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Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.15 €
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Trumpet
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.83 €
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Trumpet
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Martin Luther
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Luther: Out of the Depths for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
COME BACK TO SORRENTO - trumpet and piano
Trumpet
Piano,Trumpet - Digital Download SKU: A0.774047 Composed by Ernesto De Curtis. Arra…
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Piano,Trumpet - Digital Download SKU: A0.774047 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425533. Published by Whole Tone Press (A0.774047). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for trumpet and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50
4.12 €
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Trumpet
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Ernesto De Curtis
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COME BACK TO SORRENTO - trumpet and piano
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Whole Tone Press
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SheetMusicPlus
The Be-Bop Range Book
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.51 €
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Trumpet
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.15 €
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Trumpet
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.83 €
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Trumpet
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Wade
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O Come All Ye Faithful for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
A Breeze from Alabama arr Siddons Cornet Part
Trumpet
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
4.57 €
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Trumpet
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Scott Joplin
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A Breeze from Alabama arr Siddons Cornet Part
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James Siddons Music and Writings
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.83 €
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Trumpet
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Johann Sebastian Bach
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Turkish March by Mozart - Trumpet Solo
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350718 Composed by Wolfga…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350718 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #935542. Published by Glauco Fernandes (A0.1350718). Explore Mozart's lively composition Turkish March with our exclusive easy arrangement, designed for beginners. Created for musicians taking their first steps in learning, this arrangement offers a simple and accessible interpretation, making the piece enjoyable and suitable for those just starting to play.Ideal for those looking to begin their musical journey with an iconic classical piece, this arrangement of the Turkish March is perfect for beginner students, teachers introducing the fundamentals of music, and anyone seeking a smooth introduction to Mozart's work. Even younger musicians will be able to enjoy this engaging arrangement.The sheet music includes straightforward markings and instructions, ensuring an uncomplicated and fun approach to Mozart's classic composition. Acquire your score today and take the first steps in your musical journey with the timeless charm of the Turkish March.This arrangement is also suitable for more experienced musicians seeking practicality. It can be played at various events such as weddings, birthdays, corporate events, and more.For more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com. Explore additional arrangements and broaden your musical repertoire.And don't forget to check out my YouTube channel to explore more enchanting arrangements: [EnchantedSheetMusic](http://www.youtube.com/@EnchantedSheetMusic).
$2.99
2.74 €
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Trumpet
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Wolfgang Amadeus Mozart
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Turkish March by Mozart - Trumpet Solo
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Glauco Fernandes
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SheetMusicPlus
Turkish March by Mozart - Trumpet Solo with Chord Notations
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350715 Composed by Wolfga…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350715 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #935538. Published by Glauco Fernandes (A0.1350715). Explore Mozart's lively composition Turkish March with our exclusive easy arrangement, designed for beginners. Created for musicians taking their first steps in learning, this arrangement offers a simple and accessible interpretation, making the piece enjoyable and suitable for those just starting to play.Ideal for those looking to begin their musical journey with an iconic classical piece, this arrangement of the Turkish March is perfect for beginner students, teachers introducing the fundamentals of music, and anyone seeking a smooth introduction to Mozart's work. Even younger musicians will be able to enjoy this engaging arrangement.The sheet music includes straightforward markings and instructions, ensuring an uncomplicated and fun approach to Mozart's classic composition. Acquire your score today and take the first steps in your musical journey with the timeless charm of the Turkish March.This arrangement is also suitable for more experienced musicians seeking practicality. It can be played at various events such as weddings, birthdays, corporate events, and more.For more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com. Explore additional arrangements and broaden your musical repertoire.And don't forget to check out my YouTube channel to explore more enchanting arrangements: [EnchantedSheetMusic](http://www.youtube.com/@EnchantedSheetMusic).
$2.99
2.74 €
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Trumpet
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Wolfgang Amadeus Mozart
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Turkish March by Mozart - Trumpet Solo with Chord Notations
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Glauco Fernandes
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SheetMusicPlus
Echo Taps for Solo Trumpet
Trumpet
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Trumpet
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Daniel Butterfield
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trumpet
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trumpet
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Take Five
Trumpet
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.616170 By Paul Desmond. By…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.616170 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225328. Published by MP Sheet Music (A0.616170). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.
