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The Who
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8,292
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4,145
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1,539
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471
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Piano Accompaniment
240
1 Piano, 4 hands
159
Piano Trio: piano, violin, cello
53
2 Pianos, 4 hands
52
Big Note Piano
42
Accordion
22
Piano Quartet: piano, violin, viola, cello
13
Piano (band part)
12
Organ, Piano (duet)
11
Piano Quintet: piano, 2 violins, viola, cello
11
Piano Quartet: piano, 2 violins, cello
8
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7
1 Piano, 6 hands
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Keyboard
2
Melody line, Piano
2
Organ, Trumpet (duet)
2
Fake Book
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Piano ensembles
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2 Pianos, 8 hands
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+ 21 instrumentations
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889
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416
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26
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26
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22
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20
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17
3 Guitars (trio)
14
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13
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3
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2
Lap Steel Guitar
1
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1
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1
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+ 19 instrumentations
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3,019
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564
Choral 2-part
412
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281
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271
Choral SSAA
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121
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102
Alto voice, Piano
91
Tenor voice, Piano
76
Baritone voice, Piano
67
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58
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49
High voice
48
Tenor voice
35
Choral
29
Soprano voice
26
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19
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16
Mezzo-Soprano voice, Piano
9
Low voice, Piano
8
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6
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3
Choral SSATB
2
Choral SSAB, Piano
2
Low voice
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Voice, Guitar
1
Choral SSAATB
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+ 24 instrumentations
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Retract
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Flute and Piano
453
Clarinet and Piano
411
Saxophone Quartet: 4 saxophones
377
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
368
2 Saxophones (duet)
314
Oboe, Piano (duet)
305
Alto Saxophone and Piano
293
Flute
288
Flute, Oboe, Clarinet, Bassoon
259
Clarinet
236
Alto Saxophone
215
Saxophone (band part)
194
Clarinet Quartet: 4 clarinets
193
2 Flutes (duet)
192
Tenor Saxophone and Piano
181
2 Clarinets (duet)
177
Soprano Saxophone and Piano
163
Oboe (band part)
143
Saxophone Quintet: 5 Saxophones
142
Tenor Saxophone
132
Baritone Saxophone, Piano
107
Flute, Clarinet (duet)
82
3 Saxophones (trio)
81
English horn, Piano
76
Flute ensemble
76
Clarinet Ensemble
72
Flute Quartet: 4 flutes
72
2 Oboes (duet)
68
3 Clarinets (trio)
64
Oboe, Bassoon (duet)
55
Flute and Guitar
55
Saxophone, Clarinet (duet)
49
Clarinet, Violin (duet)
46
Bass Clarinet, Piano
44
Saxophone ensemble
43
2 Recorders (duet)
42
Clarinet Quintet: 5 clarinets
41
Recorder Quartet
40
Clarinet, Guitar (duet)
36
Descant (Soprano) Recorder
35
Oboe
33
Clarinet, Bassoon (duet)
33
Soprano Saxophone
30
Clarinet (band part)
29
Flute, Violin
28
Flute Quintet : 5 flutes
28
Flute Trio: 3 flutes
28
Recorder
27
Oboe, Clarinet (duet)
27
Clarinet and Viola
25
English Horn
25
Clarinet, Trumpet (duet)
24
5 Recorders
24
Saxophone
23
Flute (band part)
23
Flute, Oboe, Clarinet (trio)
23
Oboe, Clarinet, Bassoon (trio)
18
Baritone Saxophone
17
Treble (Alto) Recorder
17
Oboe, Flute
17
Flute, Trumpet (duet)
17
Flute, Saxophone (duet)
16
Flute, Viola (duet)
16
Flute, Violoncello
16
Harmonica
15
Clarinet, Cello (duet)
12
3 Recorders (trio)
11
Flute, Clarinet and Bassoon.
