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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
use.
Not classified
15,257
Piano & keyboards
Piano solo
10,353
Piano, Voice
4,677
Piano, Vocal and Guitar
3,525
Easy Piano
2,970
Organ
1,194
C Instruments
876
Piano Accompaniment
422
1 Piano, 4 hands
275
Accordion
153
Piano Trio: piano, violin, cello
144
Big Note Piano
129
2 Pianos, 4 hands
80
Piano Quartet: piano, 2 violins, cello
56
Organ, Trumpet (duet)
41
Piano (band part)
39
Piano Quartet: piano, violin, viola, cello
32
Piano Quintet: piano, 2 violins, viola, cello
23
Harpsichord
21
Melody line, Piano
14
Organ, Piano (duet)
14
Keyboard
10
1 Piano, 6 hands
7
2 Pianos, 8 hands
5
Accordion, Voice
5
2 Accordions
5
Accordion ensemble
3
Solo instrument and Organ
3
Organ, Voice
1
Fake Book
1
Piano ensembles
1
+ 25 instrumentations
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Retract
Guitars
Guitar notes and tablatures
2,346
Guitar
1,258
Melody line, (Lyrics) and Chords
689
Ukulele
472
Bass guitar
434
Lyrics and Chords
278
2 Guitars (duet)
122
Guitar (band part)
111
Dulcimer
104
Piano, Guitar (duet)
92
4 Guitars (Quartet)
59
Mandolin
52
3 Guitars (trio)
37
Banjo
37
Guitar Ensemble
28
2 Dulcimers (duet)
12
Baritone Ukulele
10
Electric Bass (band part)
8
Mandolin, Guitar (duet)
7
Guitar, Violin, Cello (trio)
4
Ukulele Ensemble
4
2 Ukuleles
3
Guitar, Flute, Clarinet
2
Dobro
2
2 Mandolins (duet)
1
Guitar, Orchestra
1
Plectrum Orchestra
1
Lap Steel Guitar
1
Lute
1
+ 24 instrumentations
-
Retract
Voice
Choral SATB
5,505
Choral 2-part
2,501
Choral 3-part
1,995
Choral Unison
1,226
Vocal duet, Piano
916
Choral TTBB
840
Choral SSAA
539
Choral
416
Vocal duet
392
Choral Instrumental Pak
240
Voice solo
217
Soprano voice, Piano
90
High voice
71
Tenor voice, Piano
65
Baritone voice, Piano
48
Low voice, Piano
33
Medium voice, Piano
33
Alto voice, Piano
27
Mezzo-Soprano voice, Piano
25
Choral SSAATTBB
16
Choral SSATB
15
Tenor voice
9
Voice, Guitar
7
Low voice
6
Soli, Mixted choir and accompaniment
5
Choral SSATTB
5
Baritone voice
3
Choral SSAB a cappella
3
Choral SATBB
2
Soprano voice
1
High voice, Piano
1
Choral SSAB, Piano
1
+ 27 instrumentations
-
Retract
Woodwind
Flute and Piano
958
Saxophone Quartet: 4 saxophones
862
Flute
758
Clarinet and Piano
684
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
667
Alto Saxophone and Piano
581
Saxophone (band part)
572
Flute, Oboe, Clarinet, Bassoon
556
Clarinet
551
Oboe, Piano (duet)
523
2 Saxophones (duet)
500
Tenor Saxophone and Piano
488
Saxophone
450
Clarinet Quartet: 4 clarinets
434
Alto Saxophone
386
Soprano Saxophone and Piano
372
2 Flutes (duet)
358
Saxophone Quintet: 5 Saxophones
340
Tenor Saxophone
295
2 Clarinets (duet)
255
Flute Quartet: 4 flutes
231
Oboe (band part)
200
Flute, Clarinet (duet)
187
Saxophone ensemble
184
Baritone Saxophone, Piano
172
Clarinet (band part)
164
Clarinet Ensemble
157
Flute ensemble
135
Clarinet Quintet: 5 clarinets
126
3 Saxophones (trio)
124
Flute Trio: 3 flutes
107
3 Clarinets (trio)
105
English horn, Piano
93
2 Recorders (duet)
92
Flute (band part)
90
2 Oboes (duet)
89
Flute and Guitar
83
Flute Quintet : 5 flutes
82
Bass Clarinet, Piano
82
Descant (Soprano) Recorder
80
Saxophone, Clarinet (duet)
75
Recorder
73
Pennywhistle
68
Clarinet, Violin (duet)
68
Oboe
65
Bagpipe
63
Soprano Saxophone
62
Recorder Quartet
53
Flute, Violin
52
Harmonica
51
Oboe, Bassoon (duet)
51
Clarinet, Trumpet (duet)
50
Flute, Clarinet and Bassoon.
