Download Digital Sheet Music of The Ting Tings for 2 Pianos, 4 hands

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PIANO & KEYBOARDS

Piano solo 528 Organ 366 Piano, Voice 181 Easy Piano 110 Piano, Vocal and Guitar 75 C Instruments 35 1 Piano, 4 hands 22 Piano Trio: piano, violin, cello 18 Piano Accompaniment 9 1 Piano, 6 hands 8 Organ, Trumpet (duet) 8 Piano Quartet: piano, violin, viola, cello 5 Organ, Piano (duet) 5 2 Pianos, 4 hands 4

Piano Quintet: piano, 2 violins, viola, cello 2

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GUITARS

Guitar notes and tablatures 44 Guitar 32 Ukulele 18 Mandolin 12 Guitar Ensemble 10

2 Guitars (duet) 8 Melody line, (Lyrics) and Chords 8 Lyrics and Chords 5 Bass guitar 2 Banjo 2 4 Guitars (Quartet) 2 Mandolin, Piano (duet) 1 Baritone Ukulele 1

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VOICE

Choral SATB 753 Choral 3-part 120 Choral 2-part 57 Choral SSAA 57 Vocal duet, Piano 55

Choral Unison 47 Choral TTBB 41 Soprano voice, Piano 29 Baritone voice, Piano 14 High voice 14 Choral 11 Voice solo 9 Vocal duet 8 Tenor voice, Piano 8 Mezzo-Soprano voice, Piano 6 Choral SSATB 4 Choral SSAATTBB 3 Low voice, Piano 3 Medium voice, Piano 2 Tenor voice 2 Soprano voice 2 Alto voice, Piano 2 Soli, Mixted choir and accompaniment 1 Voice, Guitar 1 Low voice 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 120 Saxophone Quartet: 4 saxophones 105 Flute and Piano 95 2 Flutes (duet) 94 2 Saxophones (duet) 88

Saxophone Quintet: 5 Saxophones 83 Flute, Oboe, Clarinet, Bassoon 64 Clarinet and Piano 63 Oboe, Piano (duet) 54 Alto Saxophone and Piano 49 3 Saxophones (trio) 49 Clarinet Quartet: 4 clarinets 43 Flute 38 Tenor Saxophone and Piano 37 2 Clarinets (duet) 37 Clarinet 35 Soprano Saxophone and Piano 32 Flute Quartet: 4 flutes 29 Saxophone (band part) 29 Clarinet Ensemble 28 Oboe, Bassoon (duet) 24 3 Clarinets (trio) 23 Alto Saxophone 23 Flute, Clarinet (duet) 22 2 Oboes (duet) 22 Baritone Saxophone, Piano 20 2 Recorders (duet) 20 Flute Trio: 3 flutes 16 Clarinet Quintet: 5 clarinets 16 Oboe, Clarinet (duet) 16 Tenor Saxophone 16 English horn, Piano 14 Oboe, Cello 13 Saxophone ensemble 13 Baritone Saxophone 12 Flute, Oboe (duet) 12 Oboe 11 Recorder Quartet 11 Soprano Saxophone 10 Flute Quintet : 5 flutes 10 Flute, Oboe, Bassoon 10 Flute, Oboe, Clarinet (trio) 10 Oboe, Clarinet, Bassoon (trio) 10 Descant (Soprano) Recorder 9 Flute, Oboe, Piano (trio) 9 Clarinet, Bassoon (duet) 9 Tenor Recorder 8 Oboe (band part) 8 Treble (Alto) Recorder, Piano 8 Flute, Clarinet and Bassoon. 6 English Horn 6 Saxophone, Clarinet (duet) 6 Flute ensemble 6 Clarinet, Violin (duet) 5 Flute, Violin, Piano 5 Recorder Ensemble 5 Recorder 5 Clarinet, Guitar (duet) 5 Piccolo 4 Piccolo, Piano 4 Bass Clarinet, Piano 4 Flute, Clarinet, Piano (trio) 4 Recorder, Piano 4 3 Recorders (trio) 4 Flute (band part) 4 Flute, Cello, Piano (trio) 3 Treble (Alto) Recorder 3 Oboe, Clarinet and Piano (Trio) 3 Clarinet, Bassoon, Piano (trio) 3 Clarinet, Cello, Piano (trio) 2 Clarinet and Viola 2 Flute, Violin 2 2 Clarinets, Piano 2 Flute, Bassoon, and Piano 2 Flute, Trumpet (duet) 2 Flute and Guitar 2 Clarinet (band part) 2 Saxophone 2 Flute, Viola (duet) 2 Clarinet, Trumpet (duet) 2 2 Flutes, Piano 2 Saxophone and Piano 2 Oboe, Flute 2 Flute, trombone and piano 2 Flute, Violin and Violoncello 1 Saxophone and Harp 1 Saxophone and Guitar 1 Oboe, Violin, Piano 1 English Horn, Guitar (duet) 1 Flute, Organ (duet) 1 Oboe, Bassoon and Piano 1 Oboe and viola (duet) 1 Clarinet, Harp (duet) 1 5 Recorders 1 Clarinet, trumpet and piano 1 Clarinette, Viola and Piano (trio) 1 Oboe, Cello and Piano 1 Clarinet Quintet: Clarinet, String Quartet 1 Flute, French horn (duet) 1 2 Saxophones, Piano 1 Harmonica 1 3 Oboes 1 Saxophone and Organ 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 88 Trumpet, Piano 63 Trombone and Piano 62 Brass quartet : 2 trumpets, trombone, tuba 52 Trumpet 47

