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Musical course - Solfege
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You've selected:
So less
Brass ensemble
Sheetmusic to print
20 sheet music found
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1
So Far Away
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.757684 By Carole King. By Carol…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.757684 By Carole King. By Carole King. Arranged by Jim Bicigo. Contemporary,Pop. Score and parts. 10 pages. Polar Publications #3507377. Published by Polar Publications (A0.757684). Another great song from the Tapestry album! So Far Away blends the three voices of the trio flawlessly. A classic for any concert.
$20.00
18.42 €
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Brass ensemble
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Carole King
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So Far Away
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Polar Publications
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SheetMusicPlus
That's A Plenty (Trio: two Bb trumpets + tuba)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.964581 Composed by Lew Pollack.…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964581 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz,Ragtime. Score and parts. 10 pages. Bright Music Company #6247275. Published by Bright Music Company (A0.964581). This arrangement of the audience favorite, That’s A Plenty is scored for 2 Bb trumpets and tuba. It’s a reduced version of our brass quintet arrangement of this piece. Our edition of this piece has been reduced to under 2 minutes, making it perfect for education shows when you want some Dixieland, but you don’t have all day. There’s enough written-in-improv lines (inspired by the Louis Armstrong recordings) to make it feel right, but without requiring actual improvisation. And, as always, there’s ample rest for the trumpets! This piece is so painless to play that it could be put at the end of any recital, no matter how tiring, and everyone can get through this last piece while taking the audience out with some Dixieland fun.Check out our full brass quintet edition of this arrangement too!Duration: just under 2 minutes
$12.00
11.05 €
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Brass ensemble
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Lew Pollack
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That's A Plenty
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Bright Music Company
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SheetMusicPlus
Brass Quartet - Titans
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.42 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Psalm 117 for 8-part mixed Brass Ensemble
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.811267 Composed by Johann Herma…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.811267 Composed by Johann Hermann Schein. Arranged by Kenneth Biggs. Baroque,Classical,Renaissance. Score and parts. 41 pages. Gordon Cherry #6737627. Published by Gordon Cherry (A0.811267). Johann Schein set two verses from Psalm 117 as an antiphonal choral piece in Latin. A Dominum factum est istud (This is the Lord's doing) has been wonderfully arranged for 8-part mixed Brass Ensemble by Kenneth Biggs.The work of almost 5 minutes in length is appropriate for moderately advanced performers and Mr. Biggs has supplied many substitute parts so the work may be performed by any number of Trumpets (in C or B-flat), Flugelhorn, Horns in F, Trombones (in bass clef and alto clef) and Tuba. There are 15 parts in all, and the ranges are quite moderate, so this is a perfect antiphonal work to introduce to less experienced performers. This arrangement works very well with mixing and matching of all the different instruments together.
$32.50
29.93 €
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Brass ensemble
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Johann Hermann Schein
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Psalm 117 for 8-part mixed Brass Ensemble
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Gordon Cherry
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SheetMusicPlus
I dovregubbens 'hood (In da hood of da mountain king)
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,World. Score and parts. 45 pages. Nick Walkley #3422303. Published by Nick Walkley (A0.940769). Based on Grieg's famous orchestral movement from 'Peer Gynt Suite no.1', this arrangement is a contemporary twist on an old classic and designed to appeal to young audiences and musicians. It was originally written for Sæbø Skulemusikklag, Norway, for World Brass Day 2017. The performance was recorded as representation of Norwegian culture and uploaded to Youtube in a shared playlist alongside others from around the globe*. The arrangement begins in a similar creepy manner to the original, tip-toeing in and gradually building up to a frightening frenzy. Something of a surprise is in store for the audience after a familiar opening however; a dubstep/drum n bass twist drops in before the melody rejoins in a new fashion, leading on to solo moments for drum kit and timpani. Elements of the original orchestration are again infused into the repeated refrain to intensify the music towards a dramatic final close.Note to conductors:Difficult solo tuba parts are a feature, but a simplified version is also supplied for less advanced players.The soprano cornet, 2nd horn and 2nd baritone parts are supplementary and can be omitted without problem. Beginner level (aspirant) parts are provided, written in B and E flat as 'Trolls' so that newer band members can join in. *this arrangement has been edited since that performance for publication.
