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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ted
Sheetmusicplus
Not classified
19,524
Piano & keyboards
Piano solo
15,211
Piano, Voice
6,151
Easy Piano
3,398
Piano, Vocal and Guitar
2,030
Organ
1,552
C Instruments
1,075
1 Piano, 4 hands
486
Piano Accompaniment
313
Piano Trio: piano, violin, cello
210
Accordion
157
Piano (band part)
118
2 Pianos, 4 hands
108
Piano Quartet: piano, violin, viola, cello
62
Organ, Piano (duet)
43
Big Note Piano
40
Harpsichord
34
Piano Quartet: piano, 2 violins, cello
32
1 Piano, 6 hands
30
Piano Quintet: piano, 2 violins, viola, cello
22
Organ, Trumpet (duet)
18
2 Pianos, 8 hands
8
Keyboard
6
Piano ensembles
1
Accordion ensemble
1
Fake Book
1
+ 20 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,541
Guitar
1,388
Ukulele
454
Melody line, (Lyrics) and Chords
392
Mandolin
355
2 Guitars (duet)
192
Bass guitar
177
Lyrics and Chords
151
Piano, Guitar (duet)
147
Guitar (band part)
128
4 Guitars (Quartet)
74
Dulcimer
71
Banjo
68
3 Guitars (trio)
44
Guitar Ensemble
22
Mandolin, Guitar (duet)
10
Electric Bass (band part)
7
2 Dulcimers (duet)
5
Baritone Ukulele
5
Guitar, Violin, Cello (trio)
4
2 Ukuleles
4
Mandolin, Piano (duet)
4
Guitar, Orchestra
3
Lap Steel Guitar
2
Guitar, Flute, Clarinet
2
Lute
1
Ukulele Ensemble
1
Dobro
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
6,457
Choral 3-part
1,800
Choral 2-part
1,100
Choral TTBB
1,088
Choral SSAA
680
Choral Unison
674
High voice
273
Soprano voice, Piano
264
Vocal duet, Piano
250
Voice solo
177
Choral Instrumental Pak
172
Tenor voice, Piano
169
Vocal duet
145
Baritone voice, Piano
139
Alto voice, Piano
132
Low voice, Piano
126
Soli, Mixted choir and accompaniment
106
Mezzo-Soprano voice, Piano
55
Medium voice, Piano
55
Choral
52
High voice, Piano
29
Choral SSAATTBB
29
Choral SSATB
18
Tenor voice
16
Choral SSATTB
16
Low voice
13
Soprano voice
12
Voice, Guitar
4
Choral SSAB, Piano
4
Choral SATBB
3
Choral SSAATB
3
Vocal duet, Organ
2
Choral SSAB a cappella
2
Baritone voice
1
Soprano voice, Orchestra
1
Voice, Basso continuo
1
Choral SATTBB A Cappella
1
Choral SSAATB A Cappella
1
+ 33 instrumentations
-
Retract
Woodwind
Flute and Piano
1,560
Clarinet and Piano
1,400
2 Saxophones (duet)
1,382
Saxophone Quartet: 4 saxophones
1,286
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,216
Oboe, Piano (duet)
1,183
Alto Saxophone and Piano
1,057
Flute, Oboe, Clarinet, Bassoon
944
Flute
839
Clarinet
838
Tenor Saxophone and Piano
813
Saxophone (band part)
812
2 Flutes (duet)
724
Clarinet Quartet: 4 clarinets
712
Alto Saxophone
671
2 Clarinets (duet)
615
Saxophone Quintet: 5 Saxophones
609
Tenor Saxophone
488
Soprano Saxophone and Piano
439
Oboe (band part)
389
Descant (Soprano) Recorder
365
Baritone Saxophone, Piano
319
Ocarina
298
Clarinet (band part)
297
Flute, Clarinet (duet)
287
3 Saxophones (trio)
287
Flute Quartet: 4 flutes
285
2 Recorders (duet)
281
2 Oboes (duet)
255
Treble (Alto) Recorder
251
Saxophone, Clarinet (duet)
249
Clarinet Ensemble
228
Oboe
220
Clarinet, Violin (duet)
211
Harmonica
210
Flute (band part)
202
Flute and Guitar
183
Oboe, Bassoon (duet)
178
Oboe, Clarinet (duet)
177
3 Clarinets (trio)
165
Clarinet, Trumpet (duet)
163
Saxophone ensemble
162
Flute ensemble
148
Clarinet Quintet: 5 clarinets
146
Flute Trio: 3 flutes
140
English horn, Piano
138
Soprano Saxophone
130
Flute, Violin
127
Flute, Violin, Piano
110
Clarinet and Viola
108
Baritone Saxophone
100
Flute, Viola (duet)
95
Bass Clarinet, Piano
94
Flute, Oboe, Clarinet (trio)
93
Flute, Saxophone (duet)
90
Oboe, Flute
90
Flute, Trumpet (duet)
86
Clarinet, Bassoon (duet)
81
Flute, Clarinet and Bassoon.
