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Piano solo
109483
Piano, Voice
55998
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48342
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32674
Organ
8523
C Instruments
7559
Big Note Piano
5853
Piano Accompaniment
4754
1 Piano, 4 hands
3526
Accordion
2365
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1085
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807
2 Pianos, 4 hands
642
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301
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278
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229
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218
Melody line, Piano
185
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185
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135
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125
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99
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78
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64
2 Pianos, 8 hands
43
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29
Accordion ensemble
21
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13
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9
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8
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5
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4
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3
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3
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2
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2
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1
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Guitar notes and tablatures
29576
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27457
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10442
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8609
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7397
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5846
Guitar (band part)
1098
2 Guitars (duet)
783
Mandolin
751
Piano, Guitar (duet)
578
Banjo
558
Dulcimer
522
4 Guitars (Quartet)
296
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228
Baritone Ukulele
181
Electric Bass (band part)
146
3 Guitars (trio)
122
Ukulele Ensemble
114
Band Scores
91
Lap Steel Guitar
52
2 Dulcimers (duet)
39
Guitar, Violin, Cello (trio)
24
Dobro
21
Mandolin, Guitar (duet)
20
2 Ukuleles
17
Mandolin, Piano (duet)
14
Guitar, Flute, Clarinet
9
Zither
8
Lute
7
Guitar Tab, Voice, Bass, Drum
7
2 Mandolins (duet)
6
Guitar, String Quartet
4
Guitar, Orchestra
4
3 Dulcimers (trio)
4
Bouzouki
2
Plectrum Orchestra
1
2 Guitars and Orchestra
1
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Choral SATB
39607
Choral 3-part
14299
Choral 2-part
10206
Choral Instrumental Pak
7927
Choral TTBB
7415
Choral Unison
5143
Choral SSAA
3949
Vocal duet, Piano
2834
Choral
2564
Voice solo
2541
Vocal duet
1162
Soprano voice, Piano
900
High voice
808
Alto voice, Piano
614
Tenor voice, Piano
584
Baritone voice, Piano
375
Low voice, Piano
262
Medium voice, Piano
219
Tenor voice
118
Choral SSATB
116
Choral SSAATTBB
115
Voice, Guitar
87
Mezzo-Soprano voice, Piano
60
Soprano voice
54
Choral SSATTB
49
Choral SSAB a cappella
43
Soli, Mixted choir and accompaniment
40
Low voice
39
Choral SSAB, Piano
33
Choral SSATBB
23
Baritone voice
18
High voice, Piano
17
Choral SSAATB
16
Choral, Organ
12
Choral SATBB
10
Medium Voice
9
Voix Masculines
8
Choral SAATB A Cappella
7
Soprano voice, Orchestra
6
Choral SATTBB A Cappella
4
Choral SATTB
4
Vocal (with Chords Symbols)
3
Lyrics only
2
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1
Children choir
1
Choral SSAATB A Cappella
1
Vocal duet, Organ
1
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Saxophone (band part)
10700
Flute
9948
Flute and Piano
9027
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8624
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7139
Alto Saxophone
6673
Clarinet and Piano
6179
Tenor Saxophone
5831
Saxophone
5438
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5115
Oboe, Piano (duet)
4928
Flute, Oboe, Clarinet, Bassoon
4895
Alto Saxophone and Piano
4783
Clarinet (band part)
4775
2 Saxophones (duet)
4632
Clarinet Quartet: 4 clarinets
3968
2 Flutes (duet)
3803
Tenor Saxophone and Piano
3479
2 Clarinets (duet)
3206
Oboe (band part)
3149
Flute (band part)
2526
Soprano Saxophone and Piano
2165
Saxophone Quintet: 5 Saxophones
2128
Flute Quartet: 4 flutes
1995
3 Saxophones (trio)
1667
3 Clarinets (trio)
1596
Flute, Clarinet (duet)
1412
Clarinet Ensemble
1236
Oboe
1174
Flute Trio: 3 flutes
1081
Baritone Saxophone, Piano
1022
Flute ensemble
972
Recorder
941
Clarinet Quintet: 5 clarinets
933
Flute and Guitar
902
2 Oboes (duet)
877
Saxophone ensemble
853
2 Recorders (duet)
706
English horn, Piano
668
Soprano Saxophone
667
Clarinet, Violin (duet)
666
Oboe, Bassoon (duet)
662
Descant (Soprano) Recorder
654
Flute, Violin
595
Harmonica
577
Oboe, Clarinet (duet)
556
Saxophone, Clarinet (duet)
550
Eb Instruments
543
Ocarina
539
Flute, Oboe, Clarinet (trio)
453
Treble (Alto) Recorder
432
Flute, Clarinet and Bassoon.
