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Two for One - Clarinet Duet
Trumpet
Sheetmusic to print
8 sheet music found
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1
Essential Vocal Duets, Vol. 6
Trumpet
Vocal ensemble Piano, Trumpet - Digital Download SKU: H1.9064DP Hymn Arrangements, …
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Vocal ensemble Piano, Trumpet - Digital Download SKU: H1.9064DP Hymn Arrangements, Praise & Worship, Christmas, Easter Sunday, General Worship, Offering, Service Music, Eternal Life, Faith & Faithfulness, Gospel, Birth of Jesus Christ, Jesus Christ - Majesty, Jesus Christ - Passion, Jesus Christ - Resurrection, Adorat. Vocal score. 92 pages. Hope Publishing - Digital #9064DP. Published by Hope Publishing - Digital (H1.9064DP). Various Arrangers.Vocal duet collection Here are 10 vocal duets of top-sellers from the Hope catalog, each arranged for two medium voices. Available alone or in a book/CD combo with accompaniment tracks useful for rehearsal and performance. The wide range of seasonal and general settings makes this a wonderful collection for the church year.
$24.95
22.99 €
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Trumpet
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Essential Vocal Duets, Vol. 6
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Hope Publishing - Digital
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SheetMusicPlus
Christmas Carols for Two Jolly Trumpeters, Vol. 1
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.878335 Arranged by Sean A. Brown.…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.878335 Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #6631005. Published by SeanBrownMusic (A0.878335). This book is a duet version of Christmas Carols for the Lonely Trumpeter, with some slight modifications. Still technically and musically challenging, they provide great sight-reading and rehearsal practice for both players. It is more aimed towards advanced high school players and up. There are compatible versions of this book for horn, trombone and tuba.The following tunes are featured in this book:Deck the HallsSilent NightGood King WenceslasO Holy NightIn Dulci JubiloWe Three KingsThe First NoelJoy to the WorldO Come, O Come EmmanuelO Christmas TreeHark! The Herald Angels SingO Come, All Ye FaithfulAngels We Have Heard on HighGod Rest Ye Merry GentlemenIt Came Upon a Midnight ClearJingle Bells
$14.00
12.9 €
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Trumpet
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Christmas Carols for Two Jolly Trumpeters, Vol. 1
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SeanBrownMusic
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.62 €
#
Trumpet
#
Eric Bolvin
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The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.62 €
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Trumpet
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
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SheetMusicPlus
One Furtive Tear (Una Furtiva Lagrima): Trumpet and Piano
Trumpet
Piano,Trumpet - Level 3 - Digital Download SKU: A0.524487 Composed by Gaetano Doniz…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.524487 Composed by Gaetano Donizetti. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. Score and part. 12 pages. John A. Dempsey #5797461. Published by John A. Dempsey (A0.524487). An opulent, unforgettable aria that exudes beauty, emotion and mystique, Donizetti's Una Furtiva Lagrima (from L'Elisir or The Elixir of Love) makes a haunting, heartfelt musical experience for Bb trumpet and piano. Â The melody soars! Â This romantic duet is recommended for concerts, recitals, weddings and more. Â 8 pages of music (that includes a two-page trumpet part). Â Concert Key (Piano): C minor / modulates to C major. Â Trumpet Level: Intermediate. Â Piano Level: Advanced Intermediate
$6.99
6.44 €
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Trumpet
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Gaetano Donizetti
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One Furtive Tear
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John A. Dempsey
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SheetMusicPlus
A Breeze from Alabama arr Siddons Cornet Part
Trumpet
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
4.61 €
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Trumpet
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Scott Joplin
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A Breeze from Alabama arr Siddons Cornet Part
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James Siddons Music and Writings
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SheetMusicPlus
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Trumpet and Piano
Trumpet
Piano,Trumpet - Level 3 - Digital Download SKU: A0.523864 Composed by Giacomo Pucci…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.523864 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. Score and part. 15 pages. John A. Dempsey #4283063. Published by John A. Dempsey (A0.523864). Two Italian masterpieces combined in one duet arrangement, this medley for Bb trumpet and piano includes melody augmentation, mood shifts, tempo fluctuations, rich dynamic shading and a lavish finale, all built on two of the most beautiful melodies Puccini ever composed. Â Un Bel Di (One Fine Day) from Madame Butterfly and Quando M'en Vo (Musetta's Waltz) from La Boheme. Â Recommended for weddings, as a prelude, unity candle music, or a bride/bridesmaid processional. Â Also popular as a soaring, romantic selection for concerts, recitals and more. Â Concert Key (Piano): Bb major. Â Trumpet Key: C major. Â 11 pages of music (that includes a separate two-page pullout trumpet part). Â Trumpet Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
6.44 €
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Trumpet
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Giacomo Puccini
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Theme From "new York, New York"
Trumpet
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156474. Published by MP Sheet Music (A0.546454). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
$4.99
4.6 €
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Trumpet
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Frank Sinatra
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Theme From "new York, New York"
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MP Sheet Music
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SheetMusicPlus
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