78
Flute Quintet : 5 flutes
75
Recorder Quartet
74
Recorder
71
Clarinet, Guitar (duet)
67
Treble (Alto) Recorder, Piano
65
Flute, Oboe (duet)
62
Oboe, Clarinet, Bassoon (trio)
61
Descent (Soprano) Recorder, Piano
56
Recorder Ensemble
53
Flute, Violoncello
50
English Horn
49
2 Saxophones, Piano
48
Tenor Recorder
47
Clarinet, Cello (duet)
40
2 Flutes, Piano
40
Flute, Clarinet, Piano (trio)
39
Oboe, Cello
33
Flute, Oboe, Bassoon
32
3 Recorders (trio)
32
5 Recorders
27
Flute, Trombone (duet)
25
Oboe, Violin (duet)
25
Piccolo
24
Flute, Bassoon, and Piano
23
Oboe, Guitar (duet)
22
Piccolo, Piano
21
Saxophone and Organ
20
Bass Clarinet
19
Clarinet, Cello, Piano (trio)
19
Flute, Oboe, Piano (trio)
18
Treble (Alto) Recorder, Basso continuo
18
Flute, Violin and Violoncello
17
Flute, Clarinet, Horn and Bassoon (Quartet)
17
Recorder, Piano
16
Clarinet, Harp (duet)
16
Clarinet, Trombone (duet)
15
Flute, Cello, Piano (trio)
15
2 Clarinets, Piano
14
Clarinet, Bassoon, Piano (trio)
13
Flute, Viola and Piano
13
Oboe and viola (duet)
12
Flute, harp and violin
11
Flute, Violin, Violoncello and Piano
10
Flute, trombone and piano
9
Saxophone
9
2 Clarinets, Bassoon
9
English Horn, Guitar (duet)
8
4 Oboes
8
Saxophone and Guitar
8
Clarinette, Viola and Piano (trio)
7
Eb Instruments
7
3 Oboes
7
Oboe, Harp
7
Clarinet, Double bass (duet)
6
Oboe ensemble
6
Pennywhistle
6
Saxophone and Harp
6
Flute, Organ (duet)
5
Oboe, Clarinet and Piano (Trio)
5
Clarinet, trumpet and piano
5
Clarinet, Organ
5
Flute, Cello, Guitar
4
Oboe, Cello and Piano
4
Flute and Strings Trio
4
Wind ensemble
4
Clarinet Quintet: Clarinet, String Quartet
4
Oboe, Trombone (duet)
3
Oboe, Bassoon and Piano
3
Flute, Tuba (duet)
3
Oboe, Violin, Piano
3
2 English horns and Pianoforte
3
Flute, Viola and harp
3
English horn, Harp (duet)
2
2 Recorders, Piano
2
2 Flutes, 2 Clarinets (Quartet)
2
Flute, Clarinet, Violin (trio)
2
Saxophone and Piano
2
Clarinet, Tuba
2
2 Flutes, Basso continuo
1
Clarinet, Orchestra
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Oboe, Violin
1
Oboe and Orchestra
1
Flute, French horn (duet)
1
Flute and String Quartet
1
Saxophone and cello
1
2 Oboes, 2 Horns and 2 Bassoons
1
Pan Flute
1
2 Recorders, Guitar
1
2 Flutes and Harp
1
Recorder, Guitar (duet)
1
Flute, Harp and Cello
1
Oboe, Trumpet (duet)
1
+ 147 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,418
Trombone and Piano
1,079
Trumpet, Piano
987
Trumpet
965
French Horn and Piano
730
Brass quartet : 2 trumpets, trombone, tuba
646
Trombone
582
Trumpet (band part)
561
Trombone (band part)
535
French horn
486
Tuba and Piano
417
2 Trombones (duet)
383
2 Trumpets (duet)
378
Tuba
341
Brass Quartet
302
Trumpet, Trombone (duet)
283
Brass Quartet: 2 trumpets, horn, trombone
273
2 French horns (duet)
235
French horn (band part)
231
Trumpet, Saxophone (duet)
184
Euphonium, Piano (duet)
172
Brass Quartet: 4 trombones
156
English horn, Piano
138
Tuba (band part)
116
2 Tubas (duet)
101
Brass Quartet: 4 horns
94
Trumpet ensemble
73
Trumpet, Horn (duert)
72
Trombone ensemble
67
Euphonium
56
Brass Quartet: 4 trumpets
52
English Horn
49
Horn Ensemble
39
3 Trombones (trio)
37
4 Tubas
29
Brass Trio
27
2 Euphoniums and 2 Tubas
27
Bass Trombone and Piano
25
Bass Trombone
22
3 Trumpets (trio)
21
Tuba and Organ
20
Trombone, Horn (duet)
20
Trombone, Organ
15
2 Euphoniums (duet)
15
Horn, Cello (duet)
15
Bass Clef Instruments
14
Tuba or Euphonium or Saxhorn
14
3 Tubas (trio)
14
French Horn and Harp
12
Trumpet, Cello (duet)
12
Trumpet, Bassoon (duet)
11
Trumpet, Harp
10
Trumpet, Tuba (duet)
10
Horn, Tuba (duet)
10
Brass Quartet: 2 trumpets, 2 trombones
