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PIANO & KEYBOARDS

C Instruments 179 Piano, Voice 130 Piano solo 118 Piano, Vocal and Guitar 48 Easy Piano 30

1 Piano, 4 hands 5 Big Note Piano 3 Piano Accompaniment 3 Organ 3 Piano (band part) 2 Organ, Piano (duet) 1 Piano Quartet: piano, 2 violins, cello 1 Accordion 1

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GUITARS

Guitar notes and tablatures 8 Guitar 7 Bass guitar 5 Ukulele 4 Guitar (band part) 3

Melody line, (Lyrics) and Chords 2 4 Guitars (Quartet) 1 Mandolin 1 Piano, Guitar (duet) 1 Dulcimer 1

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VOICE

Choral SATB 43 Choral 3-part 17 Choral 2-part 14 Choral TTBB 9 Choral Unison 7

Vocal duet, Piano 5 Vocal duet 4 Tenor voice, Piano 2 Baritone voice, Piano 1 Low voice, Piano 1 Voice solo 1 Medium voice, Piano 1 Soprano voice, Piano 1

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WOODWIND

Clarinet 12 Saxophone (band part) 10 Saxophone Quartet: 4 saxophones 9 Saxophone Quintet: 5 Saxophones 9 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 9

Flute ensemble 8 Saxophone ensemble 7 Clarinet Ensemble 7 Tenor Saxophone and Piano 5 Clarinet Quintet: 5 clarinets 5 2 Clarinets (duet) 5 Flute and Guitar 4 2 Flutes (duet) 4 2 Oboes (duet) 4 2 Saxophones (duet) 4 Flute Quintet : 5 flutes 4 Alto Saxophone 3 Flute 3 Tenor Saxophone 3 Clarinet Quartet: 4 clarinets 3 Flute (band part) 2 Oboe, Guitar (duet) 2 Clarinet, Guitar (duet) 2 Flute Quartet: 4 flutes 2 English Horn, Guitar (duet) 2 Alto Saxophone and Piano 2 Oboe, Piano (duet) 2 5 Recorders 1 Piccolo 1 Oboe (band part) 1 Bass Clarinet, Piano 1 Pennywhistle 1 Flute Trio: 3 flutes 1 Flute, Oboe, Clarinet, Bassoon 1 Recorder 1 Flute, Harp and Cello 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 17 Brass Quartet 10 Trombone (band part) 10 Trumpet (band part) 7 Brass quartet : 2 trumpets, trombone, tuba 6 Trumpet ensemble 6 2 Trumpets (duet) 5 2 Trombones (duet) 5 Trombone ensemble 5 2 French horns (duet) 4 2 Tubas (duet) 4 Brass Quartet: 2 trumpets, horn, trombone 4 Horn Ensemble 4 Brass Quartet: 4 trombones 3 Trombone 3 French horn (band part) 2 Tuba (band part) 2 English Horn, Guitar (duet) 2 Trumpet 2

2 Euphoniums and 2 Tubas 1 2 Euphoniums (duet) 1 French Horn and Piano 1 French horn 1 Trombone and Piano 1 Bass Clef Instruments 1 Trumpet, Trombone (duet) 1 Tuba 1 Tuba and Piano 1 Brass Quartet: 4 horns 1

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STRINGS

Harp 33 String Quartet: 2 violins, viola, cello 31 Violin and Piano 9 String Trio: violin, viola, cello 7 2 Violins (duet) 5

2 Violas (duet) 4 2 Cellos (duet) 4 Cello, Piano 4 Doublebass (band part) 3 Violin 3 Viola ensemble 2 Violin ensemble 2 Cello, Guitar (duet) 2 Cello 2 Viola 2 String quartet: 4 violins 2 String Quintet: 2 violins, viola, cello, bass 2 String Quintet: 2 violins, 2 violas, cello 2 Violin (band part) 2 Violin, Viola (duet) 1 Violin, Cello (duet) 1 String Trio: 2 violins, cello 1 Harp and Piano 1 String Quartet : 4 violas 1 Harp, Flute (duet) 1

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PERCUSSION & ORCHESTRA

String Orchestra 25 Concert band 23 Orchestra 17 Jazz Ensemble 8 Brass ensemble 7

Jazz combo 7 Chamber Orchestra 3 Drum (band part) 2 Handbells 2 Percussion Ensemble 1 Drums 1 Brass Quintet: other combinaisons 1 Percussion (band part) 1

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OTHERS

Musical course - Solfege 1

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Do You Ever?

Trumpet

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2 sheet music found

The Be-Bop Range Book Trumpet

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…(+)

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I canâ€™t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.

$16.95 15.63 € #Trumpet #Eric Bolvin #Air #The Be-Bop Range Book #ERIC V BOLVIN #SheetMusicPlus

The Clarke Variations Trumpet

Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…(+)

Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarkeâ€™s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arbanâ€™s Conservatory Method and Clarkeâ€™s Technical Studies. The Arban is fondly referred to as the trumpet playerâ€™s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our countryâ€™s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. Iâ€™ve also included more chromatic work based on Studies 7 & 8.

$16.95 15.63 € #Trumpet #Eric Bolvin #The Clarke Variations #ERIC V BOLVIN #SheetMusicPlus