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Rest - Accompaniment Download
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687
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621
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595
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234
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117
1 Piano, 4 hands
57
Piano Trio: piano, violin, cello
25
Accordion
21
Big Note Piano
21
2 Pianos, 4 hands
18
Piano Quartet: piano, violin, viola, cello
12
Organ, Trumpet (duet)
8
Piano Quintet: piano, 2 violins, viola, cello
7
Harpsichord
6
Organ, Piano (duet)
6
Keyboard
4
1 Piano, 6 hands
3
Melody line, Piano
2
2 Pianos, 8 hands
2
2 Organs (duet)
1
+ 16 instrumentations
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Guitars
Guitar notes and tablatures
815
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285
Bass guitar
99
Melody line, (Lyrics) and Chords
69
Guitar (band part)
32
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26
2 Guitars (duet)
20
4 Guitars (Quartet)
18
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7
Piano, Guitar (duet)
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3 Guitars (trio)
3
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3
Band Scores
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Guitar, Flute, Clarinet
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1
Guitar Tab, Voice, Bass, Drum
1
Guitar, Violin, Cello (trio)
1
Lute
1
2 Ukuleles
1
Dulcimer
1
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Choral SATB
864
Choral 3-part
269
Choral TTBB
190
Choral Unison
116
Choral 2-part
92
Choral SSAA
87
Choral Instrumental Pak
60
Voice solo
34
Alto voice, Piano
13
Soprano voice, Piano
12
Vocal duet
12
High voice
11
Baritone voice, Piano
9
Vocal duet, Piano
9
Medium voice, Piano
9
Low voice, Piano
8
Choral
7
Choral SSATB
7
Tenor voice, Piano
5
Choral SSAATTBB
5
Choral SSAB a cappella
3
Tenor voice
2
Voix Masculines
1
Choral SSATBB
1
Choral SSATTB
1
Soprano voice
1
Soprano voice, Orchestra
1
+ 22 instrumentations
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Woodwind
Saxophone Quartet: 4 saxophones
350
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
308
Flute, Oboe, Clarinet, Bassoon
292
Clarinet Quartet: 4 clarinets
247
2 Saxophones (duet)
232
Saxophone Quintet: 5 Saxophones
172
Flute
162
2 Flutes (duet)
161
Flute and Piano
146
2 Clarinets (duet)
123
Saxophone (band part)
118
Saxophone ensemble
118
Flute Quartet: 4 flutes
116
Clarinet
109
Alto Saxophone
99
Clarinet and Piano
98
Oboe, Piano (duet)
88
Alto Saxophone and Piano
79
Clarinet Ensemble
67
Flute, Clarinet (duet)
56
Saxophone
52
Tenor Saxophone and Piano
52
Saxophone, Clarinet (duet)
50
Flute ensemble
50
Tenor Saxophone
47
2 Oboes (duet)
44
Clarinet (band part)
39
Soprano Saxophone and Piano
39
3 Saxophones (trio)
39
3 Clarinets (trio)
39
Flute (band part)
35
Oboe (band part)
34
Flute Trio: 3 flutes
31
Clarinet, Violin (duet)
30
Clarinet Quintet: 5 clarinets
30
Clarinet, Trumpet (duet)
29
Flute Quintet : 5 flutes
25
Flute, Violin
23
Oboe, Clarinet (duet)
23
Flute and Guitar
22
Oboe, Bassoon (duet)
22
Recorder
20
Baritone Saxophone, Piano
20
Clarinet and Viola
19
Recorder Quartet
18
Flute, Clarinet and Bassoon.
