Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Boar\\
Not classified
5,442
Piano & keyboards
Big Note Piano
3,580
Piano solo
3,485
Easy Piano
2,135
Organ
1,688
Piano, Vocal and Guitar
900
Piano, Voice
501
C Instruments
261
Keyboard
114
1 Piano, 4 hands
83
2 Pianos, 4 hands
64
Organ, Piano (duet)
43
Piano (band part)
41
Accordion
31
Harpsichord
29
Piano Accompaniment
12
Piano Trio: piano, violin, cello
11
1 Piano, 6 hands
10
Piano Quartet: piano, violin, viola, cello
5
Accordion, Piano
4
Piano Quintet: piano, 2 violins, viola, cello
4
Accordion and Orchestra
2
Melody line, Piano
1
Accordion ensemble
1
2 Pianos, 8 hands
1
Fake Book
1
Piano Quartet: piano, 2 violins, cello
1
2 Accordions
1
+ 22 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
911
Guitar notes and tablatures
574
Guitar
157
Piano, Guitar (duet)
118
Bass guitar
45
Ukulele
42
Lyrics and Chords
17
2 Guitars (duet)
17
Dulcimer
17
Mandolin
13
Guitar Tab, Voice, Bass, Drum
8
Banjo
5
4 Guitars (Quartet)
3
Guitar (band part)
3
Baritone Ukulele
2
3 Guitars (trio)
2
Guitar Ensemble
1
2 Mandolins (duet)
1
2 Dulcimers (duet)
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
866
Choral Instrumental Pak
327
Choral 3-part
240
Choral Unison
194
Choral 2-part
178
Choral TTBB
120
Choral SSAA
35
Vocal duet, Piano
21
Soprano voice, Piano
18
Vocal duet
13
High voice
11
Choral
10
Tenor voice, Piano
8
Mezzo-Soprano voice, Piano
7
Voice solo
6
Low voice, Piano
6
Alto voice, Piano
5
Tenor voice
4
Choral SSATB
3
Medium voice, Piano
3
Soli, Mixted choir and accompaniment
3
Choral SSAB, Piano
2
Choral SSATTB
1
Baritone voice, Piano
1
Voice, Guitar
1
+ 20 instrumentations
-
Retract
Woodwind
Flute and Piano
283
Oboe, Piano (duet)
282
Clarinet and Piano
259
Tenor Saxophone and Piano
183
Alto Saxophone and Piano
173
Flute
157
Alto Saxophone
93
Saxophone Quartet: 4 saxophones
90
Clarinet
86
Tenor Saxophone
82
Flute, Oboe, Clarinet, Bassoon
69
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
68
Clarinet Quartet: 4 clarinets
57
2 Saxophones (duet)
48
Saxophone (band part)
46
Oboe (band part)
41
2 Clarinets (duet)
28
English horn, Piano
28
Saxophone Quintet: 5 Saxophones
27
Soprano Saxophone and Piano
27
Saxophone
26
2 Flutes (duet)
26
3 Clarinets (trio)
26
Baritone Saxophone, Piano
23
Flute Quartet: 4 flutes
20
Soprano Saxophone
17
Clarinet Ensemble
17
Flute and Guitar
16
Clarinet Quintet: 5 clarinets
10
2 Recorders (duet)
9
Flute Trio: 3 flutes
7
Flute Quintet : 5 flutes
7
Flute, Clarinet (duet)
7
Clarinet, Guitar (duet)
6
Bass Clarinet, Piano
6
Flute, Oboe, Clarinet (trio)
6
Flute, Clarinet and Bassoon.