48
Oboe, Clarinet (duet)
43
Flute, Violin, Piano
38
2 Flutes, Piano
38
Clarinet, Guitar (duet)
37
Clarinet, Bassoon (duet)
35
Flute, Viola (duet)
35
Flute, Oboe, Clarinet (trio)
34
Flute, Saxophone (duet)
34
Treble (Alto) Recorder
33
Eb Instruments
33
Clarinet and Viola
32
Flute, Violin and Violoncello
32
5 Recorders
30
Ocarina
27
Oboe, Clarinet, Bassoon (trio)
27
Oboe, Flute
26
Flute, Violoncello
24
Flute, Trumpet (duet)
22
3 Recorders (trio)
22
Saxophone and Organ
20
Flute, Clarinet, Piano (trio)
20
Descent (Soprano) Recorder, Piano
17
Flute, Cello, Piano (trio)
17
Flute, Oboe (duet)
17
Piccolo, Piano
17
2 Saxophones, Piano
15
Clarinet, Cello (duet)
14
Tenor Recorder
14
English Horn
14
Treble (Alto) Recorder, Piano
13
Saxophone and Guitar
13
Baritone Saxophone
13
Flute, Oboe, Bassoon
13
2 Clarinets, Piano
11
Recorder Ensemble
11
Clarinet, Cello, Piano (trio)
11
Piccolo
10
English Horn, Guitar (duet)
10
Saxophone and Harp
9
Flute, trombone and piano
9
Oboe, Cello
8
2 Clarinets, Bassoon
8
Clarinet, Harp (duet)
7
2 English horns and Pianoforte
6
Flute, harp and violin
6
Recorder, Piano
6
Flute, Bassoon, and Piano
6
Clarinet, Trombone (duet)
6
Flute, Oboe, Piano (trio)
6
Flute, French horn (duet)
6
Flute, Viola and Piano
6
Saxophone and Piano
5
Oboe, Harp
5
Flute, Cello, Guitar
5
Oboe, Guitar (duet)
5
Flute, Organ (duet)
5
Flute, Violin, Violoncello and Piano
5
4 Oboes
4
Clarinet, Organ
4
Flute and String Quartet
4
Oboe ensemble
4
Clarinet, trumpet and piano
3
Bass Clarinet
3
Wind ensemble
3
Flute, Clarinet, Violin (trio)
3
Clarinet, Double bass (duet)
3
Oboe, Violin (duet)
3
Clarinet, Orchestra
2
Flute, Viola and harp
2
Flute and Strings Trio
2
Flute, Harp and Cello
2
Oboe, Clarinet and Piano (Trio)
2
Clarinet Quintet: Clarinet, String Quartet
2
Oboe, Bassoon and Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Saxophone, Violin (duet)
2
Oboe, Violin, Piano
2
3 Oboes
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Flute, Trombone (duet)
2
English horn, Harp (duet)
1
Flute, Basso continuo
1
Oboe and viola (duet)
1
Oboe, Clarinet, Bassoon and Piano
1
Recorder, Guitar (duet)
1
Flute, Oboe, Violin
1
Saxophone, Tuba (duet)
1
2 Recorders, Piano
1
Clarinet, Bassoon, Piano (trio)
1
Oboe and Orchestra
1
Flute, Tuba (duet)
1
Clarinet, Tuba
1
+ 141 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
808
Trumpet
657
Trumpet, Piano
583
Trombone and Piano
541
Trombone
464
Brass quartet : 2 trumpets, trombone, tuba
452
Trombone (band part)
427
Trumpet (band part)
376
French Horn and Piano
367
French horn
232
Brass Quartet: 2 trumpets, horn, trombone
188
Tuba and Piano
173
2 Trumpets (duet)
157
Tuba
145
2 Trombones (duet)
136
Euphonium, Piano (duet)
131
French horn (band part)
120
Brass Quartet: 4 trombones
116
Trumpet, Trombone (duet)
109
Trumpet ensemble
99
Brass Quartet
98
Trombone ensemble
94
Trumpet, Horn (duert)
94
English horn, Piano
93
2 French horns (duet)
87
Tuba (band part)
73
Trumpet, Saxophone (duet)
70
Brass Quartet: 4 horns
49
2 Euphoniums and 2 Tubas
44
Bass Clef Instruments
40
2 Tubas (duet)
40
Horn Ensemble
39
Bb Instruments
36
Brass Quartet: 4 trumpets
35
Brass Trio
29
Euphonium
28
4 Tubas
24
3 Trombones (trio)
19
Brass Quartet: 2 trumpets, 2 trombones
16
Trombone, Organ
16
Trombone, Horn (duet)
15
Trombone, Tuba (duet)
14
English Horn
14
3 Trumpets (trio)
13
Euphonium, Tuba (duet)
12
Tuba and Organ
12
English Horn, Guitar (duet)
10
2 Euphoniums (duet)
10
3 Tubas (trio)
9
French Horn and Harp
7
2 Trumpets, Keyboard (piano or organ)
7
Bass Trombone
7
3 French horns (trio)
7
Trumpet, violin (duet)
6
2 English horns and Pianoforte
6
Horn and Organ
6
Clarinet, Horn (duet)