18
Flute, Trumpet (duet)
16
Flute, Viola (duet)
16
Bass Clarinet, Piano
15
Recorder, Piano
15
Oboe, Clarinet, Bassoon (trio)
15
2 Recorders (duet)
15
Oboe, Flute
14
English horn, Piano
14
Oboe
14
Descant (Soprano) Recorder
13
Flute, Oboe, Clarinet (trio)
13
Flute, Violoncello
12
Clarinet, Bassoon (duet)
12
Clarinet, Cello (duet)
11
Flute, Oboe, Bassoon
10
Flute, Saxophone (duet)
9
Soprano Saxophone
9
Flute, Violin, Piano
8
3 Recorders (trio)
8
Treble (Alto) Recorder, Piano
7
5 Recorders
7
2 Clarinets, Piano
6
Oboe, Guitar (duet)
6
Flute, Clarinet, Piano (trio)
6
Recorder Ensemble
5
Flute, Oboe (duet)
5
2 Flutes, Piano
4
Baritone Saxophone
4
Flute, Trombone (duet)
4
Oboe, Cello
4
Descent (Soprano) Recorder, Piano
4
Flute, Violin and Violoncello
4
2 English horns and Pianoforte
3
Tenor Recorder
3
Saxophone and Harp
3
Flute, Cello, Piano (trio)
3
Piccolo, Piano
3
Clarinet, Harp (duet)
3
Oboe, Trombone (duet)
2
Flute, Clarinet, Violin (trio)
2
Oboe, Bassoon and Piano
2
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2
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2
English Horn, Guitar (duet)
2
Clarinet, Guitar (duet)
2
Treble (Alto) Recorder
2
Flute, French horn (duet)
2
Treble (Alto) Recorder, Basso continuo
2
Oboe, Harp
2
English Horn
2
Saxophone and Organ
2
Oboe, Violin (duet)
2
Ocarina
2
Wind ensemble
2
Flute, Oboe, Violin
1
Clarinet Quintet: Clarinet, String Quartet
1
Bagpipe
1
Bass Clarinet
1
Clarinet, Trombone (duet)
1
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1
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1
Clarinet, Tuba
1
Clarinet, Organ
1
Flute, Oboe, Piano (trio)
1
3 Recorders, Piano
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Violin, Violoncello and Piano
1
3 Oboes
1
Flute, Harp and Cello
1
+ 110 instrumentations
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266
Brass quartet : 2 trumpets, trombone, tuba
192
Trumpet
146
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102
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97
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86
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84
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65
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56
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56
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56
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55
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52
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42
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38
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37
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35
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27
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25
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24
Tuba (band part)
22
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19
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17
Tuba
17
2 Euphoniums and 2 Tubas
16
Brass Quartet: 4 horns
15
English horn, Piano
14
Brass Trio
11
3 Trombones (trio)
11
Euphonium, Tuba (duet)
10
Horn Ensemble
9
2 Euphoniums (duet)
8
4 Tubas
4
Trumpet, Tuba (duet)
4
Trombone, Tuba (duet)
4
3 Trumpets (trio)
4
2 English horns and Pianoforte
3
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3
French Horn and Harp
3
Horn, Tuba (duet)
3
Brass Quartet: 4 trumpets
3
Trombone, Violin (duet)
3
Trumpet, Harp
2
English Horn, Guitar (duet)
2
Euphonium
2
Tuba and Organ
2
English Horn
2
Bass Trombone
2
Bass Trombone and Piano
2
Trumpet, violin (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
3 Tubas (trio)
1
Trumpet, Horn (duert)
1
French horn and Basson (duet)
1
2 French horns, Piano
1
3 French horns (trio)
1
Trumpet, Bassoon (duet)
1
Bass Clef Instruments
1
Horn, Cello (duet)
1
+ 57 instrumentations
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String Quartet: 2 violins, viola, cello
942
Harp
209
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189
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173
String Trio: violin, viola, cello
171
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168
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165
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135
2 Violas (duet)
103
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97
2 Cellos (duet)
89
Cello, Piano
86
Viola, Piano
68
String Trio: 2 violins, cello
62
Viola
62
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59
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42
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38
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37
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31
Double Bass
25
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23
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20
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18
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16
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15
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15
2 Double basses (duet)
14
Cello (band part)
12
Harp, Flute (duet)
12
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11
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11
String Trio: 3 violas
9
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9
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8
String Trio: 2 violins, viola
7
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7
String trio
6
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6
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6
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5
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5
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4
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4
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4
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3
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3
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2
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2
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2
Violin, Tuba (duet)
2
String Quintet: 2 violins, viola, 2 cellos
2
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1
2 Violins and Basso
1
Viola, Guitar (duet)
1
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1
Cello Ensemble
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2 Cellos, Piano
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1,460
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203
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191
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21
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6
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2
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2
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Rest - Accompaniment Download
2 Pianos, 4 hands
Sheetmusic to print
18 sheet music found
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1
Hours of Rest
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2 Pianos, 4 hands
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BEGINNER
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Classical
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Cornelius Gurlitt
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Hours of Rest
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Schott Music - Digital
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SheetMusicPlus
26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gurlitt (1820-1901). This edition: Sheet music. Klavier - Piano - Sam...
