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Call Me
Not classified
345
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368
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207
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179
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6
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4
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1
Organ, Piano (duet)
1
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+ 13 instrumentations
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Retract
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108
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76
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45
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26
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21
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3
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205
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42
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32
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23
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5
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24
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22
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19
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18
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9
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8
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7
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6
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5
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1
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5 Recorders
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Clarinet Quintet: 5 clarinets
1
2 Recorders (duet)
1
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1
2 Clarinets, Piano
1
2 Saxophones, Piano
1
Flute and Guitar
1
3 Recorders (trio)
1
Saxophone and Organ
1
+ 44 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
32
Trombone
19
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18
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17
French horn
12
Brass quartet : 2 trumpets, trombone, tuba
11
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10
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7
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7
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String Quartet: 2 violins, viola, cello
71
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30
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24
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21
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7
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1
String Trio: 3 cellos
1
Viola and Harp
1
2 Cellos (duet)
1
Harp, Violin, Violoncello
1
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82
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Call Me
Brass ensemble
Sheetmusic to print
11 sheet music found
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1
Call Me in the Morning
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Brass ensemble
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INTERMEDIATE
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Timothy Mason
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Call Me in the Morning
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Tim Mason
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.993032 Composed by Timothy Mason. Contemporary,Jazz. Score and parts. 16 pages. Tim Mason #3622049. P...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.993032 Composed by Timothy Mason. Contemporary,Jazz. Score and parts. 16 pages. Tim Mason #3622049. Published by Tim Mason (A0.993032). Call Me in the Morning is a straight Latin-style jazz combo chart in 5/4. It contains a C, Bb, and Eb parts along written out rhythm section accompaniment.
$2.99
Let Me Call You Sweetheart for Brass Quartet with optional horn
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Brass ensemble
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EASY
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pa...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pages. Tyler Merideth #6097539. Published by Tyler Merideth (A0.782539). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910. This arrangement features two trumpets and two trombone parts with an optional horn part for the first trombone.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com
$9.99
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Brass ensemble
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INTERMEDIATE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Ellige...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
Don't You Want Me
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Brass ensemble
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INTERMEDIATE
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Pop music
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The Human League
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Bill Willis
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Don't You Want Me
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Bill Willis
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1411504 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Bill Willis. Po...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1411504 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Bill Willis. Pop. 40 pages. Bill Willis #993771. Published by Bill Willis (A0.1411504). Back to the 80s with this arrangement of the Human League song'Don't you want me' Brass 10/11 piece ensemble, Instrumentation is: 3 x Cornet, Flugel (or 4th Cornet), Eb Horn, Trombone, Bass Trombone, Euphonium, Eb or Bb Bass, plus Percussion.
$25.00
My Friends Call Me Bill (William Tell Overture)
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Brass ensemble
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Classical
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Gioachino Rossini
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Joe Martellaro
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My Friends Call Me Bill
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Joe Martellaro
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.793620 Composed by Gioachino Rossini. Arranged by Joe Martellaro. Classical. Score and parts. 17 pages. Joe Mar...
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Brass Ensemble - Digital Download SKU: A0.793620 Composed by Gioachino Rossini. Arranged by Joe Martellaro. Classical. Score and parts. 17 pages. Joe Martellaro #2891067. Published by Joe Martellaro (A0.793620). This is brass quintet of the William Tell Overture or the Lone Ranger theme.
$15.00
Call On Me
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Brass ensemble
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Rock
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Chicago
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Greg Danner
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Call On Me
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Avanti Music
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.778295 By Chicago. By Lee Loughnane. Arranged by Greg Danner. Pop,Rock. Score and parts. 22 pages. Avanti Music...
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Brass Ensemble - Digital Download SKU: A0.778295 By Chicago. By Lee Loughnane. Arranged by Greg Danner. Pop,Rock. Score and parts. 22 pages. Avanti Music #3518671. Published by Avanti Music (A0.778295). Brass quintet arrangement of the Latin inspired Chicago hit. As recorded by the Brass Arts Quintet.
$15.00
Chelsea Bridge
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Brass ensemble
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Contemporary
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Billy Strayhorn
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Cameron Scott
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Chelsea Bridge
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Cameron Scott
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.925039 Composed by Billy Strayhorn. Arranged by Cameron Scott. Contemporary. Score and parts. 4 pages. Cameron ...
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Brass Ensemble - Digital Download SKU: A0.925039 Composed by Billy Strayhorn. Arranged by Cameron Scott. Contemporary. Score and parts. 4 pages. Cameron Scott #4896673. Published by Cameron Scott (A0.925039). This is an arrangement of Billy Strayhorn's jazz standard, Chelsea bridge, for euphonium and trombone. It can also be played by 2 trombones, 2 baritones and 2 euphoniums. It would work programmatically within a standard recital setting, providing a subtle contrast with more traditional/classical repertoire. The duration of the piece is quite flexible, however typically between 4-5 minutes in length. Email me at cjs.cameron.scott@btinternet.com for the two individual parts, which will be at no additional cost to the initial price. .
$8.99
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Brass ensemble
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Bad Guy
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Brass ensemble
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INTERMEDIATE
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Pop music
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Billie Eilish
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Petey C
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Bad Guy
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Petey C.
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.873890 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Petey C. Pop. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.873890 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Petey C. Pop. Score and parts. 8 pages. Petey C. #6246937. Published by Petey C. (A0.873890). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.This is great for high school, university students and professionals. It's not too hard, but beginners beware, it's a bit beyond basic entry level horn playing. There are not a lot of horn arrangements out there like this one. This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and jazz genres.If you're reading this in the future, this was one of the most popular songs of the year 2020! This arrangement is my take on it for quartet, semi-faithful to the original song with a bit of a jazzy twist. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Brass ensemble
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00
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