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Real Men Sing! - Drums
Trombone
Sheetmusic to print
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9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.18 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Syrinx for Unaccompanied Tenor Trombone
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debuss…
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Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pages. Gordon Cherry #4803745. Published by Gordon Cherry (A0.792272). Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the Böhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier! The music allows wide latitude for interpretation and can really show off the musical imagination of the performer. The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work. In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx. This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.
$10.00
8.98 €
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Trombone
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Claude Debussy
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Syrinx for Unaccompanied Tenor Trombone
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Gordon Cherry
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SheetMusicPlus
Under The Sea
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.593914 Composed by Alan Menken. …
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Trombone Solo - Level 3 - Digital Download SKU: A0.593914 Composed by Alan Menken. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,World. Individual part. 4 pages. David McKeown #6504009. Published by David McKeown (A0.593914). Under the Sea is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Trombone with chord symbols for piano or guitar accompaniment. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.Written by Howard Ashman and Alan Menken and sung by Samuel E. Wright, the character Sebastian the Crab tries to persuade Ariel not to leave the underwater realm. The calypso style Under the Sea was overshadowed by Part of Your World when the film was released, but later went on to win both an Oscar and a Grammy. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach syncopated rhythms.
$4.99
4.48 €
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Trombone
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Alan Menken
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Under The Sea
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David McKeown
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SheetMusicPlus
Hey Jude
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1279655 By The Beatles. By John …
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Trombone Solo - Level 3 - Digital Download SKU: A0.1279655 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Individual part. 1 pages. Milanov #871122. Published by Milanov (A0.1279655). Hey Jude by The Beatles for trombone. Intermediate. Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$4.99
4.48 €
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Trombone
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The Beatles
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Hey Jude
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Milanov
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SheetMusicPlus
Hey Jude
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1279652 By The Beatles. By John …
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Trombone Solo - Level 3 - Digital Download SKU: A0.1279652 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Individual part. 1 pages. Milanov #871119. Published by Milanov (A0.1279652). Hey Jude by The Beatles for trombone. Intermediate. Chords.Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$4.99
4.48 €
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Trombone
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The Beatles
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Hey Jude
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Milanov
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
22.45 €
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Trombone
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Tom Ervin
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
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