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PIANO & KEYBOARDS

Piano solo 341 Piano, Vocal and Guitar 129 Easy Piano 80 Piano, Voice 50 C Instruments 22

Organ 13 2 Pianos, 4 hands 8 Big Note Piano 7 1 Piano, 4 hands 6 Piano Trio: piano, violin, cello 5 Piano Accompaniment 4 Piano Quintet: piano, 2 violins, viola, cello 3 Piano Quartet: piano, violin, viola, cello 2 Piano (band part) 2 1 Piano, 6 hands 1 Organ, Piano (duet) 1

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GUITARS

Guitar notes and tablatures 171 Guitar 95 Bass guitar 44 Melody line, (Lyrics) and Chords 34 Ukulele 16

Lyrics and Chords 12 Guitar (band part) 6 2 Guitars (duet) 5 3 Guitars (trio) 4 Dulcimer 2 Banjo 2 Guitar Tab, Voice, Bass, Drum 1 Piano, Guitar (duet) 1 4 Guitars (Quartet) 1 Guitar Ensemble 1

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VOICE

Choral SATB 146 Choral 3-part 50 Choral 2-part 23 Choral SSAA 19 Choral TTBB 13

Choral Unison 12 Choral Instrumental Pak 9 Voice solo 4 Choral 3 High voice 3 Tenor voice, Piano 3 Medium voice, Piano 2 Low voice, Piano 2 Choral SSAB, Piano 1 Soli, Mixted choir and accompaniment 1 Soprano voice, Piano 1 Choral SSAB a cappella 1 Vocal duet 1 Choral SSAATTBB 1 Vocal duet, Piano 1 Choral SSATTB 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 86 Saxophone (band part) 43 Flute and Piano 27 Clarinet and Piano 15 Flute, Oboe, Clarinet, Bassoon 14

Clarinet 14 2 Saxophones (duet) 12 Alto Saxophone and Piano 12 Flute 11 Clarinet Quartet: 4 clarinets 10 Oboe, Piano (duet) 9 Saxophone Quartet: 4 saxophones 9 Clarinet Ensemble 8 2 Flutes (duet) 8 Clarinet (band part) 7 Soprano Saxophone and Piano 7 Alto Saxophone 7 2 Clarinets (duet) 6 Oboe (band part) 6 Tenor Saxophone and Piano 5 Flute (band part) 5 2 Oboes (duet) 5 Saxophone 4 Tenor Saxophone 4 3 Clarinets (trio) 4 Saxophone, Clarinet (duet) 3 Flute ensemble 3 Flute Quartet: 4 flutes 3 Clarinet Quintet: 5 clarinets 3 Clarinet, Violin (duet) 3 Flute, Violoncello 2 Flute, Violin 2 Piccolo, Piano 2 Oboe 2 Flute, Violin, Piano 2 Clarinet, Cello (duet) 2 Oboe, Clarinet (duet) 2 Flute Trio: 3 flutes 2 Flute and Guitar 2 2 Recorders (duet) 2 Descant (Soprano) Recorder 2 English horn, Piano 2 Eb Instruments 2 Saxophone ensemble 1 Saxophone Quintet: 5 Saxophones 1 Oboe, Flute 1 Clarinet and Viola 1 Flute, Trumpet (duet) 1 Oboe, Organ 1 Flute, Clarinet (duet) 1 English Horn 1 Oboe, Cello 1 Oboe, Bassoon (duet) 1 2 Saxophones, Piano 1 Flute, Saxophone (duet) 1 Treble (Alto) Recorder 1 Baritone Saxophone, Piano 1 3 Saxophones (trio) 1 Descent (Soprano) Recorder, Piano 1

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WOODBRASS

Trumpet (band part) 32 Trombone (band part) 27 Brass Quintet: 2 trumpets, horn, trombone, tuba 23 Brass Quartet: 2 trumpets, horn, trombone 19 French Horn and Piano 12 Trumpet, Piano 11 Trumpet 10 French horn 9 Trombone 9

Trombone and Piano 8 Brass quartet : 2 trumpets, trombone, tuba 7 2 Trombones (duet) 6 2 Trumpets (duet) 6 Bass Clef Instruments 6 French horn (band part) 4 Tuba (band part) 4 Trumpet, Trombone (duet) 4 Trumpet, Saxophone (duet) 3 Tuba 2 Tuba and Piano 2 2 French horns (duet) 2 Brass Quartet 2 English horn, Piano 2 Bb Instruments 2 Trombone ensemble 2 Brass Quartet: 4 trombones 1 2 Tubas (duet) 1 Trumpet ensemble 1 English Horn 1 Tuba ensemble 1 F Instruments 1 Euphonium 1

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STRINGS

String Quartet: 2 violins, viola, cello 87 Violin and Piano 32 Harp 30 Cello, Piano 17 Violin 16