6
Oboe, Clarinet, Bassoon (trio)
5
Recorder
5
3 Saxophones (trio)
5
Treble (Alto) Recorder
5
Flute, Viola (duet)
5
English Horn, Guitar (duet)
5
Clarinet (band part)
4
Saxophone and Harp
4
Flute, Oboe, Piano (trio)
4
Clarinet, Bassoon (duet)
4
Descent (Soprano) Recorder, Piano
4
Flute, Violoncello
4
Saxophone and Guitar
4
Flute ensemble
4
Flute, Bassoon, and Piano
3
Flute, Violin, Piano
3
3 Recorders (trio)
3
2 Oboes (duet)
3
Flute, Cello, Piano (trio)
2
2 Saxophones, Piano
2
Clarinet, Violin (duet)
2
Saxophone ensemble
2
Saxophone, Clarinet (duet)
2
Clarinet, Harp (duet)
2
2 Flutes, Piano
2
Clarinet, Trumpet (duet)
2
Oboe, Harp
2
Oboe, Bassoon (duet)
2
Oboe
2
Recorder Quartet
2
Tenor Recorder
2
Oboe, Clarinet (duet)
2
Descant (Soprano) Recorder
2
Oboe, Bassoon and Piano
2
2 Clarinets, Piano
2
English Horn
2
Recorder Ensemble
2
Flute, Clarinet, Piano (trio)
1
Piccolo, Piano
1
Flute, Oboe, Bassoon
1
Flute, Saxophone (duet)
1
Oboe, Flute
1
English horn, Harp (duet)
1
3 Oboes
1
Pennywhistle
1
Flute, Basso continuo
1
Flute and String Quartet
1
Clarinet and Viola
1
Clarinet, Cello (duet)
1
Flute, Oboe (duet)
1
Treble (Alto) Recorder, Piano
1
2 Oboes, Piano
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Trombone (duet)
1
Flute (band part)
1
Flute, Violin and Violoncello
1
Oboe, Cello and Piano
1
+ 89 instrumentations
-
Retract
Woodbrass
Trombone and Piano
200
Trumpet
154
Trumpet, Piano
117
Brass Quintet: 2 trumpets, horn, trombone, tuba
102
Brass quartet : 2 trumpets, trombone, tuba
86
Trombone
63
2 Trumpets, Keyboard (piano or organ)
61
French Horn and Piano
38
Trumpet (band part)
29
English horn, Piano
28
Tuba and Piano
25
Euphonium, Piano (duet)
22
French horn
13
Brass Quartet: 2 trumpets, horn, trombone
11
2 Trombones (duet)
8
2 Trumpets (duet)
8
Tuba
8
Trombone ensemble
7
Trumpet ensemble
7
2 French horns (duet)
7
Euphonium
7
English Horn, Guitar (duet)
5
3 Trombones (trio)
4
Brass Quartet: 4 trombones
4
Trombone (band part)
4
Brass Quartet: 4 horns
4
French horn (band part)
3
Trumpet, Saxophone (duet)
3
Trumpet, Trombone (duet)
3
Brass Quartet
3
Bass Trombone
3
Tuba and Organ
2
2 Tubas (duet)
2
French Horn and Harp
2
Tuba (band part)
2
Brass Quartet: 4 trumpets
2
4 Tubas
2
Trumpet, Harp
2
English Horn
2
Horn, Tuba (duet)
1
Horn Ensemble
1
English horn, Harp (duet)
1
Tuba ensemble
1
3 Tubas (trio)
1
Bb Instruments
1
Brass Trio
1
Trumpet, violin (duet)
1
+ 42 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
299
Violin and Piano
265
Violin
229
Viola, Piano
219
Cello, Piano
217
Cello
137
String Trio: violin, viola, cello
92
Violin, Cello (duet)
71
Viola
42
Harp and Piano
41
String Trio: 2 violins, cello
41
Harp
32
Double Bass
26
Violin, Viola (duet)
24
2 Violins (duet)
24
2 Cellos (duet)
19
Double bass, Piano (duet)
17
Viola (band part)
16
2 Harps (duet)
14
String Quintet: 2 violins, viola, cello, bass
10
String Trio: 3 violins
9
Violin, Guitar (duet)
8
String Trio: 3 cellos
8
2 Violas (duet)
6
Harp, Flute (duet)
6
Viola ensemble
6
Doublebass (band part)
6
String Trio: 3 violas
6
Violin ensemble
6
4 Cellos
5
Violin (band part)
5
Cello (band part)
4
Harp, Violin, Violoncello
3
String Trio: 2 violins, viola
2
Harp, Trombone (duet)
2
Harp, Cello (duet)
2
String quartet: 4 violins
2
String Quintet: 2 violins, 2 violas, cello
2
Viola, Cello (duet)
2
Viola and Harp
2
Cello, Guitar (duet)
2
Viola, Guitar (duet)
2
Harp, Violin (duet)
2
Cello, Organ
1
2 Cellos, Piano
1
Harp, Voice
1
Flute, Doublebass (duet)
1
2 Violas, Piano
1
3 Harps
1
Violoncello, Basso continuo
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
Concert band
837
Jazz Ensemble
343
Orchestra
277
Handbells
250
String Orchestra
136
Marching band
114
Percussion Ensemble
112
Jazz combo
110
Chamber Orchestra
79
Brass ensemble
58
Snare drums
51
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
49
Timpani
40
Drums
19
Percussion
17
Marimba
7
Big band
7
Flexible Instrumentation
6
Percussion (band part)
5
School Ensemble
5
Xylophone or Marimba or Vibraphone
4
Vibraphone
4
Drum (band part)
3
Xylophone, Piano
1
+ 19 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
64
Sheet Music Books
9
Music Equipment
2,740
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Boar\\
2 Pianos, 4 hands
Sheetmusic to print
64 sheet music found
<
1
26
51
Gathering Starflowers: A Music Drama for 2 Pianos
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Contemporary
#
Chris Gordon
#
Gathering Starflowers: A Music
#
Cool Wind Music Digital
#
SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
(+)
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 hands
#
ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation - Pastoral
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Conte...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Beauty And The Beast
#
2 Pianos, 4 hands
#
EASY
#
Celine Dion & Peabo Bryson
#
Christian Bennedsen
#
Beauty And The Beast
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766904 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by C...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766904 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Christian Bennedsen. Broadway,Film/TV,Musical/Show. Score and parts. 12 pages. Christian Bennedsen #6674429. Published by Christian Bennedsen (A0.766904). KEYBOARDENSEMBLE – WORKSHOP FOR PIANO STUDENTSPurpose: Letpiano students experience how it is to play in an orchestra and follow aconductor.It isessential, that the students are well prepared and able to play their parts.Instruments:4–20 keyboards and 2 pianos / grandpianos.Part 1 and2 are played on keyboard by 1-5 students at early intermediate level.Part 4 and5 are played on keyboard by 1-5 (almost) beginners.Part 5 and6 are played on piano by students with good skills.
