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71
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156
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352
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278
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252
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251
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241
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236
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230
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183
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178
Flute
164
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139
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122
Alto Saxophone
107
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104
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99
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95
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89
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88
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85
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84
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77
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57
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43
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31
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30
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18
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Brass Quintet: 2 trumpets, horn, trombone, tuba
301
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63
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62
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60
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54
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45
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2 Tubas (duet)
32
Euphonium, Piano (duet)
29
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24
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21
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21
English Horn
15
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15
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9
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6
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String Quartet: 2 violins, viola, cello
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429
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316
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311
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280
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216
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179
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163
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160
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149
Harp
130
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128
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126
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108
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106
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86
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68
4 Cellos
51
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49
Viola, Cello (duet)
43
Viola (band part)
40
String Trio: 2 violins, cello
31
2 Double basses (duet)
31
String Trio: 3 violins
29
String quartet: 4 violins
29
Doublebass (band part)
27
String Trio: 3 cellos
25
Harp, Flute (duet)
24
String Quartet : 4 violas
22
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19
String Trio: 3 violas
19
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18
2 Harps (duet)
17
Harp, Violin (duet)
16
Viola ensemble
15
Violin ensemble
15
String Quintet: 2 violins, 2 violas, cello
11
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10
Cello (band part)
10
Piano Trio: Violin, Viola, Piano
8
Viola and Bassoon
7
Flute, Doublebass (duet)
6
String Quintet: 2 violins, viola, 2 cellos
5
Cello, Guitar (duet)
5
Harp, Cello (duet)
5
String Trio: 2 violins, viola
5
3 double basses
4
Violin, Tuba (duet)
4
Viola, Guitar (duet)
4
Cello Ensemble
4
Viola and Harp
4
Cello, Organ
3
Harp, Violin, Violoncello
3
String trio
3
Harp and Piano
2
Violin, Organ
2
3 Harps
2
Violin, Cello, Clarinet
2
Harp, Trombone (duet)
2
5 Harps
2
2 Violas, Piano
2
2 Cellos, Piano
1
2 Violins, Piano
1
Viola, Organ
1
Harp, Voice
1
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PERCUSSION & ORCHESTRA
Concert band
972
String Orchestra
598
Orchestra
170
Brass ensemble
129
Chamber Orchestra
101
Jazz Ensemble
40
Handbells
32
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
14
Percussion
13
Xylophone
13
Percussion Ensemble
11
Percussion (band part)
10
Drum (band part)
9
Marimba
8
Xylophone, Piano
6
Marching band
5
Flexible Instrumentation
5
Vibraphone
4
Orchestra, Violin
3
2 Xylophones
2
Brass Quintet: other combinaisons
1
Snare drums
1
Drums
1
School Ensemble
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CLASSICAL - BAROQUE - ROMANTIC
2 Pianos, 4 hands
Sheetmusic to print
23 sheet music found
<
1
Dance of The Little Swan (for 3 young piano players)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Standards. Score. 5 pages. Cinorita #3114435. Published by Cinorita (A0.887203). This arrangement of Dance of The little Swan from Swan Lake is for 3 young piano players to play with one piano.Including a score and separate part sheets.
$4.99
4.54 €
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2 Pianos, 4 hands
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Peter Ilyich Tchaikovsky
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Dance of The Little Swan
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Cinorita
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900307. Published by Philip Kim (A0.743883). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/5lqLu3VpCiE.
$7.00
6.37 €
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2 Pianos, 4 hands
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Muzio Clementi
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Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
6.37 €
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2 Pianos, 4 hands
#
Frederich Kuhlau
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F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743887 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #1900429. Published by Philip Kim (A0.743887). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/7E9kW5jKRpQ.
$7.00
6.37 €
#
2 Pianos, 4 hands
#
Muzio Clementi
#
Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
#
Philip Kim
#
SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743884 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #1900309. Published by Philip Kim (A0.743884). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/rZAYONZHKRo.
$7.00
6.37 €
#
2 Pianos, 4 hands
#
Muzio Clementi
#
Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
#
Philip Kim
#
SheetMusicPlus
Bach 2 Part Inventions 11-15 for 2 pianos, 4 hands (second piano part by Simon Peberdy)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757135 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757135 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 28 pages. Simon Peberdy #6211737. Published by Simon Peberdy (A0.757135). A second book of Bach's 2 part inventions with a new additional piano part written by Simon Peberdy (there is also a book of Bach 2 Part Inventions 1-5 for 2 pianos available)No. 11 in G minorNo. 12 in A majorNo. 13 in A minorNo. 14 in B flat majorNo. 15 in B minorFor more music for 2 pianos and piano duets, or if you would prefer to buy a printed, bound copy of this music, please visit www.simonpeberdymusic.com The mp3 is of No. 14 in B flat major. The youtube video is of all 5.
