
Flute, Viola (duet)
30
Flute Quartet: 4 flutes
28
Flute Quintet : 5 flutes
28
2 Recorders (duet)
27
Flute, Trumpet (duet)
26
Clarinet, Bassoon (duet)
26
Flute, Oboe, Clarinet (trio)
26
Flute Trio: 3 flutes
25
Flute, Saxophone (duet)
25
Bass Clarinet, Piano
22
English horn, Piano
19
Flute, Violoncello
19
Clarinet, Cello (duet)
14
Flute, Clarinet and Bassoon.
13
Oboe
13
Oboe, Cello
13
Clarinet, Guitar (duet)
13
Flute, Oboe (duet)
13
Descant (Soprano) Recorder
11
Saxophone
10
Eb Instruments
9
Flute, Cello, Piano (trio)
9
2 Saxophones, Piano
8
Treble (Alto) Recorder
8
Recorder Quartet
8
Descent (Soprano) Recorder, Piano
7
Clarinet, Cello, Piano (trio)
6
Tenor Recorder
6
Flute, Clarinet, Piano (trio)
6
3 Recorders (trio)
6
Piccolo, Piano
6
Flute, Viola and Piano
5
Recorder
5
Treble (Alto) Recorder, Piano
5
Clarinet, Harp (duet)
5
Oboe, Violin (duet)
5
Saxophone and Guitar
5
Oboe, Clarinet, Bassoon (trio)
5
Oboe and viola (duet)
4
Flute, Bassoon, and Piano
4
Flute, Oboe, Bassoon
4
2 English horns and Pianoforte
4
Oboe, Bassoon and Piano
3
Bass Clarinet
3
Flute, Trombone (duet)
3
Oboe, Guitar (duet)
3
Flute, Oboe, Piano (trio)
3
Oboe, Clarinet and Piano (Trio)
3
Ocarina
2
Bagpipe
2
Saxophone and Harp
2
Clarinet, Tuba
2
English Horn, Guitar (duet)
2
Harmonica
2
Baritone Saxophone
2
Flute and Strings Trio
2
Oboe, Trombone (duet)
2
Clarinet, Trombone (duet)
2
Flute, Cello, Guitar
2
Soprano Saxophone
2
Saxophone and Organ
2
Oboe, Harp
2
Clarinet, Double bass (duet)
1
Clarinet (band part)
1
Flute, harp and violin
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Oboes, Piano
1
Clarinet, trumpet and piano
1
Recorder, Piano
1
Flute, trombone and piano
1
Clarinet, Bassoon, Piano (trio)
1
Flute (band part)
1
Oboe, Trumpet (duet)
1
English Horn
1
Flute, Organ (duet)
1
Pan Flute
1
English horn, Harp (duet)
1
5 Recorders
1
Flute, Tuba (duet)
1
+ 115 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
258
Brass quartet : 2 trumpets, trombone, tuba
185
Trombone and Piano
116
Trumpet, Piano
115
Trumpet
89
Trumpet, Trombone (duet)
81
Tuba and Piano
80
French Horn and Piano
74
Trumpet ensemble
71
Trumpet, Saxophone (duet)
68
Brass Quartet: 2 trumpets, horn, trombone
57
2 Trumpets (duet)
47
Trombone
45
French horn
45
Trombone ensemble
44
2 French horns (duet)
40
2 Trombones (duet)
40
Brass Quartet
39
Brass Quartet: 4 trombones
36
2 Tubas (duet)
30
Tuba
25
Euphonium, Piano (duet)
23
Trumpet, Horn (duert)
22
Euphonium, Tuba (duet)
19
English horn, Piano
19
Bass Clef Instruments
17
Bb Instruments
10
Trumpet (band part)
10
Brass Quartet: 4 horns
9
F Instruments
7
3 Trumpets (trio)
7
Horn Ensemble
6
Trumpet, Tuba (duet)
6
Trombone, Tuba (duet)
6
Trombone (band part)
5
Brass Quartet: 4 trumpets
5
Horn, Cello (duet)
5
Trombone, Organ
5
Tuba and Organ
5
Euphonium
4
Trombone, Horn (duet)
4
Horn, Tuba (duet)
4
2 English horns and Pianoforte
4
French Horn and Harp
3
2 Euphoniums (duet)
3
Clarinet, Horn (duet)
3
Trumpet and Guitar
2
Horn and Organ
2
English Horn, Guitar (duet)
2
Trumpet, Cello (duet)
2
Trumpet, Bassoon (duet)
2
4 Tubas
2
Brass Trio
2
Brass Quartet: 2 trumpets, 2 trombones
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet, violin (duet)
1
3 French horns (trio)
1
2 French horns, Piano
1
Tuba ensemble
1
English Horn
1
Trumpet, Cello, Piano
1
Bass Trombone
1
English horn, Harp (duet)
1
Trumpet, Harp
1
2 Euphoniums and 2 Tubas
1
+ 60 instrumentations
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Violin, Cello (duet)
474
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318
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268
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181
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135
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118
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118
Violin
105
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82
2 Violins (duet)
79
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79
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67
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66
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61
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59
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58
Viola
41
2 Violas (duet)
37
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37
Piano Trio: Violin, Viola, Piano
27
Violin ensemble
27
Viola ensemble
26
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25
Double Bass
22
String Trio: 3 violins
22
Harp, Violin (duet)
21
2 Double basses (duet)
20
Harp, Flute (duet)
16
Viola and Harp
16
Cello, String Bass (duet)
15
Harp, Cello (duet)
13
Viola (band part)
13
Cello, Guitar (duet)
10
Violin, Bassoon (duet)
9
4 Cellos
8
Violin (band part)
6
String Trio: 2 violins, viola
6
String Quintet: 2 violins, 2 violas, cello
5
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5