Viola, Piano 14 Cello 12 Violin, Cello (duet) 11 Violin (band part) 11 Doublebass (band part) 8 2 Violins (duet) 8 Double Bass 7 Viola (band part) 7 Viola 6 Violin, Viola (duet) 5 String Trio: violin, viola, cello 5 2 Cellos (duet) 4 2 Violas (duet) 3 Double bass, Piano (duet) 3 String Quintet: 2 violins, viola, cello, bass 3 Harp, Flute (duet) 2 4 Cellos 2 2 Harps (duet) 2 Piano Trio: Violin, Viola, Piano 1 Viola, Cello (duet) 1 Violoncello, Basso continuo 1 Violin, Bassoon (duet) 1 String Trio: 3 cellos 1 Violin, Clarinet, Piano (trio) 1 2 Violins, Piano 1 Violin, Guitar (duet) 1 Cello (band part) 1

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PERCUSSION & ORCHESTRA

Concert band 141 Marching band 99 String Orchestra 77 Orchestra 59 Drums 26

Jazz Ensemble 26 Brass ensemble 15 Chamber Orchestra 12 Jazz combo 9 Handbells 7 Marimba 6 Percussion (band part) 6 Drum (band part) 3 Vibraphone 2 Piano and Orchestra 2 Percussion Ensemble 2 Orchestra, Violin 1

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OTHERS

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Natural

Trombone

Sheetmusic to print

9 sheet music found

(you Make Me Feel Like) A Natural Woman Trombone

Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1325349 By Aretha…(+)

Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1325349 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Alex Souza. 20th Century,Broadway,Musical/Show,Pop,R & B. Individual part. 2 pages. Alexander de Souza #913590. Published by Alexander de Souza (A0.1325349).

$5.99 5.52 € #Trombone #Aretha Franklin #(you Make Me Feel Like) A Natural Woman #Alexander de Souza #SheetMusicPlus

Trombone Scales (bass clef) Grade 2. For the new ABRSM Syllabus from 2023. Trombone

Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227769 Composed …(+)

Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227769 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823733. Published by Tim Curd (A0.1227769). Trombone Scales Grade 2 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus.Â These scales can also be used for: Trombone in C Bass ClefPlease note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only.Â The candidate will only need to learn one type of minor scale; either natural, harmonic or melodic.Ab Major Scale: 1 OctaveAb Major Arpeggio: 1 OctaveC Major Scale: 1 OctaveC Major Arpeggio: 1 OctaveG Natural Minor Scale: 1 OctaveG Harmonic Minor Scale: 1 OctaveG Melodic Minor Scale: 1 OctaveG Minor Arpeggio: 1 OctaveC Natural Minor Scale: 1 OctaveC Harmonic Minor Scale: 1 OctaveC Melodic Minor Scale: 1 OctaveC Minor Arpeggio: 1 Octave.

$1.99 1.83 € #Trombone #ABRSM #Trombone Scales #Tim Curd #SheetMusicPlus

Trombone Scales (bass clef) Grade 1. For the new ABRSM Syllabus from 2023. Trombone

Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227752 Composed …(+)

Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227752 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 1 pages. Tim Curd #823715. Published by Tim Curd (A0.1227752). Trombone Scales Grade 1 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus.Â These scales can also be used for: Trombone in C Bass ClefPlease note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only.Â The candidate will only need to learn one type of minor scale; either natural, harmonic or melodic.Bb Major Scale: 1 OctaveBb Major Arpeggio: 1 OctaveG Natural Minor Scale: 1 OctaveG Harmonic Minor Scale: 1 OctaveG Melodic Minor Scale: 1 OctaveG Minor Arpeggio: 1 Octave.

$1.99 1.83 € #Trombone #ABRSM #Trombone Scales #Tim Curd #SheetMusicPlus

Method for Trombone Trombone

Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arrange…(+)

Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â€“ until the exercise can be played through correctly â€“ before going on to the next. His purpose is to avoid speeding through them. Clarkeâ€™s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â€“ not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...

$22.50 20.74 € #Trombone #Clarke, Ernest #Method for Trombone #Gordon Cherry #SheetMusicPlus

9.28.85 Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchinâ€™s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as heâ€™s a wonderful musician, anything is possible, heâ€™s open to trying out new ideas and heâ€™s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited â€˜windowâ€™ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. Heâ€™s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between â€˜tsâ€™ and â€˜tshâ€™ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really â€˜speakâ€™ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.

$7.99 7.37 € #Trombone #Drake Mabry #9.28.85 #Drake Mabry #SheetMusicPlus

Method for Trombone Trombone

Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernes…(+)

Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â€“ until the exercise can be played through correctly â€“ before going on to the next. His purpose is to avoid speeding through them.Clarkeâ€™s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â€“ not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...

$20.00 18.44 € #Trombone #Clarke, Ernest #Method for Trombone #Gordon Cherry #SheetMusicPlus

Cello Suite No. 1 (Prelude) for Solo Trombone Trombone

Trombone - Digital Download By Johann Sebastian Bach. By Johann Sebastian Bach (1685- …(+)

Trombone - Digital Download By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Ivan de Andrade. Baroque, Classical, Instructional, Traditional, Wedding. Trombone Solo. 3 pages. Published by Finesse Music
Features breath marks, phrasing ideas and articulation recommendations. Key signature (C Major) for optimum usage of the instrument range and most natural performance. Proper page turn and easy-to-read layout. Formatted for A4 paper print or table view. Stand out from the crowd by adding this beautiful and worldwide celebrated piece to your repertoire!<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

$3.99 3.68 € #Trombone #Johann Sebastian Bach #Cello Suite No. 1 #Finesse Music #SheetMusicPlus