$9.99
9.1 €
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2 Pianos, 4 hands
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Johann Sebastian Bach
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Bach 2 Part Inventions 11-15 for 2 pianos, 4 hands
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Simon Peberdy
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
Bach 2 Part Invention No. 12 in A major for 2 pianos (additional piano part by Simon Peberdy)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757132 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757132 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 6 pages. Simon Peberdy #6210435. Published by Simon Peberdy (A0.757132). One of Bach's popular 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun! For more music for 2 pianos and piano duets, please visit http://www.simonpeberdymusic.comFor a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]For a video of the second 5, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$2.99
2.72 €
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2 Pianos, 4 hands
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Johann Sebastian Bach
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Bach 2 Part Invention No. 12 in A major for 2 pianos
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Simon Peberdy
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SheetMusicPlus
Sonata for Two Pianos (after Quintet Op. 44)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.924614 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.924614 Composed by Robert Schumann. Arranged by Paul Ton. Romantic Period. Score. 91 pages. Paul Ton #3910961. Published by Paul Ton (A0.924614). Robert Schumann - Sonata for Two Pianos (after Quintet Op. 44) The sheet music is in full score format and includes all four movements of the Quintet.Contact me if you'd like to request separate piano parts or for any other enquiries: paul_ton@live.com.
$19.99
18.2 €
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2 Pianos, 4 hands
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Robert Schumann
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Sonata for Two Pianos
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Paul Ton
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SheetMusicPlus
Hark! The Herald Angels Sing (2 piano duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.78 €
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2 Pianos, 4 hands
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Felix Bartholdy Mendelssohn
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
Scherzo Capriccioso, arr. for 2 pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800633 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800633 Composed by Antonin Dvorak. Arranged by Richard Simm. Classical,Romantic Period. Score. 39 pages. Richard Simm #5873553. Published by Richard Simm (A0.800633). Considered by many to be Dvořák's finest orchestral composition, this delightful, brilliant and beautiful work has everything you could want from the composer at his best. He was a master orchestrator, with a uniquely imaginative palette of sounds at his disposal, and his Scherzo Capriccioso shows us everything he could do with a symphony orchestra. This transcription for two pianos by Richard Simm faithfully captures the composer's sense of musical colour, and will richly reward advanced pianists who want to show a new facet of this very popular composer.
$19.95
18.17 €
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2 Pianos, 4 hands
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Antonin Dvorak
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Scherzo Capriccioso, arr. for 2 pianos
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Richard Simm
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SheetMusicPlus
Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #1900431. Published by Philip Kim (A0.743888). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file.
$7.00
6.37 €
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2 Pianos, 4 hands
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Muzio Clementi
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Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
1.82 €
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2 Pianos, 4 hands
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Ludwig van Beethoven
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Beethoven - Moonlight Sonata Duet Arrangement -
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Music Innovators Workshop
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SheetMusicPlus
Bach 2 part invention no.1 in C major for 2 pianos, 4 hands (second piano part by Simon Peberdy)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757116 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757116 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Contemporary,Instructional. Score. 8 pages. Simon Peberdy #6010403. Published by Simon Peberdy (A0.757116). The first of Bach's 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun!For more music for 2 pianos and piano duets, please visit www.simonpeberdymusic.comFor a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$3.99
3.63 €
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2 Pianos, 4 hands
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Johann Sebastian Bach
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Bach 2 part invention no.1 in C major for 2 pianos, 4 hands
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Simon Peberdy
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SheetMusicPlus
Bach 2 Part Invention No. 7 in E minor for 2 pianos, 4 hands (second piano part by Simon Peberdy)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757127 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 6 pages. Simon Peberdy #6097739. Published by Simon Peberdy (A0.757127). One of Bach's popular 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun! For more music for 2 pianos and piano duets, please visit www.simonpeberdymusic.com.For a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$2.99
2.72 €
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2 Pianos, 4 hands
#
Johann Sebastian Bach
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Bach 2 Part Invention No. 7 in E minor for 2 pianos, 4 hands
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Simon Peberdy
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SheetMusicPlus
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 hands
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Var…
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
18.2 €
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2 Pianos, 4 hands
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Piano II: Various, Piano I: Simon Peberdy
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5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
2 Pianos, 4 hands
Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E…
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Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.<br> <br> The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.<br> <br> https://youtu.be/y0d4G332uPM
$10.00
9.11 €
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2 Pianos, 4 hands
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C
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Stückchen (Little Piece) from Album für die Jugend (Album for the Young) Op 68 Nr 5, R. Schumann. Arranged for 2 pianos by Simon Peberdy
2 Pianos, 4 hands
Composed by Robert Schumann. Arranged by Simon Peberdy. Romantic Period, Method, Repertoir…
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Composed by Robert Schumann. Arranged by Simon Peberdy. Romantic Period, Method, Repertoire, General Instructional. 5 pages. Published by Simon Peberdy (S0.207155). - - Romantic Period,Method,Repertoire,General Instructional - Simon Peberdy
$1.99
1.81 €
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2 Pianos, 4 hands
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Robert Schumann
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Stückchen
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Simon Peberdy
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SheetMusicPlus
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