5
Trumpet, Tuba (duet)
5
Trumpet and Guitar
4
Trumpet, Harp
4
Bass Trombone and Piano
4
Trumpet, Trombone, Piano
4
Tuba ensemble
4
Trumpet, Cello (duet)
4
Horn, Tuba (duet)
3
2 Trombones, Piano
3
F Instruments
3
Trumpet, Cello, Piano
2
French horn and Basson (duet)
2
English horn, Harp (duet)
1
Trumpet, Euphonium (duet)
1
Horn, Trumpet, Trombone (trio)
1
2 French horns, Piano
1
3 Euphoniums
1
Trumpet, Orchestra
1
Cornet and Piano
1
Horn, Cello (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
+ 73 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,020
Violin and Piano
1,173
Violin
767
Cello, Piano
739
Viola, Piano
597
Harp
591
Cello
537
Violin, Cello (duet)
435
Viola
334
String Trio: violin, viola, cello
326
2 Violins (duet)
324
Violin (band part)
277
2 Cellos (duet)
228
Doublebass (band part)
217
Violin, Viola (duet)
206
String Trio: 2 violins, cello
176
Double bass, Piano (duet)
151
2 Violas (duet)
144
Double Bass
130
Viola (band part)
112
String Quintet: 2 violins, viola, cello, bass
94
Cello (band part)
88
Piano Trio: Violin, Viola, Piano
83
2 Harps (duet)
81
4 Cellos
68
String quartet: 4 violins
48
String Trio: 3 violins
47
Viola, Cello (duet)
44
Harp, Flute (duet)
38
String Quintet: 2 violins, 2 violas, cello
38
Violin, Guitar (duet)
38
String Trio: 3 cellos
36
String Trio: 3 violas
32
Cello, Guitar (duet)
29
Cello, String Bass (duet)
27
2 Double basses (duet)
24
String Quartet : 4 violas
22
String Trio: 2 violins, viola
21
Violin ensemble
20
Violin, Bassoon (duet)
17
Viola ensemble
14
Cello, Organ
14
Harp, Violin (duet)
14
String Quintet: 2 violins, viola, 2 cellos
13
String trio
11
2 Violins, Piano
9
Viola, Guitar (duet)
9
Flute, Doublebass (duet)
9
Viola and Harp
8
4 Double Basses
8
Harp, Cello (duet)
7
Violin, Clarinet, Piano (trio)
6
Harp, Voice
5
Violin, Organ
5
Harp (band part)
4
Violin, Basso continuo
4
Harp and Piano
4
Viola and Bassoon
3
Cello Ensemble
3
Violoncello, Basso continuo
3
Harp, Trombone (duet)
3
Viola, Organ
2
Autoharp
1
2 Violins and Basso
1
3 Harps
1
Cello, Orchestra
1
2 Cellos, Piano
1
Harp, Violin, Violoncello
1
Viola and orchestra
1
+ 64 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,420
String Orchestra
1,448
Handbells
977
Orchestra
957
Jazz Ensemble
618
Brass ensemble
574
Drums
570
Jazz combo
448
Chamber Orchestra
351
Marching band
309
Percussion Ensemble
221
Percussion (band part)
129
Drum (band part)
110
Marimba
37
Timpani (band part)
28
Xylophone, Piano
23
Vibraphone
21
Percussion
19
Xylophone
14
Flexible Instrumentation
8
Snare drums
6
2 Xylophones
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Piano and Orchestra
4
Orchestra, Violin
4
Brass Quintet: other combinaisons
3
School Ensemble
3
Vibraphone (band part)
3
Cajon
2
Bodhran
2
Woodwind Quintet
2
Conga
1
Marimba, Piano (duet)
1
Timpani
1
Woodwind Quartet: any 4 woodwinds
1
Vibraphone and Marimba
1
+ 31 instrumentations
-
Retract
Others
Musical course - Solfege
9
Music Theory
7
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2 Pianos, 4 hands
Sheetmusic to print
80 sheet music found
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1
26
51
76
The Carousel Waltz
#
2 Pianos, 4 hands
#
ADVANCED
#
Broadway
#
Richard Rodgers
#
Richard Simm
#
The Carousel Waltz
#
Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Sc...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
The Lonely Carousel - Piano Duo (2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
Instructional
#
Beatrice A
#
The Lonely Carousel - Piano Du
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000803 Composed by Beatrice A. Miller. Instructional. 4 pages. Alfred Music - Digital Sheet Mu...