10
3 French horns (trio)
9
Trombone, Tuba (duet)
9
English Horn, Guitar (duet)
8
French horn and Basson (duet)
7
Euphonium, Tuba (duet)
7
Euphonium (band part)
6
Horn and Organ
6
Bb Instruments
6
Trumpet, Trombone, Piano
5
Trumpet, violin (duet)
4
Trumpet and Guitar
4
Cornet
4
Trombone and Orchestra
4
Trombone, Violin (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, Cello, Piano
3
2 English horns and Pianoforte
3
English horn, Harp (duet)
2
2 Trombones, Piano
2
Clarinet, Horn (duet)
2
3 Euphoniums
1
4 Euphoniums
1
Tuba ensemble
1
F Instruments
1
Trumpet, Orchestra
1
Trumpet, Euphonium (duet)
1
Trombone, Viola (duet)
1
Cornet and Orchestra
1
+ 79 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,143
Violin and Piano
2,165
Cello, Piano
1,465
Violin
1,261
Viola, Piano
1,235
Cello
1,020
Violin, Cello (duet)
751
Harp
637
2 Violins (duet)
591
Viola
566
String Trio: violin, viola, cello
492
2 Cellos (duet)
485
String Quintet: 2 violins, viola, cello, bass
415
Violin, Viola (duet)
386
2 Violas (duet)
367
Double Bass
348
Double bass, Piano (duet)
336
Violin (band part)
292
String Trio: 2 violins, cello
225
Doublebass (band part)
224
Viola (band part)
189
Viola, Cello (duet)
124
2 Double basses (duet)
97
2 Harps (duet)
97
Piano Trio: Violin, Viola, Piano
97
4 Cellos
95
String Trio: 3 violins
94
Violin, Guitar (duet)
92
Cello (band part)
69
String Trio: 3 cellos
55
Cello, String Bass (duet)
55
Cello, Guitar (duet)
46
Viola, Guitar (duet)
42
Violin, Bassoon (duet)
41
Harp, Flute (duet)
41
String Quartet : 4 violas
39
String quartet: 4 violins
39
String Trio: 3 violas
35
Harp, Violin (duet)
33
String Trio: 2 violins, viola
24
String Quintet: 2 violins, viola, 2 cellos
23
String Quintet: 2 violins, 2 violas, cello
20
String trio
20
Viola and Harp
16
Viola and Bassoon
16
Harp, Cello (duet)
15
Cello, Organ
15
Violin ensemble
15
Harp, Voice
15
Violin, Basso continuo
14
Violin, Clarinet, Piano (trio)
13
Viola ensemble
11
Flute, Doublebass (duet)
10
2 Violins, Piano
7
Cello Ensemble
7
4 Double Basses
6
3 Harps
6
Violin, Organ
6
Autoharp
6
Violoncello, Basso continuo
5
Violin, Cello, Clarinet
4
Harp, Violin, Violoncello
4
Cello, Orchestra
4
Violin, Tuba (duet)
3
Harp, Trombone (duet)
3
Harp and Piano
3
5 Harps
2
Harp and Organ
2
Viola and orchestra
2
2 Violas, Piano
2
Viola, Organ
2
2 Cellos, Piano
1
Harp and mandolin
1
Violin, Trumpet and Piano
1
Harp (band part)
1
4 Harps
1
+ 71 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,834
String Orchestra
1,703
Orchestra
1,693
Handbells
1,007
Jazz Ensemble
958
Brass ensemble
611
Chamber Orchestra
480
Marching band
403
Jazz combo
211
Percussion (band part)
208
Percussion Ensemble
200
Drums
183
Drum (band part)
78
Marimba
55
Percussion
45
Timpani (band part)
32
Vibraphone
29
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
29
Xylophone, Piano
24
Timpani
21
Xylophone
17
Orchestra, Violin
7
Piano and Orchestra
7
Woodwind Quintet
7
2 Xylophones
6
School Ensemble
6
Xylophone or Marimba or Vibraphone
4
Brass Quintet: other combinaisons
4
3 Marimbas
4
2 Snare Drums (duet)
2
Big band
2
2 Marimbas
2
Snare drums
2
Vibraphone and Marimba
1
Bongos
1
Drums-Marching band
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Marimba and Organ
1
Woodwind Quartet: any 4 woodwinds
1
Conga
1
+ 36 instrumentations
-
Retract
Others
Musical course - Solfege
6
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--INSTRUMENTS--
ACCORDION
AUTOHARP
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2 Pianos, 4 hands
Sheetmusic to print
108 sheet music found
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1
26
51
....
