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You've selected:
First Date
Trombone
Sheetmusic to print
6 sheet music found
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1
Ernest Clarke - Updated Method for Trombone with F-attachment
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.792594 Composed by Ernest Clarke…
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Trombone Solo - Level 2 - Digital Download SKU: A0.792594 Composed by Ernest Clarke, James Biddlecome. Arranged by James Biddlecome. 20th Century,Instructional. Individual part. 108 pages. Gordon Cherry #5010335. Published by Gordon Cherry (A0.792594). The Ernest Clarke Updated Method for Trombone is the result of James Biddlecome’s study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarke’s exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original. Mr. Biddlecome’s edition is very well thought out and should be a staple for any serious young performer of the Trombone.
$22.50
20.23 €
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Trombone
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Ernest Clarke, James Biddlecome
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Ernest Clarke - Updated Method for Trombone with F-attachment
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Gordon Cherry
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SheetMusicPlus
Ernest Clarke - Updated Method for Trombone with F-attachment
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernest & Biddlecome, and James. Arranged by Biddlecome, James. Instructional. Individual part. 108 pages. Gordon Cherry #3820409. Published by Gordon Cherry (A0.810917). The Ernest Clarke Updated Method for Trombone is the result of James Biddlecome’s study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarke’s exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original.Mr. Biddlecome’s edition is very well thought out and should be a staple for any serious young performer of the Trombone.
$20.00
17.98 €
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Trombone
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CLARKE, Ernest & Biddlecome, and James
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Ernest Clarke - Updated Method for Trombone with F-attachment
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Gordon Cherry
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SheetMusicPlus
Wouldn't It Be Nice
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.687531 By The Beach Boys. By Bri…
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Trombone Solo - Level 4 - Digital Download SKU: A0.687531 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by Fernando Britto. 20th Century,Film/TV,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6587949. Published by Minhas Partituras (A0.687531). Arrangement of the song Wouldn't It Be Nice (from 50 First Dates) for Trombone Solo with Chords.
$4.99
4.49 €
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Trombone
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The Beach Boys
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Wouldn't It Be Nice
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Minhas Partituras
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.18 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Futility
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Gie…
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Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
2.7 €
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Trombone
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Benjamin Giesbrecht
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Futility
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Benjamin Giesbrecht
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SheetMusicPlus
One-Man Sideshow (Trombone & Hi-Hat)
Trombone
Tenor Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1322285 By Don Bo…
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Tenor Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #910625. Published by Dolphin Don's Music School (A0.1322285). This composition, in four short movements (5 minutes total), is for trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The final step in the evolution of this piece was this edition for tenor trombone.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00
8.99 €
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Trombone
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Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
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SheetMusicPlus
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