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I Was Born for This: Score
SheetMusicPlus
Brass ensemble
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1
KIRCHEN-SYMPHONIE for organ and brassband, opus 18 (conductor score) - Score Only
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1107288 Composed by Julius Katt…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. Published by Albismusic (A0.1107288). Julius Katterfeldt was born in Wandsbek in 1813. Wandsbek was not yet part of Hamburg at that time. His father Johann Hinrich Katterfeldt was the organist at the famous Schnitger organ of Hamburg's main church St. Jakobi. He also gave his son first music lessons. Later he was a pupil of the famous Christian Heinrich Rinck in Darmstadt. Julius Katterfeldt was first organist at the church of St. Johannes in Eppendorf. In 1840, Katterfeldt was appointed by the Danish king to the post of cathedral organist in Schleswig. After the Schleswig-Holstein uprising (1848 to 1851) he had to give up his organist post at the cathedral. Friedrich von Reventlou (1797-1874) brought Katterfeldt to the monastery church in Preetz, where Renventlou was provost, because of the political quarrels over the county of Holstein. In Preetz he even had to take on sexton duties in addition to organ duties. After the war (Battle of Dybbøl/DK), Schleswig once again belonged to the Republic of Prussia. For this reason, the German Emperor had a new tower built for Schleswig Cathedral in 1864. It can be assumed that the church symphony by Julius Katterfeldt was composed for this purpose beforehand and was therefore later published by the renowned Berlin music publisher BOTE & BOCK. His Church Symphony Opus 18, for brassband and organ, is dedicated to the Prussian Emperor Wilhelm I. Katterfeldt’s Church Symphony is the first original symphonic work for the instrumentation organ and brass band. His son-in-law was the Schwerin cathedral organist George Hepworth (1825-1918). Through his contacts in England, some of J. Katterfeldt's organ works were published in the anthologies Organist's Quarterly Journal (editor, William Spark). this publication: ISMN 979-700-212-81-0 instrumental parts (PiccTrp, Fluegelhorn, Trumpet 1+2, Frenchhorn 1+2 (F alt. C), Euphonium, Tuba) conductor score: ISMN 979-700-212-81-4.
$4.99
4.5 €
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Brass ensemble
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Julius Katterfeldt
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KIRCHEN-SYMPHONIE for organ and brassband, opus 18
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Albismusic
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SheetMusicPlus
Ewald: Quintet No. 2 for Brass Instruments
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.768515 Composed by Victor Ewald. Arranged…
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Brass Ensemble - Digital Download SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
25.26 €
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Brass ensemble
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Victor Ewald
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Ewald: Quintet No. 2 for Brass Instruments
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KVAMusic Edition
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SheetMusicPlus
Ewald: Quintet No. 3 for Brass Instruments
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.768517 Composed by Victor Ewald. Arranged…
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Brass Ensemble - Digital Download SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
25.26 €
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Brass ensemble
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Victor Ewald
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Ewald: Quintet No. 3 for Brass Instruments
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KVAMusic Edition
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SheetMusicPlus
Jazz Minuet in G Major (for British Style Brass Band)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1026133 Composed by Christian P…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Jazz. Score and parts. 52 pages. Richard Jones #5968417. Published by Richard Jones (A0.1026133). Until the 1970s the Minuet in G Major was attributed to the great Johann Sebastian Bach. For centuries musicologists believed it was an original composition as it was a part of the manuscript notebook compiled by Bach and his wife Anna Magdalena Bach, in 1725.Petzold was born in Konigstein, Germany, in 1677 and little is known about his exact birth date. Relatively few pieces ofhis have survived the centuries, but the inclusion of his two minuets in the Anna Magdalena Notebook, remain the most famous of these.The theme to the Minuet in G was used in 1966 by the American pop group The Toys, in their song 'A Lover's Concerto'.In this arrangement I have syncopated the theme and accompanying parts to create a jazz feel. From letter A the theme appears in the cornet and euphonium lines and then at letter B the theme is transferred to the horn section. Whilst the theme is in the horn section there is a counter riff in the baritones and trombones, and a simple jazz syncopation in the cornets. At C the key changes to the sub-dominant key of C and the back row cornets get the tune in a simple but syncopated form whilst a flowing counter melody continues in the lower instruments. Then at D the euphoniums, baritones and basses have their chance and the syncopation appears in the horns and interjections in the cornets. After the D.S the the piece goes to the Coda, which hasthe tune split between each of the sections of the band with a fortissimo climax.