397
Bass Clarinet, Piano
380
Recorder Quartet
372
Flute, Violoncello
361
Clarinet, Bassoon (duet)
354
Flute Quintet : 5 flutes
337
Flute, Oboe (duet)
334
Flute, Oboe, Bassoon
313
Clarinet, Guitar (duet)
312
Clarinet, Trumpet (duet)
305
Oboe, Flute
305
Flute, Viola (duet)
275
Oboe, Clarinet, Bassoon (trio)
273
Clarinet and Viola
262
Baritone Saxophone
249
Clarinet, Cello (duet)
232
Flute, Saxophone (duet)
228
Clarinet, Harp (duet)
225
Flute, Trumpet (duet)
221
Flute, Clarinet, Piano (trio)
220
English Horn
215
Flute, Violin and Violoncello
206
Flute, Cello, Piano (trio)
205
Flute, Violin, Piano
197
Oboe, Cello
162
2 Flutes, Piano
154
Bass Clarinet
144
Piccolo
139
Treble (Alto) Recorder, Piano
139
Recorder Ensemble
132
Descent (Soprano) Recorder, Piano
132
2 Saxophones, Piano
131
2 Clarinets, Piano
128
3 Recorders (trio)
128
3 Oboes
125
Flute, Trombone (duet)
114
Oboe, Violin (duet)
109
Flute, Oboe, Violin
106
Pennywhistle
105
Flute, Clarinet, Violin (trio)
102
Tenor Recorder
98
Saxophone and Guitar
97
Oboe, Guitar (duet)
96
Flute, Bassoon, and Piano
96
Clarinet, Cello, Piano (trio)
94
5 Recorders
90
Saxophone and Piano
85
Recorder, Piano
76
Oboe and viola (duet)
75
Flute, harp and violin
74
English Horn, Guitar (duet)
73
Flute, Harp and Cello
67
2 Clarinets, Bassoon
67
Piccolo, Piano
65
Clarinet, Trombone (duet)
63
Bagpipe
61
Saxophone and Organ
51
4 Oboes
51
Flute, Viola and Piano
49
Flute, Clarinet, Horn and Bassoon (Quartet)
48
Flute, Oboe, Piano (trio)
46
Flute, Violin, Violoncello and Piano
44
Saxophone, Violin (duet)
41
Flute, Tuba (duet)
40
Saxophone and Harp
36
Oboe, Harp
35
Flute, Organ (duet)
34
Clarinet, Bassoon, Piano (trio)
34
Oboe, Trumpet (duet)
31
Flute, trombone and piano
30
Oboe, Trombone (duet)
30
Clarinet, Tuba
29
Flute and Strings Trio
27
Clarinet Quartet: Clarinet, Violin, Viola, Cello
26
Clarinette, Viola and Piano (trio)
25
Wind ensemble
21
Flute, Cello, Guitar
20
Oboe, Cello and Piano
19
Treble (Alto) Recorder, Basso continuo
19
Oboe, Bassoon and Piano
19
Clarinet, trumpet and piano
18
2 English horns and Pianoforte
18
Recorder, Guitar (duet)
18
Saxophone, Bassoon (duet)
17
Oboe, Clarinet and Piano (Trio)
15
Clarinet, Double bass (duet)
14
Clarinet, Organ
14
Oboe, Violin, Piano
13
Clarinet Quintet: Clarinet, String Quartet
13
Flute, Viola and harp
12
Flute, French horn (duet)
11
Oboe ensemble
11
Saxophone and cello
11
Flute, Violin, Guitar
10
2 Oboes, Piano
10
2 Recorders, Piano
10
Oboe, Violin, Viola and Violoncello (Quartet)
9
Harmonica, Piano
9
Flute, Basso continuo
9
Clarinet, Orchestra
7
2 Flutes and Guitar
6
Flute and String Quartet
6
Pan Flute
6
2 Harmonicas
6
Flute, Orchestra
5
English horn, Harp (duet)
5
Recorder, Harp
5
Melodica
4
2 Flutes, 2 Clarinets (Quartet)
4
2 Oboes and Basson
3
Clarinet, Saxophone, Piano
3
Flute, Viola and Cello
3
2 Flutes and Harp
3
2 Oboes and English horn
3
Descant (Soprano) Recorder, Basso continuo
3
2 Recorders, Guitar
2
Saxophone, Tuba (duet)
2
Flute, viola, cello and guitar
1
Oboe and Orchestra
1
2 Flutes, Basso continuo
1
Oboe, Organ
1
Flute, Guitar, Piano
1
3 Recorders, Piano
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
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WOODBRASS
Trumpet
8577
Trombone
6922
Brass Quintet: 2 trumpets, horn, trombone, tuba
6874
Trumpet (band part)
6799
Trombone (band part)
6688
Trumpet, Piano
4622
French horn
4348
Trombone and Piano
4154
Brass quartet : 2 trumpets, trombone, tuba
3498
French Horn and Piano
2984
French horn (band part)
2354
Tuba
1744
2 Trumpets (duet)
1720
Tuba (band part)
1661
2 Trombones (duet)
1607
Brass Quartet: 2 trumpets, horn, trombone
1462
Brass Quartet
1411
Tuba and Piano
1309
Trumpet, Trombone (duet)
905
Brass Quartet: 4 trombones
805
2 French horns (duet)
798
Euphonium
684
English horn, Piano
668
Bass Clef Instruments
659
Euphonium, Piano (duet)
