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PIANO & KEYBOARDS

Piano, Voice 120 Piano solo 89 Piano, Vocal and Guitar 57 Easy Piano 26 C Instruments 9

Organ 4 Piano Accompaniment 2 2 Pianos, 4 hands 2 Piano Trio: piano, violin, cello 2 1 Piano, 4 hands 1 Piano Quartet: piano, violin, viola, cello 1 Accordion 1

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GUITARS

Guitar notes and tablatures 6 Ukulele 2 Bass guitar 2 Guitar 1 4 Guitars (Quartet) 1

Dulcimer 1

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VOICE

Choral SATB 80 Choral 3-part 25 Choral 2-part 11 Choral SSAA 8 Choral Unison 6

Soprano voice, Piano 3 Choral TTBB 3 Alto voice, Piano 1 High voice 1 Vocal duet, Piano 1 Baritone voice 1 Choral SSATB 1 Vocal duet 1

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WOODWIND

Flute and Piano 14 Oboe, Piano (duet) 10 Saxophone Quintet: 5 Saxophones 9 Clarinet and Piano 9 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 9

Flute 8 Saxophone Quartet: 4 saxophones 7 2 Saxophones (duet) 6 2 Flutes (duet) 6 2 Clarinets (duet) 6 Saxophone, Clarinet (duet) 6 Clarinet 5 Flute Quintet : 5 flutes 4 Recorder Quartet 4 Tenor Saxophone and Piano 4 5 Recorders 4 Flute, Oboe, Clarinet, Bassoon 4 English horn, Piano 4 Clarinet, Violin (duet) 3 Soprano Saxophone and Piano 3 Oboe, Bassoon (duet) 3 Alto Saxophone and Piano 3 Saxophone ensemble 3 Clarinet Ensemble 3 Flute, Viola (duet) 2 Clarinet Quintet: 5 clarinets 2 Clarinet and Viola 2 Descant (Soprano) Recorder 2 Oboe, Flute 2 Flute, Saxophone (duet) 2 Clarinet Quartet: 4 clarinets 2 2 Oboes (duet) 2 Alto Saxophone 2 Flute, Violoncello 2 Oboe, Clarinet (duet) 2 Tenor Saxophone 2 Clarinet, Bassoon (duet) 1 Flute Quartet: 4 flutes 1 Flute, Clarinet (duet) 1 Oboe, Cello 1 Flute, Violin 1 Oboe, Clarinet, Bassoon (trio) 1 3 Clarinets (trio) 1 Baritone Saxophone, Piano 1 Flute, Trumpet (duet) 1 Bass Clarinet, Piano 1 Clarinet, Trumpet (duet) 1 Clarinet, Cello (duet) 1 Saxophone 1 Oboe (band part) 1 Flute ensemble 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 14 Trombone and Piano 9 Brass quartet : 2 trumpets, trombone, tuba 8 Trumpet, Piano 5 Trumpet 5

French Horn and Piano 5 Trumpet ensemble 4 English horn, Piano 4 Trumpet, Saxophone (duet) 3 French horn 2 Tuba 2 Euphonium, Piano (duet) 2 Brass Quartet: 2 trumpets, horn, trombone 2 Trombone 1 Horn Ensemble 1 Horn, Cello (duet) 1 Trumpet, Euphonium (duet) 1 Trumpet, Trombone (duet) 1 2 Trombones (duet) 1 2 Trumpets (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 45 Violin and Piano 19 Violin, Cello (duet) 16 String Trio: violin, viola, cello 15 Viola, Piano 9

Cello, Piano 9 Harp 7 2 Violins (duet) 5 Violin 5 Cello 5 Violin, Viola (duet) 4 String Trio: 2 violins, cello 3 Harp, Voice 3 2 Violas (duet) 2 Violin (band part) 2 Viola 2 Viola, Cello (duet) 1 Viola (band part) 1 2 Violins, Piano 1 Viola and Bassoon 1 2 Cellos (duet) 1 Violin, Bassoon (duet) 1 Double bass, Piano (duet) 1

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PERCUSSION & ORCHESTRA

Brass ensemble 11 Jazz Ensemble 9 Orchestra 8 String Orchestra 8 Concert band 6

Chamber Orchestra 4 Handbells 3 Marching band 3 Jazz combo 3 Percussion Ensemble 2 Percussion 1

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OTHERS

Musical course - Solfege 6

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Love Will Take You

Trumpet

Sheetmusic to print

5 sheet music found

I Write The Songs Trumpet

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. …(+)

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

$39.95 36.77 € #Trumpet #Barry Manilow #I Write The Songs #jmsgu3 #SheetMusicPlus

The Arban Manual (Pre 2013) Trumpet

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method. Description The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. Why Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

$16.95 15.6 € #Trumpet #Eric Bolvin #The Arban Manual #SheetMusicPlus

Andy Williams: Can't Take My Eyes Off Of You - trumpet solo Trumpet

Instantly printable sheet music by Andy Williams for trumpet solo of MEDIUM skill level. /…(+)

Instantly printable sheet music by Andy Williams for trumpet solo of MEDIUM skill level. / pop,wedding,festival,love

$4.97 4.57 € #Trumpet #Andy Williams #Virtualsheetmusic

The Arban Manual - Hooten Edition Trumpet

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.

How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.

Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.

Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.

Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.

All of the characteristic studies and celebrated fantaisies are considered performance pieces.

Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.

The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.

Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.

Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.

Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.

Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.

For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.

The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

About SMP Press

$16.95 15.6 € #Trumpet #Eric Bolvin #The Arban Manual - Hooten Edition #SheetMusicPlus

Four Serious Songs for Trumpet & Piano Trumpet

Piano,Trumpet - Level 3 - Digital Download SKU: A0.810886 Composed by Johannes Brah…(+)

Piano,Trumpet - Level 3 - Digital Download SKU: A0.810886 Composed by Johannes Brahms. Arranged by Kerekes, Barnaby. Romantic Period,Sacred. Score and part. 30 pages. Gordon Cherry #3667983. Published by Gordon Cherry (A0.810886). Beautifully edited by Barnaby Kerekes, these Four Songs are now available for Trumpet and Piano. Take a look in Robert King or Hickey's catalogues and you will not find much Brahms for Trumpet. I promise you will be thrilled with the sound of these songs. All audiences just love the sound of these songs. The songs of Brahms's famous song cycle have been tastefully edited. If you practice the Charlier or any other melodious etudes for trumpet you will know the value of being able to perform with a smooth lyrical musical line. These songs will add depth to your playing and add some real depth and variety to your recital. They are of moderate difficulty in a moderate vocal range.Parts are available in B-flat and C.

$15.00 13.8 € #Trumpet #Johannes Brahms #Four Serious Songs for Trumpet & Piano #Gordon Cherry #SheetMusicPlus