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The King\\\\
2 Pianos, 4 hands
Sheetmusic to print
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51
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
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2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Gathering Starflowers: A Music Drama for 2 Pianos
2 Pianos, 4 hands
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gor…
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.<br> <br> Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.<br> <br> Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.<br> <br> Baffled by music bindings? Read this:<br> <br> https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
13.8 €
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2 Pianos, 4 hands
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Chris Gordon
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Gathering Starflowers: A Music Drama for 2 Pianos
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Cool Wind Music Digital
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.41 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
The Gartan Mother's Lullaby, from "Five Irish Tunes"
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
6.4 €
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2 Pianos, 4 hands
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Richard Simm
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The Gartan Mother's Lullaby, from "Five Irish Tunes"
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Richard Simm
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.32 €
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2 Pianos, 4 hands
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
There Is a Fountain (2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.51 €
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2 Pianos, 4 hands
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
Promenade (walking The Dog)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1314172 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1314172 Composed by George Gershwin. Arranged by Laurent Beeckmans. 20th Century,Classical,Jazz. Score. 12 pages. Laurent Beeckmans #902907. Published by Laurent Beeckmans (A0.1314172). Promenade (Walking the dog) from the show 'Shall we dance?' by George Gershwin - Arrangement for 2 pianos 4 hands by Laurent Beeckmans.
$11.20
10.31 €
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2 Pianos, 4 hands
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George Gershwin
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Promenade
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Laurent Beeckmans
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SheetMusicPlus
Coventry Kings
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.954523 Composed by Tradition…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.954523 Composed by Traditional. Arranged by Paul Ellsworth. Christmas. Score. 22 pages. Paul Ellsworth #3431203. Published by Paul Ellsworth (A0.954523). A setting of the Coventry Carol as well as We Three Kings for two pianos, four hands.
$3.99
3.67 €
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2 Pianos, 4 hands
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Traditional
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Coventry Kings
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Paul Ellsworth
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SheetMusicPlus
To God Be the Glory (2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455797 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 14 pages. Sharon Wilson #1034894. Published by Sharon Wilson (A0.1455797). This arrangement of the classic hymn tune To God Be the Glory by William H. Doane is written as a dual piano duet (for 2 pianos, 4 hands). The two pianos alternate leading with the melody making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever a cheerful musical interlude is desired. The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.51 €
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2 Pianos, 4 hands
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Sharon Wilson
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To God Be the Glory
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Sharon Wilson
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.2 €
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2 Pianos, 4 hands
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.51 €
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2 Pianos, 4 hands
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
Carmen Fantasy
2 Pianos, 4 hands
2 pianos - difficult - Digital Download On themes from the opera by Georges Bizet. Co…
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2 pianos - difficult - Digital Download On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11389. Published by Schott Music - Digital
Alexander Rosenblatt, born in Moscow in 1956, completed his piano and composition studies at the renowned conservatoire of his home town. In his compositions, he combines classical elements with jazz elements to form an original blend of styles, a very characteristic musical language. He made himself a name as a pianist, especially in the piano duo with O. Sinking, a genre which then earned him great success as a creative artist as well: In 2001 he won a special award for his 'Modern Piano Duet' at the International Composition Competition in Tokyo.<br> In his 'Carmen Fantasy' Rosenblatt uses themes from Bizet's opera in a clever and witty manner, spicing them with jazzy rhythms and surprising harmonies - virtuoso fireworks for two pianos.
$16.99
15.64 €
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2 Pianos, 4 hands
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Alexander Rosenblatt
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Carmen Fantasy
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Schott Music - Digital
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.32 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Say Something
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Sam C. Lee. Pop. Score. 11 pages. Sam Lee #5998079. Published by Sam Lee (A0.998587). A duet for two pianos. This arrangement takes an otherwise solemn piece and turns it into something powerful and flamboyant with the persistent heavy chords in the second piano and the striking melody in the first.
$4.99
4.59 €
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2 Pianos, 4 hands
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A Great Big World
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Say Something
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Sam Lee
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SheetMusicPlus
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
16.56 €
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2 Pianos, 4 hands
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
Lean On Me
2 Pianos, 4 hands
By Bill Withers. By Bill Withers. Arranged by Susan Staples Bell. Blues, Folk, Instruct…
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By Bill Withers. By Bill Withers. Arranged by Susan Staples Bell. Blues, Folk, Instructional, Pop, Rock. Score. 32 pages. Susan Staples Mast Bell #757410. Published by Susan Staples Mast Bell
This fun arrangement for MULTI LEVEL PIANO ENSEMBLES for 5 parts (Elementary, Late Elementary, Early Intermediate Duet, Intermediate SOLO) will be the hit of your next recital! Added hand percussion too! Learning point: tied notes. Written with mostly quarter notes so to be accessible for the youngest players in the group. FREE BACKING TRACKS included. Find them here: https://drive.google.com/drive/folders/1lWQBsbt6JsMFVTp-zVWLZIizkcNUHNXA?usp=share_link Please support the composer- buy her originals and public domain arrangement directly from her website: https://www.susanstaplesbellmusic.com/ Please subscribe to my Youtube channel: Susan Staples Bell Music, Piano Sheet Music to Inspire!
$24.99
23 €
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2 Pianos, 4 hands
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Bill Withers
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Lean On Me
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SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.59 €
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2 Pianos, 4 hands
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.8 €
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2 Pianos, 4 hands
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 hands
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.92 €
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2 Pianos, 4 hands
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
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Visionary Quest Records
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SheetMusicPlus
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