652
Brass Quartet: 4 horns
635
Bb Instruments
537
Trumpet, Saxophone (duet)
454
Trumpet, Horn (duert)
441
2 Euphoniums and 2 Tubas
386
Trombone ensemble
369
3 Trombones (trio)
295
Brass Trio
283
2 Tubas (duet)
270
English Horn
215
Trumpet ensemble
200
4 Tubas
197
Horn Ensemble
172
3 Trumpets (trio)
171
Brass Quartet: 4 trumpets
155
Tuba or Euphonium or Saxhorn
126
Tuba and Organ
122
Trumpet, Tuba (duet)
110
Trombone, Tuba (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
92
Euphonium, Tuba (duet)
85
Cornet
75
Bass Trombone and Piano
75
English Horn, Guitar (duet)
73
Horn, Cello (duet)
70
F Instruments
69
Trumpet, violin (duet)
67
Trombone, Horn (duet)
65
2 Trumpets, Keyboard (piano or organ)
63
Bass Trombone
62
Trumpet, Cello (duet)
61
Trumpet, Bassoon (duet)
57
Horn, Tuba (duet)
54
Trombone, Violin (duet)
51
3 French horns (trio)
47
French Horn and Harp
46
Trombone, Organ
43
2 Euphoniums (duet)
42
Trombone, cello (duet)
40
Trumpet, Trombone, Piano
33
Trumpet, Harp
33
Trumpet, Cello, Piano
30
French horn and Basson (duet)
29
3 Tubas (trio)
22
Clarinet, Horn (duet)
22
Euphonium (band part)
20
2 Trombones, Piano
19
2 English horns and Pianoforte
18
Tuba ensemble
16
Horn and Organ
16
Trumpet and Guitar
15
Horn, Trumpet, Trombone (trio)
13
2 French horns, Piano
10
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
10
3 Euphoniums
10
Trombone, Viola (duet)
9
Cornet and Piano
8
Horn and Orchestra
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Trombone and Orchestra
7
4 Euphoniums
6
Trumpet, Orchestra
6
English horn, Harp (duet)
5
Instruments en Sol
4
Trumpet, Euphonium (duet)
2
Horn, Cello and Piano
2
Flügelhorn
2
Cornet and Orchestra
2
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
18311
Violin and Piano
11026
Violin
10992
Cello
7755
Cello, Piano
7079
Harp
6038
Viola
5973
Viola, Piano
5366
Violin, Cello (duet)
3615
Violin (band part)
3401
2 Violins (duet)
3309
String Trio: violin, viola, cello
2951
2 Cellos (duet)
2271
Doublebass (band part)
1977
Violin, Viola (duet)
1731
Viola (band part)
1703
String Quintet: 2 violins, viola, cello, bass
1469
Double Bass
1409
2 Violas (duet)
1325
Double bass, Piano (duet)
1205
String Trio: 2 violins, cello
1077
Cello (band part)
1062
Viola, Cello (duet)
792
String Trio: 3 violins
605
4 Cellos
566
2 Harps (duet)
563
Piano Trio: Violin, Viola, Piano
552
Harp, Flute (duet)
527
Violin, Guitar (duet)
438
String Trio: 3 cellos
347
Harp, Violin (duet)
318
String quartet: 4 violins
295
Cello, Guitar (duet)
279
2 Double basses (duet)
244
String trio
243
String Trio: 3 violas
221
Cello, String Bass (duet)
190
String Quartet : 4 violas
183
Violin, Bassoon (duet)
174
Viola, Guitar (duet)
168
String Trio: 2 violins, viola
157
2 Violins, Piano
119
String Quintet: 2 violins, 2 violas, cello
91
Viola and Bassoon
87
Harp, Cello (duet)
80
Violin, Clarinet, Piano (trio)
71
Harp and Piano
61
Harp, Voice
58
Viola and Harp
55
String Quintet: 2 violins, viola, 2 cellos
49
Flute, Doublebass (duet)
48
2 Cellos, Piano
48
Cello, Organ
45
4 Double Basses
44
Harp, Violin, Violoncello
42
Cello Ensemble
39
Violin ensemble
36
Violin, Organ
35
Violin, Tuba (duet)
31
Viola ensemble
31
Harp (band part)
29
Cello, Orchestra
26
Harp and mandolin
23
3 double basses
19
3 Harps
19
2 Violas, Piano
19
Violin, Basso continuo
18
Harp, Trombone (duet)
14
Violin, Cello, Clarinet
13
Autoharp
11
Violoncello, Basso continuo
10
Violin, Trumpet and Piano
8
Viola, Organ
7
Harp and Organ
6
Violin, Double bass (duet)
5
4 Harps
4
Harp, String quartet
4
2 Violins and Basso
2
Viola and orchestra
2
Harp, Orchestra
2
5 Harps
2
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
38494
Orchestra
9993
String Orchestra
8792
Jazz Ensemble
7277
Marching band
6433
Drums
4557
Handbells
4370
Brass ensemble
3884
Percussion (band part)
3163
Chamber Orchestra
2235
Jazz combo
1592
Drum (band part)