Harp, Voice
5
String Trio: 3 cellos
5
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5
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4
Viola and Bassoon
4
String quartet: 4 violins
4
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3
String Trio: 3 violas
3
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2
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2
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2
Cello (band part)
2
String Quartet : 4 violas
2
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2
String Quintet: 2 violins, viola, 2 cellos
1
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1
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1
2 Cellos, Piano
1
4 Double Basses
1
2 Violins, Piano
1
Violin, Tuba (duet)
1
Cello, Orchestra
1
2 Violas, Piano
1
Harp, Trombone (duet)
1
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Concert band
278
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232
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207
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181
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174
Brass ensemble
136
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95
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78
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40
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26
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8
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7
Vibraphone
7
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7
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6
2 Xylophones
4
3 Marimbas
2
Vibraphone and Marimba
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Flexible Instrumentation
2
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2
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1
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1
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1
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1
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1
3 Percussions
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2 Pianos, 4 hands
Sheetmusic to print
13 sheet music found
<
1
World S Smallest Violin
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2 Pianos, 4 hands
#
INTERMEDIATE
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AJR
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JRN Piano Duo
#
World S Smallest Violin
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JRN Piano Duo
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano D...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.
$5.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
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Jenni Roditi
#
ENCIRCLE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
#
dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sucker
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2 Pianos, 4 hands
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EASY
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Rock
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Jonas Brothers
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Dave Prudon
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Sucker
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, L...
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Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Th
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
From This Day Forward
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2 Pianos, 4 hands
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INTERMEDIATE
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age...
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
"Chatty Tango" for two pianos four hands
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2 Pianos, 4 hands
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Tango
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Weily Luc
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"Chatty Tango" for two pianos
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Weily Luc
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979251 Composed by Weily Luc. Concert,Contemporary. Score and parts. 17 pages. Weily...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.979251 Composed by Weily Luc. Concert,Contemporary. Score and parts. 17 pages. Weily Luc #3479757. Published by Weily Luc (A0.979251). A fun piece for two intermediate level piano players to chat with each other.
$6.99
Bunte Blätter
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2 Pianos, 4 hands
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Contemporary
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music...
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
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