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It Studies
Trombone
Sheetmusic to print
7 sheet music found
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1
Ten Studies for Trombone
#
Trombone
#
INTERMEDIATE
#
Classical
#
Johannes Brahms
#
Cherry, Gordon
#
Ten Studies for Trombone
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individ...
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Trombone Solo - Level 3 - Digital Download SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individual part. 12 pages. Gordon Cherry #3667999. Published by Gordon Cherry (A0.792139). The Brahms Ten Studies were originally written for Horn or Trumpet and were first published soon after his death in 1897. Unfortunately there is not much written about the origins of the Studies. There are questions as to whether they are original or manufactured by an enterprising musician. In my opinion, a few of the studies, especially the slower ones have the stamp of the Master on them. Mr. Cherry believes that the Studies are authentic. It is fairly certain that Brahms’s father did play some horn and there is a good chance that Johannes performed in a horn club as well. The Studies were all originally written in the key of C treble clef. Mr. Cherry has taken the liberty to transpose many of them into different keys for musical variety and technique. This is a common practice for many Trumpet and Horn study books. He has also added some breath marks and alternate slide positions. Many thanks to friend & colleague, Ralph Sauer, who helped with the editing of these studies. These studies are all in bass clef and appropriate for performers of intermediate level and higher.
$10.00
High Tone Studies for Trombone
#
Trombone
#
INTERMEDIATE/ADVANCED
#
Teagarden, Jack
#
High Tone Studies for Trombone
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Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 4 - Digital Download SKU: A0.792321 Composed by Teagarden, Jack. 20th Century,Instructional,Jazz. Individual part. 12 pages. Gordon...
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Trombone Solo - Level 4 - Digital Download SKU: A0.792321 Composed by Teagarden, Jack. 20th Century,Instructional,Jazz. Individual part. 12 pages. Gordon Cherry #4804567. Published by Gordon Cherry (A0.792321). Musical legend, Jack Teagarden is regarded as one of the finest jazz Trombonists of all time. His relatively unknown HIGH TONE STUDIES FOR TROMBONE were written in 1936. Teagarden's studies are designed to teach the student how to reach into the high register up to high D, through the patient and slow practice of four introductory warm-ups and fifty-one progressively difficult exercises. None of the studies are more than three lines in length, forcing the student to rest frequently in his own words. In reading through his concise instructions at the beginning of the book, it is obvious that Teagarden had put a lot of thought into his technique. These studies are appropriate for intermediate to advanced performers. Cherry Classics is proud to have teamed up with his son, Joe and the Teagarden Estate, to bring this book back to life.
$22.50
Stacy’s Successful Studies for Trombone
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Trombone
#
INTERMEDIATE/ADVANCED
#
Charles Stacy
#
Ira Nepus
#
Stacy’s Successful Studies f
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 4 - Digital Download SKU: A0.792506 Composed by Charles Stacy. Arranged by Ira Nepus. 20th Century,Instructional. Individual part. ...
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Trombone Solo - Level 4 - Digital Download SKU: A0.792506 Composed by Charles Stacy. Arranged by Ira Nepus. 20th Century,Instructional. Individual part. 53 pages. Gordon Cherry #4988433. Published by Gordon Cherry (A0.792506). Charles Edward Stacy was born near Dayton, Ohio, March 1873, and passed in the year 1926 in Long Beach, California. His last employment was with the Long Beach Municipal Band. These books were first published in 1916. Besides trombone playing, Stacy had a passion for aviation and invented something to do with stick control for flying smaller airplanes. He was regarded by his peers as a pioneer in aviation. These three marvelous books Stacy completed are now available in one volume. This will help perpetuate Stacy's legacy and keep trombone players all over the world improving their practice and quality of their playing for years to come. Please acknowledge the tempo markings; and rest in-between each exercise. The slower you play some of the pages, the more benefit you will reap. It is my privilege to share them with you now. Ira Nepus
$22.50
Method for Slide Trombone in B-flat
#
Trombone
#
INTERMEDIATE
#
Otto Langley
#
Gordon Cherry and Ralph Sauer
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. I...
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Trombone Solo - Level 3 - Digital Download SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. 120 pages. Gordon Cherry #4806563. Published by Gordon Cherry (A0.792345). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. Ralph Sauer This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Method for Slide Trombone in B-flat
#
Trombone
#
INTERMEDIATE
#
Langey, Otto
#
Sauer, Ralph
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part...
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Trombone Solo - Level 3 - Digital Download SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gordon Cherry #4820167. Published by Gordon Cherry (A0.792383). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
#
Trombone
#
INTERMEDIATE
#
Opera
#
Classical
#
Tom Ervin
#
Marco Bordogni
#
20 Counterparts from Book 1 Ro
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Perio...
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
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