101
Twisted Nerve
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2 Pianos, 4 hands
#
EASY
#
Bernard Herrmann
#
Silvia V
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Twisted Nerve
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Silvia V
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Fil...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game. Score. 5 pages. Silvia V #263086. Published by Silvia V (A0.653998). This is my arrangement of the Whistle Theme featured in Kill Bill Vol. 1, originally from Twisted Nerve by Bernard Herman. For 2 pianos. Please visit my channel https://www.youtube.com/channel/UCbqt7XsJNYFz8rcHFCXpjoQ/featured and let me know if you have a request! hotaru.chivi@gmail.com.
$4.99
F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Classical
#
Frederic Chopin
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Helios D'Andrea
#
F. CHOPIN CANON F minor comple
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D'Andrea Helios
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic ...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score and parts. 10 pages. D'Andrea Helios #6603303. Published by D'Andrea Helios (A0.981553). This original Canon unifinished has been completed and transcribed for two pianos taking care to keep the original Chopin's writing of 14 measures.
$10.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Swanee
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2 Pianos, 4 hands
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ADVANCED
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
I’m So Glad Jesus Lifted Me (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Sacred music
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African-American Spiritual
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Sharon Wilson
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I’m So Glad Jesus Lifted Me
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Sharon Wilson
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SheetMusicPlus
Composed by African-American Spiritual. Arranged by Sharon Wilson. Christian, Gospel, Spiritual, Folk, African. Score, Set of Parts. 9 pages. Publishe...
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Composed by African-American Spiritual. Arranged by Sharon Wilson. Christian, Gospel, Spiritual, Folk, African. Score, Set of Parts. 9 pages. Published by Sharon Wilson
$5.99
Baoba
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2 Pianos, 4 hands
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Sergio Roberto de Oliveira
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Baoba
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Sergio Roberto de Oliveira
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. S...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. Sergio Roberto de Oliveira #4822133. Published by Sergio Roberto de Oliveira (A0.962351). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages...
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 hands
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EASY
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Concertino in C major I. Allegretto for Early Intermediate Piano
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2 Pianos, 4 hands
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EASY
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Sibylle Kuder
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Concertino in C major I. Alleg
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pa...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kuder #720922. Published by Sibylle Kuder (A0.1119510). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~ Early Intermediate. ~ Cheerful, light-hearted, needs very energetic staccato. ~ The PDF file has two versions: a 6-page practice version with lots of white space for adding comments, and a performance version condensed onto four pages, to fit the average music stand.
$3.99
She Moved Through the Fair - arr. for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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She Moved Through the Fair - a
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultura...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
The campanella for two pianos
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2 Pianos, 4 hands
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ADVANCED
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Franz Liszt
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Roy R
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The campanella for two pianos
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R.Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Hi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicultural,Romantic Period,World. Score. 18 pages. R.Music #984709. Published by R.Music (A0.1401526). The score of La Campanella for two pianos is a gem of the piano repertoire that captures the magic and virtuosity of Franz Liszt's musical genius. has been adapted for two pianos, offering performers a unique experience of musical collaboration.The score presents exciting technical challenges for both pianists, from dizzying arpeggios to dazzling melodic passages. Liszt's ability to create an enchanting atmosphere is reflected in every note, transporting the listener to a world of beauty and passion.This edition for two pianos allows you to explore the harmonic richness and structural complexity of the piece in a new and exciting way. The two pianists immerse themselves in a fluid musical dialogue, creating a unique and captivating performance that will delight both performers and audiences.Get this musical masterpiece today and let yourself be carried away by the magic of Franz Liszt's La Campanella in the privacy of two pianos!
$9.99
Wild Cherries Piano Duet
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2 Pianos, 4 hands
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Contemporary
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Ted Snyder
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David Walker
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Wild Cherries Piano Duet
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Walker Press
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SheetMusicPlus
Composed by Ted Snyder. Arranged by David Walker. 20th Century, Ragtime, Americana. Sheet Music Single. 16 pages. Published by Walker Press (S0.263113). - Sheet...
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Composed by Ted Snyder. Arranged by David Walker. 20th Century, Ragtime, Americana. Sheet Music Single. 16 pages. Published by Walker Press (S0.263113). - Sheet Music Single - 20th Century,Ragtime,Americana - Walker Press
$3.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
Bunte Blätter
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2 Pianos, 4 hands
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Contemporary
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music...
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2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
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