(+)
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000803 Composed by Beatrice A. Miller. Instructional. 4 pages. Alfred Music - Digital Sheet Music #00-PB-0000803. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000803). UPC: 038081150086.
$3.95
Carousel Waltz - Piano Duo (2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
Contemporary
#
Martha Mier
#
Carousel Waltz - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Composed by Martha Mier. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000830. Published by Alfred Music - Digital Sheet Music...
(+)
Composed by Martha Mier. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000830. Published by Alfred Music - Digital Sheet Music
$6.99
Imagine
#
2 Pianos, 4 hands
#
John Lennon
#
GC
#
Imagine
#
Giuseppe Cataldi
#
SheetMusicPlus
By John Lennon. Arranged by GC. 7 pages. Published by Giuseppe Cataldi (H0.265015-393120). - - - Giuseppe Cataldi...
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By John Lennon. Arranged by GC. 7 pages. Published by Giuseppe Cataldi (H0.265015-393120). - - - Giuseppe Cataldi
$4.99
Happy Xmas (War Is Over)
#
2 Pianos, 4 hands
#
John Lennon
#
GC
#
Happy Xmas
#
Giuseppe Cataldi
#
SheetMusicPlus
By John Lennon. Arranged by GC. 9 pages. Published by Giuseppe Cataldi (H0.265017-307845). - - - Giuseppe Cataldi...
(+)
By John Lennon. Arranged by GC. 9 pages. Published by Giuseppe Cataldi (H0.265017-307845). - - - Giuseppe Cataldi
$4.99
All I Want For Christmas Is You
#
2 Pianos, 4 hands
#
Christmas
#
Mariah Carey
#
GC
#
All I Want For Christmas Is Yo
#
Giuseppe Cataldi
#
SheetMusicPlus
By Mariah Carey. Arranged by GC. 8 pages. Published by Giuseppe Cataldi (H0.265179-7401). - - - Giuseppe Cataldi...
(+)
By Mariah Carey. Arranged by GC. 8 pages. Published by Giuseppe Cataldi (H0.265179-7401). - - - Giuseppe Cataldi
$4.99
8. La Gracieuse (Grace) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Friedrich Burgmuller
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Philip Kim
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8. La Gracieuse
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743935 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Ro...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743935 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 4 pages. Philip Kim #4303245. Published by Philip Kim (A0.743935). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Up On the House Top
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Benjamin Hanby
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Ashley Ivers
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Up On the House Top
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Ashley Ivers
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley Ivers #4979323. Published by Ashley Ivers (A0.823547). Duet for 2 pianos, 4 hands, duo, two copies needed for performance. .
$4.99
Solar
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2 Pianos, 4 hands
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EASY
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Jazz
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Miles Davis
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Cristiano Vecchi
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Solar
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pag...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pages. Cristiano Vecchi #4580723. Published by Cristiano Vecchi (A0.963302). This arrangement (in all keys) has a didactic purpose: the melody is doubled to the octave, while the accompaniment uses a simple stride piano pattern with four-part voicing; it is useful for practicing to sight read and to memorize chords and scales in all keys. This famous standard is particularly useful because it contains numerous ii-V-I cadences.
$4.99
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages...
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 hands
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ADVANCED
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
One Handed Trio #4
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2 Pianos, 4 hands
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INTERMEDIATE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacM...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Lights
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2 Pianos, 4 hands
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ADVANCED
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Pop music
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869247. Published by DR GARY D BELSHAW (A0.796758). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 piano, 8 hands. This advanced level piano quartet is in the original key of G-sharp Minor (5 sharps). This synth-pop hit will give your audiences something to rock on about, and will inspire piano students by giving them something powerful to work toward.Lights was released on Ellie's Bright Lights album which spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Many listeners will relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$13.99
Lights
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869803. Published by DR GARY D BELSHAW (A0.796760). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 pianos, 8 hands. This advanced intermediate level piano quartet is in the key of A-sharp Minor (no sharps or flats). Your audiences something to rock on about with this synth-pop hit, and it will inspire piano students by giving them something cool, yet substantial to work toward.Lights was released on Ellie's Bright Lights album. It spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Some of your fans will no doubt be able to relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$12.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
La petite vie d'un papillon
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Sophie Van Dijk
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La petite vie d'un papillon
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Sophie Van Dijk
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #345...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #3455333. Published by Sophie Van Dijk (A0.1031544). This purchase includes two copies of the full score for use as parts by performers. Approximate duration 4 minutes. OverviewIt is said that a butterfly lives for only one day - a short yet beautiful life. La petite vie d'un papillon journeys through the butterfly's day and reflects the wonder, fragility and peace that each moment holds. Sophie Van Dijk is an Australian composer, based in Sydney. Contact: www.sophievandijk.com
$9.95
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