11
Flute, Oboe (duet)
10
Oboe, Cello
10
Treble (Alto) Recorder, Piano
9
Flute, Clarinet, Piano (trio)
9
Flute, Violin, Piano
8
English Horn, Guitar (duet)
8
Descent (Soprano) Recorder, Piano
8
Ocarina
7
2 Clarinets, Piano
7
Recorder Ensemble
7
Recorder, Guitar (duet)
6
Tenor Recorder
6
Pennywhistle
6
2 Flutes, Piano
6
Saxophone and Guitar
5
Piccolo, Piano
5
Flute, Bassoon, and Piano
5
Flute, Oboe, Piano (trio)
5
Saxophone and Harp
4
Eb Instruments
4
Clarinet, Harp (duet)
4
Oboe, Violin (duet)
4
Saxophone and Organ
4
2 Oboes, Piano
3
4 Oboes
3
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3
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3
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3
Flute, Clarinet, Violin (trio)
3
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3
Oboe, Bassoon and Piano
3
Bagpipe
2
Oboe, Clarinet and Piano (Trio)
2
Oboe, Harp
2
Flute, Trombone (duet)
2
Recorder, Piano
2
Flute, harp and violin
2
Treble (Alto) Recorder, Basso continuo
2
Flute, Oboe, Bassoon
2
Clarinet, Trombone (duet)
2
2 Clarinets, Bassoon
2
2 Saxophones, Piano
2
Flute, Cello, Piano (trio)
2
3 Oboes
2
Clarinet, Bassoon, Piano (trio)
1
Oboe ensemble
1
Flute, Violin and Violoncello
1
Flute, Organ (duet)
1
Flute, trombone and piano
1
Flute, Viola and harp
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Cello, Guitar
1
Piccolo
1
Flute, Violin, Violoncello and Piano
1
2 Recorders, Piano
1
English horn, Harp (duet)
1
Flute, Oboe, Violin
1
+ 120 instrumentations
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Brass Quintet: 2 trumpets, horn, trombone, tuba
374
Trombone and Piano
277
Trumpet
266
Trumpet, Piano
247
French Horn and Piano
217
Brass quartet : 2 trumpets, trombone, tuba
208
Trombone
195
French horn
148
Tuba
130
Tuba and Piano
121
Trumpet (band part)
96
Trombone (band part)
95
2 Trumpets (duet)
84
English horn, Piano
76
Euphonium, Piano (duet)
75
2 Trombones (duet)
70
2 French horns (duet)
57
Brass Quartet: 2 trumpets, horn, trombone
45
Trumpet, Trombone (duet)
45
Brass Quartet
40
Brass Quartet: 4 trombones
34
Trumpet, Saxophone (duet)
32
2 Tubas (duet)
28
English Horn
25
Trombone ensemble
20
French horn (band part)
20
Trumpet, Horn (duert)
20
Brass Quartet: 4 trumpets
19
Brass Quartet: 4 horns
18
3 Trombones (trio)
16
Tuba (band part)
15
Trumpet ensemble
12
2 Euphoniums and 2 Tubas
12
Tuba and Organ
12
Horn Ensemble
11
4 Tubas
9
Brass Trio
8
English Horn, Guitar (duet)
8
Trombone, Horn (duet)
7
Euphonium
7
Bb Instruments
6
Brass Quartet: 2 trumpets, 2 trombones
6
Bass Trombone and Piano
6
2 Euphoniums (duet)
5
Trumpet, Tuba (duet)
5
Horn, Cello (duet)
5
Bass Clef Instruments
5
Horn, Tuba (duet)
5
Trombone, Tuba (duet)
5
French Horn and Harp
3
Euphonium, Tuba (duet)
3
2 English horns and Pianoforte
3
Trumpet, Harp
3
Trumpet, Cello, Piano
3
Bass Trombone
3
2 French horns, Piano
2
2 Trumpets, Keyboard (piano or organ)
2
3 Tubas (trio)
2
Trumpet and Guitar
2
Trombone and Orchestra
1
Trumpet, violin (duet)
1
F Instruments
1
3 French horns (trio)
1
4 Euphoniums
1
Horn and Organ
1
French horn and Basson (duet)
1
Tuba ensemble
1
Tuba or Euphonium or Saxhorn
1
English horn, Harp (duet)
1
3 Trumpets (trio)
1
Trombone, Violin (duet)
1
+ 66 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
928
Violin and Piano
575
Violin
481
Cello, Piano
388
Viola, Piano
316
Cello
307
Harp
295
Viola
195
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171
2 Violins (duet)
170
String Trio: violin, viola, cello
156
2 Cellos (duet)
109
Double Bass
100
Double bass, Piano (duet)
98
Violin, Viola (duet)
92
2 Violas (duet)
88
String Quintet: 2 violins, viola, cello, bass
60
Viola (band part)
57
String Trio: 2 violins, cello
53
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41
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40
Violin (band part)
37
4 Cellos
34
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32
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23
String Trio: 3 violins
22
String Trio: 3 cellos
21
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20
String Quartet : 4 violas
19
Harp, Voice
19
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18
Violin, Bassoon (duet)
18
2 Double basses (duet)
15
Piano Trio: Violin, Viola, Piano
15
String quartet: 4 violins
14
2 Harps (duet)
14
String Trio: 3 violas
13
Cello (band part)
11
Harp, Flute (duet)
9
Cello, String Bass (duet)
6
String Quintet: 2 violins, 2 violas, cello
5
String Quintet: 2 violins, viola, 2 cellos
5
Viola and Bassoon
5
4 Double Basses
4
String Trio: 2 violins, viola
4
2 Cellos, Piano
4
Viola and Harp
4
3 Harps
3
Violin ensemble
3
2 Violins, Piano
3
Cello Ensemble
3
Cello, Organ
3
5 Harps
2
Viola and orchestra
2
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1
Harp, Cello (duet)
1
Harp (band part)
1
Viola, Organ
1
Cello, Orchestra
1
Violin, Clarinet, Piano (trio)
1
Harp, Trombone (duet)
1
Harp, String quartet
1
Viola ensemble
1
Harp and Piano
1
Harp, Violin, Violoncello
1
2 Violas, Piano
1
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Retract
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1,921
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408
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389
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241
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230
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172
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136
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90
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82
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50
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24
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16
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6
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6
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6
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6
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6
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5
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3
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2
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2
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1
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1
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1
Orchestra, Violin
1
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1
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Flexible Instrumentation
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1
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The Who
2 Pianos, 4 hands
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51
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
#
dislocation I mean a degree of
#
Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
The Carnival of the Miniature Animals
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2 Pianos, 4 hands
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EASY
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Graham Yates
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The Carnival of the Miniature
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Graham Yates
