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You've selected:
There With Me
Trombone
Sheetmusic to print
5 sheet music found
<
1
Ben's Basics - Method for Tenor Trombone with F attachment / Bass Trombone
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.1076363 Composed by Ben van Dijk…
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Trombone Solo - Level 4 - Digital Download SKU: A0.1076363 Composed by Ben van Dijk. Instructional. Individual part. 108 pages. Gordon Cherry #680517. Published by Gordon Cherry (A0.1076363). This new 4th edition of Ben van Dijk's book Ben's Basics - Method for Bass Trombone / Tenor Trombone with F attachment is now available from Cherry Classics Music. Below are Ben's thoughts about the book, which is a culmination of ideas from his years as one of the great pedagogs of the Trombone. In this book, I’d like to give you some guidance in various areas of trombone playing. Of course, there are many more topics one could address, but I have focused on three areas in this book. 1. Breathing 2. Daily Routines 3. Warm-up It is my hope to give you some perspective and direction, but it is definitely not my idea to make you dependent on this book. On the contrary, I hope to encourage you to look for ideas yourself and be as inventive as possible. Most of my ideas come from many years of playing and teaching combined with all the wonderful contacts I have had with different experts on these matters during my career. It’s a combination of the ideas which have helped me to come to where I am right now. They also have proven to be of value to many of my students. During many of the master classes I have given in the past years, students and colleagues have asked me to write down my ideas and bundle them into a book.
$37.50
34.41 €
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Trombone
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Ben van Dijk
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Ben's Basics - Method for Tenor Trombone with F attachment / Bass Trombone
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Gordon Cherry
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SheetMusicPlus
My Immortal
Trombone
Trombone Solo - Level 1 - Digital Download SKU: A0.1014865 By Evanescence. By Amy L…
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Trombone Solo - Level 1 - Digital Download SKU: A0.1014865 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619654. Published by M das Melodias (A0.1014865). Sheet music for trombone My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #trombone I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
4.58 €
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Trombone
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Evanescence
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My Immortal
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M das Melodias
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.33 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
20 Easter Hymn Solos for Trombone: Vols. 1 & 2
Trombone
Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1217023 Composed …
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Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1217023 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. Individual part. 22 pages. Ben Dockery #813553. Published by Ben Dockery (A0.1217023). These twenty classic Easter hymns have been arranged for solo trombone. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read.Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$8.99
8.25 €
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Trombone
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Various
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20 Easter Hymn Solos for Trombone: Vols. 1 & 2
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Ben Dockery
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SheetMusicPlus
All Too Well
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.1208104 By Taylor Swift. By Liz …
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Trombone Solo - Level 2 - Digital Download SKU: A0.1208104 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Valdir Maia. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Valdir Maia #806221. Published by Valdir Maia (A0.1208104). All Too Well, by Taylor Swift in an arrangement for TROMBONE.You can find this arrangement in three versions:> INSTRUMENT SOLO + CHORDS> INSTRUMENT WITH PIANO ACCOMPANIMENT> INSTRUMENT WITH PIANO ACCOMPANIMENT + CHORDSCheck out my catalogue and find the best sheet music for you.You also can see my work on youtube.com/@easysheetmusic and see the video score and play along.Come on and follow me there! =).
$4.99
4.58 €
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Trombone
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Taylor Swift
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All Too Well
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Valdir Maia
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SheetMusicPlus
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