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Another life
Brass ensemble
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1
Sing As We Go (sit On My Face)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Dav…
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Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Davies. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 26 pages. Kevin P Holdgate #4889987. Published by Kevin P Holdgate (A0.791036). Versatile Brass 'Old Time Favourites' CollectionThis is another popular song from the WW2 era, although it was written a few years before for a film of the same title.Sing As We Go is a 1934 British musical film starring Gracie Fields, John Loder and Stanley Holloway. The script was written by Gordon Wellesley and J. B. Priestley.Considered by many to be British music hall star Gracie Fields' finest vehicle, this film was written for her by leading novelist J.B. Priestley. In this morale-boosting depression movie, set in the industrial north of England, Fields stars as a resourceful, determined working class heroine, laid off from her job in a clothing mill, who has to seek work in the seaside resort of Blackpool. This gives her the opportunity both to fall into many misadventures and, of course, to sing.The decision to film on location brings the film a life and immediacy all too absent from most films of the period. The film provides us with a snapshot of life in a seaside resort in the 1930s. The final scene of the millworkers returning to the re-opened mill while Fields leads them in the rousing title song has become an almost iconic film cliché.This is a simple arrangement of the title song with the lead line on solo Cornet. There is a vocal part included if required.
$12.99
12 €
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Brass ensemble
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Monty Python
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Sing As We Go
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Kevin P Holdgate
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SheetMusicPlus
Boudicca, Queen of the Iceni
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.43 €
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Brass ensemble
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Quartet - Titans
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.48 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Poem
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.743708 Composed by Zdenek Fibic…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.743708 Composed by Zdenek Fibich. Arranged by Josef STASTNY. Contemporary,Romantic Period,Standards,Wedding,World. Score and parts. 9 pages. Josef STASTNY #6573195. Published by Josef STASTNY (A0.743708). A music full of composer´s personal emotions.This is usually said that Poem is a part of At Twilight, a lovely symphonic work of about 13 minutes. However, few are aware that it is also part of another work, Moods, Impressions and Souvenirs, which was composed for the piano by Fibich.Fibich’s personal life was filled with perosnal unhappiness which is reflected in this fully emotional music .Substitute parts: Eb 3, Bb 3, Bb 4Have look at other Josef´s arrangements - string/brass/sax/horn/trombone quartets and trios, organ with trumpet/horn. https://www.sheetmusicplus.com/search?Ntt=josef+stastny
$10.99
10.15 €
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Brass ensemble
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Zdenek Fibich
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Poem
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Josef STASTNY
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SheetMusicPlus
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