$19.99
18.03 €
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Brass ensemble
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Christian Petzold
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Jazz Minuet in G Major
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Richard Jones
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SheetMusicPlus
Hodie Christus Natus Est for Brass Choir
Brass ensemble
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.55…
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.559478 Composed by Jan Pieterszoon Sweelinck. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. Score and Parts. 31 pages. Lisa L Ochoco #2899105. Published by Lisa L Ochoco (A0.559478). Hodie Christus Natus Est translates to Today, Christ is born. Of all the Hodie's that I know of, this one is my absolute favorite. The original motet was written for 5 voices. This transcription for brass choir has 8 voices. The trombone parts were created to give the piece fullness, as they mimic the Trumpet 1 and 2 parts. The Euphonium and Tuba parts share a lot the same notes also, to help give the piece a solid bottom. That said, this piece can be played with only 5 parts, but it sounds great with 8. This piece will help make your Christmas concert a very festive one!Scored for 2 Trumpets, 2 French Horns, 2 Trombones, Euphonium and Tuba.Duration: 3 minutes
$15.00
13.53 €
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Brass ensemble
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Jan Pieterszoon Sweelinck
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Hodie Christus Natus Est for Brass Choir
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Lisa L Ochoco
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SheetMusicPlus
All I Want For Christmas Is You
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.886396 By Lady Antebellum. By Mariah Care…
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Brass Ensemble - Digital Download SKU: A0.886396 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Chris Osborn. Contemporary,Pop. Score and parts. 51 pages. Chris Osborn Music #3667819. Published by Chris Osborn Music (A0.886396). All I Want For Christmas Is You was the smash hit fourth single from Mariah Carey's 1994 album Merry Christmas. It is the 11th best selling single of all time, and often regarded as one of the few worthy modern additions to the holiday canon. The Phil Spector style, 1960s sound has helped the song become a perennial Christmas favorite.There is an optional vocal solo part which can be performed by your bands very own pop diva. However, please note that this arrangement is a semitone higher than the original key to make give the brass instruments an easier key signature and range.
$30.00
27.06 €
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Brass ensemble
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Lady Antebellum
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All I Want For Christmas Is You
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Chris Osborn Music
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SheetMusicPlus
Brass Quartet - Titans
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.04 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Sea Drift for Brass Choir
Brass ensemble
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1430702
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1430702 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Historic,Multicultural,World. 64 pages. Charles Decker Music Press #1011201. Published by Charles Decker Music Press (A0.1430702). This brass choir arrangement set for an orchestral brass section of Coleridge-Taylor's Sea Drift captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir here arranged for large brass ensemble, Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for an orchestral brass section of three B-flat trumpets with alternate C trumpet parts, four horns , three trombones and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music use the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series Brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$27.95
25.21 €
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Brass ensemble
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Samuel Coleridge-Taylor
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Sea Drift for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
Chained Wings
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.1031250 Composed by RLW Myers. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1031250 Composed by RLW Myers. Contemporary. Score and parts. 31 pages. Richard Myers #5191165. Published by Richard Myers (A0.1031250). Please notify me if you choose to perform this!I need to give a big thanks to Dr. Greg Danner and the Tennessee Tech Tuba Ensemble for the help and guidance they gave to me while working on this piece! Also thank you to anyone I tortured with the many edits and editions before this was finalized. This piece is inspired by the following stanza from Paradise Lost: Whence and what art thou, execrable shape, That dar'st, though grim and terrible, advance Thy miscreated front athwart my way To yonder gates? Through them I mean to pass, That be assured, without leave asked of thee. Retire; or taste thy folly, and learn by proof, Hell-born, not to contend with spirits of Heaven. Here we see Lucifer, even after he has fallen so far, his wings bound by adamantine chains, still view himself with pride for being filled with the light of Heaven. He challenges Death, thinking himself superior to the foul (and more powerful) being. This piece explores the arrogance and emotions that I associate with the work as a whole, but particularly in Lucifer’s ego. The MP3 given here is just the render off of staffpad. Enjoy! PS: Thanks to Charlie Hickerson for having me read Paradise Lost in my senior English class.
$15.00
13.53 €
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Brass ensemble
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RLW Myers
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Chained Wings
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Richard Myers
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SheetMusicPlus
Because
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardel…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
6.31 €
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Brass ensemble
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Guy d'Hardelot
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e
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Because
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