1044
Percussion
908
Percussion Ensemble
810
Timpani (band part)
698
Marimba
296
Xylophone
275
Vibraphone
227
Timpani
191
Xylophone, Piano
112
Woodwind Quintet
109
Snare drums
84
Piano and Orchestra
69
2 Xylophones
52
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
49
Orchestra, Violin
35
Flexible Instrumentation
29
Big band
28
Brass Quintet: other combinaisons
26
Woodwind Quartet: any 4 woodwinds
22
Vibraphone (band part)
21
School Ensemble
16
Vibraphone and Marimba
13
Xylophone (band part)
10
3 Marimbas
8
Xylophone or Marimba or Vibraphone
7
Woodwind Trio: any 3 woodwinds
5
Bongos
4
Voice and Orchestra
3
Bodhran
3
3 Percussions
3
Marimba, Piano (duet)
3
2 Marimbas
3
Conga
2
Marimba or Xylophone and Piano
2
Marimba and Organ
2
Cajon
2
2 Snare Drums (duet)
1
Marimba, Saxophone (duet)
1
Voice Mezzo-Soprano, Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
272
Music Theory
53
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2 Pianos, 4 hands
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When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.45 €
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2 Pianos, 4 hands
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Sharon Wilson
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Gathering Starflowers: A Music Drama for 2 Pianos
2 Pianos, 4 hands
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gor…
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.<br> <br> Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.<br> <br> Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.<br> <br> Baffled by music bindings? Read this:<br> <br> https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
13.66 €
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2 Pianos, 4 hands
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Chris Gordon
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Gathering Starflowers: A Music Drama for 2 Pianos
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Cool Wind Music Digital
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
The Mastersingers of Nuremberg
2 Pianos, 4 hands
Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelud…
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Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99
14.56 €
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2 Pianos, 4 hands
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Children on the Beach (for 2 Pianos)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru …
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
10.93 €
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2 Pianos, 4 hands
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
O Master. Let Me Walk With Thee-Duo Piano.pdf
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6369955. Published by Marilyn Thompson (A0.809602). An unusual and creative setting for Duo Piano (Keyboard) of the old hymn tune Maryton. Suitable for sacred concert or worship service. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
4.54 €
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2 Pianos, 4 hands
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H
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O Master. Let Me Walk With Thee-Duo Piano.pdf
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Marilyn Thompson
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.24 €
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2 Pianos, 4 hands
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
7.51 €
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2 Pianos, 4 hands
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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James Nathaniel Holland
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SheetMusicPlus
Between the Lakes - Piano duo (2 pianos, 4 hands)
