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You've selected:
One More Time For Me
Trombone
Sheetmusic to print
3 sheet music found
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24 Favourite Songs of Ireland, for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.587941 Composed by Traditional. …
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Trombone Solo - Level 2 - Digital Download SKU: A0.587941 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. Individual part. 25 pages. David McKeown #5191369. Published by David McKeown (A0.587941). 24 Favourite Songs of Ireland for Trombone contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Trombone. The music includes chord symbols to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Trombone are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.29 €
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Trombone
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Traditional
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24 Favourite Songs of Ireland, for Trombone
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David McKeown
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.29 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.839589 By Tony Bennett. By Bart …
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Trombone Solo - Level 4 - Digital Download SKU: A0.839589 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #6474657. Published by Bobby Hesch (A0.839589). FLY ME TO THE MOON (IN OTHER WORDS)!!! A TIMELESS JAZZ CLASSIC THAT WAS PERFORMED BY ALL THE JAZZ GREATS!!! FILL MY HEART WITH SONG AND I WILL SING FOREVER MORE, YOU ARE ALL I LONG FOR ALL I WORSHIP AND ADORE!!! LET'S PLAY SOME JAZZ!!! KEY OF C!!! LOW E - HIGH Bb!!! LOTS OF CHALLENGING PASSAGES!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch E MAIL ME IF YOU HAVE ANY QUESTIONS!!! HAVE FUN!!!
$4.99
4.55 €
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Trombone
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Tony Bennett
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Fly Me To The Moon
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Bobby Hesch
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SheetMusicPlus
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