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26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gurlitt (1820-1901). This edition: Sheet music. Klavier - Piano - Sammlung. Schott Piano Classics. Eine wertvolle Bereicherung des vierhandigen Repertoires. Downloadable. Op. 102. Schott Music - Digital #Q18591. Published by Schott Music - Digital
$11.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Epilogue
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2 Pianos, 4 hands
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ADVANCED
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
O Come Be Merry, Gentlemen
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2 Pianos, 4 hands
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Christmas
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Traditional
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Paul Ellsworth
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O Come Be Merry, Gentlemen
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Paul Ellsworth
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.954522 Composed by Traditional. Arranged by Paul Ellsworth. Christmas. Score. 13 pages. Paul Ellsw...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.954522 Composed by Traditional. Arranged by Paul Ellsworth. Christmas. Score. 13 pages. Paul Ellsworth #3431201. Published by Paul Ellsworth (A0.954522). A fun an slightly jazzy two piano, four hands arrangement of God Rest Ye Merry, Gentlemen and O Come, O Come Emmanuel.
$3.99
God Rest Ye Merry, Gentlemen by Mannheim Steamroller - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Mannheim Steamroller
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God Rest Ye Merry, Gentlemen
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Musicnotes
Performed by: Mannheim Steamroller: God Rest Ye Merry, Gentlemen Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digit...
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Performed by: Mannheim Steamroller: God Rest Ye Merry, Gentlemen Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 12 pages -- Holiday & Special Occasion~~Christmas~~New Age~~Christmas - Religious
$5.75
God Rest Ye Merry, Gentleman (Renaissance) by Mannheim Steamroller - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Mannheim Steamroller
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God Rest Ye Merry, Gentleman (
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Musicnotes
Performed by: Mannheim Steamroller: God Rest Ye Merry, Gentleman (Renaissance) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, sc...
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Performed by: Mannheim Steamroller: God Rest Ye Merry, Gentleman (Renaissance) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 6 pages -- Holiday & Special Occasion~~Christmas~~New Age~~Christmas - Religious
$5.25
God Rest Ye Merry, Gentlemen by Joseph M. Martin - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Joseph M. Martin
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God Rest Ye Merry, Gentlemen
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Musicnotes
Performed by: Joseph Martin: God Rest Ye Merry, Gentlemen Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hand...
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Performed by: Joseph Martin: God Rest Ye Merry, Gentlemen Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 13 pages -- Christmas - Religious~~Christmas~~Holiday & Special Occasion
$5.75
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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2 Pianos, 4 hands
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EASY
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TK Tim Murray
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tkmurraycomp@aol
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Clementi - Sonatina Op36 No3 1
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TK
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Chasing Cars
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2 Pianos, 4 hands
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INTERMEDIATE
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Snow Patrol
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D
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Chasing Cars
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D. Berry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by D. Berry. Pop,Rock,Wedding. Score. 20 pages. D. Berry #810830. Published by D. Berry (A0.1213634). An arrangement of Snow Patrol's popular song Chasing Cars for piano duo (two pianos, four hands). The interest of this song comes partly from the evolution of textures, and this piano duo version continually varies the texture, while keeping the parts simple enough to be playable by intermediate pianists.
$12.99
His Eye Is On the Sparrow
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Charles H
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Carol Petersen
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His Eye Is On the Sparrow
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Carol Petersen
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1256149 Composed by Charles H. Gabriel. Arranged by Carol Petersen. Christian,Praise & W...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1256149 Composed by Charles H. Gabriel. Arranged by Carol Petersen. Christian,Praise & Worship,Religious,Soul. Score. 4 pages. Carol Petersen #849617. Published by Carol Petersen (A0.1256149). The 2-piano setting of this popular hymn creates interest musically with strong melody lines and brilliant, rhythmic chord structure. It is well suited for service music as prelude, offertory or postlude.
$5.00
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
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