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
8.19 €
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2 Pianos, 4 hands
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
The Gartan Mother's Lullaby, from "Five Irish Tunes"
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
6.33 €
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2 Pianos, 4 hands
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Richard Simm
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The Gartan Mother's Lullaby, from "Five Irish Tunes"
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Richard Simm
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SheetMusicPlus
The Carousel Waltz
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
11.79 €
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2 Pianos, 4 hands
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Richard Rodgers
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
Tango for the Road - for two pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
16.39 €
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2 Pianos, 4 hands
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Ofer Ben-Amots
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Tango for the Road - for two pianos
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The Composer's Own Press
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SheetMusicPlus
KATHERINE HEPBURN
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999674 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999674 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 16 pages. PianoPiano #6016649. Published by PianoPiano (A0.999674). The story of Katharine Hepburn told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99
3.63 €
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2 Pianos, 4 hands
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Hilary Brooks
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KATHERINE HEPBURN
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PianoPiano
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SheetMusicPlus
Hark! The Herald Angels Sing (2 piano duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.78 €
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2 Pianos, 4 hands
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Felix Bartholdy Mendelssohn
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
The Impossible Dream (the Quest)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809612 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809612 Composed by Mitch Leigh. Arranged by Mitch Leigh. Contemporary. Score. 22 pages. Marilyn Thompson #6441531. Published by Marilyn Thompson (A0.809612). An exhilarating rendition of the enduring Quest from the popular The Man of La Mancha musical. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$7.99
7.28 €
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2 Pianos, 4 hands
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Mitch Leigh
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The Impossible Dream
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Marilyn Thompson
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SheetMusicPlus
The Swan
2 Pianos, 4 hands
2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Sa…
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2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
9.1 €
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2 Pianos, 4 hands
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Camille Saint-Saens
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The Swan
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Schott Music - Digital
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SheetMusicPlus
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