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In December...
SheetMusicPlus
Brass ensemble
Sheetmusic to print
10 sheet music found
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1
WWI Medley for Brass Ensemble
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James “Harry†Williams/George Henry Powell/Felix Powell. Arranged by Jari A. Villanueva. 20th Century,Film/TV,Folk,Holiday,Patriotic. Score and parts. 42 pages. JV MUSIC #3246377. Published by JV MUSIC (A0.722731). WWI Medley for Brass Ensemble arranged by Jari VillanuevaA Medley of It’s a Long, Long Way to Tipperary and Pack Up Your Troubles in Your Old Kit BagFull Score3 Trumpets in Bb4 Horns in F3 TrombonesEuphoniumTubaTimpaniSnare and Bass DrumCymbalsBellsPiccolo (Optional)Substitute part for Eb Horn providedSubstitute part for TC Baritone provided It’s A Long, Long Way to Tipperary is a British music hall song written by Jack Judge and cocredited to Henry James Harry Williams. It was allegedly written for a 5-shilling bet in Stalybridge on January 30, 1912 and performed the next night at the local music hall. Now commonly called It’s a Long Way to Tipperary, the original printed music calls it It’s a Long, Long Way to Tipperary. It became popular among soldiers in the First World War and is remembered as a song of World War I. Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of the World War I marching song, published in 1915 in London. It was written by Welsh songwriters, George Henry Powell under the pseudonym of George Asaf, and set to music by his brother Felix Powell. It was featured in the American show Her Soldier Boy, which opened in December 1916. This skillful arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection commemorating the 100th anniversary of World War I. The arrangement includes the verses of the tunes and the British bugle call Fall In. This clever arrangement culminates in a rousing section that superimposes both tunes. Included is a Full Score and parts for Brass Ensemble. Also included are substitute parts for Eb Horns and Treble Clef Baritone Horn A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by bands, brass ensembles and brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. www.jvmusic.net Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest.https://www.youtube.com/watch?v=P8QQQd-8WVo
$25.00
23.01 €
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Brass ensemble
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Henry James “Harry†Williams/George Henry Powell/Felix Powell
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WWI Medley for Brass Ensemble
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JV MUSIC
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SheetMusicPlus
Prelude a l'apres-midi d'un faune by Debussy
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debus…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769). I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?
$34.99
32.2 €
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Brass ensemble
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Claude Debussy
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Prelude a l'apres-midi d'un faune by Debussy
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Phillip Lawrence
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SheetMusicPlus
God Rest Ye Merry Gentlemen
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.934844 Composed by Traditional …
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Brass Ensemble - Level 2 - Digital Download SKU: A0.934844 Composed by Traditional Christmas Carol. Arranged by Ben Mulholland. Christian,Christmas,Renaissance. Score and parts. 6 pages. Benjamin D Mulholland #4984291. Published by Benjamin D Mulholland (A0.934844). God Rest Ye Merry Gentlemen for Intermediate Brass Trio, with first part for Bb Trumpet or Horn. This was used for outdoor performances throughout Philadelphia in December of 2013 by various student groups. The Individual parts can be folded in half for ease of use with flip folders, or are nice inserted as interlude music. .
$2.37
2.18 €
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Brass ensemble
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Traditional Christmas Carol
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God Rest Ye Merry Gentlemen
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Benjamin D Mulholland
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SheetMusicPlus
I Want A Cowboy For Christmas
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.951645 Composed by Daryl Burges…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.951645 Composed by Daryl Burgess and Jaida Elizabeth Lauren Dreyer. Arranged by Travis Hayman. Contemporary. Score and parts. 20 pages. Travis Hayman #6617369. Published by Travis Hayman (A0.951645). I Want a Hippopotamus for Christmas is a Christmas novelty song written by John Rox (1902–1957) and performed by Gayla Peevey (10 years old at the time) in 1953. The song peaked at number 24 on Billboard magazine's pop chart in December 1953.
$12.99
11.95 €
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Brass ensemble
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Daryl Burgess and Jaida Elizabeth Lauren Dreyer
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I Want A Cowboy For Christmas
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Travis Hayman
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SheetMusicPlus
Santa Claus Is Comin' To Town
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.886399 By Steve Tyrell. By John…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.886399 By Steve Tyrell. By John Frederick Coots. Arranged by Chris Osborn. Jazz. Score and parts. 60 pages. Chris Osborn Music #3685725. Published by Chris Osborn Music (A0.886399). This arrangement of Santa Claus Is Comin' To Town is based on the one recorded live at C. W. Post College in Brookville, New York on December 12, 1975 by Bruce Springsteen & The E Street Band, was released in 1982 & 1985. A different, fun take on a festive classic. Scored for British style Brass Band.There is an optional vocal solo part (in the same key as used by Bruce Springsteen), just in case your band has a buddying rock god hiding in its ranks.
$30.00
27.61 €
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Brass ensemble
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Steve Tyrell
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Santa Claus Is Comin' To Town
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Chris Osborn Music
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SheetMusicPlus
Boudicca, Queen of the Iceni
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.22 €
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Brass ensemble
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Mary, Did You Know?
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1176387 By Kathy Mattea. By Bud…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1176387 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Bud Caputo. Christmas,Holiday,Standards. Score and parts. 24 pages. Bud Caputo #776514. Published by Bud Caputo (A0.1176387). This contemporary song has become a holiday favorite, espcially with the version done by the acapella group, Pentatonix. This Brass Quintet arrangment is modeled after that  version. An optional drum set part is included as well as Trombone Sub-Horn-in-F part that may be used. Your December audiences are sure to enjoy this arrangement. Students, especially the drum-set player, should listen to the Pentatonix version to get the correct interpretation of this classic. A YouTube link is listed below.
$19.95
18.36 €
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Brass ensemble
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Kathy Mattea
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Mary, Did You Know?
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Bud Caputo
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SheetMusicPlus
Lucy Meets Mr. Tumnus
Brass ensemble
Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregso…
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Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
11.96 €
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Brass ensemble
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Harry Gregson-Williams
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Lucy Meets Mr. Tumnus
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Music Macri Editions
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SheetMusicPlus
To Aslan's Camp
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregso…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
11.96 €
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Brass ensemble
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Harry Gregson-Williams
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To Aslan's Camp
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Music Macri Editions
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SheetMusicPlus
Evacuating London
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregso…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
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