French Horn and Piano 37 Trombone 25 Brass Quartet: 2 trumpets, horn, trombone 24 Tuba and Piano 22 2 Trombones (duet) 20 French horn 20 2 French horns (duet) 19 2 Trumpets (duet) 17 Brass Quartet: 4 trombones 16 English horn, Piano 14 Trumpet, Trombone (duet) 14 Brass Quartet 12 Tuba 11 Trombone ensemble 10 Brass Quartet: 4 horns 10 Trumpet, Horn (duert) 9 Brass Quartet: 4 trumpets 9 Trumpet ensemble 8 Trumpet (band part) 7 3 Trombones (trio) 6 English Horn 6 Bass Trombone 6 2 Tubas (duet) 6 Trombone, Horn (duet) 5 Trombone (band part) 5 2 Euphoniums and 2 Tubas 4 4 Tubas 4 French horn (band part) 4 Trumpet, Saxophone (duet) 4 3 Trumpets (trio) 4 Horn, Tuba (duet) 4 Euphonium, Piano (duet) 4 Bass Trombone and Piano 4 Euphonium 3 Brass Trio 3 French Horn and Harp 2 English Horn, Guitar (duet) 1 Tuba (band part) 1 3 French horns (trio) 1 Tuba and Organ 1 Brass Quartet: 2 trumpets, 2 trombones 1 2 Trumpets, Keyboard (piano or organ) 1 Trumpet, Trombone, Piano 1 Clarinet, Horn (duet) 1 French horn and Basson (duet) 1 Trumpet, Cello, Piano 1

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STRINGS

String Quartet: 2 violins, viola, cello 163 Violin and Piano 123 Viola, Piano 64 Cello, Piano 54 Violin 49

Harp 44 Violin, Cello (duet) 38 2 Violins (duet) 35 String Trio: violin, viola, cello 33 Cello 32 Viola 27 2 Cellos (duet) 27 Violin, Viola (duet) 24 2 Violas (duet) 24 String Quintet: 2 violins, viola, cello, bass 17 Double bass, Piano (duet) 16 2 Harps (duet) 16 String quartet: 4 violins 11 4 Cellos 11 String Trio: 3 violins 11 Viola, Cello (duet) 10 String Trio: 3 cellos 9 Double Bass 9 String Quartet : 4 violas 8 String Trio: 2 violins, cello 8 Viola ensemble 8 Violin ensemble 8 String Trio: 3 violas 7 Viola (band part) 6 Cello, Organ 5 Violin (band part) 4 Piano Trio: Violin, Viola, Piano 3 Cello, Guitar (duet) 3 Cello (band part) 3 Harp, Flute (duet) 2 Viola, Guitar (duet) 2 Doublebass (band part) 2 Violin, Guitar (duet) 2 Harp, Violin (duet) 1 String Trio: 2 violins, viola 1 Cello Ensemble 1 Harp, Cello (duet) 1 Harp, Violin, Violoncello 1 String Quintet: 2 violins, 2 violas, cello 1 Violin, Cello, Clarinet 1 Viola and Harp 1 Violin, Clarinet, Piano (trio) 1

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PERCUSSION & ORCHESTRA

Concert band 289 Handbells 171 String Orchestra 46 Orchestra 42 Brass ensemble 31

Chamber Orchestra 26 Jazz Ensemble 15 Jazz combo 8 Percussion Ensemble 5 Brass Quintet: other combinaisons 3 Drums 3 String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 2 Percussion (band part) 2 Woodwind Quintet 1 Marching band 1 Vibraphone 1 Xylophone, Piano 1

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OTHERS

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The Ting Tings

2 Pianos, 4 hands

Sheetmusic to print

4 sheet music found

SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7) 2 Pianos, 4 hands

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…(+)

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.

$20.00 18.41 € #2 Pianos, 4 hands #dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians #Jenni Roditi #SURRENDER, Between the Octaves, A Piano Duo Suite #Jenni Roditi #SheetMusicPlus

Sonata Hymnica No. 6 2 Pianos, 4 hands

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 9.2 € #2 Pianos, 4 hands #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

Swanee 2 Pianos, 4 hands

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.

$12.00 11.04 € #2 Pianos, 4 hands #Paul Posnak & Anita Castiglione #Swanee #Paul Posnak #SheetMusicPlus

Ø (Symbol) 2 Pianos, 4 hands

2 pianos - Digital Download SKU: S9.Q24703 For two pianos. Composed by Geral…(+)

2 pianos - Digital Download SKU: S9.Q24703 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q24703. Published by Schott Music - Digital (S9.Q24703). Written in 1979 after seeing an exhibition of Rothkoâ€™s paintings in Cologne, Ã˜ is one of Barryâ€™s earliest published works. Both piano parts are the same and the composer describes the work as an exploration of ornamentation (the bending of an existing melody) and an etude in co-ordination (the challenge of playing exactly together).

$12.99 11.95 € #2 Pianos, 4 hands #Gerald Barry #Ø #Schott Music - Digital #SheetMusicPlus