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graha...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graham Yates #4995081. Published by Graham Yates (A0.887970). Nine short, silly pieces for piano students. The pieces include piano solos, teacher-student duets, student-student duets (or trio), and a piece with optional auxiliary percussion parts suitable for students. Skill levels range from beginner to intermediate. This work makes a great focal point for a student recital that enlists the participation of the whole studio!Contents:1. The Gnat (beginner piano solo)2. Worm Boogie (late elementary solo or elementary duet)3. Roly-Poly Polonaise (beginner-intermediate duet or beginner trio)4. The Irritated Fungus (beginner solo)5. The Newt That Jumped Over the Moon (beginner solo)6. Spider Aria (intermediate solo or teacher-beginner duet)7. Fire Ants on Parade (intermediate solo)8. Song of the Oysters (intermediate solo)9. Treefrog Invention (intermediate solo with opt. aux. percussion).
$7.99
11. La Bergeronnette (The Wagtail) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgm
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Friedrich Burgmuller
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Philip Kim
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11. La Bergeronnette
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743939 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Ro...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743939 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4311103. Published by Philip Kim (A0.743939). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
9. La Chasse (The Chase) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Friedrich Burgmuller
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Philip Kim
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9. La Chasse
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743937 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Ro...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743937 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 5 pages. Philip Kim #4303247. Published by Philip Kim (A0.743937). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
4. La Petite Reunion (The Little Party) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burg
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Friedrich Burgmuller
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Philip Kim
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4. La Petite Reunion
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743932 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Ro...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743932 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4303235. Published by Philip Kim (A0.743932). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
The Rakes of Mallow
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,T...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
A Whole New World
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2 Pianos, 4 hands
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EASY
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Contemporary
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Alan Menken
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Christian Bennedsen
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A Whole New World
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766902 Composed by Alan Menken. Arranged by Christian Bennedsen. Co...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766902 Composed by Alan Menken. Arranged by Christian Bennedsen. Contemporary. Score and parts. 10 pages. Christian Bennedsen #6674355. Published by Christian Bennedsen (A0.766902). KEYBOARDENSEMBLE – WORKSHOP FOR PIANO STUDENTSPurpose: Let piano students experience how it is to play in an orchestra and follow aconductor.It is essential, that the students are well prepared and able to play their parts.Instruments:4–20 keyboards and 2 pianos / grandpianos. Part 1 and2 are played on keyboard by 1-5 students at early intermediate level.Part 4 and5 are played on keyboard by 1-5 (almost) beginners.Part 5 and6 are played on piano by students with good skills.
$12.99
She Moved Through the Fair - arr. for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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She Moved Through the Fair - a
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultura...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
The Flowers of the Forest
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2 Pianos, 4 hands
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EASY
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Folkloric/Traditional
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Scor...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
The Irish Washerwoman, arr. for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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The Irish Washerwoman, arr. fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultura...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783459. Published by Richard Simm (A0.1183771). The third piece in Richard Simm's 2-piano set is an irresistible jig, which needs no introduction, since anyone who has had anything to do with folk dance from the British Isles will know it. The similar English folk tune, Dargason, probably lies behind this melody, but here we are using what is generally considered to be the Irish version - and very lively it is too!
$6.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Piano Quintet in A minor
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2 Pianos, 4 hands
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ADVANCED
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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2 Pianos, 4 hands
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EASY
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TK Tim Murray
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tkmurraycomp@aol
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Clementi - Sonatina Op36 No3 1
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TK
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Ki...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Who's at the door? For Two Pianos
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2 Pianos, 4 hands
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EASY
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Jazz
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Biljana Krstić
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Biljana Krstić
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Who's at the door? For Two Pia
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KBMusic
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SheetMusicPlus
By Biljana Krstić. By Biljana Krstić. Arranged by Biljana Krstić. Children,Instructional,Jazz. 8 pages. KBMusic #846300. Pu...
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By Biljana Krstić. By Biljana Krstić. Arranged by Biljana Krstić. Children,Instructional,Jazz. 8 pages. KBMusic #846300. Published by KBMusic
$7.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
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