$20.00
18.42 €
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Brass ensemble
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Edvard Grieg
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I dovregubbens 'hood
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Nick Walkley
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SheetMusicPlus
Shake It Off
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.820007 By Taylor Swift. By Joha…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.820007 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Kathy Hirche. Pop. Score and parts. 48 pages. Kathy Hirche #4409793. Published by Kathy Hirche (A0.820007). The music of this popular song has been specially arranged to be suitable for Intermediate Level Woodwind and/or Brass Ensemble. The instrumentation is flexible, allowing for various combinations of instruments, including Clarinet Quartet/Quintet/Ensemble, Saxophone Quartet/Quintet/Ensemble and Brass Quartet/Quintet/Ensemble. The score is shown in concert pitch. Octave displacement occurs in some parts. Parts 2 and 3 are kept below the break for the Clarinets. Optional lower notes are given in Part 4 so that the Bass Clarinet player(s) can choose to not cross the break. Part 5 is optional, Elementary Level and is an ideal easier part for less competent performers. Parts in this set: Part 1 - Flute, Oboe, Clarinet, Alto Saxophone, Trumpet; Part 2 - Clarinet, Alto Saxophone, Trumpet; Part 3 - Clarinet, Tenor Saxophone, F Horn; Part 4 Bassoon, Bass Clarinet, Baritone Saxophone, Trombone/Euphonium; Part 5 (Optional) - Clarinet / Bass Clarinet, Tenor Saxophone, F Horn, Tuba. ISMN 979-0-7201-801-0-6 kathysprintmusic.com
$16.99
15.64 €
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Brass ensemble
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Taylor Swift
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Shake It Off
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Kathy Hirche
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SheetMusicPlus
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
Brass ensemble
Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. C…
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Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00
27.62 €
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Brass ensemble
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Jim Evans
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Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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beginning.band
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SheetMusicPlus
Moro Lasso
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arrang…
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Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
9.16 €
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Brass ensemble
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Carlo Gesualso
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.32 €
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Brass ensemble
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Friedrich von Flotow
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Come, Ye Thankful People, Come (St. George’s, Windsor)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arra…
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
6.4 €
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Brass ensemble
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George Job Elvey
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Captain Kangaroo (puffin' Billy)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged…
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Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
11.96 €
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Brass ensemble
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Edward White
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two stand out
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
In the Evening by the Moonlight
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.32 €
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Brass ensemble
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James Bland
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Hello! Ma Baby
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Ho…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
6.45 €
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Brass ensemble
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Joseph E
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Alexander’s Ragtime Band
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berli…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
9.16 €
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Brass ensemble
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Irving Berlin
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
We Will Rock You
Brass ensemble
Brass Ensemble - Level 1 - Digital Download SKU: A0.925026 By Queen. By Brian May. …
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Brass Ensemble - Level 1 - Digital Download SKU: A0.925026 By Queen. By Brian May. Arranged by Sarah Johnson. Rock. Score and parts. 2 pages. Sarah Johnson #4282277. Published by Sarah Johnson (A0.925026). Queen's 'We Will Rock You.' Simplified version for beginning players. This duet uses only six notes (C – A), and the rhythm has been simplified from the original so that it is easy to play. The body percussion stamp stamp clap rhythm can continue throughout the piece by another player or an audience if desired. Part A and Part B take turns at playing the melody and accompaniment, giving both players an interesting part. This duet is also available for other instruments all playing in Concert B-flat so that parts can be mixed with other instruments and in mixed instrumental group lessons. Other versions of this arrangement by Sarah Johnson are available on SMP for the following instruments: Trumpet/Clarinet, Trombone/Euphonium, Flute, Horn in F, Alto Saxophone/E-flat Tenor Horn. A great performance piece for beginning players. Recommended for students in their first year of learning. Duration: Approximately 2 mins
$4.99
4.59 €
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Brass ensemble