$4.99
4.57 €
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Trumpet
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Paul Desmond
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Take Five
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MP Sheet Music
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SheetMusicPlus
The Sorcerer's Apprentice theme
Trumpet
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1323353 Composed by Paul D…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1323353 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pages. Rodrigo Faleiros #911581. Published by Rodrigo Faleiros (A0.1323353). Embark on a musical journey with our unique trumpet solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this trumpet solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this trumpet solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
2.74 €
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Trumpet
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Paul Dukas
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
The Sorcerer's Apprentice theme
Trumpet
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1323354 Composed by Paul D…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1323354 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pages. Rodrigo Faleiros #911582. Published by Rodrigo Faleiros (A0.1323354). Embark on a musical journey with our unique trumpet solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this trumpet solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this trumpet solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
2.74 €
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Trumpet
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Paul Dukas
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.51 €
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Trumpet
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Bohm: Calm as the Night for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl B…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493713. Published by jmsgu3 (A0.549412). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.66 €
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Trumpet
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Carl Bohm
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Bohm: Calm as the Night for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.51 €
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Trumpet
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Derlin Din Din (arr. for Trumpet Trio)
Trumpet
Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pes…
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Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 15 pages. Andrew Lamb #894772. Published by Andrew Lamb (A0.1305334). Introducing Derlin Din Din - Trumpet Trio Arrangement 🎺🌟 Immerse yourself in the timeless melodies of Émile Pessard with this exceptional arrangement of Derlin Din Din, skillfully adapted for 3 Trumpets or Cornets. This arrangement offers additional flexibility with extra parts, including a Tenor Horn in Eb as a substitute for Trumpet 3 and a French Horn part for added versatility.🎼 Level of Difficulty: Intermediate 🎶 Perfect for intermediate trumpet players and ensembles, this arrangement provides a delightful journey through Pessard's secular chorus.🎯 Potential Uses: 🔸 Concerts: Showcase your trumpet trio's talent with this captivating piece, sure to impress your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning, allowing students to explore the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a distinguished French composer known for his timeless compositions.🎶 Embrace Pessard's legacy and elevate your trumpet trio's repertoire with this delightful arrangement of Derlin Din Din.Don't miss out on this opportunity to explore the world of classical music through the resounding notes of trumpets and cornets. 🌟👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din with your trumpet trio today! 🎺✨.
$4.00
3.66 €
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Trumpet
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Emile Pessard
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971371. Published by Glauco Fernandes (A0.1387515). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.57 €
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Trumpet
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Edvard Grieg
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In the Hall of the Mountain King - Trumpet Solo
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Glauco Fernandes
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SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo with Chord Notation
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971369. Published by Glauco Fernandes (A0.1387513). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.57 €
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Trumpet
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Edvard Grieg
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In the Hall of the Mountain King - Trumpet Solo with Chord Notation
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Glauco Fernandes
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SheetMusicPlus
Elegy - US Letter
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.1017114 Composed by David Woodcoc…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1017114 Composed by David Woodcock. Contemporary. Individual part. 6 pages. David Woodcock #6055851. Published by David Woodcock (A0.1017114). For most of its length Elegy has a simple song-like melody, with some cadenza-like moments. The solo line is accompanied by an ostinato bass line in the piano, which persists in pulling the music back into the original key, despite many, sometimes quite forceful attempts, by the solo line to break out of this repetition. The mood of the piece suggests perhaps a wistful nostalgia over something lost, rather than a tragedy, and ends with a feeling of something unresolved and lingering.This work won first prize in the 2016 SOUNZ Brass Composition Prize.This version is formatted for Letter paper size - see alternative title for a version for A4 paper size.The recording features Harmen Vanhoorne, Cornet, and the composer accompanying.
$8.99
8.23 €
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Trumpet
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David Woodcock
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Elegy - US Letter
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David Woodcock
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SheetMusicPlus
Elegy - A4
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.1017112 Composed by David Woodcoc…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1017112 Composed by David Woodcock. Contemporary. Individual part. 6 pages. David Woodcock #6055845. Published by David Woodcock (A0.1017112). For most of its length Elegy has a simple song-like melody, with some cadenza-like moments. The solo line is accompanied by an ostinato bass line in the piano, which persists in pulling the music back into the original key, despite many, sometimes quite forceful attempts, by the solo line to break out of this repetition. The mood of the piece suggests perhaps a wistful nostalgia over something lost, rather than a tragedy, and ends with a feeling of something unresolved and lingering.This work won first prize in the 2016 SOUNZ Brass Composition Prize.This version is formatted for A4 paper size - see alternative title for a version for Letter paper size.The recording features Harmen Vanhoorne, Cornet, and the composer accompanying.
$8.99
8.23 €
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Trumpet
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David Woodcock
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Elegy - A4
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David Woodcock
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SheetMusicPlus
Intermediate Serial Studies for Trumpet
Trumpet
Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Con…
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Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trumpet
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Charles Decker
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Intermediate Serial Studies for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
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