$12.99
Keyboard accompaniment for liturgical anthems
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Various
#
Chidiebere Oku
#
Keyboard accompaniment for lit
#
CIDUC
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Clas...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Festival,Opera,Sacred. Score. 204 pages. CIDUC #314501. Published by CIDUC (A0.705931). Compilation of accompaniment to popular classical choral works by two keyboards (using appropriate orchestral tone registrations).
$14.99
Rise Up, O Church of God--Duo Piano (Keyboard).pdf
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Gospel/Spiritual
#
William Walter/ Aaron Williams
#
Marilyn Thompson
#
Rise Up, O Church of God--Duo
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christi...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
O Master. Let Me Walk With Thee-Duo Piano.pdf
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Gospel/Spiritual
#
H
#
Marilyn Thompson
#
O Master. Let Me Walk With The
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6369955. Published by Marilyn Thompson (A0.809602). An unusual and creative setting for Duo Piano (Keyboard) of the old hymn tune Maryton. Suitable for sacred concert or worship service. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
One Handed Trio #4
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Tom Rule
#
One Handed Trio #4
#
MaconMacMusicGuy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacM...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Theme from Swan Lake - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
P
#
Christian Bennedsen
#
Theme from Swan Lake - Keyboar
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen....
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 9 pages. Christian Bennedsen #6681685. Published by Christian Bennedsen (A0.766914). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Mozart - Theme from Symphony No. 40 - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
#
Christian Bennedsen
#
Mozart - Theme from Symphony N
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian B...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classical. Score and parts. 11 pages. Christian Bennedsen #6681623. Published by Christian Bennedsen (A0.766911). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Theme form Moldau - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Bedrich Smetana
#
Christian Bennedsen
#
Theme form Moldau - Keyboard E
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 14 pages. Christian Bennedsen #6681711. Published by Christian Bennedsen (A0.766915). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
James Bond Theme
#
2 Pianos, 4 hands
#
EASY
#
Contemporary
#
Monty Norman
#
Christian Bennedsen
#
James Bond Theme
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. C...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Score and parts. 12 pages. Christian Bennedsen #6682641. Published by Christian Bennedsen (A0.766922). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Pavane of the Sleeping Beauty - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Contemporary
#
Maurice Ravel
#
Christian Bennedsen
#
Pavane of the Sleeping Beauty
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766916 Composed by Maurice Ravel. Arranged by Christian Bennedsen. ...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766916 Composed by Maurice Ravel. Arranged by Christian Bennedsen. 20th Century. Score and parts. 9 pages. Christian Bennedsen #6681723. Published by Christian Bennedsen (A0.766916). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Waltz of the Flowers - Keyboard Ensemble
#
2 Pianos, 4 hands
#
Classical
#
Peter Ilyich Tchaikovsky
#
Christian Bennedsen
#
Waltz of the Flowers - Keyboar
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Digital Download SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen....
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Digital Download SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 12 pages. Christian Bennedsen #6682447. Published by Christian Bennedsen (A0.766917). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Dance Of The Blessed Spirits - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Christoph Willibald Von Gluck
#
Christian Bennedsen
#
Dance Of The Blessed Spirits -
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Chris...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Christian Bennedsen. Classical. Score and parts. 8 pages. Christian Bennedsen #6680477. Published by Christian Bennedsen (A0.766909). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
The Medallion Calls
#
2 Pianos, 4 hands
#
EASY
#
Contemporary
#
Klaus Badelt
#
Christian Bennedsen
#
The Medallion Calls
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766907 Composed by Klaus Badelt. Arranged by Christian Bennedsen. C...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766907 Composed by Klaus Badelt. Arranged by Christian Bennedsen. Contemporary. Score and parts. 10 pages. Christian Bennedsen #6674849. Published by Christian Bennedsen (A0.766907). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
<
1
26
51
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version