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Queen
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We Will Rock You
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Sarah Johnson
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SheetMusicPlus
Pretty Eyed Baby
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. B…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.96 €
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Brass ensemble
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Eldridge/Gillespie
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Solace: A Mexican Serenade
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808676 Composed by Scott Joplin…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Love,Ragtime. Score and parts. 20 pages. Sweetwater Brass Press #3213035. Published by Sweetwater Brass Press (A0.808676). Marvin Hamlisch’s score for the 1973 movie The Sting revived interest in ragtime music. Ragtime, of course, is music, often in march-time, that features syncopation, a ragged beat. It originated in African-American districts of large cities and first flourished during the period, 1895-1918. One of the most successful ragtime composers was Scott Joplin, known as the King of Ragtime. Hamlisch used several Joplin compositions as background music for the George Roy Hill-directed film, and one of those was this beautiful and contemplative 1909 composition, Solace: A Mexican Serenade. In All Music Guide to Classical Music: The Definitive Guide to Classical Music (Woodstra et al., ed., CMP Books: 2005), Blair Johnston called Solace a musical hybrid neither authentically Mexican nor authentic ragtime. It is, instead, a habanera, but also a very lovely piece of Americana. This brass quintet arrangement of Solace was adapted from the Joplin piano score. Like the score, this arrangement is in 2/4 time and contains a lot of 16th notes. Joplin’s tempo instruction, however, is Very slow march time, and the metronome marking suggests 96 eighth notes a minute, so in reality the actual tempo is an andante 4/8. Trumpet 1 has some B-above-the-staff notes in the last section, Trumpet 2 has a few interesting rhythmic figures in section B; Trombone has 3 or 4 F-above-the-staff notes, and Tuba plays a couple of top-of-the-staff A’s in section D and at the very end. Plus, of course, the piece is syncopated. Completed in 2017, this arrangement runs about 6 minutes, 10 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu; he would be delighted to hear from you. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.50
11.51 €
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Brass ensemble
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Scott Joplin
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Solace: A Mexican Serenade
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Sweetwater Brass Press
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SheetMusicPlus
March
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnst…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and parts. 18 pages. Sweetwater Brass Press #4295617. Published by Sweetwater Brass Press (A0.808691). Sergei Prokofiev’s comic opera, The Love for Three Oranges, Op. 33, was first produced in Chicago’s Auditorium Theatre in 1921. Prokofiev subsequently composed a concert suite from six of the opera’s selections. Of these, the March is probably best known. It was adopted as the theme song for a popular radio series, The FBI in Peace and War, which ran on CBS 1944-1958. Through its use on the program, listeners became familiar with the music and were so impressed that it was recorded and published independently as The FBI March. Because of its bold, driving and rhythmic nature, the March is well suited for a brass group, and makes for an exciting experience for both musicians and audience. This arrangement, written for brass quintet using trumpets pitched in C, was completed in 2012 and runs about 1 minute, 38 seconds. (A Bb-trumpets version is also available.) The arranger, Les Smith, can be reached at lessmith@ufl.edu. If you liked this one, check out Les’ Entry of the Graduates: Processional, Funeral March of a Marionette, Golliwog’s Cake Walk, Marche from Sylvia, March Militaires and War March of the Priests (from Athalia). For more arrangements by Les, type the following into the sheetmusicplus Search box: Sweetwater Brass Press.
$12.99
11.96 €
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Brass ensemble
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James Johnston Stewart and Sergei Prokofiev
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March
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Sweetwater Brass Press
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.32 €
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Brass ensemble
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Marche et Cortege de Bacchus from Sylvia Ballet Suite
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.808646 Composed by Léo Delib…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts. 50 pages. Sweetwater Brass Press #516831. Published by Sweetwater Brass Press (A0.808646). Among the most noteworthy works by Clément Philibert Léo Delibes are two ballets, Coppélia (1870) and Sylvia (1876). Delibes based the latter on a Aminta, a play written by Torquato Tasso three centuries earlier, and it is populated by characters such as Eros, Diana, Orion, as well as Aminta and, of course, Sylvia. The third act opens in the forest with a celebration of the wine vintage, the Grand cortège de Bacchus (March and Procession of Bacchus). The March is exciting and brassy (enough so that the 1982-1986 television series, Knight Rider, used it for a musical theme!). The Procession is more song-like but ends with a big restatement of the March. Completed in 2012, this arrangement runs about 6 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$8.00
7.37 €
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Brass ensemble
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Léo Delibes
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Marche et Cortege de Bacchus from Sylvia Ballet Suite
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Sweetwater Brass Press
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SheetMusicPlus
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