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You've selected:
All Come Together
Trombone
Sheetmusic to print
4 sheet music found
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1
Let Us Break Bread Together — trombone, organ
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-Amer…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together†is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$5.99
5.39 €
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Trombone
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African-American Spiritual
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Let Us Break Bread Together — trombone, organ
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Con Spirito Music
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SheetMusicPlus
Part Of Your World (reprise)
Trombone
Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1243982 Composed …
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Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1243982 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Children,Film/TV,Musical/Show,Pop,Singer/Songwriter. Individual part. 3 pages. Samuel Sequeira #838957. Published by Samuel Sequeira (A0.1243982). Part of your World - Howard Ashman & Alan Menken  - TrombonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you the arrangement of Part of Your World from the movie The Little Mermaid released in 2023, specifically designed for Trombone with Piano Playalong Youtube Video.In this arrangement, the piano and trombone come together to create a captivating and expressive performance. The piano provides a melodic and harmonic foundation, while the trombone takes on the main voice, infusing the arrangement with its rich and warm tones.The piano sets the stage with its flowing arpeggios and delicate accompaniment, creating a sense of wonder and enchantment. It creates a lush harmonic backdrop, supporting the trombone and adding depth to the arrangement.The trombone, with its mellow and resonant sound, becomes the voice of the melody. It brings the iconic melodies of Part of Your World to life, conveying the character's longing and curiosity. The trombone's smooth slides and expressive phrasing add a soulful and heartfelt quality to the arrangement.Throughout the piece, the piano and trombone interact, creating a musical dialogue. They blend their voices in harmonious moments and create moments of musical interplay that bring the arrangement to life.Together, the piano and trombone create a captivating rendition of Part of Your World that captures the essence of the story. This arrangement allows the trombone to shine with its expressive capabilities, while the piano provides a supportive and harmonically rich backdrop.Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.49 €
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Trombone
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Alan Menken and Howard Ashman
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Part Of Your World
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Samuel Sequeira
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.18 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
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